Junius, Francis, an unsafe authority, 188.
Juno, how represented in ancient art, 57.
Kleist, Von, his own judgment of his poem “Spring,” 108.
Klotzius, on the effects of different forms of the disagreeable in art,
158.
Laocoon, of Virgil, 20 _et seq._;
compared with the statue, 36 _et seq._;
contains traits unavailable for the artist, 42;
the group of, possibly suggested by Virgil’s description, 43 _et
seq._;
the, probable date of, 170 _et seq._
Longinus, his remarks in regard to eloquence and poetry, 188.
Lucian represents physical beauty by comparison with statues, 135.
Manasses, Constantinus, his pictures of Helen, 127.
Martiani, his opinion in regard to the date of the Laocoon, 34 _et
seq._
Mazzuoli, his “Rape of the Sabines,” 109.
Mengs, his criticism on Raphael’s drapery, 110.
Milton furnishes few subjects for a painter, 87.
Minerva, how represented in ancient art, 57, 78.
Montfaucon, his want of taste, 14;
his opinions in regard to the date of the Laocoon, 33 _et seq._
Olympic judges, law of the, 10.
Ovid, his description of Lesbia, 137;
his description of the punishment of Marsyas, 163;
his picture of famine, 165.
Pain, expression of, in Sophocles, 3;
in Homer, 4, 5;
among Europeans, 4;
among the Greeks, 5;
in its disfiguring extreme, not compatible with beauty, 13;
expression of, among the English, 26.
Painting among the Greeks confined to imitation of beauty, 8.
Passion, violent, not expressed in ancient art, 12.
Pauson, character of his pictures, 9.