CHAPTER X.

Produced by Annie R. McGuire

[Illustration: HARPER'S ROUND TABLE]

Copyright, 1896, by HARPER & BROTHERS. All Rights Reserved.

* * * * *

PUBLISHED WEEKLY. NEW YORK, TUESDAY, MAY 26, 1896. FIVE CENTS A COPY.

VOL. XVII.--NO. 865. TWO DOLLARS A YEAR.

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[Illustration]

THE CRUISE OF A COMMERCE-DESTROYER.

BY YATES STIRLING, JUN.

The officer of the deck is pacing his last hour of a very dull forenoon

watch upon the bridge of the U. S. S. _Minneapolis_. The tropical sun

beats down with unflinching savageness upon his head; his eyes are

restlessly scanning the horizon at every turn, but nothing has disturbed

the monotony of its outline, as his sullen pacing bears witness. The

sentries and men on lookout are at their stations, and are listlessly

walking to and fro on the small patch of deck called their posts. Small

knots of men are gathered together here and there on the spar-deck,

under the shade of a boat or a gun-shield, spinning yarns or playing at

sailor games. Some of the younger officers can be seen aft on the

quarter-deck gazing fixedly over the wide expanse of ocean, as if they

expected an enemy to rise up before them from the sea. Some of the more

impulsive ones occasionally lift their voices in expostulation at the

dull life they are leading, while others are seeing active service on

fighting-ships. The great hull of the cruiser is slowly forging ahead in

the quiet sea; her huge and powerful engines are barely turning over.

Like a picture in a kinetoscope, all this has changed. Every man on

board has awakened from his lethargy. All hands are alert and gazing at

the horizon to the eastward. What is the cause of this sudden awakening?

Two words from the lookout in the foretop: "Sail ho!" Yes, broad on the

port-bow can be seen a low line of black smoke that to any but a

sailor's eye would appear to be a cloud on the distant horizon. Scarcely

a quarter of an hour, and with all speed the cruiser is cutting the sea

in the direction of the fast-approaching smoke.

Eager young officers have ascended into the tops to be the first to make

out the character of the stranger. In the foretop are two midshipmen,

still in their teens, class-mates at the Naval Academy, and stanch

friends. Scarcely a thought has one the other does not share. With that

reckless ambition that is one of the attributes of youth they are both

longing for excitement. Their dreams of battle and glory have toppled

like a castle of cards.

As yet the _Minneapolis_ has seen no fighting; she has been doing the

work cut out for her without bloodshed. Merchantman after merchantman

has been overhauled and captured or ransomed in the last six months, and

the cruiser's name has become the terror of the enemy's merchant marine.

Once only, while coming out of a neutral port, she had to run the

gauntlet of two of the enemy's cruisers, but with her superior speed two

hours sufficed to put the enemy hull-down astern, with but slight damage

to the commerce-destroyer. Her orders were, on the outbreak of the war

"to capture or destroy the enemy's commerce wherever met; refuse

battle," and this order had been faithfully carried out. All hands had

grown rich in prize-money; fresh provisions were obtained in abundance.

Coal was the problem. It had been attempted to coal at sea from captured

vessels, but this mode could not be relied upon to replenish the bunkers

of a ship with such a tremendous expenditure. So a certain amount of

risk had to be run in coaling in neutral ports.

The _Minneapolis_ and her two sister ships were the prizes coveted of

all the enemy's cruisers. When the United States was building them other

nations laughed at the idea, and put their dock-yards at work building

ships of greater armament but less speed. But now they saw too late the

awful advantage of these beautiful toys, as the foreign press were wont

to call them, that could give or refuse battle at pleasure.

Ship after ship of the enemy's navy was in search of these

"freebooters," but very few had even had the honor of coming within

signal distance. One of these was the _Whistle_, a cruiser of a little

heavier armament, but several knots less speed. The _Minneapolis_ was in

the port of St. Thomas, coaling, when this warlike hull hove in sight.

Very little time was lost in putting to sea, but not before two or three

shots had been exchanged, and some very taunting signals had been

displayed by the disappointed ship.

All the officers and men would gladly have accepted battle, with but

small fear of the result, but each and every one knew what awful odds

would be on the _Whistle_'s side. America had but a few handfuls of

ships; if these were pitted against the navy of the enemy, they would be

overwhelmed, annihilated. No; the quickest way to humble the foe is

through her commerce. So the bitter pill had to be swallowed in silence.

But the mere thought of the occurrence brought a hot flush to the cheek

of every man aboard.

The stranger has drawn near, and is soon made out to be a merchantman,

an ocean liner, one of the greyhounds that had plied between New York

and Harborport before the outbreak of hostilities. Large volumes of

black smoke from her immense smoke-pipes show she has scented danger,

and is making all speed to escape.

The young officers in the foretop are thrilled with excitement as their

glass shows them the character of the stranger. The younger is a boy of

eighteen, his light hair and blue eyes betokening his Saxon ancestry. He

is clad in a neat-fitting blue uniform, and his cap set jauntily on the

back of his head revealed a mass of light curly locks. With his eyes

fairly sparkling, he bears a striking contrast to his companion. Dark

and sullen, with lowering eyes and heavy forehead, the other showed not

by a single sign that he realizes that in a short time the first and

long-cherished battle of his life will be enacted.

The younger lad has dreamed of battles both in his sleep and his waking

moments, in which he has cut his way with his sword to honor and

distinction. He has oftentimes pictured his friends, his mother, and his

sweetheart reading of his heroic deeds in the daily papers of his home,

and now it seems to his youthful mind his dreams are to be fulfilled.

As his glass scans the stranger he realizes that in the eyes of naval

experts the stranger is nearly equal to the _Minneapolis_ in fighting

qualities. He knows that these fast ships have been subsidized by the

hostile government, and are heavily armed and protected. His dreams

fairly dance before his eyes. But another picture flashes across his

mental vision. He is on the battery-deck; the decks are wet and slippery

with blood; the terribly mangled dead and wounded are lying all about

him; he sees brave men struck down around. A cold shiver runs through

his well-knit frame as he shakes from him the ghastly nightmare.

The other lad is not a dreamer. Morose, almost cynical, he never gives

himself up to such reveries. To him everything appears in a less gilded

light. He knows that if the stranger has not superior speed, his

services and his companion's will soon be needed on the deck below.

The two lads scramble down through the hollow mast as the drummers are

beating the long-roll to quarters. All during the hot sultry day the

chase continues, and when night settles down on the watery waste the

_Minneapolis_ is still out of gun-shot astern. The night is bright, and

when morning dawns the blood-hound is still upon the trail. The crew of

the 8-inch breech-loading rifle on the forecastle is called to quarters,

and a shell is sent speeding over the water in the direction of the

fleeing ship. Slowly the distance diminishes. Suddenly a white cloud of

smoke bursts from the liner, and a heavy shell strikes close aboard the

American ship.

All hands are soon at their stations, and in a short time all is in

readiness for battle. The stars and stripes at her trucks flaunt a

challenge to the enemy's ensign at the _Calabria_'s gaff.

The two ships are now within battle range, and the thunder of their

heavy ordnance breaks the stillness of the ocean.

Shells go speeding through the unarmored sides of the ships, their

explosions making terrific havoc among their unprotected crews. The

picture before the midshipman's eyes is now a reality. Tirelessly the

two lads work; their guns are next to each other. As they give their

commands in sharp decisive voices, the contrast seems less striking. A

shell comes in the gun-port and strikes down the captain of the younger

lad's gun; the lock-string falls from his lifeless hand. Gently laying

the dead man aside, he takes the lanyard.

As he stood at his gun before the heat of action, he was seized with an

awful trembling, and he feared lest he might show by his actions the

white feather to his men. Then came the bursting of shells and the

explosion of discharges, and then the shell striking down his

gun-captain, spluttering his life-blood all about him. At once his fears

left him, his eyes brightened, and a terrible anger awoke in him, the

like of which he had never known. He fired his gun at the enemy with a

fierce exultancy, wondering in a cruel way how many lives the shell had

cut down. It seems ages since the battle started. With his eyes always

on the enemy, he is spared from seeing his friend, struck by a flying

splinter, being carried below to the surgeons. He sees the _Calabria_,

her sides ablaze with fire, sweep majestically across his small horizon,

and then disappear. He is always aware of her awful presence from the

never-ceasing bursting of her shells around him. Then again she appears,

and is once more in his angle of fire. During this small space of time

his gun has done all that could be expected; he has watched shell after

shell from it explode aboard the enemy; he can see large rents in her

black hull, and he notices her fire is becoming more desultory; the

fight will soon be over. As she disappears again, he musters up courage

to look about him. There is but little life on the battery-deck, that

only a half-hour before was the scene of so much activity. The gun next

his is not in action; a shell has completely shattered the breech-plug;

nearly its entire crew are lying about on the deck, their dark

life-blood staining the white planking. His companion's cap is lying

near a dark mass on the deck. Is it his blood? His senses are so

paralyzed that he feels his mind must give way. The enemy emerges into

view; his hand is upon the lock-string; the elevator and trainer are

attentively watching for their orders. They do not come. His thoughts

are far away in the midst of a modest New England home. He sees a

beautiful motherly woman, her face pale and anxious, and by her side is

a young girl in the first blush of womanhood.

He is suddenly conscious of a young seaman standing before him, giving

him a message. In a dazed way he relinquishes his lock-string to one of

his gunners, and is making his way over the reeking deck toward the

bridge. He hears a voice, as if in a dream, giving him orders to be

ready to board the prize. Then the enemy has surrendered? His gaze seeks

the other ship. But a short distance away he sees her shattered hull

rolling in the smooth sea. A huge white flag flutters from her

signal-halyards. The boats are ready and alongside. The men are

embarking. He takes his place, and they shove off, and are soon scaling

the side of the captured vessel. Her decks are almost deserted, scarcely

a living man is about, but everywhere death and destruction reign. He

hears a well-known voice close to him. Has the last hour been an awful

nightmare, or has his mind been shaken at last? He cannot grasp the

situation. There is his friend, looking paler than ever, his right arm

in splints, and his head tied up in a huge bandage. His joy knows no

bounds. With a fervent "Thank Heaven!" they embrace. There is no time

now for explanations; it is enough to know that his companion is still

alive. With orders from his Lieutenant, he is leading, pistol in hand, a

gang of tars down into the _Calabria_'s bowels. The surprised firemen

and stokers are quickly manacled, and ready Americans have taken their

places. An engineer officer is giving rapid orders to his men; the huge

engines start ahead, slowly at first, then the revolutions increase,

till the shafts are revolving at a terrific speed. When he again reaches

the deck everything is again calm and peaceful. On the port quarter, but

a short distance away, he sees the _Minneapolis_. Both ships are going

at full speed; and astern, just out of gun-shot, he sees the hulls of

three more ships. He understands it all now. The _Calabria_ had nearly

led them into a trap.

A red wigwag flag is waving on board the white cruiser: "Must reduce

speed in order to reach port." Coal is running short. The horribly

significant signal can hardly be realized. Will she fall a prey to the

enemy's cruisers after such a glorious victory? Foot by foot the hostile

ships draw nearer to the commerce-destroyer and her prize. In case they

are overtaken, the _Calabria_ is to go on and reach Hampton Roads in

safety. It is the only thing to do. Why sacrifice another ship

unnecessarily? For two days and nights the pursuit continues. Cape Henry

Light-house is sighted on the port bow. Just within gun-shot astern are

the three heavily armed cruisers, using their bow chasers with great

rapidity and precision on the fleeing ships. Large volumes of brown

smoke pour from the American cruiser's smoke-pipes. She is making her

last spurt for life. Bulkheads, furniture, and all combustible material

have been fed to the mighty furnaces.

Slowly they draw away from their pursuers. The light-house is close on

the port beam. The heavy guns there are directed against three dark

hulls to the eastward. They are the baffled enemy.

* * * * *

There is a story told of an Irishman who went out in the woods to shoot

a bear. It was winter-time, and the Irishman wanted a fur coat very

badly. When he finally sighted his bear he cried out, "Ah, there is my

fur overcoat!" The bear was very hungry, and when he saw the hunter, he

cried out, "Ah, there is my meal!" Well, the hunter fired his rifle and

the bear jumped behind the tree. Now, the amusing part of the story is,

that the hunter fired his rifle and didn't hit the bear; still he got

the fur of the bear for an overcoat because the bear ate the hunter.

Which of the two was the better satisfied is still in doubt.

PRACTICAL GOLF.

BY W. G. VAN TASSEL SUTPHEN.

(_In Five Papers._)

V.--STYLE AND FAULTS.

The question of style is a ghost that will not down. There are those who

say that form is the all-important point, and that if you get the swing

right all the rest will follow. And there are others who as stoutly

affirm that the only thing to do is to thump away at the ball, and trust

to nature and the laws of mechanics. Now it is certainly true that style

by itself will never drive a ball, and it may be laid down as an axiom

that whenever the mind is intent upon some point of how to strike rather

than upon the actual business of hitting, a miss more or less palpable

is sure to follow. But it is just as true that hands or feet or body may

be in such a position that a fair stroke is utterly impossible, and this

is surely not golf. Evidently truth lies between the two extremes.

There can be no question but that in all games the right way is easier

and productive of better results than the wrong way, and golf cannot

claim to be entirely independent of this general principle. Therefore it

is wise to begin our practice on the general lines laid down by the

wisdom of the ages, subject of course to the necessary modifications due

to age, sex, or previous conditions of servitude to tennis, baseball,

and other obsolete forms of amusement. Undoubtedly the most satisfactory

method is instruction from a competent coach. The beginner may think

that he is following faithfully the instructions given him in these

papers, and yet be unconsciously going wrong in a dozen ways,

imperceptible perhaps except to an expert eye. By all means seek the

counsel and instruction of a professional golfer or expert amateur, if

there be one within reach, for he can certainly save you many false

steps.

But supposing that there is no way of obtaining this practical

assistance, must we give up golf as unattainable and book knowledge as

untrustworthy? Not at all. Study and digest the instructions and hints

given in these papers as thoroughly as you can, and do your best to put

them into practice. There is only one thing to guard against, and that

is the tendency of exaggeration in any or all points. For instance, I

tell you that the left wrist must be kept taut, and this is indeed

necessary. But if you go to work with the idea that in a stiff wrist

lies the secret of all golf, you are turning a caution into a fetich,

and the result must be unsatisfactory. Even the italicized injunction at

the end of each article, about the necessity of keeping the eye upon the

ball, is not the whole of golf, and, important as it is, it must not

absorb the whole of your attention. All these things work together for

golf, and the moment that you exalt any one of them above the others you

destroy both your mental and your physical balance, and the result is no

game. Finally, let the forming of style be reserved for practice play.

Once engaged in a tournament (and, by-the-way, you should enter as many

regular competitions as possible), you must let your style take care of

itself, and devote the whole of your attention and energy to hitting the

ball clean. If you begin to think _how_ you are going to hit it, or how

_far_ you will drive it, or anything about it except the simple duty of

_hitting_ it, you will fail altogether. In practice let your aim be

style; in a match let it be the hitting of the ball.

The detection and cure of specific faults are difficult tasks on paper,

for very often different causes may produce what is apparently the same

effect, and it is obvious that the particular remedy depends upon the

specific disease.

[Illustration: BEGINNING OF FULL SWING--INCORRECT.]

For example, the ball has a great tendency to go off to the right of the

line instead of straight. Now the reason may be that the player is

putting a cut on the ball by drawing in his arms ("slicing" proper), or

he may have the face of the club turned back (wrong grip), or he may be

hitting off the heel of the club ("heeling") and at the same time

putting a "slice" on the ball. Evidently the same corrective will not

answer in every case. For "slicing" proper it will be well to attend to

the precept of "slow back," so that the body muscles may be used, and

the arms allowed to go freely out both in the up swing and in the

"follow on." Perhaps the right foot is too far advanced, and a change in

position (not distance) may encourage the loins and shoulders to get in

the work. Try drawing the right foot back in proportion to the amount of

"skid." Laying the face back is the result of a wrong grip. The left

hand may be too far under, and the right hand may be holding too

loosely. Look up the instructions for the proper grip. "Heeling," or

hitting off the heel, is due to poor aim. Stand up and hit more

carefully.

"Pulling" or "hooking," which sends the ball off to the left of the

proper line, is not so common a fault. Generally it is the result of

having the club face turned in, and this in turn comes of "pressing," or

trying to strike too hard and without the proper swing. Give up the idea

that you are hitting at a baseball, and guard against stooping forward.

[Illustration: END OF FULL SWING--INCORRECT.]

When a ball is "topped" or hit above the centre it is nearly always due

to carelessness, or overdue concentration on some point of style. If

your swing is too straight up and down, and you are drawing in your arms

across the line of fire, a "top" is pretty sure to follow. Let your arms

go out so that the curve of your swing may be longer, or rather flatter,

and try to look at the side of your ball, and not straight down upon it.

If you are looking persistently at the top of your ball, and your "eye

is in," the club head must perforce obey its instructions. It is not

only the ball but the side of the ball that you want to hit. Another

reason why players "top" is because they are afraid of the ground and of

breaking their clubs. Now, as a matter of fact, an honest "sclaff" or

scrape does no harm either to the club or to the flight of the ball,

except perhaps when the ground is frozen, and the game cannot properly

be played at all. Therefore get down to the ball always.

In the approach stroke "slicing" is the most troublesome fault to mend.

It is a great help in the shorter shots to keep the right arm rubbing

lightly against the body, for the sake of its support, and, indeed,

without some such aid steadiness is impossible. And keep the left wrist

taut.

[Illustration: INCORRECT "STANCE."]

When a player goes off in his putting, the case is pretty sure to be

mental, _i.e._, lack of patience and concentration. And this is

particularly true of the short holing-out puts of thirty inches or so.

Still, the sin may be one of commission: the player is playing with a

jerk, or he is looking at the hole instead of at the ball, or both of

his arms are hanging clear of his body, and consequently deprived of its

support, or, finally, his putter may be badly balanced. Once the cause

is discovered, the remedy is easy of application.

The beginner will do well to study carefully the illustrations that have

appeared in the preceding articles. The professional Willie Dunn, who

appears in most of them, is not only a fine player himself, but his form

is especially good, and a safe model upon which to pattern. The

incorrect positions illustrate faults in stand and swing into which the

beginner is particularly liable to fall, and a study of them may save

him from many misconceptions.

It is to be noted that no distinction has been made in these articles

between the girl's game and that of her brother's, and, indeed, none is

necessary. The same instructions apply, and virtually the same results

should follow. The girl may not be able to drive so far, but there is no

reason why she should not hold her own in approaching and putting, and a

sensible costume will obviously be of advantage.

Left-handed players must of course make the necessary correction in the

instructions, but if possible they should try to play in the ordinary

style. It is a curious fact that, unlike tennis, billiards, or baseball,

first-class golf is seldom acquired by left-handers.

Finally, don't think the game too easy, and so play carelessly, and, on

the other hand, don't get discouraged and give it up as too difficult.

In the words of an old-time hero of the green, "It's dogged as does it."

CATCHING SHAD FOR MARKET.

BY J. PARMLY PARET.

Hooks and lines are about as useless in shad-fishing as nets would be if

eels were wanted. Not one of those long rows of shad you see in the

markets was caught with a hook. They were all foolish enough to swim

straight into nets spread out to trap them, and they hadn't sense enough

to swim out again. So when you see Mr. Shaddie served up before you for

your breakfast, you may remember that it is because he has more bones

than brains that you have a chance to eat him. Mr. Shaddie inherits two

fatal features--his lack of brains and the breadth of his shoulders. One

gets him tangled up in fish-nets, and the other prevents his getting out

again. Were it not for this, shad would be as scarce in the market as

terrapin.

Just as soon as the last ice has left the rivers the shad-fishermen

begin to prepare for the fishing season. They must make the most of the

few weeks while it lasts, so they never fail to have all their nets

ready as soon as the shad begin to "run"--as they call it when the fish

commence to swim up the rivers.

There are two ways of catching shad--by small nets set on poles, and

with "seine" nets. Most of the fish we see in the markets are taken in

the small nets, as the poles are always used in the rivers where the

current runs too fast for the "seines." These poles are simply long

saplings, like telegraph poles, with their lower ends sharpened so as

to stick up in the muddy bottom. The fishermen pick out some part of the

river where their nets are not likely to be torn and broken up by

passing boats, and then drive down their poles in long rows.

[Illustration: DRIVING A STAKE.]

These poles are generally "planted" in water forty or fifty feet deep,

so it is not easy to drive them into the bottom so far under the water.

Pontoon boats, built by joining two scows or row-boats together, are

anchored at the place selected for the row, and the sharpened ends of

the long saplings are pushed into the ground. A crossbar is fastened to

one of the poles, high out of water, and the fishermen jump up and down

on this until the sapling is driven down firmly into the mud. There are

anywhere from twenty to forty of these poles in a row, and they are

placed about thirty feet from each other.

At the first sign of the fish the nets are set out on these poles. These

shad-nets are like enormous fly-traps, open at one end. The meshes are

large enough to let the shad put their foolish heads in the nooses, but

not big enough to let their shoulders through. The top and bottom of

each net are fastened to two long ropes, and the ends of these ropes are

tied to wooden rings like barrel hoops, slid over the poles, and sunk

down under the surface of the water by weights. So the open end of each

net is stretched between two poles, and the meshes belly out with the

swift current like a big bag. All along the row these nets are fixed by

the fishermen soon after the tide has turned, and then they go ashore to

wait for the next tide.

[Illustration: DRAGGING THE NETS.]

Along comes Mr. Stupid Shaddie, swimming rapidly with the current.

Suddenly he runs against the net, and before he knows what has happened

his head is thrust through one of the openings in its meshes. Mr.

Shaddie foolishly tries to push through the barrier, and soon finds his

gills tangled up with the thin cords that hold him. He has not sense

enough to turn around when he first finds himself in the net and swim

out again the way he came in. The door is still open, but he hates to

swim against the tide, so he goes on trying to push ahead until he is

hopelessly caught in the net, and the more he struggles the tighter he

is held. Mr. Shaddie's brothers, too, are equally stupid. They follow

his silly example, and soon there are a number of them struggling in

each net.

The fishermen in the mean time have waited patiently on shore. Just

before the tide turns again they row out to their nets and haul them up.

If they waited too long, Mr. Shaddie and his foolish friends would get

out, for the turn of the tide would swing the net in the opposite

direction and soon release the struggling fish. The long fishing-boat is

manned by four men, and they row out to the nets. The boat is tied at

each end to one of the poles, and the "haul" begins. Long notched sticks

or boat-hooks are thrust down under the water beside the poles, and the

net-ropes pulled up to the surface.

[Illustration: THE FIRST CATCH OF THE SEASON.]

Slowly and cautiously the fishermen, two at each end, pull in the ropes

that hold the net. They soon reach the mouth of the bag, and pulling

this over the edge of the boat, they quickly haul up the rest of the

meshes; for it is then too late for any of the fish to get away. As the

net comes up to the surface, Mr. Shaddie and his companions seem too

stupid or too much dazed to struggle. When they are jerked out of the

water, however, and into the boat, they hop around excitedly for a few

minutes, but it is then too late to escape. The fishermen throw their

catch into the bottom of the boat, and cast the net back into the water.

Then they push along to the next poles, and repeat the same work with

the next net.

Down the long row they go, the boat's bottom gradually filling up with

the big shad. Sometimes a net will have only one or two in it, while

fifteen or twenty are occasionally caught in a single net when the

season is at its height. A good haul will often yield three hundred

shad, and the fishermen hurry ashore to pack them off to the markets.

But shad are not the only fish they get in the nets. Catfish are often

pulled up with shad, as well as many other varieties. Some of them are

taken ashore and cooked, and others are thrown back into the water.

Then, too, there are the "blackfish," as the fishermen jokingly call the

pieces of drift-wood that get tangled up in the meshes. Sometimes these

are so heavy as to tear open the nets, and then the shad escape with the

"blackfish." Careless captains of passing boats often tear them, too,

and occasionally pull down the poles in steering through the fishermen's

rows. Extra nets are always carried in the fishing-boats, and when a

torn one is found it is taken ashore to be mended, and a whole net is

put in its place.

The shad-fisherman's life is not an easy one. During the short season

when his trade is profitable he works both night and day. He must live

close by the water, and sleep only between the tides. When the boat

first comes in after hauling the nets, the men must take out their fish

and pack them for the market. Then there are the torn nets to be mended;

and when all this is finished, and the meals are cooked and eaten, the

fishermen may get a few hours' sleep, perhaps; but they never lie down

without first setting an alarm-clock for an hour before the tide turns

again. For, rain or shine, by night and by day, those nets must be

hauled up at every turn of the tide, and the tide turns every six hours.

"Time and tide wait for no man."

PARTS OF A FLOWER.

Whenever we study science we have some hard names to learn. One

advantage that scientific people have over others is that they know how

to apply precise names to things. A botanist, for example, does not

speak of flower leaves. He says _sepals_ if he means the outside green

leaves; _petals_, if the inside, colored. A complete flower has four

distinct parts or organs.

In early spring the big trees and little plants awake out of a long nap

and bestir themselves to grow. They have a good deal to do, and they set

to work very industriously. Ants and bees are not busier than plants in

spring. At first the awakened plant thinks only of forming fresh

branches and lovely expanding green leaves. But after a time it seems to

say to itself, "I must not forget to make seed, so that if I should die

in the autumn my race may not die with me, but live on and on."

The plant may not be going to die in autumn. It may be a _perennial_,

living year after year. But it always acts as if it might perish, and

provides against contingencies. Plants which live one year only are

called _annuals_.

In order to produce a flower, the branch stops growing in length. The

end becomes a _receptacle_. First, upon the receptacle comes a circle of

small green leaves, called a _calyx_; separately, _sepals_. Sometimes

the calyx is not cut up into sepals, but makes a little round vase,

notched or pointed, in which the rest of the flower is held. Inside the

calyx, and just a bit higher up, appear the colored _petals_, the

beautiful and fragrant parts of a flower. It is the _corolla_. Like the

calyx, sometimes the corolla is a vase or cup, and it is a

_monopetalous_ corolla.

If you want to speak of both calyx and corolla in one word, you may say

_perianth_. _Floral envelopes_ mean the same thing. The purpose of these

parts of a flower is, mainly, to cover and protect the seed while

ripening. A second purpose, and probably the reason why they are so

prettily colored and sweetly fragrant, is to attract insects. This we

will talk about later. But we shall smell of a rose and admire it just

as much, as if it were made for our special enjoyment. All the same, if

the plant did not protect its seed, and invite insects to crawl into its

tubes, I fear all flowers would be like the lizardtail to secure which I

once nearly fell into the water. I had to cross an old rotten mill-dam,

over and through which water was trickling, step on slippery stones,

catch hold of a tree with one hand, and reach away down with the other.

One foot got wet, but that was a trifle. I plucked my lizardtail, and

have it now in my herbarium. It has no calyx and corolla, only the two

organs essential to making seed, called _stamens_ and _pistils_.

Next to the petals, and slightly higher, the stamens stand like little

soldiers with caps on, in a circle, or two or more circles. The stem is

called _filament_, a word meaning thread-like. The cap is an _anther_,

containing in one or two pockets a fine yellow or brown dust--the

_pollen_. You may get pollen on your nose if you smell of a lily; for

when the anther-pockets split open, the pollen lies around loose, and

gets on anything that touches it. Bees collect it in pouches on their

legs, and make bread of it for their winter use.

AN "OLD-FIELD" SCHOOL-GIRL.

BY MARION HARLAND.

CHAPTER X.

Felicia Grigsby sat alone by the fire in her room on the afternoon of

December 24. A book was open upon her lap, but she was not reading. Her

hands were thin and white; her gray eyes were unnaturally large and dark

in a face that had wasted until it looked like an elf's. She had lain in

bed for six weeks, and was still so weak that her father had carried her

up and down stairs to her meals.

He had been very kind to her throughout her illness, but never tender,

and he was always grave nowadays. Flea was thinking of these and other

puzzling things this afternoon. While she thought, two tears arose and

enlarged in her eyes, until their weight carried them over the lower

lids, and they plashed down upon the book. The first snow-storm of the

season was driving at a sharp slant past the windows; the wind cried in

the chimney in a low-spirited, feeble-minded way; the fire kept up

heart, and spat snappishly as stray hailstones and snowflakes flew down

the throat of the chimney.

Flea kicked one foot out of the blanket shawl laid over her lap, and

moaned fretfully: "I don't care for anything or anybody, and nobody

cares whether I live or die!"

The door opened and her father came in. He looked unusually grave even

for him. He laid more logs on the fire, and stirred the coals below the

blazing fore-stick. "Is it too hot for you?" he asked, as the fire

leaped up with a greedy roar.

"A little," Flea said, shielding her eyes with her hand.

Her father took hold of her rocking-chair with one hand, the cricket on

which her feet rested with the other, and lifted her away from the

flaring flames. Then he rearranged the covering over her knees and feet.

It was a checked blanket shawl, red and green, that belonged to Mrs.

Grigsby. It was always brought out when an invalid was able to sit up,

or not quite ill enough to be put to bed. In Flea's mind it was joined

with the remembered taste of jalap, Epsom-salts, castor oil, and tansy

tea. The checks were just two inches square. She had measured them a

hundred times. Her mother used to give her medicine; her father read

aloud to her when she had the measles, and chills and fever after the

measles.

She got hold of his hand and laid her face against it with a sob that

seemed to bring her heart up with it.

"Father! you haven't called me 'lassie' all the time I've been sick.

Don't you love me any more?"

He let her keep his hand, but he did not press hers. He stood

bolt-upright, his eyes upon the driving snow; his tone was constrained:

"A father never stops loving his children, my daughter, let them do what

they may."

Flea twisted around to get a good view of his face.

"Have I done anything to displease you, father? Maybe 'twas some silly

thing I said when I was out of my head. Mother says I talked dreadfully

sometimes. You know I didn't mean it. Won't you forgive it, and let me

be your own lassie again?"

She was crying fast, clinging to his hand and covering it with kisses.

He drew it away gently, and put his thumb and finger into the pocket of

his waistcoat, bringing out with them a paper, creased and worn by much

handling.

"Look at that!" he said, in a tone that arrested her tears.

[Illustration: FLEA UNFOLDED IT AND GAVE A CRY OF SURPRISE.]

Flea unfolded it, and gave a cry of surprise.

"My report! Where did it come from?"

"You ought to know."

"But I don't! We looked for it all the way to school that last day. I

thought likely that I had dropped it on the step of the old cabin--the

haunted house, you know. I sat down there the day before to look at the

report, and staid there ever so long. When I saw what was in it I just

_hated_ to bring it home. I didn't think how late it was, until Mrs.

Fogg--the old Mrs. Fogg--came round the corner of the house and scared

me. I scared her too"--laughing nervously at the recollection; "and

although I was sure that I had put the paper back into my geography, it

wasn't there when I got home. We hunted all about the door-step--Dee and

I--next morning, but couldn't find it. We supposed the wind must have

blown it away, if I dropped it there."

Her father drew up a chair and sat down beside her, a little back of

her, so she could not study his face. He tried to speak carelessly.

"What was Mrs. Fogg doing there at that time of day?"

"I don't know, I am sure. She is a funny old woman, always turning up

just where you wouldn't expect to see her."

"Did she go into the house?"

"Why, no, sir. It's nailed up, I think--windows and doors too. She said

that she mistook me for a ghost--h'ant,' she called it. Father!"

She had his hand again, and again raised it to her cheek. Her voice was

tremulous.

"Well?" watching her out of the corners of his eyes.

"I did something wrong and foolish that day. I told her once that I'd

ask Major Duncombe to let her grandchildren go to school. I was sorry

for the little fellows. I told her that day that she'd better send them

to the Old Harry than to Mr. Tayloe. You see, I was as mad as fire about

my report."

"And then?"

"I ran home, and left her there sitting on the step."

"Did you ever see her again?"

She hesitated visibly; the color came and went in the thin sensitive

face. She dropped her voice:

"She came to the spring next day. Mr. Tayloe sent me for a bucket of

water--after school, you know. He said you did help me with that awful

sum, and made me stay in and do it all over again. I never felt so angry

before. I wished that I could kill him. And Mrs. Fogg began palavering,

and I tried to get away from her. She would help me up the hill with the

bucket, and I wasn't decently polite to her. When I got into the

school-house, there was my slate on the bench where Mr. Tayloe had put

it while I was gone, and he had rubbed out the sum I had done. Then--I

think it was like being possessed of a devil, for my head went round and

round, and I got hot all over. For there he sat, with that horrid smile

on his face, as if he were making fun of me, when I had done my very

best, and been disgraced for nothing at all. I jumped up and threw the

bucket on him, and ran away as fast as I could. That's all. Oh, father,

please don't let us talk any more about that horrible day!" Her voice

arose into a piteous cry.

"No, lassie, never again!"

He gathered her into his arms, and held her there as he had in that

wonderful ride through the woods the night he found her asleep in the

school-house, and she sobbed herself calm upon the heart where there was

always love for his children, and where she knew at last the warmest

place was for her.

When he appeared belowstairs he found his sister in the chamber alone,

but for the sleeping baby whom she had offered to look after, while the

other children in a gale of spirits superintended and hindered the

frying of the doughnuts.

"Does that amuse you, David?" asked Mis. McLaren, smiling at the pains

he took to tear a scrap of white paper into bits, all exactly the same

size, and to throw them one by one into the fire. Each was seized by the

hot draught and whirled up the chimney.

"It pleases me--mightily!" he rejoined, his face as sunny as hers. "I am

disposing of the last objection I had to putting my bit lassie into your

hands. I can trust her the world over now."

He sat down by his sister, stretching his long legs in front of him, and

locking his hands at the back of his head, with the air of one who has

shaken off a burden.

"I've had a long talk with the bairnie, Jean. I'm willing to trust her

away from me. You'll do better for her than I can."

"It will be a trial to your mother and myself to let you go," he said to

Flea on Christmas day, in telling her of Aunt Jean's wish to take her

and Dee home with her. "We will bear it for the sake of the good you'll

get."

What the trial was to himself nobody comprehended. All through the quiet

winter that shut down upon the river-lands early in January the most

momentous events to the father's heart were the weekly arrival of the

letters from his daughter. They were long and, to him, wonderful. He was

kept in touch with her home life, her school, her reading, her

sight-seeing, her growth in knowledge and her burning thirst for more

knowledge. She sent him books now and then; his sister provided him with

two weekly papers and a monthly magazine, but the short days and long

evenings wore away tediously.

The months seemed like as many years in looking back upon them on a

certain June morning, when he and Flea set out for a ride on horseback.

She had been at home but eighteen hours, and he had still to persuade

himself from time to time that he was not dreaming.

He looked her over pridefully as they rode off from the house.

"You are more like yourself this morning, lassie. Last night you were

paler and quieter than seemed just natural. I suppose you were tired

after the journey."

Flea blushed and averted her face. "I feel beautifully rested out

to-day," she said. Honest as ever, she could not say more without

revealing what would have pained his loyal heart.

I have made no secret of her faults, and I do not excuse what her father

was never allowed to guess. Her homecoming had been a dismay as well as

a disappointment to her. Nothing had come to pass as she had expected

and planned, except the look on her father's face when he had espied her

on the deck of the boat, waving her hand to him on the wharf, and the

long, silent hug she received as she sprang into his arms. She had never

heard the word "disillusion," or she would have known better what the

next few hours meant. Mr. Grigsby had come to the landing in a

blue-bodied "carryall." A plank laid across the front served him for a

seat. Two splint-bottomed chairs were set for the children, leaving room

behind them for their trunks. It was not heroineic, but it was natural

that, seeing her late fellow-passengers eying the equipage from the

boat, Flea grew hot with embarrassment, and wished that her father had

thought of borrowing a better-looking vehicle from Greenfield.

The road over which they jolted was rutty and straggling, the fences

ungainly. Nothing was trimmed and well-kept to eyes used, for five

months, to spick-and-span Philadelphia. Her own home was sadly unlike

her recollection of it. It had been newly whitewashed in honor of her

coming, but she had forgotten that there never were shutters at the

windows. They stared at her like eyes without lids and lashes. The

calico half-curtains were "poor-white-folksy," the furniture was scanty

and common. Her mother wore a purple calico. She was "partial to purple

calico"; it kept its color, did not show dirt, and looked so clean when

it was clean. She did not bethink herself, or she had never known, that

purple is, of all colors, most trying to women of no particular

complexion. Her hair was pulled back tightly from her temples, and done

at the back of her head in a knot that would not come undone of itself

in a week. On her head was a cap of rusty black cotton lace. Bea had

bedecked her fair self in a light blue lawn, short-sleeved, and low upon

the shoulders. A double string of wax beads was about her neck, and a

single string upon each wrist. Her yellow hair was braided and tucked

up. Bea was fifteen, and quite the young lady now. About her head was a

narrow band of black velvet, fastened above her forehead with a

breast-pin containing a green glass stone. Bea thought it was an

emerald. Flea knew that it was not, yet felt horribly ashamed that she

could notice all these things and that they dampened her spirits.

They had a "big supper," to which Dee's boyish appetite did abundant

justice. Flea berated and despised herself for seeing that the

coffee-pot was tin and was the boiler in which the coffee had been made,

and that the handles of the two-tined forks were of bone; that her

mother poured her coffee into her saucer to cool before drinking it,

and that everything--fried chicken, ham, fish, preserves, cake,

pudding, pie, frozen custard, and waffles--was put on the table at once.

It was unkind, ungrateful, undaughterly, and every other "un" she could

think of, to let such trifles destroy the comfort of the first evening

at home.

Her pillow was moistened with remorseful tears, and the more she hated

herself for such meanness, fickleness, and ingratitude, the more

plentiful was the flow of briny drops.

Things were more tolerable in the morning. With the elasticity of youth

she adjusted ideas and feelings to suit her circumstances, or, as she

put it to herself, she "came to her senses." She donned the neat habit

her Aunt Jean had ordered for her, and tripped down stairs when the

horses were ready, radiant with pleasurable anticipation. The habit

found little favor in the sight of her mother and sister. They called

the gray linen braided with black "Quakerish." To her father's eyes she

looked the little lady from crown to toe.

The clover-fields were aflush with bobbing blooms, and a thousand bees

were swinging and humming above these; the hay was ripe for cutting; the

corn-fields shook glossy lances in the face of the sun; in the woods

every bird that could sing was swelling his throat and heart with music;

hares scampered fearlessly in the open road under the horses' feet; and

striped ground-squirrels raced on the top rails of the fences for a mile

at a time, just ahead of the riders.

"I must have been tired last night," repeated Flea, filling her lungs

with the scented air. "I didn't feel a bit like myself. I am all right

again. How dear and beautiful everything is to-day! There's nothing like

the country, after all, especially the country in Old Virginia."

With that her tongue was loosened, and she opened to her indulgent

confidante her hopes, aspirations, and plans. Aunt Jean was as gentle

and tender as a mother to her; her teachers were wisdom and goodness

personified; she was doing well in all her classes, and had taken two

prizes on Examination day, the first for composition, the second for

history.

"It's like a fairy-tale," she prattled on, happily. "When I was young

and foolish I used to dream of such things as are coming to pass every

day, and I take them as a matter of course, until I stop to think how

wonderful and nice it all is. I often call Aunt Jean my fairy

godmother.'"

In return, her father talked of his hope of being his own master and a

land-owner by the time her school days should be over, hopes he had

shared with no one else, he said, not even her mother, who might be

disappointed if they came to nothing. "My canny little lassie can always

be trusted," he said, with fondness.

Happy, honored little Flea! Riding close beside him, his hand on the

neck of her horse, her eyes, moist and beaming, upturned to his, she

would not have exchanged places with a princess of the blood. The

weakness and false pride of yesterday were recalled only to brighten by

contrast the joys of to-day.

As the day neared noon the bird-music ceased, and the stir of green

leaves in the weak wind did not rise above the thud of hoofs upon the

dead leaves that had fallen and lain on the bridle-road for fifty

winters. The crash of a falling tree, that might have been a mile away,

boomed and echoed like the report of a cannon, and was a long time in

dying upon the distant hills. From the virgin forest, where oaks and

hickories locked arms above their heads, they emerged upon a swampy spot

through which a fire had swept in April, leaving a deserted track behind

it. Ferns and wild flowers were springing up as though eager to hide the

blackened ruins.

"The Major is having this swamp cleared," remarked Mr. Grigsby. "The men

are about other work to-day, but they have been cutting in here all the

week."

Rounding an evergreen thicket, they saw a horse harnessed to a low gig,

which the riders recognized at once. The carriage was empty, and the

gray mare was tethered to the stump of a sapling. She neighed long and

wistfully at sight of Mr. Grigsby. He patted her in passing.

"The Major cannot be far off," he said. "He is looking to see what we

have been doing, I suppose. I am glad to see him show interest in

plantation work once more. He never opens his lips to me on the subject,

of course, but there is something heavy on his mind. The gossips say

that he is bitterly opposed to Miss Emily's marrying Mr. Tayloe."

[TO BE CONTINUED.]

RICK DALE.

BY KIRK MUNROE.

Harper's Round Table, May 26, 1896 · 第 1 / 3 章