lips working convulsively and his hand tearing at his breast as Skaggs
drew nearer. He attempted to shriek, but his voice was husky and broke
off in a gasping whisper.
"Give it to me, as your brother commands."
"No, no, no! It is not his secret; it is mine. I must carry it here
always, do you hear? I must carry it till I die. Go away! Go away!"
Skaggs seized him. Oakley struggled weakly, but he had no strength. The
reporter's hand sought the secret pocket. He felt a paper beneath his
fingers. Oakley gasped hoarsely as he drew it forth. Then raising his
voice gave one agonised cry, and sank to the floor frothing at the
mouth. At the cry rapid footsteps were heard in the hallway, and Mrs.
Oakley threw open the door.
"What is the matter?" she cried.
"My message has somewhat upset your husband," was the cool answer.
"But his breast is open. Your hand has been in his bosom. You have taken
something from him. Give it to me, or I shall call for help."
Skaggs had not reckoned on this, but his wits came to the rescue.
"You dare not call for help," he said, "or the world will know!"
She wrung her hands helplessly, crying, "Oh, give it to me, give it to
me. We 've never done you any harm."
"But you 've harmed some one else; that is enough."
He moved towards the door, but she sprang in front of him with the
fierceness of a tigress protecting her young. She attacked him with
teeth and nails. She was pallid with fury, and it was all he could do to
protect himself and yet not injure her. Finally, when her anger had
taken her strength, he succeeded in getting out. He flew down the
hall-way and out of the front door, the woman's screams following him.
He did not pause to read the precious letter until he was safe in his
room at the Continental Hotel. Then he sprang to his feet, crying,
"Thank God! thank God! I was right, and the _Universe_ shall have a
sensation. The brother is the thief, and Berry Hamilton is an innocent
man. Hurrah! Now, who is it that has come on a wild-goose chase? Who is
it that ought to handle his idea carefully? Heigho, Saunders my man, the
drinks 'll be on you, and old Skaggsy will have done some good in the
world."
XVII
A YELLOW JOURNAL
Mr. Skaggs had no qualms of conscience about the manner in which he had
come by the damaging evidence against Maurice Oakley. It was enough for
him that he had it. A corporation, he argued, had no soul, and therefore
no conscience. How much less, then, should so small a part of a great
corporation as himself be expected to have them?
He had his story. It was vivid, interesting, dramatic. It meant the
favour of his editor, a big thing for the _Universe_, and a fatter
lining for his own pocket. He sat down to put his discovery on paper
before he attempted anything else, although the impulse to celebrate was
very strong within him.
He told his story well, with an eye to every one of its salient points.
He sent an alleged picture of Berry Hamilton as he had appeared at the
time of his arrest. He sent a picture of the Oakley home and of the
cottage where the servant and his family had been so happy. There was a
strong pen-picture of the man, Oakley, grown haggard and morose from
carrying his guilty secret, of his confusion when confronted with the
supposed knowledge of it. The old Southern city was described, and the
opinions of its residents in regard to the case given. It was
there--clear, interesting, and strong. One could see it all as if every
phase of it were being enacted before one's eyes. Skaggs surpassed
himself.
When the editor first got hold of it he said "Huh!" over the opening
lines,--a few short sentences that instantly pricked the attention
awake. He read on with increasing interest. "This is good stuff," he
said at the last page. "Here 's a chance for the _Universe_ to look into
the methods of Southern court proceedings. Here 's a chance for a
spread."
The _Universe_ had always claimed to be the friend of all poor and
oppressed humanity, and every once in a while it did something to
substantiate its claim, whereupon it stood off and said to the public,
"Look you what we have done, and behold how great we are, the friend of
the people!" The _Universe_ was yellow. It was very so. But it had power
and keenness and energy. It never lost an opportunity to crow, and if
one was not forthcoming, it made one. In this way it managed to do a
considerable amount of good, and its yellowness became forgivable, even
commendable. In Skaggs's story the editor saw an opportunity for one of
its periodical philanthropies. He seized upon it. With headlines that
took half a page, and with cuts authentic and otherwise, the tale was
told, and the people of New York were greeted next morning with the
announcement of--
"A Burning Shame!
A Poor and Innocent Negro made to Suffer
for a Rich Man's Crime!
Great Expose by the 'Universe'!
A 'Universe' Reporter To the Rescue!
The Whole Thing to Be Aired that the
People may Know!"
Then Skaggs received a telegram that made him leap for joy. He was to do
it. He was to go to the capital of the State. He was to beard the
Governor in his den, and he, with the force of a great paper behind him,
was to demand for the people the release of an innocent man. Then there
would be another write-up and much glory for him and more shekels. In an
hour after he had received his telegram he was on his way to the
Southern capital.
* * * * *
Meanwhile in the house of Maurice Oakley there were sad times. From the
moment that the master of the house had fallen to the floor in impotent
fear and madness there had been no peace within his doors. At first his
wife had tried to control him alone, and had humoured the wild babblings
with which he woke from his swoon. But these changed to shrieks and
cries and curses, and she was forced to throw open the doors so long
closed and call in help. The neighbours and her old friends went to her
assistance, and what the reporter's story had not done, the ravings of
the man accomplished; for, with a show of matchless cunning, he
continually clutched at his breast, laughed, and babbled his secret
openly. Even then they would have smothered it in silence, for the
honour of one of their best families; but too many ears had heard, and
then came the yellow journal bearing all the news in emblazoned
headlines.
Colonel Saunders was distinctly hurt to think that his confidence had
been imposed on, and that he had been instrumental in bringing shame
upon a Southern name.
"To think, suh," he said generally to the usual assembly of choice
spirits,--"to think of that man's being a reporter, suh, a common,
ordinary reporter, and that I sat and talked to him as if he were a
gentleman!"
"You 're not to be blamed, Colonel," said old Horace Talbot. "You 've
done no more than any other gentleman would have done. The trouble is
that the average Northerner has no sense of honour, suh, no sense of
honour. If this particular man had had, he would have kept still, and
everything would have gone on smooth and quiet. Instead of that, a
distinguished family is brought to shame, and for what? To give a nigger
a few more years of freedom when, likely as not, he don't want it; and
Berry Hamilton's life in prison has proved nearer the ideal reached by
slavery than anything he has found since emancipation. Why, suhs, I
fancy I see him leaving his prison with tears of regret in his eyes."
Old Horace was inanely eloquent for an hour over his pet theory. But
there were some in the town who thought differently about the matter,
and it was their opinions and murmurings that backed up Skaggs and made
it easier for him when at the capital he came into contact with the
official red tape.
He was told that there were certain forms of procedure, and certain
times for certain things, but he hammered persistently away, the
murmurings behind him grew louder, while from his sanctum the editor of
the _Universe_ thundered away against oppression and high-handed
tyranny. Other papers took it up and asked why this man should be
despoiled of his liberty any longer? And when it was replied that the
man had been convicted, and that the wheels of justice could not be
stopped or turned back by the letter of a romantic artist or the ravings
of a madman, there was a mighty outcry against the farce of justice that
had been played out in this man's case.
The trial was reviewed; the evidence again brought up and examined. The
dignity of the State was threatened. At this time the State did the one
thing necessary to save its tottering reputation. It would not
surrender, but it capitulated, and Berry Hamilton was pardoned.
Berry heard the news with surprise and a half-bitter joy. He had long
ago lost hope that justice would ever be done to him. He marvelled at
the word that was brought to him now, and he could not understand the
strange cordiality of the young white man who met him at the warden's
office. Five years of prison life had made a different man of him. He no
longer looked to receive kindness from his fellows, and he blinked at it
as he blinked at the unwonted brightness of the sun. The lines about his
mouth where the smiles used to gather had changed and grown stern with
the hopelessness of years. His lips drooped pathetically, and hard
treatment had given his eyes a lowering look. His hair, that had hardly
shown a white streak, was as white as Maurice Oakley's own. His
erstwhile quick wits were dulled and imbruted. He had lived like an ox,
working without inspiration or reward, and he came forth like an ox
from his stall. All the higher part of him he had left behind, dropping
it off day after day through the wearisome years. He had put behind him
the Berry Hamilton that laughed and joked and sang and believed, for
even his faith had become only a numbed fancy.
"This is a very happy occasion, Mr. Hamilton," said Skaggs, shaking his
hand heartily.
Berry did not answer. What had this slim, glib young man to do with him?
What had any white man to do with him after what he had suffered at
their hands?
"You know you are to go New York with me?"
"To New Yawk? What fu'?"
Skaggs did not tell him that, now that the _Universe_ had done its work,
it demanded the right to crow to its heart's satisfaction. He said only,
"You want to see your wife, of course?"
Berry had forgotten Fannie, and for the first time his heart thrilled
within him at the thought of seeing her again.
"I ain't hyeahed f'om my people fu' a long time. I did n't know what had
become of 'em. How 's Kit an' Joe?"
"They 're all right," was the reply. Skaggs could n't tell him, in this
the first hour of his freedom. Let him have time to drink the sweetness
of that all in. There would be time afterwards to taste all of the
bitterness.
Once in New York, he found that people wished to see him, some fools,
some philanthropists, and a great many reporters. He had to be
photographed--all this before he could seek those whom he longed to see.
They printed his picture as he was before he went to prison and as he
was now, a sort of before-and-after-taking comment, and in the morning
that it all appeared, when the _Universe_ spread itself to tell the
public what it had done and how it had done it, they gave him his wife's
address.
It would be better, they thought, for her to tell him herself all that
happened. No one of them was brave enough to stand to look in his eyes
when he asked for his son and daughter, and they shifted their
responsibility by pretending to themselves that they were doing it for
his own good: that the blow would fall more gently upon him coming from
her who had been his wife. Berry took the address and inquired his way
timidly, hesitatingly, but with a swelling heart, to the door of the
flat where Fannie lived.
XVIII
WHAT BERRY FOUND
Had not Berry's years of prison life made him forget what little he knew
of reading, he might have read the name Gibson on the door-plate where
they told him to ring for his wife. But he knew nothing of what awaited
him as he confidently pulled the bell. Fannie herself came to the door.
The news the papers held had not escaped her, but she had suffered in
silence, hoping that Berry might be spared the pain of finding her. Now
he stood before her, and she knew him at a glance, in spite of his
haggard countenance.
"Fannie," he said, holding out his arms to her, and all of the pain and
pathos of long yearning was in his voice, "don't you know me?"
She shrank away from him, back in the hall-way.
"Yes, yes, Be'y, I knows you. Come in."
She led him through the passage-way and into her room, he following with
a sudden sinking at his heart. This was not the reception he had
expected from Fannie.
When they were within the room he turned and held out his arms to her
again, but she did not notice them. "Why, is you 'shamed o' me?" he
asked brokenly.
"'Shamed? No! Oh, Be'y," and she sank into a chair and began rocking to
and fro in her helpless grief.
"What 's de mattah, Fannie? Ain't you glad to see me?"
"Yes, yes, but you don't know nothin', do you? Dey lef' me to tell you?"
"Lef' you to tell me? What 's de mattah? Is Joe or Kit daid? Tell me."
"No, not daid. Kit dances on de stage fu' a livin', an', Be'y, she ain't
de gal she ust to be. Joe--Joe--Joe--he 's in pen'tentiary fu' killin' a
ooman."
Berry started forward with a cry, "My Gawd! my Gawd! my little gal! my
boy!"
"Dat ain't all," she went on dully, as if reciting a rote lesson; "I
ain't yo' wife no mo'. I 's ma'ied ag'in. Oh Be'y, Be'y, don't look at
me lak dat. I could n't he'p it. Kit an' Joe lef' me, an' dey said de
pen'tentiary divo'ced you an' me, an' dat you 'd nevah come out nohow.
Don't look at me lak dat, Be'y."
"You ain't my wife no mo'? Hit 's a lie, a damn lie! You is my wife. I
's a innocent man. No pen'tentiay kin tek you erway f'om me. Hit 's
enough what dey 've done to my chillen." He rushed forward and seized
her by the arm. "Dey sha'n't do no mo', by Gawd! dey sha'n't, I say!"
His voice had risen to a fierce roar, like that of a hurt beast, and he
shook her by the arm as he spoke.
"Oh, don't, Be'y, don't, you hu't me. I could n't he'p it."
He glared at her for a moment, and then the real force of the situation
came full upon him, and he bowed his head in his hands and wept like a
child. The great sobs came up and stuck in his throat.
She crept up to him fearfully and laid her hand on his head.
"Don't cry, Be'y," she said; "I done wrong, but I loves you yit."
He seized her in his arms and held her tightly until he could control
himself. Then he asked weakly, "Well, what am I goin' to do?"
"I do' know, Be'y, 'ceptin' dat you 'll have to leave me."
"I won't! I 'll never leave you again," he replied doggedly.
"But, Be'y, you mus'. You 'll only mek it ha'der on me, an' Gibson 'll
beat me ag'in."
"Ag'in!"
She hung her head: "Yes."
He gripped himself hard.
"Why cain't you come on off wid me, Fannie? You was mine fus'."
"I could n't. He would fin' me anywhaih I went to."
"Let him fin' you. You 'll be wid me, an' we 'll settle it, him an'
me."
"I want to, but oh, I can't, I can't," she wailed. "Please go now, Be'y,
befo' he gits home. He 's mad anyhow, 'cause you 're out."
Berry looked at her hard, and then said in a dry voice, "An' so I got to
go an' leave you to him?"
"Yes, you mus'; I 'm his'n now."
He turned to the door, murmuring, "My wife gone, Kit a nobody, an' Joe,
little Joe, a murderer, an' then I--I--ust to pray to Gawd an' call him
'Ouah Fathah.'" He laughed hoarsely. It sounded like nothing Fannie had
ever heard before.
"Don't, Be'y, don't say dat. Maybe we don't un'erstan'."
Her faith still hung by a slender thread, but his had given way in that
moment.
"No, we don't un'erstan'," he laughed as he went out of the door. "We
don't un'erstan'."
He staggered down the steps, blinded by his emotions, and set his face
towards the little lodging that he had taken temporarily. There seemed
nothing left in life for him to do. Yet he knew that he must work to
live, although the effort seemed hardly worth while. He remembered now
that the _Universe_ had offered him the under janitorship in its
building. He would go and take it, and some day, perhaps--He was not
quite sure what the "perhaps" meant. But as his mind grew clearer he
came to know, for a sullen, fierce anger was smouldering in his heart
against the man who through lies had stolen his wife from him. It was
anger that came slowly, but gained in fierceness as it grew.
Yes, that was it, he would kill Gibson. It was no worse than his present
state. Then it would be father and son murderers. They would hang him or
send him back to prison. Neither would be hard now. He laughed to
himself.
And this was what they had let him out of prison for? To find out all
this. Why had they not left him there to die in ignorance? What had he
to do with all these people who gave him sympathy? What did he want of
their sympathy? Could they give him back one tithe of what he had lost?
Could they restore to him his wife or his son or his daughter, his quiet
happiness or his simple faith?
He went to work for the _Universe_, but night after night, armed, he
patrolled the sidewalk in front of Fannie's house. He did not know
Gibson, but he wanted to see them together. Then he would strike. His
vigils kept him from his bed, but he went to the next morning's work
with no weariness. The hope of revenge sustained him, and he took a
savage joy in the thought that he should be the dispenser of justice to
at least one of those who had wounded him.
Finally he grew impatient and determined to wait no longer, but to seek
his enemy in his own house. He approached the place cautiously and went
up the steps. His hand touched the bell-pull. He staggered back.
"Oh, my Gawd!" he said.
There was crape on Fannie's bell. His head went round and he held to the
door for support. Then he turned the knob and the door opened. He went
noiselessly in. At the door of Fannie's room he halted, sick with fear.
He knocked, a step sounded within, and his wife's face looked out upon
him. He could have screamed aloud with relief.
"It ain't you!" he whispered huskily.
"No, it 's him. He was killed in a fight at the race-track. Some o' his
frinds are settin' up. Come in."
He went in, a wild, strange feeling surging at his heart. She showed him
into the death-chamber.
As he stood and looked down upon the face of his enemy, still, cold, and
terrible in death, the recognition of how near he had come to crime
swept over him, and all his dead faith sprang into new life in a
glorious resurrection. He stood with clasped hands, and no word passed
his lips. But his heart was crying, "Thank God! thank God! this man's
blood is not on my hands."
The gamblers who were sitting up with the dead wondered who the old fool
was who looked at their silent comrade and then raised his eyes as if in
prayer.
* * * * *
When Gibson was laid away, there were no formalities between Berry and
his wife; they simply went back to each other. New York held nothing for
them now but sad memories. Kit was on the road, and the father could not
bear to see his son; so they turned their faces southward, back to the
only place they could call home. Surely the people could not be cruel to
them now, and even if they were, they felt that after what they had
endured no wound had power to give them pain.
Leslie Oakley heard of their coming, and with her own hands re-opened
and refurnished the little cottage in the yard for them. There the
white-haired woman begged them to spend the rest of their days and be in
peace and comfort. It was the only amend she could make. As much to
satisfy her as to settle themselves, they took the cottage, and many a
night thereafter they sat together with clasped hands listening to the
shrieks of the madman across the yard and thinking of what he had
brought to them and to himself.
It was not a happy life, but it was all that was left to them, and they
took it up without complaint, for they knew they were powerless against
some Will infinitely stronger than their own.
End of Project Gutenberg's The Sport of the Gods, by Paul Laurence Dunbar