At length their chariot reached the maneuvering-ground, an immense
enclosure, carefully leveled, used for splendid military displays.
Terraces, one above the other, which must have employed for years the
thirty nations led away into slavery, formed a frame _en relief_ for
the gigantic parallelogram; sloping walls built of crude bricks lined
these terraces; their tops were covered, several rows deep, by
hundreds of thousands of Egyptians, whose white or brightly colored
costumes blazed in the sun with that perpetually restless movement
which characterizes a multitude, even when it appears motionless;
behind this line of spectators the cars, chariots, and litters, with
their drivers, grooms, and slaves, looked like the encampment of an
emigrating nation, such was their immense number; for Thebes, the
marvel of the ancient world, counted more inhabitants than did some
kingdoms.
[Footnote 3: From the "Romance of a Mummy." Translated by M. Young, as
authorized by Gautier.]
The fine, even sand of the vast arena, bordered with a million heads,
gleamed like mica dust beneath the light, falling from a sky as blue
as the enamel on the statuettes of Osiris. On the south side of the
field the terraces were broken, making way for a road which stretched
toward Upper Ethiopia, the whole length of the Libyan chain. In the
corresponding corner, the opening in the massive brick walls prolonged
the roads to the Rhamses-Maïamoun palace....
A frightful uproar, rumbling, deep, and mighty as that of an
approaching sea, arose in the distance, and drowned the thousand
murmurs of the crowd, like the roar of the lion which hushes the
barking of the jackals. Soon the noise of instruments of music could
be distinguished amidst this terrestrial thunder, produced by the
chariot wheels and the rhythmic pace of the foot-soldiers. A sort of
reddening cloud, like that raised by the desert blasts, filled the sky
in that direction, yet the wind had gone down; there was not a breath
of air, and the smallest branches of the palm-trees hung motionless,
as if they had been carved on a granite capital; not a hair moved on
the women's moist foreheads, and the fluted streamers of their
head-dresses hung loosely down their backs. This powdery fog was
caused by the marching army, and hung over it like a fallow cloud.
The tumult increased; the whirlwinds of dust opened, and the first
files of musicians entered the immense arena, to the great
satisfaction of the multitude, who in spite of its respect for his
Majesty were beginning to tire of waiting beneath a sun which would
have melted any other skulls than those of the Egyptians. The advance
guard of musicians halted for several instants; colleges of priests,
deputations of the principal inhabitants of Thebes, crossed the
maneuvering-ground to meet the Pharaoh, and arranged themselves in a
row in postures of the most profound respect, in such manner as to
give free passage to the procession. The band, which alone was a small
army, consisted of drums, tabors, trumpets, and sistras.
The first squad passed, blowing a deafening blast upon their short
clarions of polished brass which shone like gold. Each of these
trumpeters carried a second horn under his arm, as if the instrument
might grow weary sooner than the man. The costume of these men
consisted of a short tunic, fastened by a sash with ends falling in
front; a small band, in which were stuck two ostrich-feathers hanging
over on either side, bound their thick hair. These plumes, so worn,
recalled to mind the antennæ of scarabæi, and gave the wearers an odd
look of being insects.
The drummers, clothed in a simple gathered skirt, and naked to the
waist, beat the onager-skin heads of their rounded drums with
sycamore-wood drumsticks, their instruments suspended by leather
shoulder-belts, and observed the time which a drum-major marked for
them by repeatedly turning toward them and clapping his hands. After
the drummers came the sistra-players, who shook their instruments by a
quick, abrupt motion, and made at measured intervals the metal links
ring on the four bronze bars. The tabor-players carried their oblong
instruments crosswise, held up by a scarf passed around the neck, and
struck the lightly stretched parchment with both hands.
Each company of musicians numbered at least two hundred men; but the
hurricane of noise produced by trumpets, drums, tabors, and sistras,
and which would have drawn blood from the ears inside a palace, was
none too loud or too unbearable beneath the vast cupola of heaven, in
the midst of this immense open space, amongst this buzzing crowd, at
the head of this army which would baffle nomenclators, and which was
now advancing with a roar as of great waters.
After the musicians came the barbarian captives, strangely formed,
with brutish faces, black skins, woolly hair, resembling apes as much
as men, and drest in the costume of their country, a short skirt above
the hips, held by a single brace, embroidered in different colors. An
ingenious and whimsical cruelty had suggested the way in which the
prisoners were chained. Some were bound with their elbows drawn behind
their backs; others with their hands lifted above their heads, in a
still more painful position; one had his wrists fastened in wooden
cangs (instruments of torture, still used in China); another was
half-strangled in a sort of pillory; or a chain of them were linked
together by the same rope, each victim having a knot round his neck.
It seemed as if those who had bound these unfortunates had found a
pleasure in forcing them into unnatural positions; and they advanced
before their conqueror with awkward and tottering gait, rolling their
large eyes and contorted with pain. Guards walked beside them,
regulating their step by beating them with staves....
A wide gorget with seven rows of enamels, precious stones, and golden
beads fell over the Pharaoh's chest and gleamed brightly in the
sunlight. His upper garment was a sort of loose shirt, with pink and
black squares; the ends, lengthening into narrow slips, were wound
several times about his bust and bound it closely; the sleeves, cut
short near the shoulder, and bordered with intersecting lines of gold,
red, and blue, exposed his round, strong arms, the left furnished with
a large metal wristband, meant to lessen the vibration of the string
when he discharged an arrow from his triangular bow; and the right,
ornamented by a bracelet in the form of a serpent in several coils,
held a long gold scepter with a lotus bud at the end. The rest of his
body was wrapt in drapery of the finest linen, minutely plaited, bound
about the waist by a belt inlaid with small enamel and gold plates.
Between the band and the belt his torso appeared, shining and polished
like pink granite shaped by a cunning workman. Sandals with returned
toes, like skates, shod his long narrow feet, placed together like
those of the gods on the temple walls.
His smooth beardless face, with large clearly cut features, which it
seemed beyond any human power to disturb, and which the blood of
common life did not color, with its death-like pallor, sealed lips,
enormous eyes enlarged with black lines, the lids no more lowered than
those of the sacred hawk, inspired by its very immobility a feeling of
respectful fear. One might have thought that these fixt eyes were
searching for eternity and the Infinite; they never seemed to rest on
surrounding objects. The satiety of pleasures, the surfeit of wishes
satisfied as soon as exprest, the isolation of a demigod who has no
equal among mortals, the disgust for perpetual adoration, and as it
were weariness of continual triumph, had forever frozen this face,
implacably gentle and of granite serenity. Osiris judging the souls
could not have had a more majestic and calm expression. A large tame
lion, lying by his side, stretched out its enormous paws like a sphinx
on its pedestal, and blinked its yellow eyes.
A rope, attached to the litter, bound the war chariots of the
vanquished chiefs to the Pharaoh. He dragged them behind him like
animals in leash. These men, with fierce despairing faces, their
elbows drawn together by a strap and forming an ungraceful angle,
tottered awkwardly at every motion of the chariots, driven by
Egyptians.
Next came the chariots of the young princes royal, drawn by
thoroughbred horses, elegantly and nobly formed, with slender legs,
sinewy houghs, their manes cut short like a brush, harnessed by twos,
tossing their red-plumed heads, with metal-bossed headstalls and
frontlets. A curved pole, upheld on their withers, covered with
scarlet panels, two collars surmounted by balls of polished brass,
bound together by a light yoke bent like a bow with upturned ends; a
bellyband and breastband elaborately stitched and embroidered, and
rich housings with red or blue stripes and fringed with tassels,
completed this strong, graceful, and light harness....
In the wake of the princes followed the chariots, the Egyptian
cavalry, twenty thousand in number, each drawn by two horses and
holding three men. They advanced ten in a line, the axletrees
perilously near together, but never coming in contact with each other,
so great was the address of the drivers.
The stamping of the horses, held in with difficulty, the thundering of
the bronze-covered wheels, the metallic clash of weapons, gave to this
line something formidable and imposing enough to raise terror in the
most intrepid bosoms. The helmets, plumes, and breastplates dotted
with red, green, and yellow, the gilded bows and brass swords,
glittered and blazed terribly in the light of the sun, open in the
sky, above the Libyan chain, like a great Osirian eye; and it was felt
that the onslaught of such an army must sweep away the nations like a
whirlwind which drives a light straw before it.
Beneath these innumerable wheels the earth resounded and trembled, as
if it had been moved by some convulsion of nature.
To the chariots succeeded the battalions of infantry, marching in
order, their shields on the left arm; in the right hand the lance,
curved club, bow, sling, or ax, according as they were armed; the
heads of these soldiers were covered with helmets, adorned with two
horsehair tails, their bodies girded with a cuirass belt of
crocodile-skin. Their impassible look, the perfect regularity of their
movements, their reddish copper complexions, deepened by a recent
expedition to the burning regions of Upper Ethiopia, their clothing
powdered with the desert sand, they awoke admiration by their
discipline and courage. With soldiers like those Egypt could conquer
the world. After them came the allied troops, recognizable from the
outlandish form of their headpieces, which looked like truncated
miters, or were surmounted by crescents spitted on sharp points. Their
wide-bladed swords and jagged axes must have produced wounds which
could not be healed.
Slaves carried on their shoulders or on barrows the spoils enumerated
by the herald, and wild-beast tamers dragged behind them leashed
panthers, cheetahs, crouching down as if trying to hide themselves,
ostriches fluttering their wings, giraffes which overtopped the crowd
by the entire length of their necks, and even brown bears--taken, they
said, in the Mountains of the Moon.
The procession was still passing, long after the King had entered his
palace.