CHAPTER LXXII.

The servants and attendants of the lady awaited her without, and

preceded her to the temple, which was situated in a court by itself,--a

small unpretending building, which her son had built at her request.

The usual priests sat by the shrine, feeding the lamps with oil, and

offering flowers and incense for those who needed their services. This,

too, had been a busy day for them, for the Rajah's temple had been

opened to those who came to the fort; and many a humble offering and

donation of copper coins to the priests, from the soldiery, had been

the result. The court had now been cleared of all visitors, and the

doors shut. As the lady advanced and sat down before the shrine, the

priests made the customary libations and offerings, and stood apart,

not daring to speak, for her visions of the goddess were well known,

and much feared, and this might be the occasion of one of them. So, as

she sat down, the priests and her attendants shrank back behind the

entrance to the sanctum, and awaited the issue in silence.

Very different from Tara, as she had sunk down in her strange delirium

before the shrine at Tooljapoor, the Máhá Ranee, as she was called,

but more simply and lovingly the "Lady Mother," was perfectly calm

and self-possessed. A small, grey-headed, slightly-formed woman, of

graceful carriage and shape, which had altered little, if at all,

from the best period of her youth: nor, except in her hair, had age

apparently told much upon her: for the arms were still as round, the

skin of her cheek as soft and downy as ever, and the firm springy tread

of the small naked foot showed no decline of vigour. Her son often told

her she was yet the most beautiful woman in Maharástra; nor indeed, in

the clear golden olive of her skin, in the delicate mould and sweet

expressive character of her features, above all, in the soft lustre of

her eyes, had she many rivals.

She had seated herself directly before the shrine, on which was a

small gold image of the goddess upon a golden pedestal; and the

water-vessels, lamps, and other articles of service were also of gold.

The full light of the lamps within shone out on her, and glistened

on the white silk garment she wore, with its broad crimson and gold

border--upon the jewelled bracelets on her arms--and the large pearls

about her neck. The end of her saree, heavy with gold thread, had

fallen a little aside as she seated herself, and her soft throat, and

a little of the crimson silk bodice below, could be seen--enough to

show that if the face were calm, the bosom was heaving rapidly, and

under the influence of no common emotion. No one dared to speak to

her, or interrupt her thoughts or prayers, whatever they might be; and

when she seated herself before the shrine in this manner, the priests

and attendants knew she expected a "revelation," and had to wait, even

though it might be for many hours, for the issue.

When it came, it was with various effect. At times calm, with

glistening eyes and throbbing bosom, her hands clenched convulsively,

she would speak strange words, which were heard with a mysterious

reverence, and recorded by an attendant priest; at others, the

result was wild delirium, when they were obliged to hold her, and

when the excitement was followed by exhaustion, which remained for

days.[14] Now, however, she sat calmly, her eyes cast down, but raised

occasionally with an imploring look to the image, seldom altering her

position, and seemingly unconscious of the time which passed.

Long she sat there; the shadows of the mountains lengthened, till only

their peaks shone like fire, and then suddenly died out. The moon rose,

and the little court was white under her silver beams, and still the

lady sat and moved not. The chill night breeze at that elevation had

caused an involuntary shiver to pass over her, which her favourite

attendant thought was the precursor of the usual affection, but nothing

followed; and seeing it was caused by cold, had, apparently unobserved,

cast over her a large red shawl, which fell in soft folds round her

person. It was far in the night when she arose from that strange vigil;

and, dreamily passing her hands over her face and neck as if to arouse

herself, sighed, and advancing to the threshold of the shrine, joined

her hands together, and bowing reverently before the image, saluted it,

and silently turned away.

"Not to-night, Bheemee," she said to a woman who approached her bearing

her sandals, and laid them down at the entrance to the temple,--"not

to-night. The Mother bids me go; she is sad, and will come another

time. Hark! what is what?" and she paused to listen.

A hoarse roar, a cry as though of a wail of thousands of voices, came

from all sides at once, floating up the precipices, echoed from the

rocks, and reverberating from mountain to mountain. It seemed to those

present, who were already filled with superstitious expectation, as if

spirits cried out, being invisible, and that some unearthly commotion

was in progress around them. In the pure mountain air, still as it

was, these sounds seemed to float about them mysteriously, now dying

away, and now returning more faintly than before, till they ceased,

or only a confused perception of them remained. The fierce shout or

wail, however, occurred but once; what followed was more diffuse and

undecided.

"Something has moved the people more than ordinarily, lady," said a

priest who advanced from the outer court. "The assembly can be seen

from the bastion yonder, and I have been watching it while you were

within; if you would look, follow me."

She drew the shawl more closely around her, and went with him through

the court to the bastion, which, situated on the edge of an angle of

the precipice, commanded a view of the town and valley below. The moon

shone clear and bright, else she had looked into a black void; but the

air was soft and white, of a tint like opal, as the moon's rays caught

the thin vapours now rising. Some thousands of feet below, was a bright

spot in a dell, filled with torches, which sent up a dull smoke, while

they diffused a bright light on all around. There were many thousands

of people there, mostly men, and there was a glitter as of weapons

among them, as the masses still heaved and swayed under the influence

of some strange excitement. She could make out no particular forms, but

she knew that her son sat in the pavilion at the end, and about that

there was no movement. As she looked, the shout they had first heard

arose more clearly than before--"Hur, Hur, Mahadeo! Dônguras-lavilé

Déva!"[15]

"O Mother," she cried, stretching out her arms to the sky, and then to

the dell below, "enough! thou hast heard the prayer of thy daughter:

thou wast there with him, not with me. Now I understand, and it is

enough. Come, Bheemee, it is cold," she said, after a pause, and in her

usual cheerful voice, "thou shouldst have been yonder in the Kutha,

girl, and all of you. Well, the next, to-morrow night, will be a better

one, and you shall all go, for I will go myself with the Maharaja; come

now, they will not return till daylight;" and descending the steps

of the bastion, she followed her servants, who preceded her, to the

private apartments.

Below, Sivaji had been busy since before sunset. He had descended the

mountain on foot, attended by his body-guard, and a large company of

the garrison of the fort--a gay procession, as, accompanied by the

pipers and horn-blowers of the fortress, it had wound down the rugged

pathway in the full glare of the evening sun; and, amidst the shouts

of thousands, and a confused and hideous clangour, caused by the

independent performances of all the pipers and drummers of the clans

assembled--the screaming, quivering notes of the long village horns,

the clash of cymbals, and the deep tones of some of the large brass

trumpets belonging to the temple, which had been brought down from the

fort,--Sivaji passed on round the village to the spot which had been

cleared for the Kutha.

It was a glen from which all wood had long been cleared away, and

short crisp grass had grown up in its place, which, moistened by the

perpetual drainage of the mountain, was always close and verdant. Near

enough to the village to serve as a grazing ground for its cattle, the

herbage was kept short by them; and the passage round and round its

sides of beasts of all kinds, goats and sheep, cows, bullocks, and

buffaloes, had worn them into paths which formed, as it were, a series

of steps, rising gradually to the edge of the forest above.

In the midst was a bright green sward, soft and close, and of some

extent, and at all times of the year the resort of the village youth

for athletic exercises--wrestling, leaping, archery, shooting with the

matchlock, or, most favoured of all perhaps, the sword-playing for

which the Mahratta soldiery were almost celebrated. A projecting mound,

which might have been artificial, and was possibly the partly completed

embankment of some intended reservoir, stretched nearly across its

mouth, and while its grassy surface afforded seats to many of the

spectators, it shut out the valley beyond, from all observers.

At the upper end of the dell, which in shape was a long oval, and

slightly raised above the level sward, was the Rajah's seat, a platform

of sods and earth, covered with dry grass, and then with carpets from

the fort, upon which the Guddee, or seat of state, was placed. Directly

the Rajah had retired from the morning ceremony, the cushions had been

taken down the mountain and placed on this dais, which afforded room

also for many personal friends and priests who attended the ceremony

with him.

In the centre of the sward, but near the upper end, was the place for

the players. The smoothest portion of turf had been selected, and

around it wattled screens were built, made of leafy branches, for

entrance and exit, and also to allow of changes of dress, rest during

intervals of performance, and the like. The stage, if it might be

called one, was bounded by wild plantain trees cut off at the root,

and set in the ground so that the broad leaves continued fresh and

green; and above these were twined branches of teak with their large

rough foliage, bamboos, and other slender trees readily felled and

transported, while long masses of flowery creepers had been cut from

the forest, and hung from poles at each side above the players' heads

in graceful festoons. Inside all this foliage, were huge cressets of

iron filled with cotton-seed soaked in oil, and all round the area

below, and especially round the Rajah's seat, similar torches had been

arranged, which would be lighted as the ceremony began, and illuminate

the whole.

Before the stage, there was a small altar of earth, on which brightly

polished brass vessels for pouring libations were set out, and above

them, upon a silver pedestal, a small silver image of the goddess had

been placed for worship.

Early in the afternoon, people had begun to assemble there, and after

the Rajah's arrival in the town, a new procession was formed to

accompany him to the place. Thousands had rushed on before it; along

the valley, over the shoulders of the mountain, and as best they could,

so as to secure good places for the sight; and by the time the head of

the procession crossed the little brook which bubbled out beneath the

mound, and ran leaping and tinkling down the valley, and had entered

the glen,--the whole of its sides and the mound had grown into a dense

mass of human beings closely packed together. There were comparatively

few women; those who sat there were for the most part the Rajah's

Mawullees and Hetkurees, armed as if for battle, ready, if needed, to

march thence on any enterprise, however distant or desperate.

A clear space had been left for the advancing procession. In front

the Rajah's pipers, playing some of the wild mountain melodies, which

echoed among the woods and crags above, broken now and then by blasts

of horns and trumpets, and the deep monotonous beat of many large

tambourine drums, the bearers of which were marshalled by the chief

drummer of the fort, who, with his instrument decked with flowers and

silken streamers, strutted or leaped in front of all, beating a wild

march. Then followed Brahmuns, bare-headed and naked to the waist,

carrying bright copper vessels of sacred water, flowers and incense,

with holy fire from the temple on the mountain, chanting hymns at

intervals. After them, the players and reciters, male and female, in

fantastic dresses, wearing gilt tiaras to resemble the costumes seen

in carvings of ancient temples, among whom were the jesters or clowns,

who bandied bold and free remarks with the crowd, and provoked many

a hearty laugh and sharp retort. After these the Rajah's own guard,

some with sword and buckler only, others bearing matchlocks with

long bright barrels, who marched in rows with somewhat of military

organization; then the servants; and last of all Sivaji himself.

Slowly the procession passed up the centre; then the leading portions

of it dividing on each hand, the Rajah, advancing, mounted the small

platform. Ere he seated himself he saluted the assembly, turning to

each side of it with his hand raised to his head, and all rose to

welcome him with clapping of hands and shouts which made the wooded

glen and the precipices above, ring with the joyous sound. Then all

subsided into their seats, and the preliminary sacrifices and offerings

began.

FOOTNOTES:

[14] A series of very curious and most interesting papers on this

subject, by the late Xavier Murphy, Esq., were published some years ago

in the "Dublin University Magazine."--M. T.

[15] "O Mahadeo! the fire has lit the hills!"--the Mahratta invocation

to battle which is used also as the heading to all threatening notices.

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