CHAPTER XII

KINGSGATE--THE NORTH FORELAND--BROADSTAIRS--ST. PETER’S

The plebeian jollity of the older part of Margate, by the Harbour and

the Jetty, the Fort and the Paragon, gives place westward to modern and

more select Cliftonville.

The walk past Cliftonville the select, along the grassy cliffs, leads

round by Foreness Point and discloses a succession of chalky nooks,

“gaps,” and “gates,” where little ravines run down to the sea: every

one of them pretty well peopled in the summer season. If you want a

cloistered holiday, you will not be well advised to repair to the

Kentish coast for it. Frankly, such a thing is not to be obtained here.

But, at any rate, thus tracing the “ocean’s melancholy marge,” you do

at least escape the electric tramways which cut across Thanet inland

and help to vulgarise this historic isle.

A pretty inlet, called “Botany Bay,” leads to Kingsgate, and is a

spot sufficiently desirable, except for the scattering of new villas

there and the notice-boards of the Kingsgate Residents’ Association,

prescribing what things the wayfarer may not do. These appear to be so

numerous that it would seem to be almost better (as it would indeed be

shorter) to specify the few things that are still allowed.

[Illustration: KINGSGATE]

Kingsgate was known as “Bartholomew’s Gate” until 1683, when Charles

the Second landed here. It is naturally picturesque, and is rendered

more so by the pretentious “castle” on the headland, with the North

Foreland lighthouse peering across the intervening neck. The castle, of

black flint, was built in the eighteenth century by Lord Holland, who,

in common with other wealthy people of what was then regarded as “good

taste,” patronised the romantic Gothic spirit and built himself not

only a make-believe castle but a sham convent as well. The poet Gray,

he of the “Elegy,” disclosed himself as a bitter satirist, not only of

Lord Holland’s castellated residence, but also of Thanet:

“Here reign the blustering North and blighting East;

No tree is heard to whisper, bird to sing;

Yet nature could not furnish out the feast,

But he invokes new terrors still to bring.

“Now mouldering fanes and battlements arise,

Turrets and arches nodding to their fall;

Unpeopled monasteries delude our eyes,

And mimic desolation covers all.”

Passing the flint-faced “Captain Digby” inn, famed in the story of

the _Northern Belle_ shipwreck of January 1857, we come to the North

Foreland, “the most easterly projection of Kent,” the cape mentioned

by Ptolemy, about A.D. 150, as Κάντιον ἀκρον, or “Acantium

Promontory.”

The North Foreland light, once occupying a solitary situation on

the cliff-top, is now becoming the centre of a number of villas,

whose windows at night form lower and of course much more feeble

illuminations. But the sea is here spangled with as many lights as

the land, for off the shore are those dangerous shoals, the famous

Goodwin Sands. Dickens, many years ago, in the course of a sketch

of Broadstairs, wrote a good description of them and of the North

Foreland light, mentioning “the Goodwin Sands, whence floating lights

perpetually wink after dark, as if they were carrying on intrigues

with the servants. Also there is a big lighthouse called the North

Foreland, on a hill behind the village, a severe parsonic light, which

reproves the young and giddy floaters, and stares grimly out upon the

sea.”

[Illustration: THE NORTH FORELAND LIGHTHOUSE.

_After W. Daniell, R.A._

]

But since 1880, when the lighthouse was altered, the light has suffered

a complete change, and is not now the steady-going gleam it used to

be. It occults every half-minute, displaying a white and red light

for twenty-five seconds, followed by an eclipse of five seconds. The

effect, compared with the light that Dickens described, is something

like that which would astonish the beholder if a Bishop were to wear a

red tie, or take to drink.

The first lighthouse on the North Foreland was a wooden building,

erected by Sir John Meldrum in 1636. This was destroyed by fire half

a century later. A temporary beacon replaced it, and this in turn

was succeeded by a flint octagonal tower, bearing an open brazier of

coals. This was afterwards enclosed behind glass, and the coals were

kept aflame throughout the night by the lightkeeper constantly playing

on them with a bellows! Those certainly were the heroic times of

lighthouse tending.

The licensee of the first lighthouse was given the right of levying a

toll of one penny per ton on all British ships, and twopence per ton on

all foreign vessels passing the Foreland, he paying the Crown an annual

rent of £20 for fifty years. This grant was renewed to various other

persons for other terms of fifty years. The last of these licensees

bequeathed the unexpired years of his term to Greenwich Hospital, to

which a renewal was granted for ninety-nine years. At the end of that

period, the lighthouse was, rather belatedly, taken over by the Trinity

House, whose Elder Brethren then paid the Commissioners of Greenwich

Hospital about £8,000, by way of compensation.

And thus we come to dear, delightful Broadstairs, which, like every

Thanet coast-town or village, is set down in a gap, or “gate,” of the

cliffs, by which, as by a staircase, you land and ascend from the sea.

Here the gap is a bay, rather larger than most, hence the adjective,

“Broad.” It was anciently “Broadstowe,” but why never “Bradgate” or

“Broadgate” I cannot imagine. At any rate, it matters little. The

point is that here is Broadstairs, very much the same place as that

Dickens knew and loved. Let an anathema be here pronounced against

that man who shall ever contemplate remodelling this cheery little

holiday-place--the delight of children, I was about to say--really

the delight of all who know it! And I think that anathema should be

made retrospective and launched against whoever they were who built the

great ugly barrack hotel on the south cliff. The striking alteration

that has been effected in the remodelling of the so-called “Bleak

House” may, however, be welcomed, in spite of the change thus made in

the appearance it wore in the time of Dickens. “Fort House,” which is

its proper name, was really so ugly that everyone who is not a Dickens

fanatic must rejoice at the blest change.

Dickens first made the acquaintance of Broadstairs in 1837, and he

did not finally desert it as a holiday resort until 1859. Enthusiasts

for whom no detail of Dickens’s life is too small or insignificant

have discovered that his first lodgings were in High Street, at the

house now numbered “31.” It has been entirely rebuilt, but their

enthusiasm is of a dreadnought quality superior to such accidents, and

they flock to see the place because the conclusion of “Pickwick” was

written there: in the house that no longer exists. One would think some

peculiar virtue lingered in the air. Lawn House, and Number 40, Albion

Street, now incorporated with the “Albion Hotel,” were favoured by him

before he took Fort House, in 1850. There he wrote a portion of “David

Copperfield,” but positively not a line of “Bleak House”; and that

name, given later and still surviving, is a quite unwarranted title,

unless indeed it may be taken as descriptive of its undoubtedly bleak

and exposed situation.

Dickens, in 1843, described Broadstairs as “a little fishing place;

intensely quiet”; but presently the growing popularity of it began to

qualify his pleasure. In 1847 he wrote: “Vagrant music is getting to

that height here, and is so impossible to be escaped from, that I fear

Broadstairs and I must part company in time to come. Unless it pours

of rain, I cannot write half an hour without the most excruciating

organs, fiddles, bells, or glee-singers. There is a violin of the most

torturing kind under the window now (time, ten in the morning) and an

Italian box of music on the steps, both in full blast.” And so after

1859 place knew Dickens no more.

“Broadstairs,” says a booklet issued in recent years, setting forth

the desirability of the building-land round about it, “has been vastly

altered and improved since Dickens’s time. Mansions and villas have

sprung up in all directions, public thoroughfares have improved, or

been newly constructed, promenades have been formed along the sea

front, commanding extensive prospects of land and marine scenery,

charming gardens have been laid out.”

This is a builder’s, an auctioneer’s, and land-agent’s idea of a vastly

improved place; but, although Broadstairs is still delightful, I do not

think any one else will be found to agree with the ideas put forward

by these interested persons. Most people would prefer the comparative

seclusion of forty years earlier. But you are not to suppose it to have

been altered to any appreciable degree. The surroundings have been

vastly changed, but the little bay with the queer old jetty is the

same, although something, I know not what, has recently been done to

the jetty, something in which plenteous tar is concerned.

[Illustration: BROADSTAIRS: YORK GATE]

You go down to the harbour past the Droit Office and through the old

archway called “York Gate,” built, according to the inscription upon

it, by George Culmer in 1540, and repaired by Sir George Henniker in

1795. This gateway, it is rather surprising to learn, was built as a

defence against the foreign foe. It may, when fitted with its wooden

door, “slammed, barred, and bolted,” have detained an enemy for a brief

space, but it can never have been a formidable obstacle. The suggestion

may be ventured that it was designed to detain the fierce foeman only

until the feeble folk of Broadstairs of old could snatch up a few

belongings and hurry away. The flimsy old stone and black-flint archway

is liberally cobbled with brick, and valerian and grasses grow on its

mouldering walls.

Down along the jetty Broadstairs looks its best. Here is the “Tartar

Frigate” inn, flint-faced, and here, too, the lifeboat-house, with

the _Mary Barton_ lifeboat, presented in 1897, whose chief exploit

was the saving of ninety-three lives on July 14th, 1911. So, you see,

Broadstairs knows something else beside holiday sunshine and calm days.

The old figurehead of a Highlander here, built on to the side of a

sail-loft, hints as much. From what far-away shipwreck it derived is

forgotten; and the Highlander, although still looking out with mien so

dauntless, is now a much-scarred and battered veteran. He once, you

notice, drew a sword, but his right hand and sword are gone.

Broadstairs is extraordinarily self-contained, tightly packed,

cheerful, and bustling, but there are quiet nooks in it; appropriately

named, too. “Serene Place” is one of them. The electric tramways which

now quarter so much of Thanet do not trouble the little town, but

pass by some distance at the back, up along the wilderness tableland

of “Dumpton Park Drive,” and a kind of God-forsaken No Man’s Land,

horribly dreary and depressing, which stretches between Broadstairs and

Ramsgate.

[Illustration: BROADSTAIRS.]

St. Peter’s, the village where the mother-church of Broadstairs is

situated, is a mile and a quarter in the hinterland, with tramcars

whirling all round it.

“In the pretty rural churchyard of St. Peter’s,” I read, “is a

headstone to mark the last resting-place of Richard Joy, the ‘Kentish

Samson.’”

Now the churchyard of St. Peter’s, pretty though it may be, is so

little rural that houses numerously and intimately look upon it;

and the pathway through the very forest of tombstones it contains

is asphalted and strictly railed in. Fortunately, however, for

those interested in this mortuary way, Richard Joy’s tombstone

adjoins the path, and his epitaph, surmounted by representations of

thoughtful-looking cherubs and a couple of trumpets, is distinctly to

be read from it.

Thus you may read:

In Memory of MR. RICHARD JOY

(call’d the Kentish Samson) who

Died May 18th 1742, Aged 67

“_Herculean Hero! Fam’d for Strength

At last Lies here his Breadth & Length._

“_See How the Mighty Man is Fall’n!

To Death y^e Strong & Weak are all one._

“_And the Same Judgment doth Befall

Goliath Great, as David Small._”

Joy, who performed many extraordinary feats of strength, including the

pulling against a powerful horse, the lifting of a weight of 2,240

lbs., and the snapping of a rope that had resisted a breaking strain

of 35 cwts., was one of the smuggling fraternity, and met his death by

drowning when engaged in one of those contraband exploits. His sister

was almost as strong as himself, and performed many remarkable feats of

strength.

This is an authentic memorial, but those irresponsible books, the

various Collections of Epitaphs, tell us of the following choice

specimen to be found here:

“Against his will,

Here lies George Hill,

Who from a cliff

Fell down quite stiff.

When it happened is not known

Therefore not mentioned on this stone.”

It is quite easy to “collect” epitaphs on the terms of inventing

them; and this, as might well be supposed, is a pure effort of the

imagination.

The Kentish Coast · 第 12 / 25 章