IV

_Those were lovely days_

My impression is that our carpenter came first, though the exact

sequence is unimportant. He was not exclusively a carpenter, being also

a farmer during a considerable portion of the year. He would have to

knock off, now and then, he said, to look after his corn and potatoes,

while his assistant, it appeared, served in the double capacity of

helper and hired man.

But they were a suitable team for the work in hand--reconstruction on an

old house that had been put up mainly with an ax and a trowel, by thumb

measure, having probably never known anything so prosaic as a

spirit-level and a square. We began on the large room--that is to say,

the old kitchen, which was to be the new living-room, and in a very

little while had the prehistoric pantry and sink ripped out and the big

hole patched in the plaster, for our boss carpenter was a gifted man,

qualified for general repairs.

No, on second thought, we did not rip out quite all the old pantry.

There were some whitewood shelves that had been put there to stay, and

in the century or so of their occupancy appeared to have grown to the

other woodwork. Considering them a little, and the fact that it would

require an ax and perhaps dynamite to dislodge them, I had an

inspiration. Modified a little, they would make excellent bric-à-brac

and book shelves and serve a new and beautiful use through all the

centuries we expected to live there. I feverishly began drawing designs,

and the chief carpenter and I undertook this fine-art and literary

corner at once, so that it might be finished and a surprise for

Elizabeth and the others when they came. It was well that we did so, for

it was no light matter to reduce the width of those shelves. Whitewood

is not hard when fresh, but this had seasoned with the generations until

it was as easy to saw as dried horn--just about--and we took turns at

it, and the sweat got in my eyes, and I would have sent for the ax and

the dynamite if I hadn't passed my word.

Meantime, the helper, whose name was Henry Jones, was hewing an oaken

cross-beam which supported the ceiling, and which I could not pass under

without violently knocking my head. I am satisfied that the original

builders of that house were short people, or they would have planned

the old kitchen a few inches higher. But then I am always knocking my

head nearly off against something. I have left gleanings from it on the

sharp edges of a thousand swinging signs and on the cruel filigree of as

many low-hung chandeliers. My slightly bald spot, due to severe mental

effort, or something, if examined closely would be found to resemble an

old battlefield in France. But this is digression. As I was saying,

Henry Jones was hewing at the big old cross-beam, trying to raise its

lower sky-line a couple of inches with a foot-adz. I had not supposed

that the job would be especially difficult. I did not realize that the

old white-oak beam in a century and a half had petrified. We were having

a pretty toilsome time with our shelves, but I never saw a man sweat and

carry on like Henry Jones. He had to work straight up, with his head

tipped back, and his neck was rather short, with no proper hinge in it.

Besides, it was August, and pretty still and intense, and then some bees

that had taken up residence between the floors did not like the noise

he made, and occasionally came down to see about it. At such times he

made what was in the nature of a spring for the door, explaining later

that he had been to sharpen his adz. During quieter moments I went over,

at his suggestion, to measure up and see if the beam wasn t high enough.

It was on the afternoon of the second day that I told him that if he

would now trim up and round off the corners a little I thought I might

be able to pass under it without butting my remaining brains out. You

never saw a man so relieved. I think he considered me over-particular

about a small matter. As a reward I set him to elevating the beam across

the top of the door leading to the kitchen--quite an easy job. He only

had to put in a few hours of patient overhead sawing and split out the

chunks with wedges and a maul.

Observing Henry Jones though fully, I became convinced that the oaken

frame of our house was nearly indestructible. When I found time I

examined its timbers rather carefully. They were massive as to size,

hand hewn, and held together with big wooden pins. No worm had been

indiscreet enough to tackle those timbers. The entire structure was

anchored in the masonry of the huge chimney, and as a whole was about as

solid as the foundations of the world. There were builders in those

days.

I have mentioned the "ancient mariner" who appeared in the dusk of the

evening to warn me against over-payment for the place--old Nat. It

turned out that he was a farmer, but with artistic leanings in the

direction of whitewash. He appeared one morning in a more substantial

form, and was presently making alabaster of our up-stairs ceilings, for

if ever there was an old master in whitewash it was Nat. Never a streak

or a patchy place, and he knew the secret of somehow making the second

coat gleam like frosting on a wedding-cake.

Things were happening all about. Old Pop, the brush-cutter, had arrived,

with his deadly one-handed ax, and was busy in the lower brook lot--a

desperate place of briers and brush and poison ivy. He was a savage

worker. The thorns stung him to a pitch of fighting madness, and he

went after them, careless of mishap. Each evening he came up out of that

vicious swamp, bleeding at every pore, his massive shoulders hunched

forward, his super-normal arms hanging until his huge hands nearly swept

the ground.

[Illustration]

Pop in action was a fascinating sight. Few things could be finer than to

see him snatch away a barbed-wire entanglement of blackberry-bushes,

clutch a three-inch thorn sapling with his hairy left, and with one

swing of his terrible right cut the taproot through. I had figured that

it would take a month to clear away that mess along the brook, but on

the evening of the fifth day Pop had the last bit of its tangle cut and

piled. Of such stuff were warriors of the olden time. Given armor and a

battle-ax, and nothing could have stood before him. One could imagine

him at Crecy, at Agincourt, at Patay. Joan of Arc would have kept him at

her side.

Pop had another name, but everybody called him "Old Pop" and he seemed

to prefer it. He was seventy years old and a pensioner. There was a week

when his check came that he did no work, but remained dressed up, and I

fear did not always get the worth of his money. Never mind, he had

earned relaxation. An ancient hickory-tree in the brook meadow had been

broken by a March storm. Old Pop and his son Sam had it cut, split, and

sawed into fireplace lengths in a little while. That is, comparatively.

I think they were two or three days at it, while it had taken nature a

full hundred and sixty years to get the old tree ready for them. I

counted the rings. The figures impressed me.

It was--let us say--as old as the old house. It had been a straight

young tree of thirty years or so when the Revolutionary began, and it

saw the recruits of Brook Ridge march by to join Putnam, who had a camp

on a neighboring hill. There were Reeds and Meekers and Burrs and Todds

and Sanfords in that little detachment, and their uniforms were not very

uniform, and their knapsacks none too well filled. There was no rich

government behind them to vote billions for defense, no camps that were

cities sprung up in a night, no swift trains to whirl them to their

destination. Where they went they walked, through dust or mud and over

the stony hills. The old tree saw them pass--in its youth and

theirs--and by and by saw them return--fewer in numbers, and foot-sore,

but triumphant. I mentioned it to Pop. He said:

"Yeah--I was in the Civil War. It wa'n't much fun, but I'm lookin' for

my pension to be increased next year."

When there was no more brush or chopping I set Pop to laying stone wall

and said I would employ him steadily for a year. But that was a

mistake. Old Pop was a free lance, a knight errant. Anything that

savored of permanency smelled to him of vassalage. He laid a rod of

stone wall--solid wall that will be there for Gabriel to stand on when

he plays his last trump--blows it, I mean--in that neighborhood. But

then he collected, one evening, and vanished, and I did not see him any

more. I never carried the wall any farther. As Pop left it, so it

remains to this day.

[Illustration]

My plowman was a young man--a handsome, high-born-looking youth who came

one Sunday evening to arrange terms. He was stylishly dressed, and I

took him for a college lad on vacation. He assured me, however, that his

schooling had been acquired in the neighborhood, that he was a farmer on

his own account, with a team of his own, and that he was accustomed to

plowing rocky land. His name was Luther Merrill, and if I had thought

him handsome in his fine clothes, I considered him really superb when he

arrived next morning in work attire and started his great plow and big

white horses around the furrows. There had been a shower in the night

and the summer foliage was fresh--the leaves shining. Against a gleaming

green background of maple, alder, and wild clematis, Luther Merrill in

shirt and trousers, his collar open, his sleeves turned back, bending to

the plow and calling directions to his sturdy team, was something to

make one's heart leap for joy. I photographed him unobserved. I longed

to paint him.

My admiration grew as I observed the character of his plowing. A Western

boy wouldn't have stood it five minutes. The soil was at least half

stone, and the stones were not all loose. Every other rod the plow

brought up with a jerk that nearly flung the plowman over the top of it.

Then he had to yank and haul it out, lift it over, and start again. He

did not lose his temper, even when he broke one of his plow points, of

which, it seemed, he had brought a supply, in anticipation. He merely

called something encouraging to his horses and went on. I know about

plowing, and I once plowed a small blackberry-patch that was mostly

roots, and nearly swore my teeth loose in the half a day it took me. But

that had been nothing to this, and this was continual. I decided that

nothing could feaze Luther Merrill.

Still, he was not absolute proof against bees. I have mentioned the

swarm between the floors of the old house, and in the course of the

morning Luther's plowing took him near the corner where it seems they

had their entrance. It was a bright, hot day and they were quite busy,

but not busy enough to prevent them from giving prompt attention to us

as we came along.

I was holding one handle of the plow at the moment, pretending to help,

when I noticed a peculiar high-pitched note close to my ear, and a

certain pungent "mad smell" which bees know how to make. Something told

me just then that I had business in the upper corner of the lot and I

set out to attend to it. Two of those bees came along. They hurried a

good deal--they had to, to keep up with me. I discouraged them as much

as possible with an earnest fanning or beating motion and sharp words. I

was not entirely successful. I felt something hot and sudden on the lobe

of one ear just as I dove beneath the bushes that draped the upper wall,

and I had an almost immediate sensation of its becoming hard and

pear-shaped.

I peered out presently to see what had become of Luther Merrill. He had

not basely deserted his team--he was too high-class for that, but he was

moving from the point of attack with as little delay as possible,

grasping the lines with one hand and pawing the air with the other. By

the time I reached him he was plowing in a rather remote corner, and he

had lost some of his beauty--one eye was quite closed. He said he would

plow down there by the house late in the evening, or on the next wet

day.

Luther plowed and harrowed and sowed for us--two fields of rye and

timothy mixed, to insure a future meadow, this on Westbury's advice. A

part of one field had great boulders in it, which he suggested we take

out. I said we would drop the boulders into the brook at intervals to

make the pretty falls it now lacked. Next morning, Luther Merrill came

with a heavy chain and a stone-boat (an immense sled without runners)

and for two happy days we reconstructed the world, dislocating and

hauling boulders that had not stirred since the ice age.

Luther was an expert at chaining out boulders, and he loved the job.

When we got one to the brook, and after great prying and grunting

finally boosted it in with a mighty splash, Luther would wave his arms,

jump about, and laugh like the high-hearted boy that he was. Those were

lovely days.

[Illustration]

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