It may very well be doubted whether any of the Italians, and, indeed,

any of their Transmontane admirers, know what is really fitted for

them in political institutions--what will really do them good--what

is really suited to the genius of the people and the requirements

of the country. Political institutions are like plants that cannot

always bear transferring from one region to another: they require the

process of becoming acclimatised, and, on their first introduction

into a new country, demand the fostering shelter of the hot-house and

the gardener's constant care. Because a representative constitution

is supposed to be the acme of human wisdom in the latitude of Great

Britain, it does not therefore follow that it will flourish so far

south as Naples; and because a national guard is reckoned the _ne plus

ultra_ of national institutions at Paris, we are by no means sure that,

it would produce any good results at Rome. It seems, in fact, to us to

be one of the monomanias of the present age, that the same Procrustean

bed of representative government is laid out for all people that

think they require more political liberty than they are at present in

possession of; and should the inhabitants of Timbuctoo, of Canton, of

Tobolsk, of Alexandria, and of Morocco, take it into their heads, some

fine day, to send deputations to the united _quidnuncs_ of London and

Paris, requesting the transmission of constitutions for their several

states, we have no doubt that a couple of legislative houses, and a

corps of national guards, _à pied et à cheval_, would be immediately

recommended, as equally applicable to their several wants. It seems

to be the privilege of civilised Europeans to think that the right of

governing themselves is the essence of civil freedom: far more true, in

the vast majority of cases, would it be to say, that it constituted the

essence of political thraldom. It is a social truth, most unpalatable

to ninety-nine-hundredths of mankind, but not therefore the less

true, that ninety-nine men out of a hundred are not fit to govern

themselves, even in the relations of social life, and far less in those

of political. And so it is with nations: for one nation that has really

prospered under the plan of self-government, there are ninety-nine that

have brought on themselves evils which, under a less popular system,

they would have avoided. If the physical and social condition of a

people be taken as a test; if the durability of their institutions, if

the dignity and influence of their government, be quoted, as proofs of

the advantages of their several forms of political institutions, we

really know not any constitutional form to which, _ceteris paribus_, we

could appeal as deciding the question against those of a monarchical

tendency. If the privilege of taxing themselves to an amount that

defies all power of redemption, and cripples the resources of the

nation to a point that menaces its existence as an independent power,

in the struggle of nations; if the freedom of conducting commercial

affairs in such a manner that every seventh year shall bring the whole

trading interests of a country to the very verge of bankruptcy; if the

balancing of the influence of the several classes so badly, that at

length the lower threaten to swallow up the upper in a wild flood of

irreligion and anarchical spoliation; if the system of "_propter vitam

vivendi perdere causas_" be adopted as the acme of perfection--if all

this be considered fit and proper, then let a constitutional monarchy

be preached up as the model for every nation under the sun. But we

cannot wish so ill to any of our fellow-men as to advise them to

relinquish present good, however small, for the prospect of such evil,

however seductive. We do not approve of plying the poor Red man with

fiery liquors till his tribe becomes exterminated; and in the same way

we would withhold the intoxicating draught of self-government from the

lips of those people who hitherto have sucked in their milk, as babes,

at the hands of others.

To us it is a bad sign that the Italians should be calling out for

representative assemblies, and for national guards. They are not fit

for the former, nor can they be so for the next hundred years--we

should not congratulate them even if they obtained these dangerous

tools, wherewith to play at the hazardous game of legislation: and as

for national guards, they do not want them, inasmuch as nobody is going

to invade them; and if an invasion were made by a northern nation, we

know, by long experience, that the national guard would be perfectly

useless. The Italians "don't fight;" they bluster and talk big, like

the Spaniards, and run away ere the first shot is fired. Ten thousand

Germans or Frenchmen, may march from one end of Italy to the other

without meeting any man that dares fire at them, except from behind

a rock or a stone wall. The Italians must be made of sterner stuff,

before they take upon themselves the responsibility of bearing arms.

The position of the several sovereigns in Italy is such, that their

opposition to the wishes of Austria, if that opposition be real,

creates in us some surprise. The King of Sardinia ought to know, by the

long and sad experience of those who have preceded him on his slippery

throne, that there is no chance of safety for him in a European

struggle, unless he depends on the House of Austria. France always has

been, and always will be, a treacherous neighbour to Piedmont; and she

will never cease coveting Savoy until she has made it her own, or has

been deprived even of the power of envy. The Grand Duke of Tuscany is

so closely related to the Emperor that family interests alone ought

to make their policy identical; and the King of Naples, like the King

of Sardinia, has no firmer support for his foreign power than the

friendship and countenance of the Court of Schönbrunn. The Pope is

certainly an independent prince, and at his wish to keep the Holy See

free from all foreign influence we cannot feel surprised: it is the

healthiest, because the least unnatural, symptom of the whole crisis.

For Austria, we can well conceive that the prudent and cautious policy

of that ably conducted monarchy must dictate excessive jealousy and

suspicion of these popular movements. Austria, more than any other

power in Europe, has the truest cause to pride itself on the good

results of its peculiar system of government, as demonstrated by the

solid and practical wellbeing of the States under its paternal sway.

As much as any state of the Continent has it cause to abhor those

systems of anarchy which, under the guise of patriotism, lead only to

revolution and misery: and as one of the great conservators of the

monarchical principle in politics, it is called upon, by its very

station and dignity, to check rather than to encourage what may very

possibly prove to be only a spurious attempt to gain licentiousness,

rather than freedom. Lombardy, no doubt, is allied to its illustrious

rulers most unwillingly; but it does not therefore follow that it would

be in the least degree more prosperous and happy if left to itself. On

the contrary, we have no doubt that, could Lombardy receive at once

the full license to establish its own form of government, it would

split into as many petty states as there are large cities in it, and

would be plunged into all the horrors of civil contest. It is a most

fortunate thing for the north of Italy that it is under the strong hand

of the most steady and respectable power in Europe--one whose rulers

will never set it a bad example, who are able to protect it from all

aggression, and who watch over its social and internal progress with

unceasing care. The Lombards, like the Irish agitators, may cry out

for "Repeal of the Union;" but the granting of that repeal would be

the signing of the death-warrant of national prosperity. Austria is no

enemy to rational, well-balanced liberty: there is no country in the

world where _real_ liberty and happiness are more widely diffused, or

more intensely felt. Its people are free from the clamours of noisy and

frothy patriotism, which, when stripped of its false clothing, proves

nothing more than vulgar and self-interested ambition. They enjoy all

the blessings of good government, and are able each man to sit under

his own fig tree, and to see all around him in a state of unmixed

prosperity. Such a power as this will not readily give way to the

declamations and "pronunciations" of the rabble; it will rather wait

for the amelioration of the national character; and, when it finds its

subjects fit for some of the introductory processes of self-government,

it will concede them.

We could wish to see the other powers of Italy taking advice from

Austria, and not hastening onwards too rapidly along that path, wherein

a return is so unpleasant and so difficult. Far better would it be

for them to be too slow than too hasty with political innovation: the

safety of such a retardatory course is certain, whereas the success of

a more rapid advance is exceedingly problematical.

As for England, whatever tends to the real benefit of Italy must tend

also to her advantage. She has so many commercial, if not political

relations with that country, that the well-being of a considerable

class of her customers cannot but promote the interests of her own

traders. But Italy revolutionised will not be the Italy that now

imports large quantities of our goods, and that pays for them in

valuable products of first-rate necessity to the English consumer.

Italy, well governed and prosperous, will always offer a good mart for

British goods; and therefore, upon this ground alone, Great Britain

is especially concerned to see that the Peninsula remains quiet and

healthy. But, to take a higher view of the state of things, it is the

true interest of England--whatever Radical orators and Whig statesmen

may think--to ally herself with the friends of order in Europe, and

to avoid all connexion with the promoters of wars and tumults. France

would be delighted at seeing Italy convulsed from one end to the other,

were not the crafty occupant of her throne afraid of thereby injuring

the solidity of his own dynasty. But for England, there can be no

second course to pursue; and having gained her own freedom through

the long experience and the severe trials of centuries, she can never

honestly encourage other nations to hope for similar results by the

proceedings of a few months and weeks. If she does, or rather if her

ministers tamper with the revolutionary party in Italy, or elsewhere,

instead of supporting the cause of steady government, she abdicates the

high position she holds in the European family, and deserves to lose

those multifarious advantages,--those numerous possessions, which she

holds only on the tenure of being the great supporter of reasonable

freedom, and international justice.

THE PERIODICAL LITERATURE OF AMERICA.

BRITISH readers are not unacquainted with the American newspaper press,

as, not to mention the numerous extracts from transatlantic papers in

the columns of London journals, the merits of that press formed, but a

few years ago, a topic of controversy between two London Quarterlies.

But of American magazines and reviews they seldom hear any thing. This

is certainly in no degree owing to the scarcity of these publications,

for they are as numerous, in comparison, as the newspapers, have a very

respectable circulation, (in some cases nearly four thousand,) and that

at the not remarkably low price of four or five dollars _per annum_.

Neither is it to their insignificance at home, for their editors make

a considerable figure in the literary world, and their contributors

are sufficiently vain of themselves, as their practice of signing or

heading articles with their names in full would alone show.[47] Indeed

Willis's idea (so ridiculed by the _Edinburgh_,) of a magazine writer

becoming a great lion in society, is not so very great an absurdity if

applied to American society. Nor is this due to the fact that their

topics are exclusively local; for there is scarcely a subject under

heaven of which they do not treat, and a European might derive some

very startling information from them. The _Democratic Review_, for

example, has a habit of predicting twice or thrice a-year that England

is on the point of exploding utterly, and going off into absolute

chaos.[48]

"Perhaps," interrupts an impatient non-admirer of things American

generally, "it is because they are not worth hearing any thing about."

And this suggestion is not so far from truth as it is from politeness.

Considering the great demand for periodical literature in the New

World, one is surprised to find it so bad in point of quality. Not

that the monthly and quarterly press is disfigured by the violence

and exaggeration that too often deform the daily. Over-spiciness is

the very last fault justly chargeable upon it. In slang language, it

would rather be characterised by the terms "slow," "seedy," "remarkably

mild," and the like. Crude essays filled with commonplaces, truisms,

verses of the true _non Di non homines_ cast, tales such as shop-boys

and milliners' girls delight in, and "critical notices" all conceived

in the same spirit of indiscriminating praise, make up the columns of

the monthlies; while the one or two more pretending publications which

now represent the quarterly press, are of a uniformly subdued and

soporific character.

Now the first phenomenon worthy of notice is, that this has not always

been the case. It was very different eight or nine years ago. The three

leading cities of the north, New York, Boston, and Philadelphia, had

each its Quarterly: the _Knickerbocker_, a New York magazine, boasted

a brilliant list of contributors, headed by Irving and Cooper, and its

articles were frequently copied (sometimes without acknowledgment,)

into English periodicals. This change for the worse is worth

investigating, at least as a matter of curiosity.

"I don't know that it _is_ a change for the worse," says a prim

personage in spectacles. "If your periodical literature dies out

entirely, you need not be very sorry. I shouldn't be if ours did." And

then come some murmurs of "light," "superficial," "unsound," and more

to the same effect.

"My good sir, this in the face of Maga! not to mention the _Quarterly_

and the _Edinburgh_. With such _faits accomplis_ against you, what

_can_ you say?"

"I don't believe in _faits accomplis_. They are the excuse of the timid

man, and the capital of the unprincipled man. _Fait accompli_ means, in

plain English, that 'because it is so, therefore it ought to be so'--a

doctrine which I, for one, will never assent to."

"Well, there is something in that last position of yours. We will

condescend, therefore, to argue the question. Let me ask you, then,

"_First_, Do you see any _primâ facie_ improbability in supposing that

a man may write a very good essay, who could not write two good volumes

octavo; or a racy and interesting sketch, who could not put together a

readable novel; or a few graceful poems, without having matter enough

for a volume of poetry?

"_Secondly_, Is a treatise necessarily profound, because it is long; or

superficial, because it is of practicable dimensions?

"_Thirdly_, When you use the term 'superficial,' do you really

believe and mean to imply that periodical writers are in the habit of

discussing subjects which they do not understand? Would you say, for

instance, that Macaulay's reviews denote a man ignorant of history, or

that Sedgwick knows less geology than the man who wrote the _Vestiges

of Creation_, or that Mitchell knew less Greek than Lord Brougham?

"But perhaps it is the literary criticism to which you object. You

are an author yourself, perhaps, though we have not the pleasure of

recollecting you. You have written a good-sized volume of _Something,

and Other Poems_, and cannot bear that your thoughts and rhymes

should be scrutinised and found fault with by a reviewer--that your

immortal fire should be tested in so earthy a crucible. In that case

you will find many more or less distinguished names to sympathise with

and encourage you. There is Bulwer, with whom the word critic is an

exponent of every thing that is low, and mean, and contemptible; and

on our side of the water (sorry are we to say it) a much milder man

than Bulwer--Washington Irving--has spoken of the critical tribe as

having little real influence, and not deserving more influence than

they have; while of the small fry of authorlings, there is no end of

those who are ready to rate the reviewer roundly for 'finding fault

with his betters.' One cannot even condemn an epic of impracticable

length and hopeless mediocrity--nay, not so much as hint that verses

are not necessarily poetry--without being assailed by an unceremonious

_argumentum ad hominem_--'You couldn't make better.'[49] And perhaps

the critic could not. It is more reasonable to suppose that he wouldn't

if he could, entertaining the commendable conviction, that to spend

a day, much more a month or a year, in writing middling verse, is an

awful waste of time. But what an absurd irrelevancy of counter-charge!

Suppose Brummell had found fault with the (Nug ee?) or Buckmaster

of his day for misfitting him, and the schneider had replied, 'Mr

Brummell, you couldn't make as good a coat in a year.' 'Very probably

not,' the beau might have retorted; 'but my business is to wear the

coat, and yours to make it.' Must a man be able to concoct a _bisque

d'écrevisse_ himself, before he can venture to hazard an opinion on

the respective merits of the _Trois Frères_ and the _Café Anglais_? Or

shall he be denied the right of giving a decided vote and holding a

decided opinion in politics, because he has not ability or opportunity

to become a cabinet minister to-morrow? In seeking to put down, or

affecting to despise criticism, the author makes a claim which no

other distinguished character ventures. The artist does not insist on

controlling the judgment of his contemporaries,[50] still less the

statesman. Did a premier fulminate his dictum to the effect that no

journalist had a right to find fault with his measures, he would raise

a pretty swarm of hornets about his ears. By what precedent or analogy,

then, can the poet, or novelist, or historian, set himself up as

autocrat in that realm of letters, which is proverbially a republic?

"Besides, suppose for a moment that all professional critics were

Sir-Peter-Lauried in the most complete manner, who should help to guide

the popular mind in determining on the merits of a work? Are we to

trust the written puffs of the author's publisher, or the spoken puffs

of his friends? Or are _authors_ only to judge of authors, and is it

quite certain that in this way we shall always obtain unprejudiced

and competent judgments? Or shall we make an ultimate appeal to the

public themselves, and decide a book's merits by its sale--a test that

would put Jim Crow infinitely before Philip Van Artevelde? No doubt a

_bad_ critic is a very bad thing; but it is not a remarkably equitable

proceeding to judge of any class by the worst specimens of it; and

surely it is no fairer to condemn critics _en masse_, because some

of them have formed erroneous judgments or uttered predictions which

time has falsified, than it would be to condemn authors _en masse_,

because many of them have written stupid or dangerous books. Let us

ask ourselves soberly what a critic is--not the caricature of one

that Bulwer would draw, but such an idea of one as any dispassionate

and well-informed man would conceive. In the first place, criticism

depends very much on taste, and taste is of all faculties that which

is founded on and supported by education and cultivation. Therefore

the critic must be a liberally educated man in the highest sense of

the term. And as he has to be conversant with niceties of thought and

expression, philology and the classics should have formed a prominent

element in his education. We should be very suspicious of that man's

critical capacity, who had not thoroughly studied (by which we do _not_

mean being able to speak) at least one language besides his own. Then,

as a matter of course, before beginning to write about books, he must

have read many books of all sorts, and not only read, but studied and

comprehended them. All which will help us to see why the professional

critic is likely to be a better judge of books than the professional

author, because the preparation of the former renders him eminently

eclectic; while the latter is apt to have a bias toward peculiarities

of his own, and thus to judge of others by a partial standard.

"Next, the critic must be a courageous and independent man. His

judgment upon a book must be entirely irrespective of any popular

outcry for or against it. If he is at all apt to float with the

opinions of others, he cannot be the adviser and assistant of the

public, but will only encourage accidental error or premeditated

deception. For a similar reason, he will keep all personal and private

considerations out of view. He must not be supposed to know the author,

except as exhibited in his works. But while personality is the bane of

criticism, partisanship, moral or political, is so far from being a

hinderance to the critic, that it is actually an aid to him. If he has

legitimate grounds for praising a coadjutor or condemning an opponent,

he will write all the better for his partisanship; for, indulging that

partisanship, he feels himself, if he be an honest partisan, to be

also serving the public. We do not pretend to have enumerated all the

requisites for a critic. There are some natural qualities, which, if

not indispensable, are at least a great assistance. Thus we find men

who have the same immediate perception of styles that portrait painters

have of countenances, and can immediately assign to any anonymous

writing its author, though the peculiarities which distinguish that

author be so slight that it is not easy to illustrate, much less to

explain them. And thus, if you ask such a man, 'How do you know that

---- wrote this? What turn of expression or traits of style can you

point to?' He will reply, 'I can't give you any reason, only I am sure

it is so;' and so you will find it to be. He knows it, as it were,

by intuition." But we have already said quite enough on the general

question; so let us leave our friend to wipe his spectacles, and come

back to our particular case.

In examining the causes of the inferiority of American periodical

literature, the most readily assignable, and generally applicable is,

that its contributors are mostly unpaid. It is pretty safe to enunciate

as a general rule, that, when you want a good thing, you must pay for

it. Now the reprints of English magazines can be sold for two dollars

_per annum_, whereas a properly supported home magazine or review

cannot be afforded for less than four or five. Hence no one will

embark a large capital in so doubtful an undertaking; and periodical

editorship is generally a last resource or a desperate speculation. One

of the leading magazines in New York--perhaps, on the whole, the most

respectable and best conducted--was started with a _borrowed_ capital

of 300 dollars, (say £65.) But it is hardly necessary to remark that

the proprietors of a periodical should have a fair sum in hand to begin

with, that they may secure the services of able and eminent men to

make a good start. The syllogistic conclusion is obvious. At the same

time, the editor finds at his disposal a most tempting array (so far as

quantity and variety are concerned) of gratuitous contributions; for

there is in America a mob of--not "gentlemen" altogether--men and women

who "write with ease," and whose "easy writing" seldom escapes the

correlative proverbially attached to easy writing. This is, in a great

measure, owing to the system of school and collegiate education, which,

by working boys and girls of fourteen and upwards at "compositions" and

"orations" about as assiduously as Etonians are worked at "longs and

shorts," makes them "writers" before they know how to read, and gives

them a manner before they can have acquired or originated matter. Most

of these people are content to write for nothing; they are sufficiently

paid by the glory of appearing in print; many of them could write

no better if they were paid. And it certainly is a temptation to be

offered a choice gratis among a variety of articles not absolutely

unreadable, while you would be compelled to pay handsomely for one good

one.

Blackwood's Edinburgh Magazine, Volume 63, No. 387, January, 1848 · 第 17 / 21 段