CHAPTER XVIII

THE OTHER SIDE OF THE HILLS

Shall I e'er love thee less fondly than now, dear?

Tell me if e'er my devotion can die?

Never until thou shalt cease to be thou, dear;

Never until I no longer am I.

Whether the doctors were right when they talked of the renewed desire to

live producing fresh vitality, or whether the wise man knew best after

all when he said that love is stronger than death, who can say? Anyway,

the fact remained that Christopher responded--as he had ever

responded--to Elisabeth's cry for help, and came back from the very

gates of the grave at her bidding. He had never failed her yet, and he

did not fail her now.

The days of his recovery were wonderful days to Elisabeth. It was so

strange and new to her to be doing another person's will, and thinking

another person's thoughts, and seeing life through another person's

eyes; it completely altered the perspective of everything. And there was

nothing strained about it, which was a good thing, as Elisabeth was too

light-hearted to stand any strain for long; the old comradeship still

existed between them, giving breadth to a love which the new

relationship had made so deep.

And it was very wonderful to Christopher, also, to find himself in the

sunshine at last after so many years of shadowland. At first the light

almost dazzled him, he was so unaccustomed to it; but as he gradually

became used to the new feeling of being happy, his nature responded to

the atmosphere of warmth and brightness, and opened as a flower in the

sun. As it was strange to Elisabeth to find herself living and moving

and having her being in another's personality, so it was strange to

Christopher to find another's personality merged in his. He had lived so

entirely for other people that it was a great change to find another

person living entirely for him; and it was a change that was wholly

beneficial. As his nature deepened Elisabeth's, so her nature expanded

his; and each was the better for the influence of the other, as each was

the complement of the other. So after a time Christopher grew almost as

light-hearted as Elisabeth, while Elisabeth grew almost as

tender-hearted as Christopher. For both of them the former things had

passed away, and all things were made new.

It was beautiful weather, too, which helped to increase their happiness;

that still, full, green weather, which sometimes comes in the late

summer, satisfying men's souls with its peaceful perfectness; when the

year is too old to be disturbed by the restless hope of spring, too

young to be depressed by the chilling dread of autumn, and so just

touches the fringe of that eternity which has no end neither any

beginning. The fine weather hastened Christopher's recovery; and, as he

gained strength, he and Elisabeth spent much time in the old garden,

looking toward the Welsh mountains.

"So we have come to the country on the other side of the hills at

last," she said to him, as they were watching one of the wonderful

Mershire sunsets and drinking in its beauty. "I always knew it was

there, but sometimes I gave up all hope of ever finding it for myself."

Christopher took her hand and began playing with the capable

artist-fingers. "And is it as nice a country as you expected,

sweetheart?"

"As nice as I expected? I should just think it is. I knew that in the

country over the hills I should find all the beautiful things I had

imagined as a child and all the lovely things I had longed for as a

woman; and that, if only I could reach it, all the fairy-tales would

come true. But now that I have reached it, I find that the fairy-tales

fell far short of the reality, and that it is a million times nicer than

I ever imagined anything could be."

"Darling, I am glad you are so happy. But it beats me how such a stupid

fellow as I am can make you so."

"Well, you do, and that's all that matters. Nobody can tell how they do

things; they only know that they can do them. I don't know how I can

paint pictures any more than you know how you can turn smoky ironworks

into the country over the hills. But we can, and do; which shows what

clever people we are, in spite of ourselves."

"I think the cleverness lies with you in both cases--in your wonderful

powers of imagination, my dear."

"Do you? Then that shows how little you know about it."

Christopher put his arm round her. "I always was stupid, you know; you

have told me so with considerable frequency."

"Oh! so you were; but you were never worse than stupid."

"That's a good thing; for stupidity is a misfortune rather than a

fault."

"Now I was worse than stupid--much worse," continued Elisabeth gravely;

"but I never was actually stupid."

"Weren't you? Don't be too sure of that. I don't wish to hurt your

feelings, sweetheart, or to make envious rents in your panoply of

wisdom; but, do you know, you struck me now and again as being a

shade--we will not say stupid, but dense?"

"When I thought you didn't like me because you went to Australia, you

mean?"

"That was one of the occasions when your acumen seemed to be slightly at

fault. And there were others."

Elisabeth looked thoughtful. "I really did think you didn't like me

then."

"Denseness, my dear Elisabeth--distinct denseness. It would be gross

flattery to call it by any other name."

"But you never told me you liked me."

"If I had, and you had then thought I did not, you would have been

suffering from deafness, not denseness. You are confusing terms."

"Well, then, I'll give in and say I was dense. But I was worse than

that: I was positively horrid as well."

"Not horrid, Betty; you couldn't be horrid if you tried. Perhaps you

were a little hard on me; but it's all over and done with now, and you

needn't bother yourself any more about it."

"But I ought to bother about it if I intend to make a trustworthy

step-ladder out of my dead selves to upper storeys."

"A trustworthy fire-escape, you mean; but I won't have it. You sha'n't

have any dead selves, my dear, because I shall insist on keeping them

all alive by artificial respiration, or restoration from drowning, or

something of that kind. Not one of them shall die with my permission;

remember that. I'm much too fond of them."

"You silly boy! You'll never train me and discipline me properly if you

go on in this way."

"Hang it all, Betty! Who wants to train and discipline you? Certainly

not I. I am wise enough to let well--or rather perfection--alone."

Elisabeth nestled up to Christopher. "But I'm not perfection, Chris; you

know that as well as I do."

"Probably I shouldn't love you so much if you were; so please don't

reform, dear."

"And you like me just as I am?"

"Precisely. I should break my heart if you became in any way different

from what you are now."

"But you mustn't break your heart; it belongs to me, and I won't have

you smashing up my property."

"I gave it to you, it is true; but the copyright is still mine. The

copyright of letters that I wrote to you is mine; and I believe the law

of copyright is the same with regard to hearts as to letters."

"Well, anyhow, I've written my name all over it."

"I know you have; and it was very untidy of you, my dearest. Once would

have been enough to show that it belonged to you; but you weren't

content with that: you scribbled all over every available space, until

there was no room left even for advertisements; and now nobody else will

ever be able to write another name upon it as long as I live."

"I'm glad of that; I wouldn't have anybody else's name upon it for

anything. And I'm glad that you like me just as I am, and don't want me

to be different."

"Heaven forbid!"

"But still I was horrid to you once, Chris, however you may try to gloss

it over. My dear, my dear, I don't know how I ever could have been

unkind to you; but I was."

"Never mind, sweetheart; it is ancient history now, and who bothers

about ancient history? Did you ever meet anybody who fretted over the

overthrow of Carthage, or made a trouble of the siege of Troy?"

"No," Elisabeth truthfully replied; "and I'm really nice to you now,

whatever I may have been before. Don't you think I am?"

"I should just think you are, Betty; a thousand times nicer than I

deserve, and I am becoming most horribly conceited in consequence."

"And, after all, I agree with the prophet Ezekiel that if people are

nice at the end, it doesn't much matter how disagreeable they have been

in the meantime. He doesn't put it quite in that way, but the sentiment

is the same. I suit you down to the ground now, don't I, Chris?"

"You do, my darling; and up to the sky, and beyond." And Christopher

drew her still closer to him and kissed her.

After a minute's silence Elisabeth whispered--

"When one is as divinely happy as this, isn't it difficult to realize

that the earth will ever be earthy again, and the butter turnipy, and

things like that? Yet they will be."

"But never quite as earthy or quite as turnipy as they were before;

that's just the difference."

After playing for a few minutes with Christopher's watch-chain,

Elisabeth suddenly remarked--

"You never really appreciated my pictures, Chris. You never did me

justice as an artist, though you did me far more than justice as a

woman. Why was that?"

"Didn't I? I'm sorry. Nevertheless, I'm not sure that you are right. I

was always intensely interested in your pictures because they were

yours, quite apart from their own undoubted merits."

"That was just it; you admired my pictures because they were painted by

me, while you really ought to have admired me because I had painted the

pictures."

A look of amusement stole over Christopher's face. "Then I fell short of

your requirements, dear heart; for, as far as you and your works were

concerned, I certainly never committed the sin of worshipping the

creature rather than the creator."

"But there was a time when I wanted you to do so."

"As a matter of fact," said Christopher thoughtfully, "I don't believe a

man who loves a woman can ever appreciate her genius properly, because

love is greater than genius, and so the greater swallows up the less. In

the eyes of the world, her genius is the one thing which places a woman

of genius above her fellows, and the world worships it accordingly. But

in the eyes of the man who loves her, she is already placed so far above

her fellows that her genius makes no difference to her altitude. Thirty

feet makes all the difference in the height of a weather-cock, but none

at all in the distance between the earth and a fixed star."

"What a nice thing to say! I adore you when you say things like that."

Christopher continued: "You see, the man is interested in the woman's

works of art simply because they are hers; just as he is interested in

the rustle of her silk petticoat simply because it is hers. Possibly he

is more interested in the latter, because men can paint pictures

sometimes, and they can never rustle silk petticoats properly. You are

right in thinking that the world adores you for the sake of your

creations, while I adore your creations for the sake of you; but you

must also remember that the world would cease to worship you if your

genius began to decline, while I should love you just the same if you

took to painting sign-posts and illustrating Christmas cards--even if

you became an impressionist."

"What a dear boy you are! You really are the greatest comfort to me. I

didn't always feel like this, but now you satisfy me completely, and

fill up every crevice of my soul. There isn't a little space anywhere in

my mind or heart or spirit that isn't simply bursting with you." And

Elisabeth laughed a low laugh of perfect contentment.

"My darling, how I love you!" And Christopher also was content.

Then there was another silence, which Christopher broke at last by

saying--

"What is the matter, Betty?"

"There isn't anything the matter. How should there be?"

"Oh, yes, there is. Do you think I have studied your face for over

thirty years, my dear, without knowing every shade of difference in its

expression? Have I said anything to vex you?"

"No, no; how could I be vexed with you, Chris, when you are so good to

me? I am horrid enough, goodness knows, but not horrid enough for that."

"Then what is it? Tell me, dear, and see if I can't help?"

Elisabeth sighed. "I was thinking that there is really no going back,

however much we may pretend that there is. What we have done we have

done, and what we have left undone we have left undone; and there is no

blotting out the story of past years. We may write new stories, perhaps,

and try to write better ones, but the old ones are written beyond

altering, and must stand for ever. You have been divinely good to me,

Chris, and you never remind me even by a look how I hurt you and

misjudged you in the old days. But the fact remains that I did both; and

nothing can ever alter that."

"Silly little child, it's all over and past now! I've forgotten it, and

you must forget it too."

"I can't forget it; that's just the thing. I spoiled your life for the

best ten years of it; and now, though I would give everything that I

possess to restore those years to you, I can't restore them, or make

them up to you for the loss of them. That's what hurts so dreadfully."

Christopher looked at her with a great pity shining in his eyes. He

longed to save from all suffering the woman he loved; but he could not

save her from the irrevocableness of her own actions, strive as he

would; which was perhaps the best thing in the world for her, and for

all of us. Human love would gladly shield us from the consequences of

what we have done; but Divine Love knows better. What we have written,

we have written on the page of life; and neither our own tears, nor the

tears of those who love us better than we love ourselves, can blot it

out. For the first time in her easy, self-confident career, Elisabeth

Farringdon was brought face to face with this merciless truth; and she

trembled before it. It was just because Christopher was so ready to

forgive her, that she found it impossible to forgive herself.

"I always belonged to you, you see, dear," Christopher said very gently,

"and you had the right to do what you liked with your own. I had given

you the right of my own free will."

"But you couldn't give me the right to do what was wrong. Nobody can do

that. I did what was wrong, and now I must be punished for it."

"Not if I can help it, sweetheart. You shall never be punished for

anything if I can bear the punishment for you."

"You can't help it, Chris; that's just the point. And I am being

punished in the way that hurts most. All my life I thought of myself,

and my own success, and how I was going to do this and that and the

other, and be happy and clever and good. But suddenly everything has

changed. I no longer care about being happy myself; I only want you to

be happy; and yet I know that for ten long years I deliberately

prevented you from being happy. Don't you see, dear, how terrible the

punishment is? The thing I care for most in the whole world is your

happiness; and the fact remains, and will always remain, that that was

the thing which I destroyed with my own hands, because I was cruel and

selfish and cold."

"Still, I am happy enough now, Betty--happy enough to make up for all

that went before."

"But I can never give you back those ten years," said Elisabeth, with a

sob in her voice--"never as long as I live. Oh! Chris, I see now how

horrid I was; though all the time I thought I was being so good, that I

looked down upon the women who I considered had lower ideals than I had.

I built myself an altar of stone, and offered up your life upon it, and

then commended myself when the incense rose up to heaven; and I never

found out that the sacrifice was all yours, and that there was nothing

of mine upon the altar at all."

"Never mind, darling; there isn't going to be a yours and mine any more,

you know. All things are ours, and we are beginning a new life

together."

Elisabeth put both arms round his neck and kissed him of her own accord.

"My dearest," she whispered, "how can I ever love you enough for being

so good to me?"

But while Christopher and Elisabeth were walking across enchanted

ground, Cecil Farquhar was having a hard time. Elisabeth had written to

tell him the actual facts of the case almost as soon as she knew them

herself; and he could not forgive her for first raising his hopes and

then dashing them to the ground. And there is no denying that he had

somewhat against her; for she had twice played him this trick--first as

regarded herself, and then as regarded her fortune. That she had not

been altogether to blame--that she had deluded herself in both cases as

effectually as she had deluded him--was no consolation as far as he was

concerned; his egoism took no account of her motives--it only resented

the results. Quenelda did all in her power to comfort him, but she

found it uphill work. She gave him love in full measure; but, as it

happened, money and not love was the thing he most wanted, and that was

not hers to bestow. He still cared for her more than he cared for

anybody (though not for anything) else in the world; it was not that he

loved Cæsar less but Rome more, Cecil's being one of the natures to whom

Rome would always appeal more powerfully than Cæsar. His life did

consist in the things which he had; and, when these failed, nothing else

could make up to him for them. Neither Christopher nor Elisabeth was

capable of understanding how much mere money meant to Farquhar; they had

no conception of how bitter was his disappointment on knowing that he

was not, after all, the lost heir to the Farringdon property. And who

would blame them for this? Does one blame a man, who takes a dirty bone

away from a dog, for not entering into the dog's feelings on the matter?

Nevertheless, that bone is to the dog what fame is to the poet and glory

to the soldier. One can but enjoy and suffer according to one's nature.

It happened, by an odd coincidence, that the mystery of Cecil's

parentage was cleared up shortly after Elisabeth's false alarm on that

score; and his paternal grandfather was discovered in the shape of a

retired shopkeeper at Surbiton of the name of Biggs, who had been cursed

with an unsatisfactory son. When in due time this worthy man was

gathered to his fathers, he left a comfortable little fortune to his

long-lost grandson; whereupon Cecil married Quenelda, and continued to

make art his profession, while his recreation took the form of

believing--and retailing his belief to anybody who had time and patience

to listen to it--that the Farringdons of Sedgehill had, by foul means,

ousted him from his rightful position, and that, but for their

dishonesty, he would have been one of the richest men in Mershire. And

this grievance--as is the way of grievances--never failed to be a source

of unlimited pleasure and comfort to Cecil Farquhar.

But in the meantime, when the shock of disappointment was still fresh,

he wrote sundry scathing letters to Miss Elisabeth Farringdon, which she

in turn showed to Christopher, rousing the fury of the latter thereby.

"He is a cad--a low cad!" exclaimed Christopher, after the perusal of

one of these epistles; "and I should like to tell him what I think of

him, and then kick him."

Elisabeth laughed; she always enjoyed making Christopher angry. "He

wanted to marry me," she remarked, by way of adding fuel to the flames.

"Confounded impudence on his part!" muttered Christopher.

"But he left off when he found out that I hadn't got any money."

"Worse impudence, confound him!"

"Oh! I wish you could have seen him when I told him that the money was

not really mine," continued Elisabeth, bubbling over with mirth at the

recollection; "he cooled down so very quickly, and so rapidly turned his

thoughts in another direction. Don't you know what it is to bite a

gooseberry at the front door while it pops out at the back? Well, Cecil

Farquhar's love-making was just like that. It really was a fine sight!"

"The brute!"

"Never mind about him, dear! I'm tired of him."

"But I do mind when people dare to be impertinent to you. I can't help

minding," Christopher persisted.

"Then go on minding, if you want to, darling--only don't let us waste

our time in talking about him. There's such a lot to talk about that is

really important--why you said so-and-so, and how you felt when I said

so-and-so, ten years ago; and how you feel about me to-day, and whether

you like me as much this afternoon as you did this morning; and what

colour my eyes are, and what colour you think my new frock should be;

and heaps of really serious things like that."

"All right, Betty; where shall we begin?"

"We shall begin by making a plan. Do you know what you are going to do

this afternoon?"

"Yes; whatever you tell me. I always do."

"Well, then, you are coming with me to have tea at Mrs. Bateson's, just

as we used to do when we were little; and I have told her to invite Mrs.

Hankey as well, to make it seem just the same as it used to be. By the

way, is Mrs. Hankey as melancholy as ever, Chris?"

"Quite. Time doth not breathe on her fadeless gloom, I can assure you."

"Won't it be fun to pretend we are children again?" Elisabeth exclaimed.

"Great fun; and I don't think it will need much pretending, do you

know?" replied Christopher, who saw deeper sometimes than Elisabeth did,

and now realized that it was only when they two became as little

children--he by ceasing to play Providence to her, and she by ceasing to

play Providence to herself--that they had at last caught glimpses of the

kingdom of heaven.

So they walked hand in hand to Caleb Bateson's cottage, as they had so

often walked in far-off, childish days; and the cottage looked so

exactly the same as it used to look, and Caleb and his wife and Mrs.

Hankey were so little altered by the passage of time, that it seemed as

if the shadow had indeed been put back ten degrees. And so, in a way, it

was, by the new spring-time which had come to Christopher and Elisabeth.

They were both among those beloved of the gods who are destined to die

young--not in years but in spirit; her lover as well as herself was what

Elisabeth called "a fourth-dimension person," and there is no growing

old for fourth-dimension people; because it has already been given to

them to behold the vision of the cloud-clad angel, who stands upon the

sea and upon the earth and swears that there shall be time no longer.

They see him in the far distances of the sunlit hills, in the mysteries

of the unfathomed ocean, and their ears are opened to the message that

he brings; for they know that in all beauty--be it of earth, or sea, or

sky, or human souls--there is something indestructible, immortal, and

that those who have once looked upon it shall never see death. Such of

us as make our dwelling-place in the world of the three dimensions, grow

weary of the sameness and the staleness of it all, and drearily echo the

Preacher's _Vanitas vanitatum_; but such of us as have entered into the

fourth dimension, and have caught glimpses of the ideal which is

concealed in all reality, do not trouble ourselves over the flight of

time, for we know we have eternity before us; and so we are content to

wait patiently and joyfully, in sure and certain hope of that better

thing which, without us, can not be made perfect.

It was with pride and pleasure that Mr. and Mrs. Bateson received their

guests. The double announcement that Christopher was the lost heir of

the Farringdons (for Elisabeth had insisted on his making this known),

and that he was about to marry Elisabeth, had given great delight all

through Sedgehill. The Osierfield people were proud of Elisabeth, but

they had learned to love Christopher; they had heard of her glory from

afar, but they had been eye-witnesses of the uprightness and

unselfishness and nobility of his life; and, on the whole, he was more

popular than she. Elisabeth was quite conscious of this; and--what was

more--she was glad of it. She, who had so loved popularity and

admiration, now wanted people to think more of Christopher than of her.

Once she had gloried in the thought that George Farringdon's son would

never fill her place in the hearts of the people of the Osierfield; now

her greatest happiness lay in the fact that he filled it more completely

than she could ever have done, and that at Sedgehill she would always be

second to him.

"Deary me, but it's like old times to see Master Christopher and Miss

Elisabeth having tea with us again," exclaimed Mrs. Bateson, after Caleb

had asked a blessing; "and it seems but yesterday, Mrs. Hankey, that

they were here talking over Mrs. Perkins's wedding--your niece Susan as

was--with Master Christopher in knickers, and Miss Elisabeth's hair

down."

Mrs. Hankey sighed her old sigh. "So it does, Mrs. Bateson--so it does;

and yet Susan has just buried her ninth."

"And is she quite well?" asked Elisabeth cheerfully. "I remember all

about her wedding, and how immensely interested I was."

"As well as you can expect, miss," replied Mrs. Hankey, "with eight

children on earth and one in heaven, and a husband as plays the trombone

of an evening. But that's the worst of marriage; you know what a man is

when you marry him, but you haven't a notion what he'll be that time

next year. He may take to drinking or music for all you know; and then

where's your peace of mind?"

"You are not very encouraging," laughed Elisabeth, "considering that I

am going to be married at once."

"Well, miss, where's the use of flattering with vain words, and crying

peace where there is no peace, I should like to know? I can only say as

I hope you'll be happy. Some are."

Here Christopher joined in. "You mustn't discourage Miss Farringdon in

that way, or else she'll be throwing me over; and then whatever will

become of me?"

Mrs. Hankey at once tried to make the _amende honorable_; she would not

have hurt Christopher's feelings for worlds, as she--in common with most

of the people at Sedgehill--had had practical experience of his kindness

in times of sorrow and anxiety. "Not she, sir; Miss Elisabeth's got too

much sense to go throwing anybody over--and especially at her age, when

she's hardly likely to get another beau in a hurry. Don't you go

troubling your mind about that, Master Christopher. You won't throw over

such a nice gentleman as him, will you, miss?"

"Certainly not; though hardly on the grounds which you mention."

"Well, miss, if you're set on marriage you're in luck to have got such a

pleasant-spoken gentleman as Master Christopher--or I should say, Mr.

Farringdon, begging his pardon. Such a fine complexion as he's got, and

never been married before, nor nothing. For my part I never thought you

would get a husband--never; and I've often passed the remark to Mr. and

Mrs. Bateson here. 'Mark my words,' I said, 'Miss Elisabeth Farringdon

will remain Elisabeth Farringdon to the end of the chapter; she's too

clever to take the fancy of the menfolk, and too pale. They want

something pink and white and silly, men do."

"Some want one thing and some another," chimed in Mrs. Bateson, "and

they know what they want, which is more than women-folks do. Why, bless

you! girls 'll come telling you that they wouldn't marry so-and-so, not

if he was to crown 'em; and the next thing you hear is that they are

keeping company with him, and that no woman was ever so happy as them,

and that the man is such a piece of perfection that the President of the

Conference himself isn't fit to black his boots."

"You have hit upon a great mystery, Mrs. Bateson," remarked Christopher,

"and one which has only of late been revealed to me. I used to think, in

my masculine ignorance, that if a woman appeared to dislike a man, she

would naturally refuse to marry him; but I am beginning to doubt if I

was right."

Mrs. Bateson nodded significantly. "Wait till he asks her; that's what I

say. It's wonderful what a difference the asking makes. Women think a

sight more of a sparrow in the hand than a covey of partridges in the

bush; and I don't blame them for it; it's but natural that they should."

"A poor thing but mine own," murmured Christopher.

"That's not the principle at all," Elisabeth contradicted him; "you've

got hold of quite the wrong end of the stick this time."

"I always do, in order to give you the right one; as in handing you a

knife I hold it by the blade. You so thoroughly enjoy getting hold of

the right end of a stick, Betty, that I wouldn't for worlds mar your

pleasure by seizing it myself; and your delight reaches high-water-mark

when, in addition, you see me fatuously clinging on to the ferrule."

"Never mind what women-folk say about women-folk, Miss Elisabeth," said

Caleb Bateson kindly; "they're no judges. But my missis has the right of

it when she says that a man knows what he wants, and in general sticks

to it till he gets it. And if ever a man got what he wanted in this

world, that man's our Mr. Christopher."

"You're right there, Bateson," agreed the master of the Osierfield; and

his eyes grew very tender as they rested upon Elisabeth.

"And if he don't have no objection to cleverness and a pale complexion,

who shall gainsay him?" added Mrs. Hankey. "If he's content, surely it

ain't nobody's business to interfere; even though we may none of us,

Miss Elisabeth included, be as young as we was ten years ago."

"And he is quite content, thank you," Christopher hastened to say.

"I think you were right about women not knowing their own minds,"

Elisabeth said to her hostess; "though I am bound to confess it is a

little stupid of us. But I believe the root of it is in shyness, and in

a sort of fear of the depth of our own feelings."

"I daresay you're right, miss; and, when all's said and done, I'd sooner

hear a woman abusing a man she really likes, than see her throwing

herself at the head of a man as don't want her. That's the uptake of

all things, to my mind; I can't abide it." And Mrs. Bateson shook her

head in violent disapproval.

Mrs. Hankey now joined in. "I remember my sister Sarah, when she was a

girl. There was a man wanted her ever so, and seemed as cut-up as never

was when she said no. She didn't know what to do with him, he was that

miserable; and yet she couldn't bring her mind to have him, because he'd

red hair and seven in family, being a widower. So she prayed the Lord to

comfort him and give him consolation. And sure enough the Lord did; for

within a month from the time as Sarah refused him, he was engaged to

Wilhelmina Gregg, our chapel-keeper's daughter. And then--would you

believe it?--Sarah went quite touchy and offended, and couldn't enjoy

her vittles, and wouldn't wear her best bonnet of a Sunday, and kept

saying as the sons of men were lighter than vanity. Which I don't deny

as they are, but that wasn't the occasion to mention it, Wilhelmina's

marriage being more the answer to prayer, as you may say, than any extra

foolishness on the man's part."

"I should greatly have admired your sister Sarah," said Christopher;

"she was so delightfully feminine. And as for the red-headed swain, I

have no patience with him. His fickleness was intolerable."

"Bless your heart, Master Christopher!" exclaimed Mrs. Bateson, "men are

mostly like that. Why should they waste their time fretting after some

young woman as hasn't got a civil word for them, when there are scores

and scores as has?"

Christopher shook his head. "I can't pretend to say why; that is quite

beyond me. I only know that some of them do."

"But they are only the nice exceptions that prove the rule," said

Elisabeth, as she and Christopher caught each other's eye.

"No; it is she who is the nice exception," he replied. "It is only in

the case of exceptionally charming young women that such a thing ever

occurs; or rather, I should say, in the case of an exceptionally

charming young woman."

"My wedding dress will be sent home next week," said Elisabeth to the

two matrons; "would you like to come and see it?"

"Indeed, that we should!" they replied simultaneously. Then Mrs. Bateson

inquired: "And what is it made of, deary?"

"White satin."

Mrs. Hankey gazed critically at the bride-elect. "White satin is a bit

young, it seems to me; and trying, too, to them as haven't much colour."

Then cheering second thoughts inspired her. "Still, white's the proper

thing for a bride, I don't deny; and I always say 'Do what's right and

proper, and never mind looks.' The Lord doesn't look on the outward

appearance, as we all know; and it 'ud be a sight better for men if they

didn't, like Master Christopher there; there'd be fewer unhappy

marriages, mark my words. Of course, lavender isn't as trying to the

complexion as pure white; no one can say as it is; but to my mind

lavender always looks as if you've been married before; and it's no use

for folks to look greater fools than they are, as I can see."

"Certainly not," Christopher agreed. "If there is any pretence at all,

let it be in the opposite direction, and let us all try to appear wiser

than we are!"

"And that's easy enough for some of us, such as Hankey, for instance,"

added Hankey's better half. "And there ain't as much wisdom to look at

as you could put on the point of a knife even then."

So the women talked and the men listened--as is the way of men and women

all the world over--until tea was finished and it was time for the

guests to depart. They left amid a shower of heartfelt congratulations,

and loving wishes for the future opening out before them. Just as

Elisabeth passed through the doorway into the evening sunshine, which

was flooding the whole land and turning even the smoke-clouds into

windows of agate whereby men caught faint glimmerings of a dim glory as

yet to be revealed, she turned and held out her hands once more to her

friends. "It is very good to come back to you all, and to dwell among

mine own people," she said, her voice thrilling with emotion; "and I am

glad that Mrs. Hankey's prophecy has come true, and that Elisabeth

Farringdon will be Elisabeth Farringdon to the end of the chapter."

THE END

* * * * *

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By ELLEN THORNEYCROFT FOWLER.

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End of Project Gutenberg's The Farringdons, by Ellen Thorneycroft Fowler

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