Dacier, Madame, her translation of Homer, 113.
Dante, his description of the starvation of Ugolino, 166.
Deformity, physical, in art, produces disgust, 159.
Disgust produced more through the other senses than through that of
sight, 160;
object of, in painting, 167.
Disgusting, the, its use in expressing the horror of famine, 164.
Dolce, his dialogue on Painting, 131.