The skeleton, therefore, and especially the sternum or breast-bone,

affords us an almost infallible guide in doubtful cases; because it

appears to change its form with extreme slowness, and thus indicates

deeper-seated affinities than those shown by organs which are in

direct connection with the outside world, and are readily modified

in accordance with varying conditions of existence. Another, though

less valuable guide is afforded, in the case of birds, by the eggs.

These often have a characteristic form and colour, and a peculiar

texture of surface, running unchanged through whole genera and

families which are nearly related to each other, however much they

may differ in outward form and habits. Another detail of structure

which has no direct connection with habits and economy, is the

manner in which the plumage is arranged on the body. The feathers

of birds are by no means set uniformly over their skin, but grow

in certain definite lines and patches, which vary considerably in

shape and size in the more important orders and tribes, while the

mode of arrangement agrees in all which are known to be closely

related to each other; and thus the form of the feather-tracts or

the “pterylography” as it is termed, of a bird, is a valuable aid

in doubtful cases of affinity.

Now, if we apply these three tests to the humming-birds, we find

them all pointing in the same direction. The sternum or breast-bone

is not notched behind; and this agrees with the swifts, and not

with the sun-birds, whose sternum has two deep notches behind, as

in all the families of the vast order of Passeres to which the

latter belong. The eggs of both swifts and humming-birds are white,

only two in number, and resembling each other in texture. And in

the arrangement of the feather-tracts the humming-birds approach

more nearly to the swifts than they do to any other birds; and

altogether differ from the sun-birds, which, in this respect as in

so many others, resemble the honey-suckers of Australia and other

true passerine birds.

_Resemblances of Swifts and Humming-birds._--Having this clue to

their affinities, we shall find other peculiarities common to these

two groups, the swifts and the humming-birds. They have both ten

tail-feathers, while the sun-birds have twelve. They have both only

sixteen true quill-feathers, and they are the only birds which have

so small a number. The humming-birds are remarkable for having, in

almost all the species, the first quill the longest of all, the only

other birds resembling them in this respect being a few species

of swifts; and, lastly, in both groups the plumage is remarkably

compact and closely pressed to the body. Yet, with all these points

of agreement, we find an extreme diversity in the bills and tongues

of the two groups. The swifts have a short, broad, flat bill,

with a flat horny-tipped tongue of the usual character; while the

humming-birds have a very long, narrow, almost cylindrical bill,

containing a tubular and highly extensible tongue. The essential

point however is, that whereas hardly any of the other characters

we have adduced are adaptive, or strictly correlated with habits

and economy, this character is pre-eminently so; for the swifts are

pure aërial insect-hunters, and their short, broad bills, and wide

gape, are essential to their mode of life. The humming-birds, on the

other hand, are floral insect-hunters, and for this purpose their

peculiarly long bills and extensile tongues are especially adapted;

while they are at the same time honey-suckers, and for this purpose

have acquired the tubular tongue. The formation of such a tubular

tongue out of one of the ordinary kind is easily conceivable, as

it only requires to be lengthened, and the two laminæ of which it

is composed curled in at the sides; and these changes it probably

goes through in the young birds.

When on the Amazon I once had a nest brought me containing two little

unfledged humming-birds, apparently not long hatched. Their beaks

were not at all like those of their parents, but short, triangular,

and broad at the base; just the form of the beak of a swallow or

swift slightly lengthened. Thinking (erroneously) that the young

birds were fed by their parents on honey, I tried to feed them with

a syrup made of honey and water, but though they kept their mouths

constantly open as if ravenously hungry, they would not swallow

the liquid, but threw it out again and sometimes nearly choked

themselves in the effort. At length I caught some minute flies, and

on dropping one of these into the open mouth it instantly closed,

the fly was gulped down and the mouth opened again for more; and

each took in this way fifteen or twenty little flies in succession

before it was satisfied. They lived thus three or four days, but

required more constant care than I could give them. These little

birds were in the “swift” stage; they were pure insect-eaters, with

a bill and mouth adapted for insect-eating only. At that time I

was not aware of the importance of the observation of the tongue;

but as the bill was so short and the tubular tongue not required,

there can be little doubt that the organ was, at that early stage

of growth, short and flat, as it is in the birds most nearly allied

to them.

_Differences between Sun-birds and Humming-birds._--In respect of all

the essential and deep-seated points of structure, which have been

shown to offer such remarkable similarities between the swifts and

the humming-birds, the sun-birds of the Eastern hemisphere differ

totally from the latter, while they agree with the passerine birds

generally, or more particularly with the creepers and honey-suckers.

They have a deeply-notched sternum; they have twelve tail-feathers

in place of ten; they have nineteen quills in place of sixteen; and

the first quill instead of being the longest is the very shortest

of all, while the wings are short and round, instead of being

excessively long and pointed; their plumage is arranged differently;

and their feet are long and strong, instead of being excessively

short and weak. There remain only the superficial characters of small

size and brilliant metallic colours to assimilate them with the

humming-birds, and one structural feature--a tubular and somewhat

extensile tongue. This, however, is a strictly adaptive character,

the sun-birds feeding on small insects and the nectar of flowers,

just as do the humming-birds; and it is a remarkable instance of a

highly peculiar modification of an organ occurring independently

in two widely-separate groups. In the sun-birds the hyoid or

tongue-muscles do not extend so completely over the head as they

do in the humming-birds, so that the tongue is less extensible;

but it is constructed in exactly the same way by the inrolling of

the two laminæ of which it is composed.

The tubular tongue of the sun-birds is a special adaptive

modification acquired within the family itself, and not inherited

from a remote ancestral form. This is shown by the amount of

variation this organ exhibits in different members of the family.

It is most highly developed in the Arachnotheræ, or spider-hunters,

of Asia, which are sun-birds without any metallic or other

brilliant colouring. These have the longest bills and tongues,

and the most developed hyoid muscles; they hunt much about the

blossoms of palm-trees, and may frequently be seen probing the

flowers while fluttering clumsily in the air, just as if they had

seen and attempted to imitate the aërial gambols of the American

humming-birds. The true metallic sun-birds generally cling about

the flowers with their strong feet; and they feed chiefly on minute

hard insects, as do many humming-birds. There is, however, one

species (Chalcoparia phœnicotis) always classed as a sun-bird, which

differs entirely from the rest of the species in having the tongue

flat, horny, and forked at the tip; and its food seems to differ

correspondingly, for small caterpillars were found in its stomach.

More remotely allied, but yet belonging to the same family, are

the little flower-peckers of the genus Diceum, which have a short

bill and a tongue twice split at the end; and these feed on small

fruits, and perhaps on buds and on the pollen of flowers. The little

white-eyes (Zosterops), which are probably allied to the last, eat

soft fruits and minute insects.

Here then we have an extensive group of birds, considerably varied

in external form, yet undoubtedly closely allied to each other,

one division of which is specially adapted to feed on the juices

secreted by flowers and the minute insects that harbour in them; and

these alone have a lengthened bill and double tubular tongue, just

as in the humming-birds. We can hardly have a more striking example

of the necessity of discriminating between adaptive and purely

structural characters. The same adaptive character may coexist in

two groups which have a similar mode of life, without indicating

any affinity between them, because it may have been acquired by

each independently, to enable it to fill a similar place in nature.

In such cases it is found to be an almost isolated character,

apparently connecting two groups which otherwise differ radically.

Non-adaptive, or purely structural characters, on the other hand, are

such as have probably been transmitted from a remote ancestor; and

thus indicate fundamental peculiarities of growth and development.

The changes of structure rendered necessary by modifications of the

habits or instincts of the different species, have been made, to a

great extent, independently of such characters; and as several of

these may always be found in the same animal their value becomes

cumulative. We thus arrive at the seeming paradox, that the _less_

of direct use is apparent in any peculiarity of structure, the

_greater_ is its value in indicating true, though perhaps remote,

affinities; while any peculiarity of an organ which seems essential

to its possessor’s well-being is often of very little value in

indicating its affinity for other creatures.

This somewhat technical discussion will, it is hoped, enable the

general reader to understand some of the more important principles

of the modern or natural classification of animals, as distinguished

from the artificial system which long prevailed. It will also

afford him an easily remembered example of those principles, in

the radical distinctness of two families of birds often confounded

together,--the sun-birds of the Eastern Hemisphere, and the

humming-birds of America; and in the interesting fact that the

latter are essentially swifts--profoundly modified, it is true, for

an aërial and flower-haunting existence, but still bearing in many

important peculiarities of structure the unmistakable evidences of

a common origin.

V.

THE COLOURS OF ANIMALS AND SEXUAL SELECTION.

General Phenomena of Colour in the Organic World--Theory of Heat and

Light as producing Colour--Changes of Colour in Animals produced

by Coloured Light--Classification of Organic Colours--Protective

Colour--Warning Colours--Sexual Colours--Typical Colours--The

Nature of Colour--Colour a normal product of Organization--Theory

of Protective Colours--Theory of Warning Colours--Theory of

Sexual Colours--Colour as a means of Recognition--Colour

proportionate to Integumentary Development--Selection by

Females not a cause of Colour--Probable use of the Horns

of Beetles--Cause of the greater brilliancy of some Female

Insects--Theory of display of Ornaments by Males--Natural

Selection as neutralizing Sexual Selection--Theory of Typical

Colours--Colour-development as illustrated by Humming-birds--Local

causes of Colour-development--Summary on Colour-development in

Animals.

There is probably no one quality of natural objects from which we

derive so much pure and intellectual enjoyment as from their colours.

The heavenly blue of the firmament, the glowing tints of sunset,

the exquisite purity of the snowy mountains, and the endless shades

of green presented by the verdure-clad surface of the earth, are a

never-failing source of pleasure to all who enjoy the inestimable

gift of sight. Yet these constitute, as it were, but the frame and

background of a marvellous and ever-changing picture. In contrast

with these broad and soothing tints, we have presented to us in the

vegetable and animal worlds, an infinite variety of objects adorned

with the most beautiful and most varied hues. Flowers, insects and

birds, are the organisms most generally ornamented in this way; and

their symmetry of form, their variety of structure, and the lavish

abundance with which they clothe and enliven the earth, cause them

to be objects of universal admiration. The relation of this wealth

of colour to our mental and moral nature is indisputable. The child

and the savage alike admire the gay tints of flower, bird, and

insect; while to many of us their contemplation brings a solace and

enjoyment which is both intellectually, and morally beneficial. It

can then hardly excite surprise that this relation was long thought

to afford a sufficient explanation of the phenomena of colour in

nature; and although the fact that--

“Full many a flower is born to blush unseen,

And waste its sweetness on the desert air--”

might seem to throw some doubt on the sufficiency of the explanation,

the answer was easy,--that in the progress of discovery, man would,

sooner or later, find out and enjoy every beauty that the hidden

recesses of the earth have in store for him. This theory received

great support, from the difficulty of conceiving any other use

or meaning in the colours with which so many natural objects are

adorned. Why should the homely gorse be clothed in golden raiment,

and the prickly cactus be adorned with crimson bells? Why should

our fields be gay with buttercups, and the heather-clad mountains

be clad in purple robes? Why should every land produce its own

peculiar floral gems, and the alpine rocks glow with beauty, if

not for the contemplation and enjoyment of man? What could be

the use to the butterfly of its gaily-painted wings, or to the

humming-bird of its jewelled breast, except to add the final touches

to a world-picture, calculated at once to please and to refine

mankind? And even now, with all our recently-acquired knowledge of

this subject, who shall say that these old-world views were not

intrinsically and fundamentally sound; and that, although we now

know that colour has “uses” in nature that we little dreamt of, yet

the relation of those colours--or rather of the various rays of

light--to our senses and emotions, may not be another, and perhaps

more important use which they subserve in the great system of the

universe?

We now propose to lay before our readers a general account of the

more recent discoveries on this interesting subject; and in doing so,

it will be necessary first to give an outline of the more important

facts as to the colours of organised beings; then to point out the

cases in which it has been shown that colour is of use; and lastly,

to endeavour to throw some light on its nature, and on the general

laws of its development.

Among naturalists, colour was long thought to be of little import,

and to be quite untrustworthy as a specific character. The numerous

cases of variability of colour led to this view. The occurrence

of white blackbirds, white peacocks, and black leopards; of white

blue-bells, and of white, blue, or pink milkworts, led to the belief

that colour was essentially unstable, that it could therefore be of

little or no importance, and belonged to quite a different class of

characters from form or structure. But it now begins to be perceived

that these cases, though tolerably numerous, are, after all,

exceptional; and that colour, as a rule, is a constant character.

The great majority of species, both of animals and plants, are

each distinguished by peculiar tints which vary very little, while

the minutest markings are often constant in thousands or millions

of individuals. All our field buttercups are invariably yellow, and

our poppies red; while many of our butterflies and birds resemble

each other in every spot and streak of colour through thousands of

individuals. We also find that colour is constant in whole genera and

other groups of species. The Genistas are all yellow, the Erythrinas

all red; many genera of Carabidæ are entirely black; whole families

of birds--as the Dendrocolaptidæ--are brown; while among butterflies

the numerous species of Lycæna are all more or less blue, those of

Pontia white, and those of Callidryas yellow. An extensive survey of

the organic world thus leads us to the conclusion that colour is by

no means so unimportant or inconstant a character as at first sight

it appears to be; and the more we examine it the more convinced we

shall become that it must serve some purpose in nature, and that,

besides charming us by its diversity and beauty, it must be well

worthy of our attentive study, and have many secrets to unfold to

us.

_Theory of Heat and Light as producing Colour._--In commencing our

study of the great mass of facts relating to the colours of the

organic world, it will be necessary to consider first, how far the

chief theories already proposed will account for them. One of the

most obvious and most popular of these theories, and one which is

still held, in part at least, by many eminent naturalists, is--that

colour is due to some direct action of the heat and light of the

sun--thus at once accounting for the great number of brilliant

birds, insects, and flowers, which are found between the tropics.

But before proceeding to discuss this supposed explanation

of the colours of living things we must ask the preliminary

question,--whether it is really the fact that colour is more

developed in tropical than in temperate climates, in proportion to

the whole number of species; and even if we find this to be so, we

have to inquire whether there are not so many and such striking

exceptions to the rule, as to indicate some other causes at work

than the direct influence of solar light and heat. As this is a

most important branch of the inquiry, we must go into it somewhat

fully.

It is undoubtedly the case that there are an immensely greater

number of richly-coloured birds and insects in tropical than in

temperate and cold countries, but it is by no means so certain that

the _proportion_ of coloured to obscure species is much or any

greater. Naturalists and collectors well know that the majority of

tropical birds are dull-coloured; and there are whole families,

comprising hundreds of species, not one of which exhibits a particle

of bright colour. Such are, for example, the Timaliidæ, or babbling

thrushes of the Eastern, and the Dendrocolaptidæ, or tree-creepers

of the Western hemispheres. Again, many groups of birds, which are

universally distributed, are no more adorned with colour in the

tropical than in the temperate zones; such are the thrushes, wrens,

goatsuckers, hawks, grouse, plovers, and snipe; and if tropical

light and heat have any direct colouring effect, it is certainly

most extraordinary that in groups so varied in form, structure,

and habits as those just mentioned, the tropical should be in no

wise distinguished in this respect, from the temperate species.

It is true that brilliant tropical birds mostly belong to groups

which are wholly tropical--as the chatterers, toucans, trogons,

and pittas; but as there are perhaps an equal number of groups

which are wholly dull-coloured, while others contain dull and

bright-coloured species in nearly equal proportions, the evidence

is by no means strong that tropical light and heat have anything

to do with the matter. But there are other groups in which the

cold and temperate zones produce finer-coloured species than the

tropics. Thus the arctic ducks and divers are handsomer than those

of the tropical zone; while the king-duck of temperate America and

the mandarin-duck of North China are the most beautifully coloured

of the whole family. In the pheasant family we have the gorgeous

gold and silver pheasants in North China and Mongolia; and the

superb Impeyan pheasant in the temperate North-Western Himalayas, as

against the peacock and fire-backed pheasants of tropical Asia. Then

we have the curious fact that most of the bright-coloured birds of

the tropics are denizens of the forests, where they are shaded from

the direct light of the sun, and that they abound near the equator

where cloudy skies are very prevalent; while, on the other hand,

places where light and heat are at a maximum have often dull-coloured

birds. Such are the Sahara and other deserts, where almost all the

living things are sand-coloured; but the most curious case is that

of the Galapagos islands, situated under the equator, and not far

from South America where the most gorgeous colours abound, but

which are yet characterized by prevailing dull and sombre tints in

birds, insects, and flowers, so that they reminded Mr. Darwin of

the cold and barren plains of Patagonia rather than of any tropical

country. Insects are wonderfully brilliant in tropical countries

generally; and any one looking over a collection of South American

or Malayan butterflies would scout the idea of their being no more

gaily-coloured than the average of European species, and in this he

would be undoubtedly right. But on examination we should find that

all the more brilliantly-coloured groups were exclusively tropical,

and that, where a genus has a wide range, there is little difference

in coloration between the species of cold and warm countries.

Thus the European Vanessides, including the beautiful “peacock,”

“Camberwell beauty,” and “red admiral” butterflies, are quite up to

the average of tropical colour in the same group; and the remark

will equally apply to the little “blues” and “coppers;” while the

alpine “apollo” butterflies have a delicate beauty that can hardly

be surpassed. In other insects, which are less directly dependent

on climate and vegetation, we find even greater anomalies. In the

immense family of the Carabidæ or predaceous ground-beetles, the

northern forms fully equal, if they do not surpass, all that the

tropics can produce. Everywhere, too, in hot countries, there are

thousands of obscure species of insects which, if they were all

collected, would not improbably bring down the average of colour

to much about the same level as that of temperate zones.

But it is when we come to the vegetable world that the greatest

misconception on this subject prevails. In abundance and variety

of floral colour the tropics are almost universally believed to

be pre-eminent, not only absolutely, but relatively to the whole

mass of vegetation and the total number of species. Twelve years of

observation among the vegetation of the eastern and western tropics

has, however, convinced me that this notion is entirely erroneous,

and that, in proportion to the whole number of species of plants,

those having gaily-coloured flowers are actually more abundant in

the temperate zones than between the tropics. This will be found to

be not so extravagant an assertion as it may at first appear, if we

consider how many of the choicest adornments of our greenhouses and

flower-shows are really temperate as opposed to tropical plants.

The masses of colour produced by our Rhododendrons, Azaleas, and

Camellias, our Pelargoniums, Calceolarias, and Cinerarias,--all

strictly temperate plants--can certainly not be surpassed, if they

can be equalled, by any productions of the tropics.

Tropical nature, and other essays · 第 11 / 25 段