BY ANDRE FRIBOURG

_Cloth, 12mo, $1.50_

Under the title _Croire_, this autobiography of a French infantryman was

published in Paris in 1917. It is a revelation of the French spirit. It is

rather a biography of the spirit, than an account of the amazing

experiences M. Fribourg encountered, from 1911 at Agadir, through the

fighting on the Meuse, and part of the campaign in Flanders. The

descriptions are memorable for their beautiful style, their pathos or

their elevation. There is a definite climax toward the end where M.

Fribourg returns to a hospital in Paris, broken and dulled, his faith

momentarily befogged. Gradually he readapts himself, regains and confirms

his faith in the human spirit that was so vivid when he lived with his

fellow soldiers.

"An autobiographical novel, which was a close competitor for the last

Goncourt Academy Prize and which was seriously considered in connection

with the recently awarded Grand Prix of the French Academy."

"It emphasizes the benumbing monotony of the 'life in a circle' of billet

and trench."

"It portrays realistically, if a shade too methodically at times, the

racking torments of hunger and thirst, the dreary importunity of the rain,

the loathsomeness of the all-invading mud, the sickening horror of the

carrion smells, the pathetically inadequate relaxations of the

cantonments."

"It dissects (a shade too scientifically and cold-bloodedly at times

perhaps) the sentiments and emotions associated with attack and defence;

the impulses that eventuate in heroism; the alternating

super-sensitiveness and callousness of the nerves; fear and the mastery of

fear; the 'hope deferred that maketh the heart sick'; the devious

stratagems of the terrible 'cafard' (blues)."

"It narrates dramatically the outstanding episodes; the perilous corvée of

bringing up fresh supplies of cartridges, the digging of an advance trench

under fire, the pinioning of a comrade suddenly seized with dementia."

"All this, with sanity, simplicity, and sincerity and in a language of

almost classical restraint, as a rule, but engagingly piquant and

picturesque and fantastic even upon occasions."--_Boston Evening

Transcript_.

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