Chapter IV "Don Giovanni"

The oldest Italian operas in the American repertory--Mozart as an

influence--What great composers have said about "Don Giovanni,"--

Beethoven--Rossini--Gounod--Wagner--History of the opera--Da Ponte's

pilferings--Bertati and Gazzaniga's "Convitato di Pietra"--How the

overture to "Don Giovanni" was written--First performances of the

opera in Prague, Vienna, London, and New York--Garcia and Da Ponte

--Malibran--English versions of the opera--The Spanish tale of Don

Juan Tenorio--Dramatic versions--The tragical note in the overture

--The plot of the opera--Gounod on the beautiful in Mozart's music

--Leporello's catalogue--"Batti, batti o bel Masetto"--The three

dances in the first finale--The last scene--Mozart quotes from his

contemporaries--The original close of the opera.

A Book of Operas: Their Histories, Their Plots, and Their Music · 第 4 / 20 章