PROLOGUE.

_Stretched at full length, on the great divan of a studio, cigar in

mouth, two friends--a poet and a painter--were talking together one

evening after dinner_.

_It was the hour of confidences and effusion. The lamp burned softly

beneath its shade, limiting its circle of light to the intimacy of the

conversation, leaving scarcely distinct the capricious luxury of the

vast walls, cumbered with canvases, hangings, panoplies, surmounted by a

glass roof through which the sombre blue shades of the night penetrated

unhindered. The portrait of a woman, leaning slightly forward, as if to

listen, alone stood out a little from the shadow; young with intelligent

eyes, a grave and sweet mouth and a spirituel smile which seemed to

defend the husband's easel from fools and disparagers. A low chair

pushed away from the fire, two little blue shoes lying on the carpet,

indicated also the presence of a child in the house; and indeed from the

next room, within which mother and child had but just disappeared,

came occasional bursts of soft laughter, of childish babble; the

pretty flutterings of a nest going off to sleep. All this shed over the

artistic interior a vague perfume of family happiness which the poet

breathed in with delight:_

"_Decidedly, my dear fellow?" he said to his friend, "you were in the

right. There are no two ways of being happy. Happiness lies in this and

in nothing else. You must find me a wife!_"

Artists' Wives · 第 6 / 42 题