The Moth and the Star

I

Darlinghurst Jail had never immured a more interesting prisoner than the

back-block bandit who was tried and convicted under the strange style

and title which he had made his own. Not even in prison was his real

name ever known, and the wild speculations of some imaginative officials

were nothing else up to the end. There was enough color in their

wildness, however, to crown the convict with a certain halo of romance,

which his behavior in jail did nothing to dispel. That, of course, was

exemplary, since Stingaree had never been a fool; but it was something

more and rarer. Not content simply to follow the line of least

resistance, he exhibited from the first a spirit and a philosophy unique

indeed beneath the broad arrow. And so far from decreasing with the

years of his captivity, these attractive qualities won him friend after

friend among the officials, and privilege upon privilege at their hands,

while amply justifying the romantic interest in his case.

At last there came to Sydney a person more capable of an acute

appreciation of the heroic villain than his most ardent admirer on the

spot. Lucius Brady was a long-haired Irishman of letters, bard and

bookworm, rebel and reviewer; in his ample leisure he was also the most

enthusiastic criminologist in London. And as President of an exceedingly

esoteric Society for the Cultivation of Criminals, even from London did

he come for a prearranged series of interviews with the last and the

most distinguished of all the bushrangers.

It was to Lucius Brady, his biographer to be, that Stingaree confided

the data of all the misdeeds recounted in these pages; but of his life

during the quiet intervals, of his relations with confederates, and his

more honest dealings with honest folk (of which many a pretty tale was

rife), he was not to be persuaded to speak without an irritating

reserve.

"Keep to my points of contact with the world, about which something is

known already, and you shall have the whole truth of each matter," said

the convict. "But I don't intend to give away the altogether unknown,

and I doubt if it would interest you if I did. The most interesting

thing to me has been the different types with whom I have had what it

pleases you to term professional relations, and the very different ways

in which they have taken me. You read character by flashlight along the

barrel of your revolver. What you should do is to hunt up my various

victims and get at their point of view; you really mustn't press me to

hark back to mine. As it is you bring a whiff of the outer world which

makes me bruise my wings against the bars."

The criminologist gloated over such speeches from such lips. It would

have touched another to note what an irresistible fascination the bars

had for the wings, despite all pain; but Lucius Brady's interest in

Stingaree was exclusively intellectual. His heart never ached for a

roving spirit in confinement; it did not occur to him to suppress a

detail of his own days in Sydney, down to the attractions of an Italian

restaurant he had discovered near the jail, the flavor of the Chianti

and so forth. On the contrary, it was most interesting to note the play

of features in the tortured man, who after all brought his torture on

himself by asking so many questions. Soon, when his visitor left him,

the bondman could follow the free in all but the flesh, through every

corridor of the prison and every street outside, to the hotel where you

read the English papers on the veranda, or to the little restaurant

where the Chianti was corked with oil which the waiter removed with a

wisp of tow.

One day, late in the afternoon, as Lucius Brady was beaming on him

through his spectacles, and indulging in an incisive criticism on the

champagne at Government House, Stingaree quietly garroted him. A gag was

in all readiness, likewise strips of coarse sheeting torn up for the

purpose in the night. Black in the face, but with breath still in his

body, the criminologist was carefully gagged and tied down to the

bedstead, while his living image (at a casual glance) strolled with bent

head, black sombrero, spectacles and frock-coat, first through the cold

corridors and presently along the streets.

The heat of the pavement striking to his soles was the first of a

hundred exquisite sensations; but Stingaree did not permit himself to

savor one of them. Indeed, he had his work cut out to check the pace his

heart dictated; and it was by admirable exercise of the will that he

wandered along, deep to all appearance in a Camelot Classic which he had

found in the criminologist's pocket; in reality blinded by the glasses,

but all the more vigilant out of the corners of his eyes.

A suburb was the scene of these perambulations; had he but dared to lift

his face, Stingaree might have caught a glimpse of the bluest of blue

water; and his prison eyes hungered for the sight, but he would not

raise his eyes so long as footsteps sounded on the same pavement. By

taking judicious turnings, however, he drifted into a quiet road, with

gray suburban bungalows on one side and building lots on the other. No

step approached. He could look up at last. And the very bungalow that he

was passing was shut up, yet furnished; the people had merely gone away,

servants and all; he saw it at a glance from the newspapers plastering

the windows which caught the sun. In an instant he was in the garden,

and in another he had forced a side gate leading by an alley to backyard

and kitchen door; but for many minutes he went no further than this

gate, behind which he cowered, prepared with excuses in case he had

already been observed.

It was in this interval that Stingaree recalled the season with a

thrill; for it was Christmas week, and without a doubt the house would

be empty till the New Year. Here was one port for the storm that must

follow his escape. And a very pleasant port he found it on entering,

after due precautionary delay.

Clearly the abode of young married people, the bungalow was fitted and

furnished with a taste which appealed almost painfully to Stingaree; the

drawing-room was draped in sheets, but the walls carried a few good

engravings, some of which he remembered with a stab. It was the

dressing-room, however, that he wanted, and the dressing-room made him

rub his hands. The dainty establishment had no more luxurious corner,

what with the fitted bath, circular shaving-glass, packed trouser-press,

a row of boots on trees, and a fine old wardrobe full of hanging coats.

Stingaree began by selecting his suit; and it may have been his vanity,

or a strange longing to look for once what he once had been, but he

could not resist the young man's excellent evening clothes.

"This fellow comes from Home," said he. "And they are spending their

Christmas pretty far back, or he would have taken these with him."

He had wallowed in the highly enamelled bath, and was looking for a

towel when he saw his head in the shaving-glass; he was dry enough

before he could think of anything else. There was a dilemma, obvious yet

unforeseen. That shaven head! Purple and fine linen could not disguise

the convict's crop; a wig was the only hope; but to wear a wig one must

first try it on--and let the perruquier call the police. The knot was

Gordian. And yet, desperately as Stingaree sought unravelment, he was at

the same time subconsciously as deep in a study of a face so unfamiliar

that at first he had scarcely known it for his own. It was far leaner

than of old; it was no longer richly tanned; and the mouth called

louder than ever for a mustache. The hair, what there was of it, seemed

iron-gray. It had certainly receded at the temples. What a pity, while

it was about it----

Stingaree clapped his hands; his hunt for the razor was feverish,

tremulous. Such a young man must have many razors; he had, he had--here

they were. Oh, young man blessed among young men!

It was quite dark when a gentleman in evening clothes, light overcoat,

and opera hat, sallied forth into the quiet road. Quiet as it was,

however, a whistle blew as he trod the pavement, and his hour or two of

liberty seemed at an end. His long term in prison had mixed Stingaree's

ideas of the old country and the new; he had forgotten that it is the

postmen who blow the whistles in Australia. Yet this postman stopped him

on the spot.

"Beg your pardon, sir, but if it's quite convenient may I ask you for

the Christmas-box you was kind enough to promise me?"

"I think you are mistaking me for someone else," said Stingaree.

"Why, so I am, sir! I thought you came out of Mr. Brinton's house."

"Sorry to disappoint you," said the convict. "If I only had change you

should have some of it, in spite of your mistake; but, unfortunately, I

have none."

He had, however, a handsome pair of opera-glasses, which he converted

into change (on the gratuitous plea that he had forgotten his purse) at

the first pawnbroker's on the confines of the city. The pawnbroker

talked Greek to him at once.

"It's a pity you won't be able to see 'er, sir, as well as 'ear 'er,"

said he.

"Perhaps they have them on hire in the theatre," replied Stingaree at a

venture. The pawnbroker's face instantly advised him that his

observation was wide of the obscure mark.

"The theatre! You won't 'ear 'er at any theatre in Sydney, nor yet in

the Southern 'Emisphere. Town 'Alls is the only lay for 'Ilda Bouverie

out 'ere!"

At first the name conveyed nothing to Stingaree. Yet it was not wholly

unfamiliar.

"Of course," said he. "The Town Hall I meant."

The pawnbroker leered as he put down a sovereign and a shilling.

"What a season she's 'aving, sir!"

"Ah! What a season!"

And Stingaree wagged his opera-hatted head.

"'Undreds of pounds' worth of flowers flung on to every platform, and

not a dry eye in the place!"

"I know," said the feeling Stingaree.

"It's wonderful to think of this 'ere Colony prodoocin' the world's best

primer donner!"

"It is, indeed."

"When you think of 'er start."

"That's true."

The pawnbroker leant across his counter and leered more than ever in his

customer's face.

"They say she ain't no better than she ought to be!"

"Really?"

"It's right, too; but what can you expect of a primer donner whose

fortune was made by a blood-thirsty bushranger like that there

Stingaree?"

"You little scurrilous wretch!" cried the bushranger, and flung out of

the shop that second.

It was a miracle. He remembered everything now. Then he had done the

world a service as well as the woman! He gave thanks for the guinea in

his pocket, and asked his way to the Town Hall. And as he marched down

the middle of the lighted streets the first flock of newsboys came

flying in his face.

"_Escape of Stingaree! Escape of Stingaree! Cowardly Outrage on Famous

Author! Escape of Stingaree!!_"

The damp pink papers were in the hands of the overflow crowd outside

the hall; his own name was already in every mouth, continually coupled

with that of the world-renowned Hilda Bouverie. It did not deter the

convict from elbowing his way through the mass that gloated over his

deed exactly as they would have gloated over his destruction on the

gallows. "I have my ticket; I have been detained," he told the police;

and at the last line of defence he whispered, "A guinea for

standing-room!" And the guinea got it.

It was the interval between parts one and two. He thought of that other

interval, when he had made such a different entry at the same juncture;

the other concert-room would have gone some fifty times into this. All

at once fell a hush, and then a rising thunder of applause, and some one

requested Stingaree to remove his hat; he did so, and a cold creeping of

the shaven flesh reminded him of his general position and of this

particular peril. But no one took any notice of him or of his head. And

it was not Hilda Bouverie this time; it was a pianiste in violent

magenta and elaborate lace, whose performance also was loud and

embroidered. Followed a beautiful young barytone whom Miss Bouverie had

brought from London in her pocket for the tour. He sang three little

songs very charmingly indeed; but there was no encore. The gods were

burning for their own; perfunctory plaudits died to a dramatic pause.

And then, and then, amid deafening salvos a dazzling vision appeared

upon the platform, came forward with the carriage of a conscious queen,

stood bowing and beaming in the gloss and glitter of fabric and of gem

that were yet less radiant than herself. Stingaree stood inanimate

between stamping feet and clapping hands. No; he would never have

connected this magnificent woman with the simple bush girl in the

unpretentious frocks that he recalled as clearly as her former self. He

had looked for less finery, less physical development, less, indeed, of

the grand operatic _tout-ensemble_. But acting ended with her smile, and

much of the old innocent simplicity came back as the lips parted in

song. And her song had not been spoilt by riches and adulation; her song

had not sacrificed sweetness to artifice; there was even more than the

old magic in her song.

"Is this a dream?

Then waking would be pain!

Oh! do not wake me;

Let me dream again."

It was no new number even then; even Stingaree had often heard it, and

heard great singers go the least degree flat upon the first "dream." He

listened critically. Hilda Bouverie was not one of the delinquents. Her

intonation was as perfect as that of the great violinists, her high

notes had the rarefied quality of the E string finely touched. It was a

flawless, if a purely popular, performance; and the musical heart of one

listener in that crowded room was too full for mere applause. But he

waited with patient curiosity for the encore, waited while courtesy

after courtesy was given in vain. She had to yield; she yielded with a

winning grace. And the first bars of the new song set one full heart

beating, so that the earlier words were lost upon his brain.

"She ran before me in the meads;

And down this world-worn track

She leads me on; but while she leads

She never gazes back.

"And yet her voice is in my dreams,

To witch me more and more;

That wooing voice! Ah me, it seems

Less near me than of yore.

"Lightly I sped when hope was high,

And youth beguiled the chase;

I follow--follow still; but I

Shall never see her Face."

So the song ended; and in the ultimate quiet the need of speech came

over Stingaree.

"'The Unrealized Ideal,'" he informed a neighbor.

"Rather!" rejoined the man, treating the stale news as a mere remark.

"We never let her off without that."

"I suppose not," said Stingaree.

"It's the song the bushranger forced her to sing at the back-block

concert, and it made her fortune! Good old Stingaree! By the way, I

heard somebody behind me say he had escaped. That can't be true?"

"The newsboys were yelling it as I came along late."

"Well," said Stingaree's neighbor, "if he has escaped, and I for one

don't hope he hasn't, this is where he ought to be. Just the sort of

thing he'd do, too. Good old sportsman, Stingaree!"

It was an embarrassing compliment, eye to eye and foot to foot, wedged

in a crowd. The bushranger did not fish for any more; neither did he

wait to hear Hilda Bouverie sing again, though this cost him much. But

he had one more word with his neighbor before he went.

"You don't happen to know where she's staying, I suppose? I've met her

once or twice, and I might call."

The other smiled as on some suicidal moth.

"There's only one place good enough for a star like her in Sydney."

"And that is?"

"Government House."

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