In 1795 and 1796, appeared the two volumes of Zoonomia, or Laws of

Organic Life, the produce of long labour and much consideration. What

profit a physician may derive from this book I am unable to determine;

but I fear that the general reader will too often discover in it a

hazardous ingenuity, to which good sense and reason have been

sacrificed. When the writer of these pages, who was then his patient,

ventured to intimate the sensuality of one part of it to its author, he

himself immediately referred to the passage which was likely to have

raised the objection; and, on another occasion, as if to counteract this

prejudice in the mind of one whose confidence he might be desirous of

obtaining, he recommended to him the study of Paley's Moral Philosophy.

In 1781, he married his second wife, the widow of Colonel Pole, of

Radburne, near Derby, with whom he appears to have lived as happily as

he had done with his first. By her persuasion, he was induced to pass

the latter part of his days at Derby. Here his medical practice was not

at all lessened; and he had a second family to provide for out of the

emolument which it brought him. His other publications were a Tract on

Female Education, a slight performance, written for the purpose of

recommending a school kept by some ladies, in whose welfare his relation

to them gave him a warm interest; and a long book in 1800, on the

Philosophy of Agriculture and Gardening, which he entitled Phytologia.

On Lady Day, 1802, he took possession of an old house, called the

Priory, which had belonged to his son Erasmus, and was situated at a

short distance from Derby; and on the 17th of the next month, while he

was writing to his friend, Mr. Edgeworth, the following letter, he was

arrested by the sudden approach of death.

* * * * *

Priory, near Derby, April 17, 1802.

Dear Edgeworth,--I am glad to find that you still amuse yourself with

mechanism, in spite of the troubles of Ireland.

The use of turning aside, or downwards, the claw of a table, I don't

see, as it must be reared against a wall, for it will not stand alone.

If the use be for carriage, the feet may shut up, like the usual brass

feet of a reflecting telescope.

We have all been now removed from Derby about a fortnight, to the

Priory, and all of us like our change of situation. We have a pleasant

home, a good garden, ponds full of fish, and a pleasing valley

somewhat like Shenstone's--deep, umbrageous, and with a talkative

stream running down it. Our home is near the top of the valley, well

screened by hills from the east and north, and open to the south,

where at four miles' distance we see Derby Tower.

Four or more strong springs rise near the house, and have formed the

valley, which, like that of Petrarch, may be called Valchiusa, as it

begins, or is shut at the situation of the house. I hope you like the

description, and hope farther, that yourself or any part of your

family will sometime do me the pleasure of a visit.

Pray tell the authoress that the water-nymphs of our valley will be

happy to assist her next novel.

My bookseller, Mr. Johnson, will not begin to print the Temple of

Nature till the price of paper is fixed by Parliament. I suppose the

present duty is paid

* * * * *

To this imperfect sentence was added on the opposite side by another

hand;

Sir,--This family is in the greatest affliction. I am truly grieved to

inform you of the death of the invaluable Dr. Darwin. Dr. Darwin got

up apparently in good health; about eight o'clock, he rang the library

bell. The servant who went, said he appeared fainting. He revived

again. Mrs. Darwin was immediately called. The Doctor spoke often, but

soon appeared fainting; and died about one o'clock.

Our dear Mrs. Darwin and family are inconsolable: their affliction is

great indeed, there being few such husbands or fathers. He will be

most deservedly lamented by all who had the honour of being known to

him.

I remain, Sir,

Your obedient humble servant,

S.M.

P.S. This letter was begun this morning by Dr. Darwin himself.

The complaint which thus suddenly terminated his life, in his

seventy-first year, was the Angina Pectoris.

The Temple of Nature was printed in the year after his death; but the

public had either read enough of his writings or were occupied with

other things, for little attention was paid to this poetical bequest.

That ingenious burlesque of his manner, the Loves of the Triangles,

probably contributed to loosen the spell by which he had for a while

taken the general ear.

His person is well described by his biographer, Miss Seward, as being

above the middle size, his form athletic, and his limbs too heavy for

exact proportion; his countenance marked by the traces of a severe

small-pox, and, when not animated by social pleasure, rather saturnine

than sprightly. In youth his exterior was rendered agreeable by florid

health, and a smile that indicated good-humour. His portrait, by Wright

of Derby, gives a very exact, but inanimate, representation of his form

and features. In justice to the painter, it must be told, that I believe

the likeness to have been taken after death.

In his medical practice he was by some accused of empiricism. From this

charge, both Miss Seward and Mr. Edgeworth have, I think, justly

vindicated him. The former has recorded a project which he suggested, on

the supposed authority of some old practitioners, but which he did not

execute, for curing one of his consumptive patients by the transfusing

of blood from the veins of a person in health. I have been told, that

when a mother, who seemed to be in the paroxysm of a delirium, expressed

an earnest wish to take her infant into her arms, and her attendants

were fearful of indulging her lest she should do some violence to the

object of her affection, he desired them to commit it to her without

apprehension, and that the result was an immediate abatement of her

disorder. This was an instance rather of strong sagacity than of

extraordinary boldness; for nothing less than a well-founded confidence

in the safety of the experiment could have induced him to hazard it.

I know not whether it be worth relating, that when sent for to a

nobleman, at Buxton, who conceived his health to have suffered by the

use of tea, to which he was immoderately addicted, Darwin rang the bell,

and ordered a pot of strong green tea to be brought up, and, filling

both his patient's cup and his own, encouraged him to frequent and

lavish draughts. I have heard that he was impatient of inquiries which

related to diet; thinking, I suppose, that after the age of childhood,

in ordinary cases, each person might regulate it best for himself. But

from an almost entire abstinence from fermented liquors, he was, both by

precept and example, a strenuous adviser. "He believed," says Miss

Edgeworth, in her Memoirs of her Father, "that almost all the distempers

of the higher classes of people arise from drinking, in some form or

other, too much vinous spirit. To this he attributed the aristocratic

disease of gout, the jaundice, and all bilious or liver complaints; in

short all the family of pain. This opinion he supported in his writings

with the force of his eloquence and reason; and still more in

conversation, by all those powers of wit, satire, and peculiar humour,

which never appeared fully to the public in his works, but which gained

him strong ascendancy in private society. During his lifetime, he almost

banished wine from the tables of the rich of his acquaintance; and

persuaded most of the gentry in his own and the neighbouring counties to

become water-drinkers." Here, I doubt, Miss Edgeworth has a little

over-rated the extent of his influence. "Partly in jest, and partly in

earnest, he expressed his suspicions, and carried his inferences on this

subject, to a preposterous excess. When he heard that my father was

bilious, he suspected that this must be the consequence of his having,

since his residence in Ireland, and in compliance with the fashion of

the country, indulged too freely in drinking. His letter, I remember,

concluded with--Farewell, my dear friend. God keep you from whiskey--if

he can."

His opinion respecting the safety of inoculating for the small-pox at a

proper age, as it was expressed in the following letter to the writer of

these pages, will be satisfactory to such parents as are yet unconvinced

of the efficacy of vaccination; and his opinion is the more valuable,

because it was given at a time when there was neither prejudice nor

prepossession on the subject.

_Derby, Oct_. 9, 1797.

Dear Sir,--On the best inquiry I have been able to make to-day, I

cannot hear that the small-pox is in Derby. I can only add, that all

those who have died by inoculation, whom I have heard of these last

twenty years, have been children at the breast; on which account it

may be safer to defer inoculation till four or five years old, if

there be otherwise no hazard of taking the disease naturally.

I am, &c.

E. DARWIN.

On the accounts which his patients gave him of their own maladies, he

placed so little dependence, that he thought it necessary to wring the

truth from them as a lawyer would do from an unwilling witness. His

general distrust of others, in all that related to themselves, is well

exemplified by a casual remark that has been lately repeated to me by a

respectable dignitary of the church, to whom when he was apologizing for

his want of skill in the game of chess, at which they were going to

play, Darwin answered, that he made it a rule, not to believe either the

good or the harm that men spoke of themselves.

This want of reliance in the sincerity of those with whom he conversed

has been attributed, with some colour of reason, to his habitual

scepticism on matters of higher moment. Mr. Fellowes has observed of

him, that he dwelt so much and so exclusively on second causes, that he

seems to have forgotten that there is a first. There is no solution of

natural effects to which he was not ready to listen, provided it would

assist him in getting rid of what he considered an unnecessary

intervention of the Supreme Being. A fibre capable of irritability was

with him enough to account, not only for the origin of animal life, but

for its progress through all its stages. He had thus involved himself in

the grossest materialism; but, being endued with an active fancy, he

engendered on it theories so wild and chimerical, that they might be

regarded with the same kind of wonder as the fictions of romance, if our

pleasure were not continually checked by remembering the error in which

they originate. What more prodigious transformation shall we read of in

Ovid, than that which he supposes the organs of his strange ens to have

undergone during the change of our globe from moist to dry?

As in dry air the sea-born stranger roves,

Each muscle quickens, and each sense improves;

Cold gills aquatic form respiring lungs,

And sounds aerial flow from slimy tongues.

_Temple of Nature,_ c. 1.

The peculiarities of the shapes of animals, which distinguished them

from each other, he supposes to have been gradually formed by these same

irritable fibres, and to have been varied by reproduction. As to the

faculties of sensation, volition, and association, they come in

afterwards as matters of course, and in a manner so easy and natural,

that the only wonder is, what had kept them waiting so long. He

mentions, with something like approbation, the hypothesis of Buffon and

Helvetius, who, as he tells us, seem to imagine, that mankind arose from

one family of monkeys, on the banks of the Mediterranean, who

accidentally had learned to use the adductor pollicis, or that strong

muscle which constitutes the ball of the thumb and draws the point of it

to meet the points of the fingers, which common monkeys do not; and that

this muscle gradually increased in size, strength and activity, in

successive generations; and that, by this improved use of the sense of

the touch, monkeys acquired clear ideas, and gradually became men.

To this he gravely adds, that perhaps all the productions of nature are

in their progress to greater perfection! an idea countenanced by modern

discoveries and deductions concerning the progressive formation of the

solid parts of this terraqueous globe, and consonant of the dignity of

the Creator.

His description of the way in which clear ideas were acquired is not

much improved when he puts it into verse.

Nerved with fine touch above the bestial throngs,

The hand, first gift of Heaven! to man belongs:

Untipt with claws, the circling fingers close,

With rival points the bending thumbs oppose,

Trace the nice lines of form with sense refined,

And clear ideas charm the thinking mind.

_Temple of Nature_, c. 3.

He tells us of a naturalist who had found out a shorter cut to the

production of animal life, who thought it not impossible that the first

insects were the anthers and stigmas of flowers, which had by some means

loosened themselves, from their parent plant, and that other insects in

process of time had been formed from these; some acquiring wings, others

fins, and others claws, from their ceaseless efforts to procure food, or

to secure themselves from injury. What hindered but these insects might

have acquired hands, and by those means clear ideas also, is not

explained to us.

As great improvements, however, have certainly been made in some way or

other, he sees reason to hope that not less important ameliorations may

in time succeed. If our improved chemistry (says he,) should ever

discover the art of making sugar from fossile or aerial matter, without

the assistance of vegetation, food for animals would then become as

plentiful as water, and they might live upon the earth without preying

on each other, as thick as blades of grass, without restraint to their

numbers but the want of local room: no very comfortable prospect, it

must be owned, especially to those who are aware of the alarming ratio

in which, according to later discoveries, population is found to

multiply itself; a consummation that would scarcely produce that at

which he thought it the chief duty of a philosopher to aim: namely, the

greatest possible quantity of human happiness. On being made acquainted

with reveries such as these, through the means of the press, we are

inclined to doubt the justice of his encomium on the art of printing,

since which discovery, he tells us, superstition has been much lessened

by the reformation of religion; and necromancy, astrology, chiromancy,

witchcraft, and vampyrism, have vanished from all classes of society;

though some are still so weak in the present enlightened times as to

believe in the prodigies of animal magnetism, and of metallic tractors.

What then is to be said of the prodigies of spontaneous vitality? To a

system which removes the Author of all so far from our contemplation, we

might well prefer the faith of

--the poor Indian, whose untutor'd mind

Sees God in clouds, and hears him in the wind.

The father of English poetry, who well knew what qualities and habits

might with most probability be assigned to men of different professions,

has made it a trait in the character of his Doctour of Phisike, that

His study was but little in the Bible.

Though there are illustrious examples of the contrary, yet it may

sometimes be with the physician as Shakspeare said of himself, when

complaining of the influence which the business of a player had on his

mind, that

--his nature is subdued

To that it works in.

A propensity to materialism had not, however, so subdued the mind of

Darwin, as to prevent him from acknowledging the existence of what he

terms the Great Cause of Causes, Parent of Parents, Ens Entium. Nay, he

went the length of maintaining, that his doctrine of spontaneous

vitality was not inconsistent with Scripture.

But whatever may be thought of his creed, it must be recorded of him

that he discharged some of the best duties of religion in a manner that

would have become its most zealous professors. He was bountiful to the

poor, and hospitable to his equals. To the inferior clergy, when he

resided at Lichfield, he gave his advice unfeed, and he attended

diligently to the health of those who were unable to requite him.

Johnson is said, when he visited his native city, to have shunned the

society of Darwin: Cowper, who certainly was as firm a believer as

Johnson, thought it no disparagement to his orthodoxy, to address some

complimentary verses to him on the publication of his Botanic Garden.

This poem ought not to be considered more than as a capriccio, or sport

of the fancy, on which he has expended much labour to little purpose. It

does not pretend to anything like correctness of design, or continuity

of action. It is like a picture of Breughel's, where every thing is

highly coloured, and every thing out of order. In the first part, called

the Economy of Vegetation, the Goddess of Botany appears with her

attendants, the Powers of the Four Elements, for no other purpose than

to describe to them their several functions in carrying on the

operations of nature. In the second, which has no necessary connection

with the first, the Botanic Muse describes the Loves of the Plants. Here

the fiction is puerile, and built on a system which is itself in danger

of vanishing into air. At the end of the second canto, the Muse takes a

dish of tea, which I think is the only thing of any consequence that is

done throughout. The second part has been charged with an immoral

tendency; but Miss Seward has observed, with much truth, that it is a

burlesque upon morality to make the amours of the plants responsible at

its tribunal; and that the impurity is in the imagination of the reader,

not in the pages of the poet. For these amours, he might have found a

better motto than that which he has prefixed from Claudian, in the

following stanza of Marini.

Ne' fior ne' fiori istessi Amor ha loco,

Ama il giglio il ligustro e l'amaranto,

E Narciso e Giacinto, Ajace e Croco,

E con la bella Clitia il vago Acanto;

Arde la Rosa di vermiglio foco,

L'odor sospiro e la rugiada e pianto:

Ride la Calta, e pallida e essangue

Vinta d'amor la violetta langue.

_Adone_, Canto 6.

He was apt to confound the odd with the grotesque, and to mistake the

absurd for the fanciful. By an excellent landscape-painter now living, I

was told that Darwin proposed as a subject for his pencil, a shower, in

which there should be represented a red-breast holding up an expanded

umbrella in its claws.

An Italian critic, following a division made by Plotinus, has

distributed the poets into three classes, which he calls the musical,

the amatorial, and the philosophic. In the first, he places those who

are studious of softness and harmony in their numbers; in the second,

such as content themselves with describing accurately the outward

appearances of real or fanciful objects; and in the third, those who

penetrate to the qualities of things, draw out their hidden beauties,

and separate what is really and truly fair from that which has only its

exterior semblance. Among the second of these, Darwin might claim for

himself no mean station. It was, indeed, a notion he had taken up, that

as the ideas derived from visible objects (to use his own words) are

more distinct than those derived from any other source, the words

expressive of those ideas belonging to vision make up the principal part

of poetic language. So entirely was he engrossed by this persuasion, as,

too frequently, to forget that the admirers of poetry have not only eyes

but ears and hearts also; and that therefore harmony and pathos are

required of the poet, no less than a faithful delineation of visible

objects.

Yet there is something in his versification also that may be considered

as his own. His numbers have less resemblance to Pope's, than Pope's to

those of Dryden. Whether the novelty be such as to reflect much credit

on the inventor, is another question. His secret, was, I think, to take

those lines in Pope which seemed to him the most diligently elaborated,

and to model his own upon them. But with those forms of verse which he

borrowed more particularly from Pope, in which one part is equally

balanced by the other, and of which each is complete in itself without

reference to those which precede or follow it, he has mingled one or two

others that had been used by our elder poets, but almost entirely

rejected by the refiners of the couplet measure till the time of

Langhorne; as where the substantive and its epithet are so placed, that

the latter makes the end of an iambic in the second, and the former the

beginning of a trochee in the third foot.

And showers | th[)e] st[=i]ll | sn[=o]w fr[)o]m | his hoary urns.

_Darwin, Botanic Garden_, p. I, c. 2, 28.

Or dart | th[)e] r[=e]d | fl[=a]sh thr[)o]ugh | the circling band.

_Ibid_. 361.

Or rests | h[)e]r fa[=i]r | ch[=e]ek [)o]n | his curled brows.

_Ibid_. c. 2, 252.

Deserve | [)a] sw[=e]et | l[=o]ok fr[)o]m | Demetrius' eye.

_Shakspeare, Mid. N. D._

Infect | th[)e] so[=u]nd | p[=i]ne [)a]nd | divert his grain.

_Shakespeare, Tempest._

Which on | thy s[=o]ft | ch[=e]ek f[)o]r | complexion dwells.

_Shakspeare, Sonnet_ 99.

To lay | th[)e]ir j[=u]st | h[=a]nds [)o]n | the golden key.

_Milton, Comus_.

Or where they make the end of an iambic in the first, and the beginning

of a spondee in the second foot, as

Th[)e] w[=a]n | st[=a]rs gl[=i]m|mering through its silver train.

_Botanic Garden_, p. I, c. I, 135.

Th[)e] br[=i]ght | dr[=o]ps r[=o]l|ling from her lifted arms.

_Ibid_. c. 2, 59.

Th[)e] p[=a]le | l[=a]mp gl[=i]m|mering through the sculptur'd ice.

_Ibid_. 134.

H[)e]r fa[=i]r | ch[=e]ek pr[=e]ss'd | upon her lily hand.

_Temple of Nature_, c. I, 436.

Th[)e] fo[=u]l | b[=o]ar's c[=o]n|quest on her fair delight.

_Shakspeare, Venus and Adonis_, 1030.

Th[)e] r[=e]d | bl[=o]od r[=o]ck'd | to show the painter's strife.

_Ibid._ _Rape of Lucrece_, 1377.

There is so little complexity in the construction of his sentences,

that they may generally be reduced to a few of the first and simplest

rules of syntax. On these he rings what changes he may, by putting the

verb before its nominative or vocative case. Thus in the following

verses from the Temple of Nature:

On rapid feet o'er hills, and plains, and rocks,

Speed the sacred leveret and rapacious fox;

On rapid pinions cleave the fields above,

The hawk descending, and escaping dove;

With nicer nostril track the tainted ground,

The hungry vulture, and the prowling hound;

Converge reflected light with nicer eye,

The midnight owl, and microscopic fly;

With finer ear pursue their nightly course,

The listening lion, and the alarmed horse.

C. 3, 93.

Sometimes he alternates the forms; as

In Eden's groves, the cradle of the world,

Bloom'd a fair tree with mystic flowers unfurl'd;

On bending branches, as aloft it sprung,

Forbid to taste, the fruit of knowledge hung;

Flow'd with sweet innocence the tranquil hours,

And love and beauty warm'd the blissful bowers.

_Ibid._ 449.

The last line or the middle of the last line in almost every sentence

throughout his poems, begins with a conjunction affirmative or negative,

_and_, or _nor_; and this last line is often so weak, that it breaks

down under the rest. Thus in this very pretty impression, as it may

almost be called, of an ancient gem;

So playful Love on Ida's flowery sides

With ribbon-rein the indignant lion guides;

Pleased on his brindled back the lyre he rings,

And shakes delirious rapture from the strings;

Slow as the pausing monarch stalks along,

Sheathes his retractile claws, and drinks the song.

Soft nymphs on timid step the triumph view,

And listening fauns with beating hoofs pursue;

With pointed ears the alarmed forest starts,

And love and music soften savage hearts.

_Botanic Garden_, c. 4. 252.

And in an exceedingly happy description of what is termed the

picturesque:

The rush-thatch'd cottage on the purple moor,

Where ruddy children frolic round the door,

The moss-grown antlers of the aged oak,

The shaggy locks that fringe the colt unbroke,

The bearded goat with nimble eyes, that glare

Through the long tissue of his hoary hair,

As with quick foot he climbs some ruin'd wall,

And crops the ivy which prevents its fall,

With rural charms the tranquil mind delight,

And form a picture to the admiring sight.

_Temple of Nature_, c. 3, 248.

And in his lines on the Eagle, from another gem:

Lives of the English Poets From Johnson to Kirke White, Designed as a Continuation of Johnson's Lives · 第 14 / 23 段