Another receipt of Marcus for Greek fire is as follows:--

"Greek fire is made in the following manner. Take pure sulphur, tartar,

sarcocole, (a kind of resin,) pitch, fused saltpetre, and oil of

petroleum. Boil them well together. Dip tow in the mixture, and set fire

to it. This fire cannot be extinguished but with vinegar or sand."

The close analogy, or rather the identity, of these compositions with

gunpowder as at present made, requires no comment. The more important

question is the date at which this work was written. This is a matter of

great doubt. Messrs Reinaud and Fave, from the fact that the receipt for

the preparation of saltpetre to be found in this same book of Marcus is

much more imperfect than that in the Arabian MSS., place the date of his

book earlier than the thirteenth century. Again, Geber, an oriental

writer, the date of whose life is doubtful, but whom our authors fix at

the eighth century, has described the preparation of a salt which has

been translated _nitre_, but which our authors consider to have been a

sesqui-carbonate of soda, _natron_, not _nitrum_. They thence conclude

that nitre was unknown to Geber, and thus, because it was known to

Marcus, that he lived subsequently; and for this reason they place

Marcus between the ninth and twelfth century.

We have seldom seen an instance of more loose deduction than this. It is

required to find the date of Marcus. Geber, whose date is unknown, is

set down, upon rather weak data, as of the eighth century. Geber's

translator is corrected to prove that Geber did not know saltpetre.

Hassan Alrammah, an Arabian, is considered as more recent than Marcus, a

Greek, because his process for saltpetre is somewhat more perfect; and

from the cumulative effect of these data, each of which is very

insufficiently established, and which, if established, only go to prove

differences in the degrees of perfection of their respective receipts,

the date of Marcus is fixed: this certainly is pushing _incertum per

incertius_ very far. We fear that if no more accurate information be

brought to bear on it, the epoch of Marcus Graecus will be a subject of

as much controversy as ever.

The paragraph in the treatises _De Mirabilibus_ of Albert the Great is

so identical with that of Marcus Graecus, that there can be no doubt of

its being copied from it, or derived from the same source, and is a

strong additional instance of the general progress of inventions. A

received publication calls attention to a fact already disclosed but

forgotten, the knowledge acquired by the world since is brought to bear

on the old fact; and a consequent improvement results.

Roger Bacon, to whom the invention or knowledge of gunpowder has been

attributed by some, would stand a very poor chance among the men of

science of the present day: it is not now the man who conjectures a

possibility, but he who demonstrates a fact, that is hailed as the

discoverer.

The following series of possibilities are curiously interesting, both

from their partial subsequent realization, and from the simple credulity

with which Bacon gives us that which he had known "a wise man explicitly

excogitate."

"Instruments of navigation can be made, men being the propelling agents,

that the largest river and sea barks can be borne along (one man only

managing them) with greater speed than if they were full of navigators.

Carriages can also be constructed which may be moved without animals,

with an inestimable impetus; so that one would think that they were the

armed chariots with which they fought in ancient times. Instruments for

flying can also be made, so that a man sitting in the centre of the

machine, and turning an engine, by which artificial wings may strike the

air in the manner of a bird flying. An instrument also can be made,

small in magnitude, for elevating and lowering almost infinite weights,

than which nothing is more useful in mischances, for by an instrument of

the length of three fingers, and of the same breadth or less, a man may

extract himself and companions from all danger of prison, and elevate

and lower them. An instrument can also be made by which one man may

draw to himself a thousand men, by force and against their will.

Instruments for walking on the sea can also be made, and in rivers to

the bottom without corporal peril. For Alexander the Great used them

that he might see the secrets of the sea, according to the relation of

Ethicus the astronomer.

"These things, indeed, are of antiquity and of our times, and are

certain, except the instrument for flying, which I have not seen, nor

have I known a man who has, but I know a wise man who has explicitly

excogitated it; and an infinity of other things can be made, as bridges

over rivers, can be made without columns or any support, and machines or

unheard of engines."

The ultra admirer of the ancients will see in this, if not an accurate

relation of facts, which with the exception of the flying it purports to

be, at least a wonderful perception of practicabilities; and railroads,

diving-bells, suspension-bridges, &c., will be so many circumstantial

corroborations of the correctness of his view. We, however, are rather

disposed to regard them as ingenious extravagances. Predictions of the

success of science are always on the safe side. If in the present day

one were to say, that we shall be able to see the inhabitants of

Jupiter, or even converse with them, it would be a prophecy which could

never be negatived, which might be the case if we said such things were

impossible.

Bacon's obscure intimations of gunpowder are not so clearly derived from

the same source as the receipts of Marcus Graecus and Albertus Magnus

are; but they are apparently derivatives from what was then known to a

few, of nitre compositions, and are very analogous, though not quite so

extravagant as some of his other deductions.

Bacon also speaks of a child's toy (_ludicrum puerile_) which was made

with saltpetre, the explosion of which produced a report, "quod fortis

tonitrui sentiatur excedere rugitum."

As with this, so with the greater number of Bacon's observations; they

bear reference to facts, or relations received as facts, which were at

that time either generally or partially known, and do not profess to

give to the world his own inventions, though the theories deduced from

those asserted facts are frequently the produce of his own imaginative

brain. Upon the whole, we are fully disposed to agree with Messrs

Reinaud and Fave, that the invention of gunpowder is by no means due to

Bacon.

We now pass to the Arabian manuscripts of the 13th century, to which we

have before alluded, and which constitute the principal discovery of our

authors. The same word (_baraud_) which is now used by the Arabs as

signifying gunpowder, was originally used to signify saltpetre; and even

in this application had a secondary meaning, its more primitive meaning

being "hail." The whiteness and crystalline form of saltpetre presented

a sufficient analogy to attach to it a similar name, neology being in

those days not quite so common or so easy as at present.

Various salts were also included under the same name, their specific

differences not being then known. This fact had probably much influence

in retarding the pyrotechnic art, as accurate means of testing the

purity and chemical character of the salt were not distinctly

understood. A receipt successful in one case, because a proper salt was

used, failed in another, because the salt was totally unfit for

supporting combustion, though passing under the same name.

In these MSS. occur a vast number of receipts for pyrotechnic

compositions, of which we may here give one or two as specimens, and as

instances of the close approach made at that time to the composition of

gunpowder as manufactured at the present day:--

_Proportions of the Sun's Rays._

1st Composition.

Saltpetre, 10--Sulphur, 1-1/8--Charcoal, 2-1/4.

2nd Composition.

Saltpetre, 10--Sulphur, 1-7/8--Charcoal, 2.

_Proportions of the Garland of Golden Flowers._

Saltpetre, 10--Sulphur, 1--Steel filings, 1/2--Bronze filings, 1/2.

_Flashing Rocket._

Saltpetre, 10--Sulphur, 1-3/8--Charcoal, 2-1/8.

Each substance to be separately pounded; the charcoal and saltpetre are

then mixed, and gently pounded; moisten with spittle, and then add the

sulphur.

_White Rocket without sparks._

Saltpetre, 10--Sulphur, 1-1/4--Charcoal, 2-1/4.

To be mixed as before directed.

_Egyptian Moonshine._

Saltpetre, 10--Sulphur, 2-1/4--Charcoal, 1/4.

Add 4 parts of Lead or Black Ointment.

These instances will be sufficient to show the general character of the

Arabic receipts. Saltpetre is used in all of them--in most of them

sulphur or charcoal; while arsenic, incense, camphor, iron and bronze

filings, are occasionally used to vary the colour and character of the

light produced. The Arabs were also in possession at this period of a

vast number of instruments of war in which similar combustible matters

were employed, such as lances and clubs, with fires at the extremity,

girdles for the waist with fires attached. We translate the description

of one of them:--

_War Club._

"Get the glass-maker to make a club, which shall be pierced at its

extremity like an iron club. Get the turner to turn a stick, which

you will fasten strongly to it. You may give it whatever form you

please. Arrange on the sides three 'tubulures,' and at the bottom

also three for the 'roses,' (one class of the compositions,) then

make the usual compositions. When you wish to set fire to them,

arrange them in the form of a segment, set fire to the club, and

break it, for the love of God."

The termination of this receipt is a very usual one, and applied to

several other receipts--instruments of destruction being then, as now,

considered a most appropriate method of serving God.

Another ingenious weapon was called "the egg which moves itself and

burns;" and this consisted of two long fuses, which seemed to give force

and direction to the firework, and a shorter one, which was directed

forwards, the object of which was to burn the enemy. This projectile was

cast by the hand, and then, to use the quaint language of the receipt,

"it walks, it starts, and it burns extremely well."

Many other compositions were known to the Arabs, as appears from the two

curious MSS. above mentioned; such as compositions for covering the body

to protect from fire, others to emit a suffocating smoke.

The performances of these instruments were, doubtless, what we should

now consider very insignificant; but they must have produced upon the

excited imagination of the warrior of those days an effect which it is

very difficult to conceive in the present day.

Nothing, probably, has occasioned more frequent historical errors, than

forming deductions as to real effects from the exaggerated descriptions

of ancient writers.

When Musschenbroek (not a superstitious soldier, but an inductive

philosopher) first discovered the Leyden Phial, he declared he would not

take a second shock for the kingdom of France; and yet we well know that

a schoolboy would not now be frightened at a much more powerful shock

than he then experienced. Want of familiarity with a phenomenon, and

ignorance of its proximate cause, will ever make it terrible. We cannot

see any thing terrible in a sky-rocket, because we have been early

influenced by those on whom we rely to regard it as an amusement; but

had they brought us up in fear of it--had they magnified these accounts,

having some foundation in fact, as to its destructive power, we may well

understand what effects of terror it would produce.

Thus regarded, the _ignotum pro magnifico_ appears quite sufficient to

explain the narrated effects of the Greek fire. But there was also

another reason--viz. that all results, not of continual occurrence, and

within the range of ordinary experience, were attributed to magic, and

consequently spread a terror far disproportioned to the real effects;

for this reason, the means of producing then were prohibited by the

hierarchy, and, as they gradually acquired a more extensive use, were

then only permitted against the enemies of the religion of the people

who used them; hence the expression so frequent in the Arabian receipts,

"You shall burn your adversary for the service of God;" and similar

language is used by the Christian writers, when similar compositions

became used by Christian warriors.

A narration, taken from the Sieur Joinville's History of St Louis, will

place before our readers the contemporaneous description of the effects

of the pyrotechny of the Arabs.

The following is the account of Joinville of one of the skirmishes of St

Louis on the borders of the Nile. We should premise that Turk is the

term generally applied by Joinville to all Mussulman soldiers; and

though the army was generally recruited from Turkish slaves, yet the

country was possessed by Arabs, and the language and arts were theirs.

"One evening it happened that the Turks brought an engine called '_la

perriere_,' a terrible engine for doing mischief, and placed it opposite

the '_chaz chateils_,' (wooden towers to shelter the advanced guard,)

which Messire Gaultier de Carel and I were watching at night, by which

engine they cast at us Greek fire, which was the most horrible thing

that ever I saw. When the good Chevalier Messire Gualtier, my companion,

saw this fire, he exclaimed and said to us, Sirs, we are lost for ever

without any remedy; for if they burn our '_chaz chateils_' we are

broiled and burned, and if we leave our watch we are disgraced. From

which I conclude that there is no one can defend us from this peril,

except God our blessed Creator. So I counsel you all, that whenever they

cast at us the '_feu Gregeois_,' that each of us throw himself upon his

elbows and knees, and cry mercy to our Lord, in whom is all power; and

as soon as the Turcs threw the first charge of fire, we threw ourselves

upon elbows and knees, as we had been instructed. And the fire of this

first discharge fell between our two '_chaz chateils_,' in a space in

front which our people had made for damming the river; and immediately

the fire was extinguished, by a man whom we had for this purpose. The

manner of the Greek fire was such, that it came forth as large as a tun,

and the tail extended as long as '_une demye canne de quatre pans_.' It

made such a noise in approaching, that it seemed like thunder which had

fallen from heaven, and seemed to me a great dragon flying through the

air; and threw out such a blaze that it appeared as clear as the day, so

great a flame of fire was there. Three times during the night they threw

this Greek fire at us from the above-mentioned '_perriere_,' and four

times with the '_arbaleste_.' And every time that our good king Saint

Loys heard that they thus threw the fire, he cast himself upon the

ground, and stretched his hands to heaven, and cried with a loud voice

to our Lord, and said, shedding copious tears--'Good Lord Jesus Christ,

preserve me and all my people;' and, believe me, his good prayers and

orisons did us good service (_nous eurent bon mestier_)."

It is impossible to render, in literal translation, the quaint

simplicity of the old French; but the fact that this terrible fire was

extinguished by a single man, would tend very much to lessen our belief

in the marvels attributed to it by the narrator.

Be that as it may, we have, in the extract quoted, the expression Greek

fire, (_feu Gregeois_,) which will connect the effect then produced with

that known as pertaining to the Greek fire. There is every probability

that the compositions here used were the same or similar to those

generally known under that title, while the MSS. above quoted detail the

compositions used by the Arabs at that period: the evidence is,

therefore, very strong that the Greek fire was a composition closely

resembling, if not identical with, those indicated in the Arabian

receipts.

If we trace back the effects of the combustible compositions to the

period of the Crusades, anterior to the time when Joinville wrote, we

shall find a strong analogy with those described by him; but the use of

saltpetre appears to have been more rare, and that of bituminous

substances more frequent.

From an Arabian author of the middle of the 13th century, Casiri

translates a passage into Latin, which Reinaud somewhat alters. We

render it as nearly as we can in English. "It creeps along with

scorpions of nitre powder (_baraud_) placed in cases. These scorpions

take fire, and wherever they fall they burn; they spread abroad like a

cloud; they yell like thunder; they burn like a brazier; they reduce all

to cinders."

This passage is important, as showing the connexion of nitre or

_baraud_--a word, as we have before stated, applied to nitre and nitre

compositions--with a class of effects analogous to those attributed to

the Greek fire.

The passage of incendiary compositions into gunpowder is still involved

in much obscurity. Messrs Reinaud and Fave consider that a treatise,

printed at Paris A.D. 1561, entitled _Livre de Cannonerie_, throws much

light on the subject--"_vient de l'eclairer d'une lumiere nouvelle_;"

but we cannot at all agree with them in this view, and for the simple

reason, that neither the names of the authors of the receipts contained

in it, nor the dates, nor the countries, are given. Without either of

these data, our readers, we think, will find it difficult to conceive

that much new light can be thrown on the subject. The treatise contains

a number of receipts for mixtures of oils, bitumens, sulphur, and nitre;

and, as appears to us, all the aid given by this work towards

elucidating the subject is, that these receipts are analogous to those

of Marcus and of the Arabs, and have some internal evidence of having

been written or copied from writings of an early date, though probably

subsequent to Marcus; and, secondly the term Greek fire (_feu Gregeois_)

being employed, and receipts for it given, would lead to the inference

that the compositions here used under the same title were analogous to

those which originally constituted the Greek fire. It is, however,

certainly open to the remark, that Greek fire having become, in a great

measure, a generic name for violent incendiary compositions, the term

may have been applied to compositions analogous in their effects, though

of more recent discovery. When, however, we find, in various distinct

quarters, similar receipts; when we find these appearing at different

epochs, and having different degrees of approximation to the explosive

compounds which a more matured experience has rendered certain in their

composition, the discovery of such a book as this becomes certainly a

corroborative circumstance in favour of that view which regards the

Greek fire as never having become extinct, and as having, by progressive

but unequal gradations, changed into gunpowder.

In discussing the treatise above mentioned, there is a naive expression

of our authors, who, in remarking the necessary slow combustion of these

compounds from the imperfections of the processes of manufacturing

saltpetre, also given in the same book, say:--"One sees how much there

is that is providential in the progress of human invention. If man had,

in the first instance, a powder as strong as at present, he would

probably have been unable to master this force, or to use it with

suitable instruments, and the discovery would have remained without

application. We see that, thanks to the primitive impurity of the

saltpetre, man employed mixtures of it with sulphur and charcoal, which

produced a force suitable for throwing to short distances feeble parcels

of incendiary matter. This force increased little by little, as men

became better able to refine saltpetre, and ends by enabling them to

employ it for throwing projectiles."

We have frequently heard the word providential applied in a strange

manner; but this is one of the most novel views of providential

intervention we happen to have met with. The quiet gravity with which

Providence is assumed to have interfered in favour of the progress of

destructive implements, is about as instructive an instance of the

unconscious devotion of an author to his speciality as could easily be

selected.

In the treatise of 1561 are some receipts, assumed to be taken from

works of an earlier date, in which saltpetre, sulphur, and charcoal, are

submitted to a considerable degree of heat. The following is one:--"Take

of saltpetre 100 lbs., sulphur, 25 lbs., charcoal, 25 lbs., put them

altogether, and make them boil well, until the whole be well united, and

then you will thus have a strong powder." Mixed in these proportions,

and submitted to such a temperature, the chance of explosion is very

great; and, as our authors observe, "the essential fact of the tradition

respecting the invention of gunpowder is confirmed;" or rather,

strictly speaking, the probability of its truth is strengthened. We

therefore do not see very clearly why they should be anxious to divest

Schwartz of the merit of its discovery, while they produce arguments to

show the probability of the discovery being so made. The results of

these arguments would only tend to show that the tradition is not

sufficiently explicit, in not stating why the three ingredients were

mixed together; and Schwartz would, according to this view, be regarded

as the first who remarked and applied, or suggested the application of

gunpowder, as supplying an explosive projective force.

Though the probabilities of the use of gunpowder, as an explosive

compound, being suggested by accidents occurring in the manufacture of

combustible compounds, are thus shown to be very great, the actual step,

if step it were, still remains in obscurity. Most probably, like many

other inventions, the fact was observed again and again with different

degrees of accuracy and different resulting suggestions; until, at

length, growing intelligence seized on it, and increasing facility of

publication rendered its development more rapid and general. The actual

date of its general introduction or use in war is still uncertain.

Schwartz's discovery is stated by Kircher at 1354; but gunpowder is

stated to have been used at the siege of Stirling in 1339; in Denmark in

1340; in Spain in 1343; at Cressy in 1346; at the siege of Calais in

1347.

Without entering into the critical discussions which the vagueness of

the historical records of these periods might tempt, we can scarcely be

far wrong in setting down the general introduction of gunpowder during

the first half of the fourteenth century, although any attempt to

specify, from existing data, the exact date of its invention, would be

vain. With regard to its connexion with Greek fire, we may sum up by

stating, that during different periods, extending from the eighth to the

fourteenth century, combustible matters, in which saltpetre was one

ingredient, have been used; and that the term Greek fire has been, at

various times within this period, applied to them. Although it does not

necessarily follow that the Greek fire alluded to in the more recent

works was identical with the Greek fire of an earlier period, yet the

probability is strong that there was at least a striking analogy in

effect, or the name would not have been used. There is, moreover, some

internal evidence of community of origin in these various receipts, when

we find that in different parts of the world, in China, in Arabia, and

Greece, one general characteristic ingredient is present, viz., nitre;

when also the history and progress of chemistry have taught us that no

substance, other than nitre or a salt of nitric acid, has ever been, or

is now known, which would produce similar effects, (for the

comparatively recent discovery of the chlorates would produce effects of

detonation by friction or percussion, of which we find no records,)

there can, we think, be little doubt that Greek fire was of the same

chemical character as gunpowder; that it passed by a transition, which

may have been in particular cases more or less sudden, but which upon

the whole was gradual, into gunpowder; and that the history of the

progress of one of these manufactures is, in fact, the history of the

progress of the other. In this history there are still many gaps to be

filled up, many errors to be rectified.

The book of Messrs Reinaud and Fave, though somewhat inartificially

arranged, has given to the public much valuable information; but there

is still room for an elaborate and well-digested treatise on the

subject, in which the whole progress of pyrotechnic invention may be

arranged in chronological order, and more lucidly expounded than are

antiquarian matters in general. This is a task, however, which few, if

any, are capable of undertaking, as it requires for its successful

execution a combination of extensive antiquarian, chemical, and

philological acquirements. In the mean time, our authors may say, and we

say with them,

"Si quid novisti rectius istis,

Candidus imperti; si non, his utere mecum."

Blackwood's Edinburgh Magazine, Volume 59, No. 368, June 1846 · 第 31 / 43 题