WITH "THE OLD MASTERS."

At Burlington House.--Real treat. No. 6. Portrait of CHARLES DIBDIN, the

Nautical Poet and Songster. Painted by Sir WILLIAM BEECHEY, R.A.

Appropriate, a "_Beechey Head_."

No. 11. "_Girl Sketching._" By Sir JOSHUA REYNOLDS, P.R.A. Everybody knows

that the sun stood still for JOSHUA; here you may see how, for Sir JOSHUA,

the daughter stood still.

No. 36. Our old friend, "_A Chat round the Brasero_." By PHILLIP OF SPAIN,

_i.e._, JOHN PHILLIP, R.A. It ought to have been called "_A Good Story_."

No chatting is going on, but the worthy _padre_ has just told them a story

which, like the picture itself, is full of local colour. The _padre_ has

given a "Phillip" to the conversation.

No. 43. "_Portrait of an Actor._" By ZOFFANY, R.A. Who is the Actor? The

Painter we know; but the Actor--? "_Ars longa, vita brevis_"--and "then is

heard no more."

No. 48. Another Portrait of another Actor. By ZOFFANY. Name! Name! Did they

both appear for "one night only"--come "like shadows, so depart"?

No. 75. "_Portrait of a Lady_"--an old lady, but such an old lady! By

REMBRANDT. What a cap! What a frill! What a pocket-handkerchief! Delighted

to see such a specimen of "Old Dutch!" Homely old Dutchess!

No. 78. "_The Fishmonger._" By VAN OSTADE. The fish as fresh to-day as when

it was originally bought.

No. 109. Wonderful! VAN DYCK'S "_Burgomaster Triest_." As the eminent

critic and punster, JOSEPH VON MÜLLER, observed to VAN DYCK, "DYCK, my boy,

thou wilt never paint a better than this _Burgomaster of Triest_ if thou

Tri-est ever so!"

Then quoth my companion, "Come to the BLAKE Collection." Ahem! Into the

Black-and-White Room. Ugh!... "That way madness lies." No more to-day,

thank you.

* * * * *

BEASTLY SUPERIORITY.--(_Konundrum by the "Boxing Kangaroo," on hearing of

the "Wrestling Lion."_)--What is tamer than a tame lion? Why, of course, a

Lion Tamer.

* * * * *

Punch, or the London Charivari, Vol. 104, February 18, 1893 · 第 17 / 24 题