Chapter II

Nobody sympathised with Mary Jane.

‘So unfortunate for Mr. Millings,’ every one said; ‘such a promising

young man.’

Mary Jane was sent away to a great manufacturing city of the Midlands,

where work had been found for her in a cloth factory. And there

was nothing in that town that was good for a soul to see. For it

did not know that beauty was to be desired; so it made many things

by machinery, and became hurried in all its ways, and boasted its

superiority over other cities and became richer and richer, and there

was none to pity it.

In this city Mary Jane had had lodgings found for her near the factory.

At six o’clock on those November mornings, about the time that, far

away from the city, the wildfowl rose up out of the calm marshes and

passed to the troubled spaces of the sea, at six o’clock the factory

uttered a prolonged howl and gathered the workers together, and there

they worked, saving two hours for food, the whole of the daylit hours

and into the dark till the bells tolled six again.

There Mary Jane worked with other girls in a long dreary room, where

giants sat pounding wool into a long thread-like strip with iron,

rasping hands. And all day long they roared as they sat at their

soulless work. But the work of Mary Jane was not with these, only their

roar was ever in her ears as their clattering iron limbs went to and

fro.

Her work was to tend a creature smaller, but infinitely more cunning.

It took the strip of wool that the giants had threshed, and whirled it

round and round until it had twisted it into hard thin thread. Then it

would make a clutch with fingers of steel at the thread that it had

gathered, and waddle away about five yards and come back with more.

It had mastered all the subtlety of skilled workers, and had gradually

displaced them; one thing only it could not do, it was unable to pick

up the ends if a piece of the thread broke, in order to tie them

together again. For this a human soul was required, and it was Mary

Jane’s business to pick up broken ends; and the moment she placed them

together the busy soulless creature tied them for itself.

All here was ugly; even the green wool as it whirled round and round

was neither the green of the grass nor yet the green of the rushes, but

a sorry muddy green that befitted a sullen city under a murky sky.

When she looked out over the roofs of the town, there too was ugliness;

and well the houses knew it, for with hideous stucco they aped in

grotesque mimicry the pillars and temples of old Greece, pretending to

one another to be that which they were not. And emerging from these

houses and going in, and seeing the pretence of paint and stucco year

after year until it all peeled away, the souls of the poor owners of

those houses sought to be other souls until they grew weary of it.

At evening Mary Jane went back to her lodgings. Only then, after the

dark had fallen, could the soul of Mary Jane perceive any beauty in

that city, when the lamps were lit and here and there a star shone

through the smoke. Then she would have gone abroad and beheld the

night, but this the old woman to whom she was confided would not let

her do. And the days multiplied themselves by seven and became weeks,

and the weeks passed by, and all days were the same. And all the while

the soul of Mary Jane was crying for beautiful things, and found not

one, saving on Sundays, when she went to church, and left it to find

the city greyer than before.

One day she decided that it was better to be a wild thing in the lovely

marshes, than to have a soul that cried for beautiful things and found

not one. From that day she determined to be rid of her soul, so she

told her story to one of the factory girls, and said to her:

‘The other girls are poorly clad and they do soulless work; surely some

of them have no souls and would take mine.’

But the factory girl said to her: ‘All the poor have souls. It is all

they have.’

Then Mary Jane watched the rich whenever she saw them, and vainly

sought for some one without a soul.

One day at the hour when the machines rested and the human beings

that tended them rested too, the wind being at that time from the

direction of the marshlands, the soul of Mary Jane lamented bitterly.

Then, as she stood outside the factory gates, the soul irresistibly

compelled her to sing, and a wild song came from her lips, hymning the

marshlands. And into her song came crying her yearning for home, and

for the sound of the shout of the North Wind, masterful and proud,

with his lovely lady the Snow; and she sang of tales that the rushes

murmured to one another, tales that the teal knew and the watchful

heron. And over the crowded streets her song went crying away, the song

of waste places and of wild free lands, full of wonder and magic, for

she had in her elf-made soul the song of the birds and the roar of the

organ in the marshes.

At this moment Signor Thompsoni, the well-known English tenor, happened

to go by with a friend. They stopped and listened; everyone stopped and

listened.

‘There has been nothing like this in Europe in my time,’ said Signor

Thompsoni.

So a change came into the life of Mary Jane.

People were written to, and finally it was arranged that she should

take a leading part in the Covent Garden Opera in a few weeks.

So she went to London to learn.

London and singing lessons were better than the City of the Midlands

and those terrible machines. Yet still Mary Jane was not free to go

and live as she liked by the edge of the marshlands, and she was still

determined to be rid of her soul, but could find no one that had not a

soul of their own.

One day she was told that the English people would not listen to her as

Miss Rush, and was asked what more suitable name she would like to be

called by.

‘I would like to be called Terrible North Wind,’ said Mary Jane, ‘or

Song of the Rushes.’

When she was told that this was impossible and Signorina Maria Russiano

was suggested, she acquiesced at once, as she had acquiesced when they

took her away from her curate; she knew nothing of the ways of humans.

At last the day of the Opera came round, and it was a cold day of the

winter.

And Signorina Russiano appeared on the stage before a crowded house.

And Signorina Russiano sang.

And into the song went all the longing of her soul, the soul that could

not go to Paradise, but could only worship God and know the meaning

of music, and the longing pervaded that Italian song as the infinite

mystery of the hills is borne along the sound of distant sheep-bells.

Then in the souls that were in that crowded house arose little memories

of a great while since that were quite quite dead, and lived awhile

again during that marvellous song.

And a strange chill went into the blood of all that listened, as though

they stood on the border of bleak marshes and the North Wind blew.

And some it moved to sorrow and some to regret, and some to an

unearthly joy,——then suddenly the song went wailing away like the winds

of the winter from the marshlands when Spring appears from the South.

So it ended. And a great silence fell fog-like over all that house,

breaking in upon the end of a chatty conversation that Cecilia,

Countess of Birmingham, was enjoying with a friend.

In the dead hush Signorina Russiano rushed from the stage; she appeared

again running among the audience, and dashed up to Lady Birmingham.

‘Take my soul,’ she said; ‘it is a beautiful soul. It can worship God,

and knows the meaning of music and can imagine Paradise. And if you go

to the marshlands with it you will see beautiful things; there is an

old town there built of lovely timbers, with ghosts in its streets.’

Lady Birmingham stared. Everyone was standing up. ‘See,’ said Signorina

Russiano, ‘it is a beautiful soul.’

And she clutched at her left breast a little above the heart, and there

was the soul shining in her hand, with the green and blue lights going

round and round and the purple flare in the midst.

‘Take it,’ she said, ‘and you will love all that is beautiful, and

know the four winds, each one by his name, and the songs of the birds

at dawn. I do not want it, because I am not free. Put it to your left

breast a little above the heart.’

Still everybody was standing up, and Lady Birmingham felt uncomfortable.

‘Please offer it to some one else,’ she said.

‘But they all have souls already,’ said Signorina Russiano.

And everybody went on standing up. And Lady Birmingham took the soul in

her hand.

‘Perhaps it is lucky,’ she said.

She felt that she wanted to pray.

She half-closed her eyes, and said ‘_Unberufen_’. Then she put the soul

to her left breast a little above the heart, and hoped that the people

would sit down and the singer go away.

Instantly a heap of clothes collapsed before her. For a moment, in the

shadow among the seats, those who were born in the dusk hour might have

seen a little brown thing leaping free from the clothes, then it sprang

into the bright light of the hall, and became invisible to any human

eye.

It dashed about for a little, then found the door, and presently was in

the lamplit streets.

To those that were born in the dusk hour it might have been seen

leaping rapidly wherever the streets ran northwards and eastwards,

disappearing from human sight as it passed under the lamps and

appearing again beyond them with a marsh-light over its head.

Once a dog perceived it and gave chase, and was left far behind.

The cats of London, who are all born in the dusk hour, howled fearfully

as it went by.

Presently it came to the meaner streets, where the houses are smaller.

Then it went due north-eastwards, leaping from roof to roof. And so in

a few minutes it came to more open spaces, and then to the desolate

lands, where market gardens grow, which are neither town nor country.

Till at last the good black trees came into view, with their demoniac

shapes in the night, and the grass was cold and wet, and the night-mist

floated over it. And a great white owl came by, going up and down

in the dark. And at all these things the little Wild Thing rejoiced

elvishly.

And it left London far behind it, reddening the sky, and could

distinguish no longer its unlovely roar, but heard again the noises of

the night.

And now it would come through a hamlet glowing and comfortable in the

night; and now to the dark, wet, open fields again; and many an owl it

overtook as they drifted through the night, a people friendly to the

Elf-folk. Sometimes it crossed wide rivers, leaping from star to star;

and, choosing its way as it went, to avoid the hard rough roads, came

before midnight to the East Anglian lands.

And it heard there the shout of the North Wind, who was dominant and

angry, as he drove southwards his adventurous geese; while the rushes

bent before him chaunting plaintively and low, like enslaved rowers of

some fabulous trireme, bending and swinging under blows of the lash,

and singing all the while a doleful song.

And it felt the good dank air that clothes by night the broad East

Anglian lands, and came again to some old perilous pool where the

soft green mosses grew, and there plunged downward and downward into

the dear dark water till it felt the homely ooze once more coming up

between its toes. Thence, out of the lovely chill that is in the heart

of the ooze, it arose renewed and rejoicing to dance upon the image of

the stars.

I chanced to stand that night by the marsh’s edge, forgetting in my

mind the affairs of men; and I saw the marsh-fires come leaping up from

all the perilous places. And they came up by flocks the whole night

long to the number of a great multitude, and danced away together over

the marshes.

And I believe that there was a great rejoicing all that night among the

kith of the Elf-folk.

The Sword of Welleran and Other Stories · 第 7 / 17 题