CHAPTER XX

THE WEY VILLAGES

Old Woking.--Behind the Veil.--A Royal Palace.--Necropolis.--When

not to dig a grave.--"Lumpy" Stevens.--The Ripley Road.--The Anchor

and the Talbot Dog.--An Open Box.--Teal by Twilight.--Ockham.--Seven

Streams.--Newark.--Jackdaws two shillings the Dozen.--The Wisley

Garden.--Byfleet.--A Ghost in Velvet.

In whatever way you may choose to travel through Surrey, it is difficult

to avoid making Woking a centre and a rendezvous. All the trains stop

there; at least, I cannot remember ever passing through the station

without stopping, either to change trains, which generally takes three

quarters of an hour, or to wait in the station until it is time to go on

again, which usually takes eleven minutes. I never found anything else

to do at Woking, unless it were at night, when the railway lights up

wonderful vistas and avenues of coloured lamps. Then the platform can be

tolerable. Once when I had a long time to wait I walked out to the

church which stands rather finely on the ridge north of the railway. I

thought then it was Woking church: it belongs to Horsell. It was that

Woking, the Woking of the station, which for many years I imagined to be

the only Woking in Surrey. One did not wish for another.

But there is another Woking, and it is as pretty and quiet as the

railway Woking is noisy and tiresome. It stands with its old church on

the banks of the Wey two miles away, a huddle of tiled roofs and old

shops and poky little corners, as out-of-the-way and sleepy and

ill-served by rail as anyone could wish. I found it first on a day in

October, and walked out from the grinding machinery of the station by a

field-path running through broad acres of purple-brown loam, over which

plough-horses tramped and turned. It was a strange and arresting sight,

for over the dark rich mould there was drawn a veil of shimmering grey

light wider and less earthly than any mist or dew. The whole plough land

was alive with gossamer; and Old Woking lay beyond the gossamer as if

that magic veil were meant to shield it from the engines and the smoke.

Old Woking, indeed, lies in country deep enough to forget the railway

altogether, and to take to the water as the highway. The Wey wanders in

and out by the village, and half-a-mile away at Send the Navigation

canal joins the Wey proper, as the little river has come to be called to

distinguish it from the canal. The canal cuts businesslike corners and

straight lines when the Wey, having plenty of time to spare, wants to

wander an extra two or three miles about a field. From Send to Weybridge

or to Guildford, down stream or up, by the canal towing-path or by boat,

is a delightful journey in spring or summer. As good a round as can be

taken walking is from Woking through Send by Newark Priory, Pyrford and

Wisley to Byfleet, where the railway can be joined or the journey

continued to Weybridge or back to Woking. But there are, of course,

twenty ways of seeing the little villages that cluster round the Wey so

closely in this corner of Surrey, either on foot or by boat, or rowing

and walking both.

But Woking has not always been quiet and old-fashioned and sleepy. Once

it was a royal manor, and contained a royal residence. William the

Conqueror held Woking in demesne himself, and it passed through the

hands of every king until James I, who gave it to one of his foresters,

Sir Edward Zouch. Sir Edward had to pay something for his privilege. He

held the manor on condition that he was to bring to the king's table, on

the Feast of St. James each year, the first dish at dinner, and with the

dish the satisfactorily large rent of a hundred pounds in coined gold of

the realm. Perhaps he still made something out of his tenants; at all

events, a further token of gratitude, he was to wind a call in Woking

Forest on Coronation Day. He may have liked the rental, but he could not

have liked the old palace, for he knocked down every brick of it. The

strangest and most melancholy fate seems to wait on every palace in

Surrey built or lived in by an English king,--even by the friend of a

king. Of Oatlands, Guildford, Woking, Nonsuch, Sheen, each a king's

palace, scarcely a stone remains; Wolsey's palace by the Mole is nothing

but a gateway; the Archbishops' palace at Croydon has sunk as low as a

wash-house. Kingston owns the stone on which English kings have been

crowned; but elsewhere in Surrey the royal hand has touched only to

destroy.

A persistent association hangs to the name of the town by the station,

undeserved but traditional. Woking, like the Duke of Plaza-toro, "likes

an interment." Much of the land near the town is owned by a company

which, while it builds villas for the living, especially those who find

advantages in a fast train service, has named itself Necropolis, which

is grim enough for anybody living or dead. But the Necropolis Company,

whether it knows it or not, did not found the tradition. That stands to

the record of an old grave-digger interviewed by Aubrey. He conversed

grimly and with authority on the places and seasons for the proper

digging of graves. He "had a rule from his father to know when not to

dig a grave." That was "when he found a certain plant about the bigness

of the middle of a tobacco-pipe, which came near the surface of the

earth, but never above it. It is very tough, and about a yard long; the

rind of it is almost black, and tender, so that when you pluck it, it

slips off and underneath is red; it hath a small button at the top, not

much unlike the top of an asparagus; of these he sometimes finds two or

three in a grave." He was "sure it was not a fern-root" and had with

diligence traced to its root; and since he had satisfied himself of its

grisly origin, he knew better than to dig a grave near where the root

grew.

[Illustration: _View from the Bridge, Woking._]

On the maps Send looks like a single tiny village, south of Woking by

half a mile. It is in reality a large parish, and since the name is

corrupted simply from Sand, it is natural enough to find it dotted all

round the neighbourhood with other names tacked on to it--Sendholme,

Sendgrove, Sendhurst, Send Heath, and Sendmarsh. The names are scattered

only less widely than the parish itself. The church stands a mile from

the little hamlet of Send, on the banks of the Wey, like the churches of

Pyrford and Woking, and the ruins of the great Priory of Newark, to

which Send Church and her chapel at Ripley both belonged. The three

villages with their churches are still, perhaps, not much larger than

they were two or three hundred years ago; the Priory is shattered; only

the village with the chapel has grown.

By Send churchyard stands the bole of a mighty elm, riven and

iron-bound. I like to imagine that it may have been climbed by one of

the great Surrey cricketers of the old days of the Hambledon Club.

Edward Stevens, the famous "Lumpy," was born at Send, and spent his

boyhood there till he went to Chertsey and became, as John Nyren

describes him, one of the two greatest bowlers he ever saw. "Lumpy" got

his queer name either because he was, in Nyren's words, "a short man,

round-shouldered and stout" or, according to another tradition, because

at one of the dinners of the Hambledon Club he ate an apple-pie whole.

Surely he must have been "Lumpy" before, besides after, that

achievement. Yet another story has it that he was given his name because

of some trick in his bowling. Certainly his methods were not what we

should call exactly orthodox to-day. It was the privilege of visiting

elevens in his day to choose the pitch on which the match should be

played, and that was "Lumpy's" opportunity. Nyren explains his plan:--

"He would invariably choose the ground where his balls would

_shoot_, instead of selecting a rising spot to bowl against, which

would materially have increased the difficulty to the hitter, seeing

that so many more would be caught out by the mounting of the ball.

As, however, nothing delighted the old man like bowling the wicket

down with a shooting ball, he would sacrifice the other chances to

the glory of that achievement. Many a time have I seen our General

twig this prejudice in the old man when matched against us, and

chuckle at it. But I believe it was almost the only mistake he ever

made, professional or even moral, for he was a most simple and

amiable creature."

There is an unkind legend which speaks of "Lumpy" as a bit of a smuggler

in his young days, but Nyren, at all events, never believed it, for he

ends by declaring handsomely that "he had no trick about him, but was

as plain as a pike-staff in all his dealings." "Lumpy," whether he

smuggled or not, certainly has his niche in cricket history. It was to

him that the wicket owes its third stump. In a match played in 1775 on

the Portsmouth Artillery Ground, between five of the Hambledon Club and

five of All England, "Lumpy" three times sent the ball between the last

Hambledon man's stumps without bowling him, and after the match, which

Hambledon won in consequence, the number of the stumps was increased

from two to three.

Send lies deep among the fields, counting itself fortunate, perhaps,

that it is not on the Ripley road, a mile away. Ripley itself, perhaps,

owes its fortune, even if it owes more besides, to the road which it has

named. The story belongs to all the villages of a great highway. The

coaches brought their heyday, the railway spoiled it, the bicycle

re-made it, and now the village is being re-decorated by the motor-car.

The Ripley road, for the two days in the week when it is most used, is a

place to avoid. Yet it can be beautiful, and there is an approach to it

hardly equalled near any other highway in the county. The late Mrs.

Buxton, of Foxwarren Park, above Wisley Common, for years permitted the

public to walk and drive through her private grounds away from the high

road, and that generous lady's permission has been continued by her

successor. The carriage drive runs by oaks and bracken through which

pheasants rustle, past a strange, tall column of black wood--a

totem-pole brought from Queen Charlotte's Islands; then it rises to the

edge of a ridge overlooking a wide and level stretch of pinewood and

heather. In August, when the ling is out with the bell-heather, and the

pines stand deep in fern and rushes, no lovelier carpet spreads under

any Surrey hill. The road runs a white thread through it--a road best

viewed from afar. The weight of wheels has ground the surface to powder.

Ripley itself, but for the traffic, would be the prettiest village on

the road. A long string of low-roofed houses lines the highway; little

white gabled cottages offer tea and refreshment; two old inns share

most, I suppose, of the custom of fasting travellers. The Anchor, an inn

of many gables, has fixed itself in the affections of bicyclists since

the days when they rode velocipedes, and its black-beamed walls and

passages hold drawings of strange souls mounted on wheels which would

have scared Ixion. The Talbot, which was once the Dog (but a talbot is a

dog always), is a house of imposing squareness. You may see the dog

painted above the door, a liver-and-white fox-terrier, all proper.

Opposite the inns stretches Ripley green, a broad and shining level with

many memories of Surrey cricket, and in particular of "Lumpy" Stevens,

of Send.

[Illustration: _The Village Street, Ripley._]

The motor-car has brought prosperity, even if it is a prosperity that

can soil. But the tarnish washes off in night and rain. Ripley may look

its best early on a Saturday morning, before the flood rushes down the

road. When the little village lies clean and fresh in the sun, and the

inns are busy with white tablecloths and cooking potatoes, and the

children sit on the edge of the green before the dust comes, there is a

sense of orderly bustle and of waiting for a day of hard work and good

money that is pleasant enough.

One building only has suffered from the business of the road. The little

church stands behind arches and canopies of clipped yew, its walls

almost touching the highway. It is an interesting little building,

though much altered from its oldest form; the chancel has the remains of

clustered pillars, and a beautiful string-course of Caen stone running

round it. But those have not been the only attractions to visitors. When

I was there I noticed that the oak collection-box by the door stood with

its lid propped open. The caretaker happened to be in the church, and I

showed it to her. "Oh yes," she said in a matter-of-fact tone, "we have

to keep it like that. It has been robbed so often that we prop it open,

so as to prevent people putting anything in." The church door still

remains as wide open as the box. It would be a pious act for some

passing motor-car--or a collection from many--to present the little

church with a stronger box. Such continued hospitality, so vilely

abused, deserves a return.

[Illustration: _Trees on the Green, Ripley._]

Two miles up the road lies the Hut Pond, opposite an inn that serves

many tables. There is no quiet on the pond in the business of the day,

but I was once on it on an October evening, and as the sun went down the

sky filled suddenly with teal. Bunches of teal wheeled and circled in

the cold twilight, whizzed down among the rushes, darted up again and

round over the pines, then shot down again and settled, splashing

quietly in the sedge.

[Illustration: _Priest's door and Norman Chancel Ripley Church._]

Ockham village, with its church and park, is south-east of Ripley by a

mile or so. The charm of Ockham church lies in its tower, its east

window, and its deep and happy site among the oaks and elms of Ockham

Park. The church lies some hundred yards from the road, under the

windows of the manor-house, a building which cannot be said to owe

anything to the taste or consistency of successive architects. The

tower is thirteenth century, buttressed, mottled into cool greys and

pinks, and heavy with ivy. But the chief decoration of Ockham Church is

its thirteenth century, seven-lancet east window, and in the carving of

the capitals of its slender columns of black Sussex marble. There is

some quaint Flemish glass in one of the south windows; but the church is

spoiled by an extraordinarily ugly little chapel built on the north side

as a mausoleum for the family of the Kings. The first of the line of

these Kings was one Peter, the son of an Exeter grocer. He came up to

London, soon made his mark as a lawyer, and died Lord Chancellor. There

are several of his descendants buried with him, and their coronets hang

above the arch of the chapel. They add a peculiar tawdriness; but the

chapel itself, with its dull blue paint, and the strange, bath-like

sarcophagus below Rysbrach's statues of the first Lord King and his

lady, is the main offence.

[Illustration: _Ockham Church._]

Ockham itself, even with that humming white highway not a mile distant,

is untouched and unspoiled: nothing more than a half-dozen or so of

half-timbered or brick cottages and farm-buildings, rain-bleached and

creeper-veiled, and fronted with some of the prettiest and brightest

gardens in Surrey. One of the sleepy little buildings bears the legend

"County Police," forbidding in new blue enamel. What should anyone do

with police in Ockham?

But Ockham, perhaps, lies a little too far from the old waterway to join

the group of villages and churches which cluster along this winding

stretch of Wey. Still it belongs to Ripley, if not to Ripley's group

along the river. Rivers, here, would be the better word, for the Wey has

hardly yet made up its mind as to its right channel north of Woking, and

by Ripley runs actually in seven streams almost parallel with one

another, some of them cut artificially, but others tiny remnants of the

broad watercourse which once rolled through Surrey to the sea. No doubt

it was this abundance of water which first attracted the founder of

Newark Priory, whose ruins stand almost in the centre of the seven

streams. The monks must have had plenty of choice of fishing.

Newark Priory is generally supposed to have been founded as a house of

Black Canons by Ruald de Calva and his wife Beatrice de Sandes in the

reign of Richard I. But Ruald de Calva as a fact only re-founded or

endowed the house, which was founded long before, probably by a Bishop

of Winchester. Its older name was Aldbury, and Newark--or Newsted, as it

was once called--which for us is an aged ruin, was Aldbury rebuilt with

a new church and a new name. It is in some ways a rather uninteresting

ruin. Of the tracery of the windows, or any of the lighter and more

delicate architectural work, not a stone remains. I believe much of the

more easily used stone-work found its way into the building of

neighbouring houses, perhaps into the paving of the roads. But it has a

certain bluntness and gauntness of its own, standing solid and stark in

the plain meadowland of the Wey. Perhaps if one were to "visit it by the

pale moonlight" it would take on darker graces and dignities. As it is,

there is somewhere about it an air of protest; it is like a ghost that

cannot get back before daylight. Horses gallop about the rough field

under its walls; boating parties wonder why it should be thought worth

while to fence it off with wire. Once I caught an echo of the real

Newark, late on a dark and stormy afternoon, when a sudden snipe rose at

my feet out of one of the half-dry Priory stewponds. That wild cry must

have been familiar enough to the old monks wandering by the stream in

search of a likely run for perch or pike.

The "very old castle" which Frank Buckland, the naturalist, mentions in

the following note, taken from his edition of White's _Selborne_, must

surely be Newark Priory, which is now a happy (and I think unmolested)

home of jackdaws:--

[Illustration: _Newark Priory._]

"At Whistley, near Weybridge, the people go in May, when the birds

are about a fortnight old, to the ruins of a very old castle. Men

carry long ladders, and with blunt iron hooks take out the young

jackdaws, and if there are no buyers they throw them to the ground.

Bird dealers take hampers down to Whistley and bring up all the

birds caught, as many as ten dozen of young jackdaws. They cost on

the spot 2s. per dozen. The reason why they are taken is to stop the

increase of jackdaws in the neighbourhood. If the young jackdaws are

taken when about a fortnight old, the old ones will not 'go to nest'

again that season. If the eggs only were taken, the birds would lay

again immediately."

The Canal and the Wey by Newark lie in some of the quietest and wildest

country in Surrey. It is not the wildness of Thursley Common, or the

quiet of the pinewoods; but it is the sunny peace of a waterway almost

deserted, of unploughed, rushy meadows, of waterside paths and thickets

that fill in April and May with a tide of bird life which stays here,

and elsewhere passes or is hardly seen. A May morning on the Wey Canal

rings with singing. You can count scores of cuckoos gliding in the sun

and calling from the budding branches; woodpeckers laugh from oak to

oak; plovers tumble in the wind; herons flap up lazily at a bend in the

stream, and flap lazily down again; snipe cut high arcs in the blue and

drum down from the sailing clouds; perhaps from the very heart of the

thicket the nightingale bursts into a pulsing riot of song. Surrey

varies extraordinarily widely as a shelter and a nesting ground for

birds, but most of its birds, I think, know the Wey Canal.

Of the seven streams which surround Newark Abbey the northernmost runs

under the little hill on which stands Pyrford Church. Pyrford itself, on

its outskirts, unhappily, is beginning to hear Woking. The Woking

builder's hammer is already ringing under its trees. But the heart of

Pyrford hitherto remains untouched. A cluster of red-brick

farm-buildings, a footpath over meadows of buttercups, a score of

arching elms, and a little shingle-spired Norman church on a knoll above

the stream--Pyrford is one of the smallest and sweetest of Weyside

villages. Few churches have so strong an impression of an untouched

past. In plan it is scarcely altered from its Norman design of the

twelfth century; and it stands on its knoll overlooking the meadows away

to the great Priory of which it was a chapel, the Priory in ruins, and

itself with hardly a stone loosened for nearly eight centuries. The roof

is later than the walls, but there is a fascination in staring up at the

old oak timber. It was the same vista of retreating beams of mighty wood

on which the eye of the Newark priest droning from the altar must have

rested; perhaps for his sleepy congregation there was the same glimpse

of ivy tendrils creeping in under the eaves, and on drowsy afternoons in

May the same chatter and hiss of nesting starlings. From the scanty

scraps of the paintings on the wall you can only guess vaguely at the

texts of the old Sunday sermons: manna falls in the wilderness; Moses

brings water out of the rock; probably the congregation listened with

most eagerness to the third, the death of Jezebel.

[Illustration: _Mill on the Wey, between Pyrford and Ripley._]

Donne, the poet, perhaps knew the paintings well. In the days when he

was still unforgiven by Sir George More of Loseley for having run away

with his daughter Anne, he and his bride lived for some years as the

guests of Sir John Wolley, Queen Elizabeth's secretary, at Pyrford Park.

May it not have been the seven-streamed Wey by Pyrford which gave him

his stanzas for _The Bait_, his parody of Marlowe?

Come live with me, and be my love,

And we will some new pleasures prove

Of golden sands and crystal brooks,

With silken lines and silver hooks.

Let others freeze with angling reeds,

And cut their legs with shells and weeds,

Or treacherously poor fish beset

With strangling snare, or windowy net.

Let coarse bold hands from slimy nest

The bedded fish in banks out-wrest;

Or curious traitors, sleeve-silk flies,

Bewitch poor fishes' wandering eyes.

For thee, thou need'st no such deceit,

For thou thyself art thine own bait;

That fish, that is not catch'd thereby,

Alas! is wiser far than I.

[Illustration: _Pyrford Church._]

Two miles further down the Canal--perhaps nearly four by the Wey

itself--stands another little church, almost, like Pyrford and Woking,

on the edge of the stream. Wisley church is the tiniest of the little

group between Send and the Thames, but is not otherwise remarkable. The

village is not much more than a farmhouse and a noble barn; perhaps

Wisley is better known for its pond and its garden. The garden,

unhappily, is almost a thing of the past. Experiment and officialdom

have settled heavily on its sandy soil, and the wilder charm of the old

pleasance has left it. A few years ago, when its late owner, Mr. Wilson

of Weybridge, was alive, it was a delight to many hundreds of visitors,

whom the owner generously allowed to share in his pleasure in rare and

beautiful flowers. He had collected into a few acres of ground,

protected by ingeniously laid out plantations, an almost incredible

variety of plants, especially flowering bulbs, and in his woods and

ponds, besides, had tried to establish other curious and interesting

wild life. Bird-boxes fastened to the trees were to tempt tits and

nuthatches; in the reeds of the ponds great bull-frogs used to squat

croaking, and little green frogs climbed the leaves above them. To-day

that is hardly more than a memory. When the owner died the garden was

bought by Sir Thomas Hanbury and presented to the Royal Horticultural

Society. The society came down from Kew upon the fold; and on the open

ground beside the old garden, tangled and unhappy, set down a row of

superb glasshouses, planted a number of specimen fruit trees, and

devoted itself forthwith to up-to-date research and education on the

most approved lines of modern scientific arboriculture and hybridisation

in hothouses.

[Illustration: _Wisley Church._]

Last of the little bunch of Weyside churches is Byfleet, with a belfry

built on some magnificent oak beams. Byfleet Manor House used to be a

royal hunting lodge, and was given with the right of free warren by

Edward II to Piers Gaveston. Its last royal owner was James the First's

queen, Anne of Denmark, and it was probably she who built the massive

walls and the forecourt of the garden of the present home. But the manor

house itself is early Georgian; and though it has had some ugly

additions, it still stands square and strong behind its fine old

gateway. James is supposed to have planted the Scotch firs in the

garden, to remind Queen Anne of the home she left behind her in the

north.

Such a building would be sure to have some quaint traditions. It is

known locally as the King's House, and there is a legend that Henry VIII

was nursed there. He may have been, but not in the present building. It

has no regular ghosts, but Miss Frances Mitchell, writing on the history

of the Manor in the _Surrey Archaeological Collections_, tells us that

Anne of Denmark is said to have been seen moving through the lower

rooms; and there is a very dim tradition of a dwarf in purple velvet who

wanders in the forecourt. A third legend, in which the rustic historian

apparently confuses Anne of Denmark with the last Stuart Queen, relates

that Queen Anne came to Byfleet and from a neighbouring hill watched

Marlborough win the battle of Blenheim.

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