SCENE III-- _An apartment in the Ursuline convent decorated for a

festival-- the back part is filled up by a dark-coloured curtain--

night._

The _prior_ enters preceded by a friar with a torch, and followed

by _Veronica_.

_Ve._ Yet hear me, Cœlestino!

_Pri._ Idle remonstrances! what! shall I have plunged into guilt, and

reap no fruits from it but the danger? abbess, Josepha must be mine:

remember my power, and obey me!

_Ve._ You have been obeyed; your victim is even now conducting hither;

the banquet-- the lights-- the choral harmony-- every thing is prepared,

that can seduce her senses; but all these temptations she has already

resisted-- she will resist them still: then spare me the odious-- the

unavailing office--

_Pri._ Perform it well, and it will not be unavailing. For twelve long

months cut off from all society-- deprived of every joy, of every

comfort, even deprived of light-- then, when suddenly the radience of a

thousand torches blazes upon her wondering eye, when music swells upon

her ear and, still more melting still more melodious, when the voice of

affection speaks touchingly to her heart; nay, if she then prefers her

gloomy cell to liberty and pleasure, Josepha’s virtue must be more than

human.

_Ve._ But should it prove so-- oh! then at least forbear to persecute

the unfortunate! let her swear never to divulge our secrets-- let some

well imagined tale account for her reported death, and--

_Pri._ How? and dare you, the creature of my will, whose life depends

but upon my breath--

_Ve._ While you speak, forget not also that my fate involves your own;

I too can divulge--

_Pri._ Speak but such another threatening word, and the whole measure of

your offences shall be made public throughout Messina-- my mind is

resolved; my resolutions are taken: I can dare every thing; but

you-- weak, trembling, doubting woman-- dare you die!

_Ve._ O! no, no, no! you know but too well, I dare not.

_Pri._ No more, then, but obey me. Tonight be it your care to fascinate

Josepha’s senses and inflame her heart. Tomorrow I will once more

present myself before her and prove, whether virtue and Venoni can

counterbalance at once the allurements of present pleasure, and the

apprehension of future pain. You have heard my will; obey it! should

Josepha escape, I swear, that my vengeance shall drag you to the

scaffold, even though I ascend it with you myself, (_to the friar_) Lead

to the monastery.

[Exeunt.

_Ve._ I struggle in vain to escape; the snares of guilt are wound too

closely round me. Hark! she comes! tis Josepha! I heard the plaintive

murmur of that voice, so sweet, so tender, so touching! I dare not meet

her yet-- oh! Josepha, gladly would I share thy gloomy dungeon, could I

but share with it thy uncorrupted heart.

[Exeunt.

A nun enters with a lamp followed by sister _Lucia_, who conducts

_Josepha_ blind-folded.

_Jo._ Oh! why is this mysterious silence? for what purpose have you

taken me from my prison? who are you, and whither have you brought me?

have mercy on my agony! see, how this silence terrifies me: see how I

kneel at your feet; see how I kiss them and bathe them with my tears.

Answer me-- in pity answer. Still no reply? still no kind consoling

sound? (_Lucia motions to leave her_) oh! no, no, no! do not leave me!

even though you speak not, stay, oh, stay! let me at least be conscious,

that there is a human being near me-- that I am not the only thing

within these mournful walls, which possesses life and feeling! stay,

stay, in charity! (_the nun breaks from her and exit_) they leave me--

they are gone! hark! a door closes! I hear their retiring footsteps!

alas! alas! even in the noise of that closing door, even in the echo

of those departing steps, there was some little comfort: they at least

betokened the existence of a human being. I am alone-- let me remove

the bandage, and examine. Dark! dark! all dark! still all silence, still

all gloom! where am I? I dare not advance lest some abyss-- oh! light,

light! glorious light! shall I then never see thee more? any thing but

this dead and hollow silence! any thing but this sepulchral, this

dreadful, this heart-oppressing gloom.

_Chorus_ within, very full and sweet.

--“O! love! sweet love!”--

_Jo._ Hark! voices! I heard them! I am sure I heard them! it was music!

melody! enchantment-- hark! hark! again.

CHORUS.

“Love rules the court, the camp, the grove.

For love is heaven, and heaven is love.”

_During this chorus, the curtain rolls up, and discovers a banquet

splendidly illuminated; large folding doors are in the centre;

chandeliers descend, and the stage becomes as light as possible--

Veronica and nuns are in the front._

_Jos._ See! see! all bright! all brilliant; a dream-- a fairy vision--

the blaze overpowers me, my eyes are dazzled; my brain grows dizzy:

I cannot support the rapture-- (_sinks against a pillar_)

_Ve._ Josepha!

_Jos._ (_starting_) Surely that voice-- the abbess, what can mean--

_Ve._ How? not speak to me, my child? not look upon your mother?

_Jos._ Mother? child? oh! it is long since I heard those dear, dear

names-- my heart-- my feelings-- (_throwing herself into her arms_) oh!

if I am your child, then mother, mother! be to me a mother indeed!

_Ve._ And do I not prove myself one, my Josepha, when now, in spite of

all your past perverseness I again clasp you to my bosom, I again put it

in your own choice to live in liberty, in society, in delight? look

round you, my daughter! see how every countenance smiles to welcome you;

see, how every heart springs towards you; see, how--

_Jos._ (_starting away from her, exclaims with energy_) Ha! now I

understand it all! the mystery is cleared! the web is unravelled! yes,

yes, the meaning bursts at once upon me, all in the broad blaze of its

daring villany, in all the hypocrisy of its deep-laid odious art!

_Ve._ What art? what villany? when kindly I woo you to--

_Jos._ Speak not! proceed not! let not the unholy words pass through

your lips, as you value your own soul! I guess your meaning; oh! then

pronounce it not; great as are your crimes let me save you from

committing one so monstrous as this! the lessons of vice from any lips

appear disgusting; but when a woman gives them breath-- tis horrible!

tis dreadful! tis unnatural!

_Ve._ (_aside_) Oh! if I dared-- no, no! it cannot be.

_Jos._ Ah! you melt? oh! then behold me kneeling before you; see my

anguish, my fears, my hopes. I have none but in you! remember your sex,

your habit, your former affection for me. You loved me once! even now

you called me your child, often have you prest me to your heart with all

a mother’s tenderness-- oh! then by that tender name I charge you,

I implore you, tempt me not to vice; rather aid me to persevere in

virtue. Let me depart; restore me to my parents; I will never divulge

your dreadful secret. It’s true I once threatned you; I would fain have

terrified you into penitence, but you know my heart, all merciful; you

know, that I would not willingly hurt even a worm!-- she weeps! she

pities me! blessings on you, eternal blessings! oh, let me hasten--

(_going, Veronica starts in terror: the nuns opposes her progress_)

_Ve._ Hold! detain her! Josepha, that I suffer-- that I feel for you--

it were fruitless to deny; but alas! unfortunate, your fate is decided;

your fate and mine! the prior-- the unrelenting prior-- oh, so guilty as

I am, I dare not look on death. Yield, then, Josepha, yield! all hope is

lost to you--

_Jose._ Nay, not so, lady! strong as are my fetters, heaven may one day

break them; but robbed of innocence, then, indeed, not heaven itself

could save me. When rains beat heavy, the rose for awhile may droop its

head oppressed; but the clouds will disperse, and the sun will burst

forth, and the reviving flower will raise its blushing cup again; but

all the flames of the sun and all the zephyrs of the south can never

restore its fragrance and its health to the once-gather’d lily.

_Ve._ Alas, alas! to protect you is beyond my power! you will be plunged

once more alive into the grave-- will be deprived of every comfort--

_Jose._ No, lady, no! even in the depth of your subterraneous dungeon,

one comfort still is mine, and never will forsake me: tis the

consciousness that my sufferings are transitory, but that my reward

will be eternal; tis the consciousness of an hereafter! tis this which

supports me during all my daily sorrows; tis this which irradiates all

my nightly dreams. Then this poor wretched globe with all its crimes

and all its follies rolls away from before me: then all seems fair,

and pure, and glorious: cherubs shed the roseate lustre of their smiles

upon my stony couch, and guardian saints encourage me to suffer with

patience, to hope, and to adore!-- such are my dreams: now, lady, paint

if you dare, the visions which you behold in your own.

_Ve._ She tortures my heart; her reproaches fire my brain-- I can endure

them no longer-- remove her! away!

_Jose._ (_kneeling_) Oh! drive me not from you! pity me! protect me!

save me!--

_Ve._ I cannot! I dare not! take her from my sight, and-- and for ever!

_Jose._ (_rising_) For ever? no, cruel woman; do not hope it! listen to

these sighs; look upon these tears! in your gayest happiest moments,

such sighs shall scare away delight; when you lift to your lips the cup

of pleasure, you shall find the draught embittered by such tears; and

when that hour arrives which you dread so justly, a form like mine shall

stand beside your pillow and a voice like mine shall shriek in your

ear-- “Welcome, murderess! welcome, to that grave, to which you

sent me!”

_Ve._ Insupportable! away with her! she kills me!

_Jose._ Oh! let me stay yet a few moments more! let me gaze but a little

longer on the lovely, friendly, blessed light! let me still hear a human

voice, even though it threaten me; let me still look upon a human face,

even though it be the face of an enemy; (_the nuns endeavour to force

her away_) mercy! mercy! help me-- aid me!

_Venoni_ rushes in by a side door.

_Venoni._ Who shrieks for help-- for mercy! I-- I will give them!

(_Veronica and nuns utter a cry of surprise_)

_Ve._ Ah! a stranger?

_Jose._ (_bursting from the nuns with a violent effort_) Tis he! tis he

himself! save me, Venoni! oh! save me, save me! (_she rushes to throw

herself into his arms, and sinks fainting at his feet._)

_Ve._ Venoni, betrayed, undone! Lucia! (_she whispers Lucia._)

_Venoni._ She knows me! look up, look up, unfortunate! I will protect

you! I will preserve you, and-- Josepha! tis Josepha! speak to me,

Josepha! oh! speak to your Venoni!

_Ve._ But one moment is still ours-- (_to Lucia_) fly! hasten! (_Lucia

goes off by the door through which Venoni enters._)

_Venoni._ The monsters! the barbarians! oh! my beloved, how have the

wretches made you suffer.

_Jose._ Suffer! oh say but that you love me still, all, all will be

forgotten.

_Venoni._ Do I love thee? oh, heaven! thou, my soul! my life! best half

of my existence! but come, let us quit this hated place-- let us away,

and-- (_to Veronica_) nay, lady, shrink not at my approach: how you may

answer to the viceroy, be that your care; but dread no reproaches from

me! I shall respect that sacred habit, though you have felt for it so

little reverence; I shall still remember your sex, though you seem

yourself to have forgotten it. Give me the means to quit the

convent-- furnish me with the portal key--

_Ve._ (_confused_) My lord-- the keys-- they shall be produced-- I have

sent for them-- even now you saw a sister leave the chamber-- she

returns-- I hear her-- speak!

_Lucia_ returns.

_Ve._ Have you found them?

_Lu._ I have.

_Venoni._ And where are they?

The _prior_ rushes in followed by monks.

_Pri._ Here! art thou found again, my fugitive? --seize him.

_Jose._ Venoni! oh, Venoni!

_Pri._ Tear them asunder.

_Jose._ No, no! I will never leave him! while I have life, thus thus

will I cling to him; if I must die, it shall be at his feet. (_they are

forced asunder_) oh! cruel, cruel men! (_she sinks into the arms of the

nuns-- Veronica is in the greatest agitation_)

_Pri._ Away with him! (_he precedes; the monks, bearing Venoni, follow

him_) Venoni, your death-hour has struck!

Father _Michael_ rushes in followed by the _Viceroy_, &c. and

grasps the prior’s arm.

_Mi._ Tyrant, no; twas for thyself it sounded.

The monks release Venoni, and the nuns Josepha; the lovers fall

into each other’s arms-- at the same time the folding-doors are

burst open, and the marquis, _Hortensia_, &c. enter.

_Hor._ (_speaking without_) Where is she? where is the abbess?

_Jose._ My mother’s voice? here, here! my mother, behold your Josepha at

your feet.

_Hor._ Powers of mercy! she lives, she lives! my Josepha! my joy my

treasure! oh, can you forget--

_Jose._ Every thing, every thing-- except that I am still dear to you.

_Vice._ Officers, you know your prisoners! remove them, their sight is

painful, (_the prior is conducted away by the guards; Veronica is

leading off when Josepha addresses her_)

_Jose._ Lady-- you felt for me-- you pitied me; I too can pity and feel

for you-- if I have influence, you shall find mercy.

_Ve._ Josepha!-- angel, your prayers-- oh! pray for me: pray for me!

[Exit with guards.

_Venoni._ My joy-- my amazement-- but oh! let me fly to rescue-- follow

me, my friends-- there is a poor old man-- a captive.----

_Vice._ Be calm, dear youth; Lodovico is in safety: in guiding us to

your dungeon, this worthy friar discovered and released him.

_Venoni._ My friend, my preserver! how can I reward----

_Vice._ If my power-- if my whole fortune can recompense----

_Mi._ I have preserved innocence, I have detected vice, I have served

the cause of humanity: I find a sufficient reward in the feelings of my

own heart. But, my good lords, let us quit this scene of horror: suffer

me, my son, to unite your hand with Josepha’s at the altar; then

retiring to some more virtuous fraternity----

_Vice._ What, father? after such experience of a convent’s interior will

you again----

_Mi._ Ah! forbear, my lord, nor brand a whole profession with disgrace,

because some few of its professors have been faulty-- tis not the habit

but the heart; tis not the name he bears but the principles he has

imbibed, which makes man the blessing or reproach of human nature.

Virtue and vice reside equally in courts and convents; and a heart may

beat as purely and as nobly beneath the monk’s scapulary, as beneath the

ermine of the judge, or the breast-plate of the warrior.

_Venoni._ The good friar says right, my friend; then let us scorn to bow

beneath the force of vulgar prejudice, and fold to our hearts as

brethren in one large embrace men of all ranks, all faiths, and all

professions. The monk and the soldier, the protestant and the papist,

the mendicant and the prince; let us believe them all alike to be

virtuous till we know them to be criminal; and engrave on our hearts, as

the first and noblest rule of mortal duty and of human justice, those

blessed words.

“BE TOLERANT!”

* * * * *

* * * *

Errors and Inconsistencies: The Novice

Spellings were changed only when there was an unambiguous error,

or the word occurred elsewhere with the expected spelling. The

spelling “anti-room” is used consistently. Names in stage directions

were inconsistently italicized; they have been silently regularized.

Missing or invisible periods at line-end and in abbreviations have

been silently supplied. In the play, words such as “tis” and “twas”

were always written without apostrophe.

_Unchanged:_

when suddenly the radience of a thousand torches

the nuns opposes her progress

_Corrections:_

A marine procession arrives [processsion]

to the arbitrary commands [arbritary]

for heaven’s love, the viceroy would deign [victory]

his countenance and manner [countenace]

at my appointment [appoiniment]

the donor shall be soon disposed of [diposed]

object of never to be sated vengeance, [vengance]

heaven had commissioned me [commisioned]

_Venoni._ Oh, talk not to me of resistance! [_Vevoni._]

Why, Teresa! dawdling here [dwadling]

all your past perverseness, [preverseness]

_Punctuation and typography:_

Hortensia, marchioness Caprara. [, for .]

[Exeunt _Teresa_ and servants.

[_italicized as “Exeunt _Teresa and_ servants.”_]

_Mich._ My superior knows not [my]

Alas! that will be impossible! [? for second !]

Come, come, look to the nets, lads, (_they go to their boats_)

[punctuation unchanged]

Hark how the neighbouring convent bell! [punctuation unchanged]

_Venoni._ You weep? you repent? [, for .]

of repentance and despair? [? misprinted upside down]

_Venoni._ I have seen the man [, for .]

It may not be. [, for .]

(_... like one petrified._) [missing close parenthesis]

(_... towards the tomb._) [missing close parenthesis]

In what have I offended? what is my crime? [, for second ?]

oh? surely if there is aught [question mark for exclamation mark?]

Fly, fly! you bear with you my blessing! (_kneeling_)

[missing open parenthesis]

_Ben._ Coming, coming! [_Exit._ [missing bracket]

not look upon your mother? [parenthesis for question mark]

The Mirror of Taste, and Dramatic Censor, Vol. I, No. 3, March 1810 · 第 3 / 3 章