THE USE OF MUSCLES.

Some one wrote, "Circumstances alter cases." Everybody knows how true

that is, and how often we have illustrations in our own lives. Here is

one: to catch hold of a rope after jumping to it is wonderfully easy,

and in our young days the sensation of swinging to and fro in a sort of

bird-like flight through the air is delightful--that is to say, if the

ground is so near that we can drop on our feet at any moment; there is

no thought of danger as we feel perfect confidence in our power to hold

on. It is a gymnastic exercise. But change the scene: be hanging at

the end of the same rope, with the knowledge that a friend and comrade

is in deadly peril, and that, though resting against a rocky slope which

gives you foothold and relieves the strain on your muscles, there is

beneath you a horrible chasm full of black water, hidden by the

darkness, but lapping and whispering as if waiting to receive the

unfortunate. It is then that the nerves weaken and begin to communicate

with and paralyse the muscles, unless there is sufficient strength of

mind to counteract the horror, setting fear at defiance.

The best thing under these circumstances is to get the body to work, and

make brain take the second place. In other words, act and don't think.

I must confess that my endeavours during those perilous moments were

quite involuntary; for it was in a kind of desperation that I got my

toes upon a solid piece of the slippery rock and pressed myself against

the steep slope for a few moments, listening to the firing, some of

which sounded close, some more distant. Then, shouting to Denham to

hold on, I glanced at the lamp, which was flaring bravely and giving a

good light, but only at the expense of the rapidly melting fat. The

next minute I was climbing as quickly as I could by the rope, and

shuddering as I heard stone after stone go down, any one of which I knew

might crash full upon Denham.

There was no time to think--I was too hard at work; and, to my surprise,

I found myself just beneath the long bridge-like piece of stone which

had been laid across the opening to the shaft; while, by holding on to

the rope with one hand and, reaching up the other to grasp the stone, I

could see by the light which rose from below--reflected from the

glistening wall, for the lamp was out of sight--that the rope was one of

the strong tethering-reins, fastened round the stone as if for the

purpose of lowering a bucket.

The next minute I was seated on the stone, with my feet resting on the

side of the shaft-hole, and drawing up the raw-hide rope hand over hand.

After pulling up some feet of it I came upon a knot which felt secure,

and I then hauled again till I came upon another, also well made. With

the rope gathering in rings about my knees and behind me, I kept hauling

till I came to knot after knot, all quite firm. I found that the rope

was dripping with water, and knew that it had been just drawn out of the

pool below. The end of the rope came to hand directly; and, with

trembling fingers, my first act was to tie a knot a few inches up before

doubling the strong raw-hide plait and tying it again in a loop, which I

tested, and found I could easily slip it over my head and pass my arras

through so as to get it beneath the armpits.

I had the rope off again in a few seconds, held it ready, and shouted

down to Denham, who had been perfectly still.

"Now then," I cried; "can you hear what I say?"

"Yes," came in a strange, hollow tone.

"Look out! I'm going to lower you a rope with a loop all ready tied.

Slip it over your head and under your arms."

"Ah!" he said softly; and, as I rapidly lowered down the rope, though

the tone seemed only like an expiration of the breath, it yet sounded

firmer than that "Yes" of a few moments before.

"I can't see, old fellow," I cried, when I had paid out what I thought

must be enough; "but this ought to be near you now. Can you see it?"

"Yes; but it is a dozen feet too high," he replied. "It won't reach

me."

"Yes, it will," I roared, for there was a despairing tone in those last

words. "Plenty more. Look out!"

Charge! A Story of Briton and Boer · 第 89 / 128 题