PIERROT, BIGAMIST

The names of the actors were at the end of the bill. All the chairs in

the house were placed closely together in rows in front of the stage,

and the ladies, in evening dress, were seated, their skirts, their

laces, the flashing of their diamonds, and their white shoulders all

mingling together. The two doors at the other end of the room leading

into the dining-room and the small _salon_ had been taken off their

hinges, and the masculine part of the audience, in white neckties, were

grouped together there and standing on tip-toe.

The curtain rose on the first scene of _The Caprice_. Renée was very

lively as Mme. de Léry; Henri, in the rôle of husband, proved himself a

talented amateur actor, as so many young men of a cold temperament, and

grave society men, often do. Noémi, well sustained by Henri, admirably

prompted by Denoisel, and slightly carried away by seeing the large

audience, played her touching part as the neglected wife very passably.

This was a great relief to Mme. Bourjot, who was seated in the front row

anxiously watching her daughter. Her vanity had been alarmed by the

thought of a fiasco. The curtain fell, and amid the applause were heard

shouts for "_All the actors!_" Her daughter had not made herself

ridiculous, and the mother was delighted with this great success and

gave herself up complacently to listening to that Babel of voices,

opinions, and criticisms, which at amateur dramatic performances

succeeds the applause and continues it, as it were, in a sort of murmur.

In the midst of it all she heard vaguely one phrase, spoken near her,

that came to her distinctly and seemed to rise above the general hubbub.

"Yes, it's his sister, I know," some one was saying; "but for the rôle

he takes I don't think he is sufficiently in love with her; he is really

far too much in love with his wife--didn't you notice?"

The lady who was speaking saw that Mme. Bourjot was listening, and,

leaning towards her neighbour, whispered something to her. This little

incident made Mme. Bourjot turn very serious.

After an interval the curtain was once more raised, and Henri Mauperin

appeared as Pierrot, but not arrayed in the traditional calico blouse

and black cap. He was an Italian Pierrot, with a straight felt hat, and

was entirely clothed in satin from his coat to his slippers. There was a

movement among the ladies, which meant that they thought both the man

and the costume charming, and then the buffoonery began.

It was the silly story of Pierrot married to one woman and wishing to

marry another; a farce mingled with passion, which had been discovered

by a vaudeville-writer, aided by a poet, among the stock-pieces of the

old Italian theatre. Renée took the part of the deserted wife, this

time, appearing in various disguises when her husband was love-making

elsewhere. Noémi was the woman with whom he was in love, and Henri

delighted the house in his love scenes with her. He acted well, putting

plenty of youthful ardour, enthusiasm, and warmth into his part. In the

scene where he confessed his love, there was something in his voice and

expression that seemed like a real declaration, which had escaped him,

and which he could not keep back. Noémi certainly had made up as the

prettiest Colombine imaginable. She looked perfectly adorable, dressed

as a bride in a Louis XVI costume copied exactly from the _Bride's

Minuet_, an engraving by Debucourt lent by M. Barousse. All around Mme.

Bourjot it seemed as if every one were bewitched, the sympathetic public

appeared to be helping and encouraging the handsome young couple to love

each other. The piece continued, and every now and then it was as though

Henri's eyes were seeking, beyond the footlights, the eyes of Mme.

Bourjot. Meanwhile Renée arrived, disguised as a village bailiff: there

was only the contract to be signed now, and Pierrot, taking the hand of

the girl he loved, began to speak of all the happiness he should have

with her.

The lady who was seated next Mme. Bourjot felt her leaning slightly on

her shoulder. Henri finished his speech, the plot came to the climax,

and the piece ended. Mme. Bourjot's neighbour suddenly saw something

sink down at her side; it was Mme. Bourjot, who had fainted.

Renée Mauperin · 第 45 / 109 题