CHAPTER XVII.

Conclusion.--A Picture of Sunrise at Malta.--The Upper

Baracca of Valletta.--A Favorite and Sightly Promenade.

--Retrospective Flight of Fancy.--Conflict between the

Soldiers of the Cross and the Crescent.--A Background

Wanting.--Historical and Legendary Malta.--The Secret of

Appreciation.--Last View of the Romantic Group.--Farewell.

Travelers in foreign lands learn to rise betimes, stealing from sleep an

hour full of intoxicating beauties. There is an interval between the

soft mellow light of the breaking day and that of sunrise, so full of

promise, of dewy fragrance, and of heavenly incense, that only poets can

truly describe it. As one stands upon the upper Baracca of Valletta and

faces the east at such a moment, the gradually advancing light seems to

melt away the darkness, while angel hands swing wide the golden gates of

day. The sky then dons its deepest blue, the encircling sea glows in

violet blushes beneath the rosy light of the dawn, while the air,

freshened by the dew, is clear and crisp even in this semi-tropical

island. At first a dim uncertainty reigns over all things, but slowly

the weird and phantom-like forms assume their real shapes. The

picturesque town, with its diversified architecture, the tall, isolated

lighthouses, the sleeping islands of Gozo and Comino, the delicate

tracery formed of the rigging of the ships in the harbor, and even the

lonely sentinels upon the battlements come out one by one in bold relief

against the background of mingled gold and silver radiance. The heedless

world still sleeps, and one cannot but feel half guilty at the

selfishness of appropriating alone such an hour of glowing inspiration,

while walking hand in hand with Nature.

The Baraccas were originally roofed, consisting of arches facing the

sea, but the wooden coverings were long since removed, and they now form

favorite promenades, open to the sky.

Yielding to the fancy of the moment, while standing upon this elevated

point, remembering the vivid historical tableaux which had been enacted

upon the landscape outspread before us, imagination peopled the scene

once more with myriads of grim, warlike, contending forces arrayed

against each other. One was closely following the standard of the

crescent, the other was ranged beneath the emblem of the

cross,--standing breast to breast, ready to meet the fierce onslaught.

The clash of arms was heard upon the ramparts, the shrill braying of

trumpets sounding the charge, and the steady roll of the drum. In fancy

we watched the hordes of frenzied Turks storming the high walls of Fort

St. Elmo, hastening up the scaling ladders by scores. We saw them

repulsed again and again by the stout arms and flashing weapons of the

gallant Knights of St. John; the ditch was piled with the lifeless

bodies of the Ottoman foe. The atmosphere trembled with the booming of

cannon, the wild shouts of the Mussulmans, the cheering battle-cry of

the Christians, and the pitiful groans of the dying, while the

surrounding waters were red with human gore. Now clouds of smoke

encompass both Turks and Christians. A mine explodes, scattering death

among the invaders. Hark! That trumpet sounds the retreat. The Ottoman

forces fall sullenly back from before the irresistible power of the

Christian arms, leaving half their brethren slain upon the ground. The

enemy goes down under the terrible sweeping blows of battle-axe and of

mace, like grass before the scythe. Loud rings the shout of victory from

the walls of St. Elmo, echoed by forts St. Angelo and St. Michael, while

deadly missiles are swiftly launched after the retreating foe.

One was fain to ask, "Is this actually the noise of contending armies,

or is it the trick of an overstimulated fancy?" Here, amid such

suggestive surroundings, how natural and real it seemed to be!

It is only as regards its great antiquity that one would contrast Malta

with our own country. What we are most deficient in is a background in

America,--a background to our national scenery, which in itself is

hardly equaled, and nowhere excelled. By the word "background" we mean

the charm of far-reaching history, legend, classic story, and memories

of bygone ages. We have no such special inspiration as is presented in

the associations of southern Europe and Asiatic localities,--the Bay of

Naples and its surroundings, for instance, or the land of Palestine.

America is still in the youth of its civilization, while in this

isolated Mediterranean group, so circumscribed in space, we have

monuments which may nearly equal the Pyramids in age. These tokens

exhibit here a tangible page of Phoenician and there of Punic history,

together with ruins of Roman and Grecian temples, besides which there

are footprints of many Asiatic tribes. How one's imagination is awakened

by the sight of these half-effaced mementos of races dead and buried so

long ago! Crumbling ruins are milestones, as it were, on the road of

time. What region would not become interesting to an appreciative

observer, under such circumstances?

Traveling and sight-seeing, let us remember, are like hospitality, the

stranger must freely contribute his share, or the result will surely be

naught. "You will find poetry nowhere, unless you bring some with you,"

says Joubert.

Our last view of the romantic group was under a sky of blue and tranquil

loveliness, bathed in a silvery sheen of moonlight, as seen across the

azure and limpid waters from the deck of a P. & O. steamship, bound

westward to England. We left the harbor of Valletta just at sunset.

While the light was fading away, that of the moon and stars was

hastening into life. The lofty ramparts overhanging the sea cast purple

shadows upon the silent surface of the water. The terraced town stood

out in strong relief, here a dome and there a tower overlooking the tall

stone warehouses, while the slender tracery of the shipping appeared

like spider's webs. The town stood there firm and stately, as though cut

out of the solid rock.

Our vessel moved at half-speed until St. Elmo was passed, and before we

had fairly laid our course for Gibraltar the clear atmosphere was filled

with the floating strains from a military band in St. George's Square. A

spirit of rest and peacefulness hung over the picturesque old city of

the Knights. Mentally we bade farewell to its curious streets, its

palaces and churches, its grim fortifications and teeming population,

its beautiful gardens and marvelous antiquities. The cool, delicious

fruits and shade of San Antonio lingered in the memory, then Malta,

Gozo, and Comino faded into a vignette, until finally the low-lying

group dipped into the blue surface of the water and was seen no more.

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_HOUGHTON, MIFFLIN AND COMPANY,

4 Park St., Boston; 11 East 17th St., New York._

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| Transcriber's Note: |

| |

| Inconsistent hyphenation and spelling in the |

| original document have been preserved. |

| |

| Typographical errors corrected in the text: |

| |

| Page viii Nesciar changed to Nasciar |

| Page 35 stanch changed to staunch |

| Page 78 Espagna changed to Spagna |

| Page 175 boatman changed to boatmen |

| Page 201 asigned changed to assigned |

| Page 231 Nesciar changed to Nasciar |

| Page 279 belligerants changed to belligerents |

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The Story of Malta · 第 17 / 17 章