THE CASTING OF HIS "PERSEUS AND MEDUSA"[31]

As I had been particularly successful in casting my Medusa, I made a

model of my Perseus in wax, and flattered myself that I should have

the same success in casting the latter in bronze as I had had with the

former. Upon its appearing to such advantage and looking so beautiful

in wax, the duke,[32] whether somebody else put it into his head, or

whether it was a notion of his own, as he came to my house oftener

than usual, once took occasion to say to me, "Benvenuto, this statue

can not be cast in bronze: it is not in the power of your art to

compass it." Hearing him express himself in that manner, I discovered

great vexation, and said, "My lord, I know that your excellency places

very little confidence in me, and that you have but too good an

opinion of those who speak ill of me; or else you do not understand

things of this nature." Scarce did he suffer me to utter these words

when he answered, "I profess to understand them, and I do understand

them perfectly." I replied, "You may understand them as a prince, but

not as an artist; for if you had that skill in these matters which you

think you have, you would believe me on account of that fine bronze

head which I cast for your excellency, and which was sent to the Elbe;

as also for having restored the beautiful figure of Ganymede, a work

that gave me infinite trouble, insomuch that it would have been easier

for me to have made a new one; likewise for having cast the Medusa,

which stands here before your excellency, a performance of immense

difficulty, in which I have done what no other man has done before me

in this most laborious art."...

[Footnote 31: From the "Autobiography," as translated in 1822 by

William Roscoe, the Liverpool banker and man of letters, who wrote a

well-known "Life of Leo X," and of whom Irving, in his "Sketch Book,"

has left a pathetic personal account. The earliest English translation

of Cellini appears to have been made by Thomas Nugent and published in

1771. The latest is by John Addington Symonds.]

[Footnote 32: The reference is to Cosmo dei Medici, then ruler of

Florence.]

The duke scarcely had patience to hear me out, but sometimes turned

one way, sometimes another; and I was quite in despair when I

recollected the circumstances in which I had lived in France. At last

he all of a sudden said, "Tell me, Benvenuto, how is it possible that

this fine head of Medusa, which Perseus holds aloft in his hand,

should ever come out cleverly?" I immediately answered, "It is clear,

my lord, that you are no connoisseur in statuary, as your excellency

boasts yourself; for if you had any skill in the art, you would not be

afraid of that fine head not coming out, but would express your

apprehensions concerning that right foot, which is at such a distance

below." The duke, half-angry, addressing himself to some noblemen who

were with him, said, "I really believe it is a practise of Benvenuto's

to contradict and oppose everything he hears advanced."...

After I had made its coat of earth, covered it well, and bound it

properly with irons, I began by means of a slow fire to draw off the

wax, which melted away by many ventholes; for the more of these are

made, the better the molds are filled; and when I had entirely stript

off the wax, I made a sort of fence around my Perseus, that is, round

the mold above mentioned, of bricks, piling them one upon another, and

leaving several vacuities for the fire to exhale at. I next began

gradually to put on the wood, and kept a constant fire for two days

and two nights, till, the wax being quite off, and the mold well

baked, I began to dig a hole to bury my mold in, and observed all

those fine methods of proceeding that are prescribed by our art. When

I had completely dug my hole, I took my mold, and by means of levers

and strong cables directed it with care, and suspended it a cubit

above the level of the furnace, so that it hung exactly in the middle

of the hole. I then let it gently down to the very bottom of the

furnace, and placed it with all the care and exactness I possibly

could.

After I had finished this part of my task, I began to make a covering

of the very earth I had taken off, and in proportion as I raised the

earth I made vents for it, which are a sort of tubes of baked earth,

generally used for conduits, and other things of a similar nature. As

soon as I saw that I had placed it properly, and that this manner of

covering it, by putting on these small tubes in their proper places,

was likely to answer, as also that my journeymen thoroughly understood

my plan, which was very different from that of all other masters, and

I was sure that I could depend upon them, I turned my thoughts to my

furnace. I had caused it to be filled with several pieces of brass and

bronze, and heaped them upon one another in the manner taught us by

our art, taking particular care to leave a passage for the flames,

that the metal might the sooner assume its color and dissolve into a

fluid. Thus I with great alacrity excited my men to lay on the pine

wood, which, because of the oiliness of the resinous matter that oozes

from the pine-tree, and that my furnace was admirably well made,

burned at such a rate that I was continually obliged to run to and

fro, which greatly fatigued me. I, however, bore the hardship; but, to

add to my misfortune, the shop took fire, and we were all very much

afraid the roof would fall in and crush us. From another quarter, that

is, from the garden, the sky poured in so much rain and wind that it

cooled my furnace.

Thus did I continue to struggle with these cross accidents for several

hours, and exerted myself to such a degree that my constitution, tho

robust, could no longer bear such severe hardship, and I was suddenly

attacked by a most violent intermitting fever: in short, I was so ill

that I found myself under a necessity of lying down upon my bed....

My housekeeper, whose name was Mona Fiora da Castel del Rio, was one

of the most sensible and affectionate women in the world: she rebuked

me for giving way to vain fears, and at the same time attended me with

the greatest kindness and care imaginable; however, seeing me so very

ill, and terrified to such a degree, she could not contain herself,

but shed a flood of tears, which she endeavored to conceal from me.

While we were both in this deep affliction, I perceived a man enter

the room, who in his person appeared to be as crooked and distorted as

great S, and began to express himself in these terms, with a tone of

voice as dismal and melancholy as those who exhort and pray with

persons who are going to be executed: "Alas! poor Benvenuto, your work

is spoiled, and the misfortune admits of no remedy."

No sooner had I heard the words uttered by this messenger of evil but

I cried out so loud that my voice might be heard to the skies, and got

out of bed. I began immediately to dress, and, giving plenty of kicks

and cuffs to the maidservants and the boy as they offered to help me

on with my clothes, I complained bitterly in these terms: "O you

envious and treacherous wretches, this is a piece of villainy

contrived on purpose; but I swear by the living God that I will sift

it to the bottom, and, before I die, give such proofs who I am as

shall not fail to astonish the whole world." Having huddled on my

clothes, I went, with a mind boding evil, to the shop, where I found

all those whom I had left so alert, and in such high spirits,

standing in the utmost confusion and astonishment. I thereupon addrest

them thus: "Listen, all of you, to what I am going to say; and since

you either would not or could not follow the method I pointed out,

obey me now that I am present: my work is before us, and let none of

you offer to oppose or contradict me, for such cases as this require

activity, and not counsel." Hereupon one Alessandro Lastricati had the

assurance to say to me, "Look you, Benvenuto, you have undertaken a

work which our art can not compass, and which is not to be effected by

human power."

Hearing these words, I turned round in such a passion, and seemed so

bent on mischief that both he and all the rest unanimously cried out

to me, "Give your orders, and we will all second you in whatever you

command: we will assist you as long as we have breath in our bodies."

These kind and affectionate words they uttered, as I firmly believe,

in a persuasion that I was on the point of expiring. I went directly

to examine the furnace, and saw all the metal in it concreted. I

thereupon ordered two of the helpers to step over the way to Capretta,

a butcher, for a load of young oak, which had been above a year

drying, and been offered me by Maria Ginevra, wife to the said

Capretta.

Upon his bringing me the first bundles of it, I began to fill the

grate. This sort of oak makes a brisker fire than any other wood

whatever; but the wood of elder-trees and pine-trees is used in

casting artillery, because it makes a mild and gentle fire. As soon as

the concreted metal felt the power of this violent fire, it began to

brighten and glitter. In another quarter I made them hurry the tubes

with all possible expedition, and sent some of them to the roof of the

house, to take care of the fire, which through the great violence of

the wind had acquired new force; and toward the garden I had caused

some tables with pieces of tapestry and old clothes to be placed, in

order to shelter me from the rain. As soon as I had applied the proper

remedy to each evil, I with a loud voice cried out to my men to bestir

themselves and lend a helping hand; so that when they saw that the

concreted metal began to melt again, the whole body obeyed me with

such zeal and alacrity that every man did the work of three.

Then I caused a mass of pewter weighing about sixty pounds to be

thrown upon the metal in the furnace, which with the other helps, as

the brisk wood fire, and stirring it, sometimes with iron, and

sometimes with long poles, soon became completely dissolved. Finding

that, contrary to the opinion of my ignorant assistants, I had

effected what seemed as difficult as to raise the dead, I recovered my

vigor to such a degree that I no longer perceived whether I had any

fever, nor had I the least apprehension of death. Suddenly a loud

noise was heard, and a glittering of fire flashed before our eyes, as

if it had been the darting of a thunderbolt. Upon the appearance of

this extraordinary phenomenon, terror seized on all present, and on

none more than myself. This tremendous noise being over, we began to

stare at each other, and perceived that the cover of the furnace had

burst and flown off, so that the bronze began to run.

I immediately caused the mouths of my mold to be opened; but, finding

that the metal did not run with its usual velocity, and apprehending

that the cause of it was that the fusibility of the metal was injured

by the violence of the fire, I ordered all my dishes and porringers,

which were in number about two hundred, to be placed one by one before

my tubes, and part of them to be thrown into the furnace; upon which

all present perceived that my bronze was completely dissolved, and

that my mold was filling: they now with joy and alacrity assisted and

obeyed me. I, for my part, was sometimes in one place, sometimes in

another, giving my directions and assisting my men, before whom I

offered up this prayer: "O God, I address myself to Thee, who of Thy

divine power didst rise from the dead and ascend in glory to heaven. I

acknowledge in gratitude this mercy that my mold has been filled: I

fall prostrate before Thee, and with my whole heart return thanks to

Thy divine majesty." My prayer being over, I took a plate of meat

which stood upon a little bench, and ate with a great appetite. I then

drank with all my journeymen and assistants, and went joyful and in

good health to bed; for there were still two hours of night; and I

rested as well as if I had been troubled with no manner of disorder.

My good housekeeper, without my having given any orders, had provided

a young capon for my dinner. When I arose, which was not till about

noon, she accosted me in high spirits, and said, merrily, "Is this the

man that thought himself dying? It is my firm belief that the cuffs

and kicks which you gave us last night, when you were quite frantic

and possest, frightened away your fever, which, apprehending lest you

should fall upon it in the same manner, took to flight." So my whole

poor family, having got over such panics and hardships, without delay

procured earthen vessels to supply the place of the pewter dishes and

porringers, and we all dined together very cheerfully: indeed, I do

not remember having ever in my life eaten a meal with greater

satisfaction or with a better appetite.

My mortal enemy, Pier Francesco Ricci, the duke's steward, was very

eager to know how the affair had turned out; so that the two whom I

suspected of being the cause of my metal's concreting in the manner

above related told me that I was not a man, but rather a downright

devil, for I had compassed that which was not in the power of art to

effect; with many other surprizing things which would have been too

much even for the infernal powers. As they greatly exaggerated what

had passed, perhaps, with a view of excusing themselves, the steward

wrote to the duke, who was then at Pisa, an account still more pompous

and more replete with the marvelous than that which the workmen had

given him.

Having left my work to cool during two days after it was cast, I began

gradually to uncover it. I first of all found the Medusa's head, which

had come out admirably by the assistance of the vents, as I had

observed to the duke that the property of fire was to fly upward. I

proceeded to uncover the rest, and found that the other head, I mean

that of Perseus, was likewise come out perfectly well. This occasioned

me still greater surprize, because, as it is seen in the statue, it

is much lower than that of Medusa, the mouth of that figure being

placed over the head and shoulders of Perseus. I found that where the

head of Perseus ends, all the bronze was exhausted which I had in my

furnace. This surprized me very much, that there should not be

anything over and above what is necessary in casting. My astonishment,

indeed, was raised to such a degree that I looked upon it as a miracle

immediately wrought by the Almighty. I went on uncovering it, with

great success, and found every part turn out to admiration, till I

reached the foot of the right leg, which supports the figure, where I

found the heel come out: so, proceeding to examine it, and thinking

that the whole was filled up, in one respect I was glad, in another

sorry, because I had told the duke it would not have that effect.

Continuing, however, to uncover it, I found that not only the toes

were wanting, but part of the foot itself, so that there was almost

one-half deficient. This occasioned me some new trouble; but I was not

displeased at it, because I could thereby convince the duke that I

understood my business thoroughly; and tho there had come out a great

deal more of that foot than I thought there would, the reason was

that, in consequence of the several accidents that had happened, it

was heated much more than it could have been in the regular course of

business--especially as the pewter plates had been thrown into the

furnace, a thing never done before.

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