XII

A light carriage, drawn by one horse, was conveying the Mauperin family

along the Sannois road. Renée had taken the reins and the whip from her

brother, who was seated at her side smoking. Animated by the drive, the

air, and the movement, M. Mauperin was joking about the people they met

and bowing gaily to any acquaintances they passed. Mme. Mauperin was

silent and absorbed. She was buried in herself, thinking out and

preparing her amiability for the approaching visit.

"Why, mamma," remarked Renée, "you don't say a word. Are you not well?"

"Oh, yes, very well, quite well," answered Mme. Mauperin; "but the fact

is I'm worrying rather about this visit--and if it had not been for

Henri--There's something so stiff and cold about Mme. Bourjot--they are

all so high and mighty. Oh, it isn't that they impress me at all--their

money indeed! I know too well where they had it from. They made their

money from some invention they bought from an unfortunate working-man

for a mere nothing--a few coppers."

"Come, come, Mme. Mauperin," put in her husband, "they must have bought

more than----"

"Well, anyhow, I don't feel at ease with these people."

"You are very foolish to trouble yourself----"

"We can tell them we don't care a hang for their fine airs!" said Mlle.

Mauperin, whipping up the horse so that her slang was lost in the sound

of the animal's gallop.

* * * * *

There was some reason for Mme. Mauperin's uneasiness. Her feeling of

constraint was certainly justified. Everything in the house to which she

was going was calculated to intimidate people, to set them down, crush

them, penetrate and overwhelm them with a sense of their own

inferiority. There was an ostentatious and studied show of money, a

clever display of wealth. Opulence aimed at the humiliation of less

fortunate beings, by all possible means of intimidation, by outrageous

or refined forms of luxury, by the height of the ceilings, by the

impertinent airs of the lackeys, by the footman with his silver chain,

stationed in the entrance-hall, by the silver plate on which everything

was served, by all kinds of princely ways and customs, such as the

strict observance of evening dress, even when mother and daughter were

dining alone, by an etiquette as rigid as that of a small German court.

The master and mistress were in harmony with and maintained the style

of their house. The spirit of their home and life was as it were

incarnate in them.

The man, with all that he had copied from the English gentry, his

manners, his dress, his curled whiskers, his outward distinction; the

woman, with her grand manners, her supreme elegance, all the stiffness

and formality of the upper middle class, represented admirably the pride

of money. Their disdainful politeness, their haughty amiability, seemed

to come down to people. There was a kind of insolence which was visible

in their tastes even. M. Bourjot had neither any pictures nor any

objects of art; his collection was a collection of precious stones,

among which he pointed out a ruby worth a thousand pounds, one of the

finest in Europe.

People had overlooked all this display of wealth, and the Bourjot's

_salon_ was now very much in vogue and conspicuous on account of its

pronounced tendencies in favour of the Opposition party. It had become,

in fact, one of the three or four important _salons_ of Paris. It had

been peopled after two or three winters which Mme. Bourjot had spent in

Nice under pretext of benefitting her health. She had converted her

house there into a kind of hotel on the road to Italy, open to all who

passed by provided they were great, wealthy, celebrated, or that they

had a name. At her musical evenings, when Mme. Bourjot gave every one

an opportunity for admiring her beautiful voice and her great musical

talent, the celebrities of Europe and Parisians of repute met in her

drawing-room. Scientists, great philosophers and æsthetes mingled with

politicians. The latter were represented by a compact group of

Orleanists and a band of Liberals not pledged to any party, in whose

ranks Henri Mauperin had figured most assiduously for the past year. A

few Legitimists whom the husband brought to his wife's _salon_ were also

to be seen, M. Bourjot himself being a Legitimist.

Under the Restoration he had been a Carbonaro. He was the son of a

draper, and his birth and name of Bourjot had from his earliest

childhood exasperated him against the nobility, grand houses, and the

Bourbons. He had been in various conspiracies, and had met with M.

Mauperin at Carbonari reunions. He had figured in all the tumults, and

had been fond of quoting Berville, Saint-Just, and Dupin the elder.

After 1830 he had calmed down and had contented himself with sulking

with royalty for having cheated him of his republic. He read the

_National_, pitied the people of all lands, despised the Chambers,

railed at M. Guizot, and was eloquent about the Pritchard affair.

The events of 1848 came upon him suddenly, and the landowner then woke

up alarmed and rose erect in the person of the Carbonaro of the

Restoration, the Liberal of Louis Philippe's reign. The fall in stocks,

the unproductiveness of houses, socialism, the proposed taxes, the

dangers to which State creditors were exposed, the eventful days of

June, and indeed everything which is calculated to strike terror to the

heart of a moneyed man during a revolution, disturbed M. Bourjot's

equanimity, and at the same time enlightened him. His ideas suddenly

underwent a change, and his political conscience veered completely

round. He hastened to adopt the doctrines of order, and turned to the

Church as he might have done to the police authorities, to the Divine

right as the supreme power and a providential security for his bills.

Unfortunately, in M. Bourjot's brusque but sincere conversion, his

education, his youth, his past, his whole life rose in revolt. He had

returned to the Bourbons, but he had not been able to come back to Jesus

Christ, and, old man as he now was, he would make all kinds of slips and

give utterance to the attacks and refrains to which he had been

accustomed. One felt, the nearer one came to him, that he was still

quite a Voltairean on certain points, and Beranger was constantly taking

the place of de Maistre with him.

* * * * *

"Give the reins to your brother, Renée," said Mme. Mauperin. "I

shouldn't like them to see you driving."

They were in front of a magnificent large gateway, opposite which were

two lamps that were always lighted and left burning all night. The

carriage turned up a drive, covered with red gravel and planted on each

side with huge clumps of rhododendrons, and drew up before a flight of

stone steps. Two footmen threw open the glass doors leading into a hall

paved with marble and with high windows nearly hidden by the verdure of

a wide screen of exotic shrubs.

The Mauperins were then introduced into a drawing-room, the walls of

which were covered with crimson silk. A portrait of Mme. Bourjot in

evening dress, signed by Ingres, was the only picture in the room.

Through the open windows could be seen a pool of water, and near it a

stork, the only creature that M. Bourjot would tolerate in his park, and

that on account of its heraldic form.

When the Mauperins entered the large drawing-room, Mme. Bourjot, seated

by herself on the divan, was listening to her daughter's governess who

was reading aloud. M. Bourjot was leaning against the chimney-piece

playing with his watch-chain. Mlle. Bourjot, near her governess, was

working at some tapestry on a frame.

Mme. Bourjot, with her large, rather hard blue eyes, her arched

eye-brows, and the lines of her eye-lids, her haughty and pronounced

nose, the supercilious prominence of the lower part of the face, and her

imperious grace, reminded one of Georges, when young, in the rôle of

Agrippina. Mlle. Bourjot had strongly marked brown eye-brows. Between

her long, curly lashes could be seen two blue eyes with an intense,

profound, dreamy expression in them. A slight down almost white could be

seen when the light was full on her, just above her lip at the two

corners. The governess was one of those retiring creatures, one of those

elderly women who have been knocked about and worn out in the battle of

life, outwardly and inwardly, and who finally have no more effigy left

than an old copper coin.

"Why, this is really charming!" said Mme. Bourjot, getting up and

advancing as far as a line of the polished floor in the centre of the

room. "What kind neighbours--and what a delightful surprise! It seems an

age since I had the pleasure of seeing you, dear madame, and if it were

not for your son, who is good enough not to forsake us, and who comes to

my Monday Evenings, we should not have known what had become of you--of

this charming girl--and her mamma----"

As she spoke Mme. Bourjot shook hands with Henri.

"Oh! you are very kind," began Mme. Mauperin, taking a seat at some

distance from Mme. Bourjot.

"But please come over here," said Mme. Bourjot, making room at her side.

"We have postponed our visit from day to day," continued Mme. Mauperin,

"as we wanted to come together."

"Oh! well, it's very bad of you," continued Mme. Bourjot. "We are not a

hundred miles away; and it is cruel to keep these two children apart,

when they grew up together. Why, how's this, they haven't kissed each

other yet?"

Noémi, who was still standing, presented her cheek coldly to Renée, who

kissed her as eagerly, as a child bites into fruit.

"What a long time ago it seems," observed Mme. Bourjot to Mme. Mauperin,

as she looked at the two girls, "since we used to take them to the Rue

de la Chaussée d'Antin to those lectures, that bored us as much as they

did the poor children. I can see them now, playing together. Yours was

just like quicksilver, a regular little turk, and mine--Oh, they were

like night and day! But yours always led mine on. Oh, dear, what a rage

they had at one time for charades--do you remember? They used to carry

off all the towels in the house to dress up with."

"Oh, yes," exclaimed Renée, laughing and turning to Noémi, "our finest

one was when we did _Marabout_; with _Marat_ in a bath that was too hot,

calling out, '_Je bous, je bous_!' Do you remember?"

"Yes, indeed," answered Noémi, trying to keep back a smile, "but it was

your idea."

"I am so glad, madame, to find you quite inclined beforehand for what I

wanted to ask you--for my visit is a selfish one. It was chiefly with

the idea of letting our daughters see something of each other that I

came. Renée wants to get up a play, and she naturally thought of her old

school-friend. If you would allow your daughter to take part in a piece

with my daughter--it would be just a little family affair--quite

informal."

As Mme. Mauperin made this request, Noémi, who had been talking to Renée

and had put her hand in her friend's, drew it away again abruptly.

"Thank you so much for the idea," answered Mme. Bourjot, "thanks, too,

to Renée. You could not have asked me anything that would have suited me

better and given me so much pleasure. I think it would be very good for

Noémi--the poor child is so shy that I am in despair! It would make her

talk and come out of herself. For her mind, too, it would be an

excellent stimulant----"

"Oh! but, mother, you know very well--why, I've no memory. And then,

too--why, the very idea of acting frightens me. Oh, no--I can't act----"

Mme. Bourjot glanced coldly at her daughter.

"But, mother, if I could--No, I should spoil the whole play, I'm sure."

"You will act--I wish you to do so."

Noémi looked down, and Mme. Mauperin, slightly embarrassed and by way of

changing the subject, glanced at a Review that was lying open on a

work-table at her side.

"Ah!" said Mme. Bourjot, turning to her again, "you've found something

you know there--that is your son's last article. And when do you intend

having this play?"

"Oh, but I should be so sorry to be the cause--to oblige your

daughter----"

"Oh! don't mention it. My daughter is always afraid of undertaking

anything."

"Well, but if Noémi really dislikes it," put in M. Bourjot, who had been

talking to M. Mauperin and Henri on the other side of the room.

"On the contrary she will be grateful to you," said Mme. Bourjot,

addressing Mme. Mauperin without answering M. Bourjot. "We are always

obliged to insist on her doing anything for her own enjoyment. Well,

when is this play?"

"Renée, when do you think?" asked Mme. Mauperin.

"Why, I should think about--well, we should want a month for the

rehearsals, with two a week. We could fix the days and the time that

would suit Noémi."

Renée turned towards Noémi, who remained silent.

"Very well, then," said Mme. Bourjot, "let us say Monday and Friday at

two o'clock, if that will suit you--shall we?" And turning to the

governess she continued: "Mlle. Gogois, you will accompany Noémi. M.

Bourjot--you hear--will you give orders for the horses and carriage and

the footman to take them to Briche? You can keep Terror for me, and

Jean. There, that's all settled. Now, then, you will stay and dine with

us, won't you?"

"Oh! we should like to very much; but it is quite impossible. We have

some people coming to us to-day," answered Mme. Mauperin.

"Oh, dear, how tiresome of them to come to-day! But I don't think you

have seen my husband's new conservatories. I'll make you a bouquet,

Renée. We have a flower--there are only two of them anywhere, and the

other is at Ferrières--it's a--it's very ugly anyhow--this way."

"Suppose we were to go in here," said M. Bourjot, pointing to the

billiard-room, which could be seen through the glass door. "M. Henri,

we'll leave you with the ladies. We can smoke here," added M. Bourjot,

offering a _cabanas_ to M. Mauperin. "Shall we have cannoning?"

"Yes," replied M. Mauperin.

Renée Mauperin · 第 33 / 109 题