CHAPTER I

MEMOIRS OF

EMMA COURTNEY

MARY HAYS

CONTENTS

Preface xvii

Volume I 1

Chapter I 6

Chapter II 8

Chapter III 11

Chapter IV 14

Chapter V 16

Chapter VI 18

Chapter VII 20

Chapter VIII 24

Chapter IX 26

Chapter X 28

Chapter XI 31

Chapter XII 33

Chapter XIII 37

Chapter XIV 41

Chapter XV 46

Chapter XVI 52

Chapter XVII 55

Chapter XVIII 59

Chapter XIX 62

Chapter XX 65

Chapter XXI 68

Chapter XXII 71

Chapter XXIII 73

Chapter XXIV 76

Chapter XXV 79

Chapter XXVI 84

Chapter XXVII 88

Chapter XXVIII 92

Volume II 95

Chapter I 98

Chapter II 102

Chapter III 105

Chapter IV 109

Chapter V 112

Chapter VI 118

Chapter VII 121

Chapter VIII 129

Chapter IX 133

Chapter X 137

Chapter XI 141

Chapter XII 144

Chapter XIII 151

Chapter XIV 154

Chapter XV 157

Chapter XVI 162

Chapter XVII 164

Chapter XVIII 167

Chapter XIX 171

Chapter XX 173

Chapter XXI 176

Chapter XXII 181

Chapter XXIII 184

Chapter XXIV 187

Chapter XXV 190

Chapter XXVI 192

Chapter XXVII 196

PREFACE

The most interesting, and the most useful, fictions, are, perhaps, such,

as delineating the progress, and tracing the consequences, of one

strong, indulged, passion, or prejudice, afford materials, by which the

philosopher may calculate the powers of the human mind, and learn the

springs which set it in motion--'Understanding, and talents,' says

Helvetius, 'being nothing more, in men, than the produce of their

desires, and particular situations.' Of the passion of terror Mrs

Radcliffe has made admirable use in her ingenious romances.--In the

novel of Caleb Williams, curiosity in the hero, and the love of

reputation in the soul-moving character of Falkland, fostered into

ruling passions, are drawn with a masterly hand.

For the subject of these Memoirs, a more universal sentiment is chosen--a

sentiment hackneyed in this species of composition, consequently more

difficult to treat with any degree of originality;--yet, to accomplish

this, has been the aim of the author; with what success, the public

will, probably, determine.

Every writer who advances principles, whether true or false, that have a

tendency to set the mind in motion, does good. Innumerable mistakes have

been made, both moral and philosophical:--while covered with a sacred and

mysterious veil, how are they to be detected? From various combinations

and multiplied experiments, truth, only, can result. Free thinking, and

free speaking, are the virtue and the characteristics of a rational

being:--there can be no argument which mitigates against them in

one instance, but what equally mitigates against them in all; every

principle must be doubted, before it will be examined and proved.

It has commonly been the business of fiction to pourtray characters, not

as they really exist, but, as, we are told, they ought to be--a sort of

_ideal perfection_, in which nature and passion are melted away, and

jarring attributes wonderfully combined.

In delineating the character of Emma Courtney, I had not in view these

fantastic models: I meant to represent her, as a human being, loving

virtue while enslaved by passion, liable to the mistakes and weaknesses

of our fragile nature.--Let those readers, who feel inclined to judge

with severity the extravagance and eccentricity of her conduct, look

into their own hearts; and should they there find no record, traced by

an accusing spirit, to soften the asperity of their censures--yet, let

them bear in mind, that the errors of my heroine were the offspring

of sensibility; and that the result of her hazardous experiment is

calculated to operate as a _warning_, rather than as an example.--The

philosopher--who is not ignorant, that light and shade are more

powerfully contrasted in minds rising above the common level; that,

as rank weeks take strong root in a fertile soil, vigorous powers not

unfrequently produce fatal mistakes and pernicious exertions; that

character is the produce of a lively and constant affection--may,

possibly, discover in these Memoirs traces of reflection, and of

some attention to the phænomena of the human mind.

Whether the incidents, or the characters, are copied from life, is of

little importance--The only question is, if the _circumstances_, and

situations, are altogether improbable? If not--whether the consequences

_might_ not have followed from the circumstances?--This is a grand

question, applicable to all the purposes of education, morals, and

legislation--_and on this I rest my moral_--'Do men gather figs of

thorns, or grapes of thistles?' asked a moralist and a reformer.

Every _possible_ incident, in works of this nature, might, perhaps, be

rendered _probable_, were a sufficient regard paid to the more minute,

delicate, and connecting links of the chain. Under this impression, I

chose, as the least arduous, a simple story--and, even in that, the

fear of repetition, of prolixity, added, it may be, to a portion of

indolence, made me, in some parts, neglectful of this rule:--yet, in

tracing the character of my heroine from her birth, I had it in view.

For the conduct of my hero, I consider myself less responsible--it was

not _his_ memoirs that I professed to write.

I am not sanguine respecting the success of this little publication. It

is truly observed, by the writer of a late popular novel[1]--'That an

author, whether good or bad, or between both, is an animal whom every

body is privileged to attack; for, though all are not able to write

books, all conceive themselves able to judge them. A bad composition

carries with it its own punishment--contempt and ridicule:--a good one

excites envy, and (frequently) entails upon its author a thousand

mortifications.'

[Footnote 21: The Monk.]

To the feeling and the thinking few, this production of an active

mind, in a season of impression, rather than of leisure, is presented.

_Memoirs of Emma Courtney_

VOLUME 1

TO AUGUSTUS HARLEY

Rash young man!--why do you tear from my heart the affecting narrative,

which I had hoped no cruel necessity would ever have forced me to

review?--Why do you oblige me to recall the bitterness of my past life,

and to renew images, the remembrance of which, even at this distant

period, harrows up my soul with inconceivable misery?--But your happiness

is at stake, and every selfish consideration vanishes.--Dear and sacred

deposit of an adored and lost friend!--for whose sake I have consented

to hold down, with struggling, suffocating reluctance, the loathed

and bitter portion of existence;--shall I expose your ardent mind to

the incessant conflict between truth and error--shall I practise the

disingenuousness, by which my peace has been blasted--shall I suffer

you to run the wild career of passion--shall I keep back the recital,

written upon my own mind in characters of blood, which may preserve the

child of my affections from destruction?

Ah! why have you deceived me?--Has a six months' absence obliterated from

your remembrance the precept I so earnestly and incessantly laboured to

inculcate--the value and importance of unequivocal sincerity? A precept,

which I now take shame to myself for not having more implicitly observed!

Had I supposed your affection for Joanna more than a boyish partiality;

had I not believed that a few months' absence would entirely erase it

from your remembrance; had I not been assured that her heart was devoted

to another object, a circumstance of which she had herself frankly

informed you; I should not now have distrusted your fortitude, when

obliged to wound your feelings with the intelligence--that the woman,

whom you have so wildly persecuted, was, yesterday, united to another.

TO THE SAME

I resume my pen. Your letter, which Joanna a few days since put into my

hands, has cost me--Ah! my Augustus, my friend, my son--what has it not

cost me, and what impressions has it not renewed? I perceive the vigour

of your mind with terror and exultation. But you are mistaken! Were it

not for the insuperable barrier that separates you, for ever, from your

hopes, perseverance itself, however active, however incessant, may fail

in attaining its object. Your ardent reasoning, my interesting and

philosophic young friend, though not unconsequential, is a finely

proportioned structure, resting on an airy foundation. The science of

morals is not incapable of demonstration, but we want a more extensive

knowledge of particular facts, on which, in any given circumstance,

firmly to establish our data.--Yet, be not discouraged; exercise your

understanding, think freely, investigate every opinion, disdain the rust

of antiquity, raise systems, invent hypotheses, and, by the absurdities

they involve, seize on the clue of truth. Rouse the nobler energies of

your mind; be not the slave of your passions, neither dream of eradicating

them. Sensation generates interest, interest passion, passion forces

attention, attention supplies the powers, and affords the means of

attaining its end: in proportion to the degree of interest, will be that

of attention and power. Thus are talents produced. Every man is born

with sensation, with the aptitude of receiving impressions; the force of

those impressions depends on a thousand circumstances, over which he

has little power; these circumstances form the mind, and determine the

future character. We are all the creatures of education; but in that

education, what we call chance, or accident, has so great a share, that

the wisest preceptor, after all his cares, has reason to tremble: one

strong affection, one ardent incitement, will turn, in an instant, the

whole current of our thoughts, and introduce a new train of ideas and

associations.

You may perceive that I admit the general truths of your reasoning;

but I would warn you to be careful in their particular application; a

long train of patient and laborious experiments must precede our

deductions and conclusions. The science of mind is not less demonstrative,

and far more important, than the science of Newton; but we must proceed

on similar principles. The term _metaphysics_ has been, perhaps, justly

defined--the first _principles of arts and sciences_.[2] Every discovery

of genius, resulting from a fortunate combination of circumstances, may

be resolved into simple facts; but in this investigation we must be

patient, attentive, indefatigable; we must be content to arrive at truth

through many painful mistakes and consequent sufferings.--Such appears

to be the constitution of man!

[Footnote 2: Helvetius.]

To shorten and meliorate your way, I have determined to sacrifice every

inferior consideration. I have studied your character: I perceive, with

joy, that its errors are the ardent excesses of a generous mind. I loved

your father with a fatal and unutterable tenderness: time has softened

the remembrance of his faults.--Our noblest qualities, without incessant

watchfulness, are liable insensibly to shade into vices--but his virtues

and _misfortunes_, in which my own were so intimately blended, are

indelibly engraven on my heart.

A mystery has hitherto hung over your birth. The victim of my own ardent

passions, and the errors of one whose memory will ever be dear to me, I

prepare to withdraw the veil--a veil, spread by an importunate, but, I

fear, a mistaken tenderness. Learn, then, from the incidents of my life,

entangled with those of his to whom you owe your existence, a more

striking and affecting lesson than abstract philosophy can ever afford.

CHAPTER I

The events of my life have been few, and have in them nothing very

uncommon, but the effects which they have produced on my mind; yet, that

mind they have helped to form, and this in the eye of philosophy, or

affection, may render them not wholly uninteresting. While I trace them,

they convince me of the irresistible power of circumstances, modifying

and controuling our characters, and introducing, mechanically, those

associations and habits which make us what we are; for without outward

impressions we should be nothing.

I know not how far to go back, nor where to begin; for in many cases,

it may be in all, a foundation is laid for the operations of our minds,

years--nay, ages--previous to our birth. I wish to be brief, yet to omit

no one connecting link in the chain of causes, however minute, that I

conceive had any important consequences in the formation of my mind, or

that may, probably, be useful to your's.

My father was a man of some talents, and of a superior rank in life, but

dissipated, extravagant, and profligate. My mother, the daughter of a

rich trader, and the sole heiress of his fortunes, allured by the

specious address and fashionable manners of my father, sacrificed to

empty shew the prospect of rational and dignified happiness. My father

courted her hand to make himself master of her ample possessions:

dazzled by vanity, and misled by self-love, she married him;--found,

when too late, her error; bitterly repented, and died in child bed the

twelfth month of her marriage, after having given birth to a daughter,

and commended it, with her dying breath, to the care of a sister (the

daughter of her mother by a former marriage), an amiable, sensible, and

worthy woman, who had, a few days before, lost a lovely and promising

infant at the breast, and received the little Emma as a gift from

heaven, to supply its place.

My father, plunged in expence and debauchery, was little moved by these

domestic distresses. He held the infant a moment in his arms, kissed it,

and willingly consigned it to the guardianship of its maternal aunt.

It will here be necessary to give a sketch of the character, situation,

and family, of this excellent woman; each of which had an important

share in forming the mind of her charge to those dispositions, and

feelings, which irresistibly led to the subsequent events.

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