THE WORKS OF ANATOLE FRANCE

It has long been a reproach to England that only one volume by ANATOLE

FRANCE has been adequately rendered into English; yet outside this

country he shares with TOLSTOI the distinction of being the greatest and

most daring student of humanity now living.

¶ There have been many difficulties to encounter in completing

arrangements for a uniform edition, though perhaps the chief barrier to

publication here has been the fact that his writings are not for

babes—but for men and the mothers of men. Indeed, some of his Eastern

romances are written with biblical candour. “I have sought truth

strenuously,” he tells us, “I have met her boldly. I have never turned

from her even when she wore an unexpected aspect.” Still, it is believed

that the day has come for giving English versions of all his imaginative

works, and of his monumental study JOAN OF ARC, which is undoubtedly the

most discussed book in the world of letters to-day.

¶ MR. JOHN LANE has pleasure in announcing that he will commence

publication of the works of M. ANATOLE FRANCE in English, under the

general editorship of MR. FREDERIC CHAPMAN, with the following volumes:

THE RED LILY

MOTHER OF PEARL

THE GARDEN OF EPICURUS

THE CRIME OF SYLVESTRE BONNARD

THE WELL OF ST. CLARE

THE OPINIONS OF JEROME COIGNARD

JOCASTA AND THE FAMISHED CAT

BALTHASAR

THE ASPIRATIONS OF JEAN SERVIEN

THE ELM TREE ON THE MALL

MY FRIEND’S BOOK

THE WICKER-WORK WOMAN

THAÏS

AT THE SIGN OF THE QUEEN PÉDAUQUE

JOAN OF ARC (2 vols.)

¶ All the books will be published at 6/- each with the exception of JOAN

OF ARC, which will be 25/- net the two volumes, with eight Illustrations.

¶ The format of the volumes leaves little to be desired. The size is Demy

8vo (9 × 5¾ in.), that of this Prospectus, and they will be printed from

Caslon type upon a paper light in weight and strong in texture, with a

cover design in crimson and gold, a gilt top, end-papers from designs by

Aubrey Beardsley and initials by Henry Ospovat. In short, these are

volumes for the bibliophile as well as the lover of fiction, and form

perhaps the cheapest library edition of copyright novels ever published,

for the price is only that of an ordinary novel.

¶ The translation of these books has been entrusted to such competent

French scholars as MR. ALFRED ALLINSON, HON. MAURICE BARING, MR. FREDERIC

CHAPMAN, MR. ROBERT B. DOUGLAS, MR. A. W. EVANS, MRS. FARLEY, MRS. JOHN

LANE, MRS. NEWMARCH, MR. C. E. ROCHE, MISS WINIFRED STEPHENS, and MISS M.

P. WILLCOCKS.

¶ As Anatole Thibault, _dit_ Anatole France, is to most English readers

merely a name, it will be well to state that he was born in 1844 in the

picturesque and inspiring surroundings of an old bookshop on the Quai

Voltaire, Paris, kept by his father, Monsieur Thibault, an authority on

eighteenth-century history, from whom the boy caught the passion for the

principles of the Revolution, while from his mother he was learning to

love the ascetic ideals chronicled in the Lives of the Saints. He was

schooled with the lovers of old books, missals and manuscripts; he

matriculated on the Quais with the old Jewish dealers of curios and

_objets d’art_; he graduated in the great university of life and

experience. It will be recognised that all his work is permeated by his

youthful impressions; he is, in fact, a virtuoso at large.

¶ He has written about thirty volumes of fiction. His first novel was

JOCASTA & THE FAMISHED CAT (1879). THE CRIME OF SYLVESTRE BONNARD

appeared in 1881, and had the distinction of being crowned by the French

Academy, into which he was received in 1896.

¶ His work is illuminated with style, scholarship, and psychology; but

its outstanding features are the lambent wit, the gay mockery, the genial

irony with which he touches every subject he treats. But the wit is never

malicious, the mockery never derisive, the irony never barbed. To quote

from his own GARDEN OF EPICURUS: “Irony and Pity are both of good

counsel; the first with her smiles makes life agreeable, the other

sanctifies it to us with her tears. The Irony I invoke is no cruel deity.

She mocks neither love nor beauty. She is gentle and kindly disposed. Her

mirth disarms anger and it is she teaches us to laugh at rogues and fools

whom but for her we might be so weak as to hate.”

¶ Often he shows how divine humanity triumphs over mere ascetism, and

with entire reverence; indeed, he might be described as an ascetic

overflowing with humanity, just as he has been termed a “pagan, but a

pagan constantly haunted by the pre-occupation of Christ.” He is in

turn—like his own Choulette in THE RED LILY—saintly and Rabelaisian, yet

without incongruity. At all times he is the unrelenting foe of

superstition and hypocrisy. Of himself he once modestly said: “You will

find in my writings perfect sincerity (lying demands a talent I do not

possess), much indulgence, and some natural affection for the beautiful

and good.”

¶ The mere extent of an author’s popularity is perhaps a poor argument,

yet it is significant that two books by this author are in their HUNDRED

AND TENTH THOUSAND, and numbers of them well into their SEVENTIETH

THOUSAND, whilst the one which a Frenchman recently described as

“Monsieur France’s most arid book” is in its FIFTY-EIGHTH THOUSAND.

¶ Inasmuch as M. FRANCE’S ONLY contribution to an English periodical

appeared in THE YELLOW BOOK, vol. v., April 1895, together with the first

important English appreciation of his work from the pen of the Hon.

Maurice Baring, it is peculiarly appropriate that the English edition of

his works should be issued from the Bodley Head.

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