CHAPTER XVII.

PLAIN WORDS.

The entire company seemed in high spirits that night as the time

approached for the curtain to rise on the opening scene of the first

act.

People were pouring into the theater. Every seat had been sold, and the

sign “S. R. O.” was displayed at the box office.

“Methinks this settles it,” spouted Douglas Dunton, behind the curtain.

“Prosperity has struck us hard, and we are winners from the word ‘go.’

Oh, this whole company is hot stuff!”

The orchestra began to play, and Frank, made up for his first

appearance, came to the peephole and looked out at the audience.

Every seat in the Wilcoxson Opera House was filled. The rear of the

theater was packed with those who had paid admission for the privilege

of standing.

“By gum! it’s a sight fer sore eyes!” exclaimed Ephraim Gallup, close to

Frank. “Don’t yeou think so?”

Frank did not reply, for he was searching the faces of those in the rows

near the stage, looking for Sam Hooker.

“There he is!”

Merry muttered the words as his eyes rested on the ruffian.

Sam had secured a seat where he could easily accomplish his purpose, as

he fancied. There was a look of fierce determination on his countenance.

After looking at the fellow some moments, Merry said:

“He’ll try it!”

“What the dickens are yeou talkin’ abaout, Frank?” asked Gallup.

Merriwell straightened up.

“Ephraim,” he said, “go find Mr. Garland and bring him to me.”

“All right.”

The Vermonter hurried away, soon returning with Granville Garland.

“Great fortune, Mr. Merriwell!” exclaimed Garland. “That’s the sort of a

house that pays. It strikes me we are forging to the front with great

strides.”

“Mr. Garland,” said Frank, “have you the revolver you draw on me in the

first act?”

“Yes.”

“Let me take it.”

Garland, wondering a little, passed the weapon to Merry.

Immediately Frank took some cartridges from his pocket, snapped the

weapon open, and——

“What are you doing?” exclaimed Garland, in perplexity. “The revolver

was loaded, Mr. Merriwell.”

“With blanks.”

“Of course.”

“I am loading it with another kind of cartridge,” said Frank, as he

refilled the cylinder.

“Not with regular cartridges?”

“Yes.”

“Why—why, I don’t understand why you are doing that.”

“I suppose not,” admitted Frank, as he finished loading and snapped the

weapon back into shape. “I didn’t think you would understand.”

“A weapon that is loaded with anything but blank cartridges is not a

very safe thing to squabble over.”

“That is true, and, for that reason, we must be very careful in our

squabble over it to-night, Mr. Garland.”

“Really, I—I don’t like this. What if something happened!”

“Something is liable to happen. That is why I have loaded this weapon.

If I should call for it suddenly, you are to pass it to me; but I do not

think I shall need it till after the struggle takes place. It will be in

my possession from that time on.”

“Won’t you explain, Mr. Merriwell?”

“No. It is sufficient that I have a reason for wishing this revolver

loaded with something besides blanks. Here, take it, Garland, and be

careful with it. When you pull it on me, point it in the air and begin

to pull down with it. I will spring forward and grasp it before it

covers me. Keep your finger off the trigger. Do not hang to it quite as

tight as usual in the struggle.”

“All right,” said Garland, in a puzzled way; “but I’d give something to

know what is going on.”

Ephraim Gallup was as much puzzled as Garland, but he asked no

questions, for he knew there were times when it was utterly useless to

question Merry.

The story of Merriwell’s strange act passed from mouth to mouth, and the

actors and actresses were puzzled and bewildered over it. Agnes Kirk

even declared that she believed success had turned Frank’s brain.

“He was always queer,” she asserted. “A fellow who will stoop to feed

and pet a tramp cat and then carry it around as a mascot is not right.

But I call on everybody to notice that we have become prosperous since

he let that cat go.”

“Oh, I hardly think that,” said Stella Stanley. “He did not let the cat

go till after this piece had made a hit. Then he said he could not carry

the creature around, and he would prove she had nothing to do with the

success or failure of the show by letting her go. He seemed to knock the

wind out of your superstitious prophecies, Agnes.”

“Not at all,” declared the other actress, stiffly. “I said the cat would

hoodoo us in the first place, and it did, no matter what happened

afterward.”

“Oh, it’s no use to talk with you.”

“Not a bit.”

Stella Stanley turned away, laughing. She saw Hodge, standing at a

distance, regarding her steadfastly.

Since the affair in Atchison, when Bart deserted the company, the

dark-faced youth had scarcely spoken to Stella. After being brought back

by Frank, he seemed to take the utmost pains to avoid her.

Now, as she started toward him, he wheeled about and disappeared behind

the back drop.

“I’d like to know what ails him!” she exclaimed, somewhat angrily. “He

shan’t keep up this running away from me!”

Then she followed Hodge and ran him down back where the shadows were

thickest. She grasped him with both hands.

“Look here, Bart Hodge!” she exclaimed; “do you think I’m going to eat

you up? or what ails you? You run away from me as if you regarded me as

a snake!”

Hodge stood there, silent, looking at her. She gave him a shake.

“Stop it!” she cried. “I’m tired of it! I don’t like it! I won’t have

it! Will you be good enough, Mr. Bart Hodge, to treat me differently?”

“I don’t know,” he said, obstinately. “Why should I?”

“Why shouldn’t you?”

“There is every reason why I shouldn’t.”

“Name a few of them.”

“To begin with, you regard me as a mere boy—a stripling who does not

know his own mind. You insulted me when I told you of my admiration for

you. You laughed at me. You might as well have said ‘calf love.’ I won’t

stand for that kind of treatment from you or any other woman!”

She did not laugh at him now, for he was beginning to realize that he

could not be treated like a boy. She could not flatter and flirt with

him as she did with Billy Wynne. His admiration for her was not of the

sort to endure that kind of cajolery.

“Mr. Hodge,” she said, “if I did anything to offend you, if I was

offensive, I beg your pardon.”

“Yes, you beg my pardon, but you will go on regarding me as an

addle-pated boy. If I dared open my lips to honestly tell you of my

admiration, you would laugh at me! Oh, I know! You are like them

all—only handsomer and colder!”

“You have a fancy that you have read me, Bart Hodge, but let me tell you

that you are a very poor judge of human nature. You seldom read anybody

aright.”

“It’s not such a difficult thing to read a woman,” he sneered. “They are

all alike in one respect—they are as treacherous and fickle as cats!

They think they love. They enjoy being petted and caressed. They purr

and show all sorts of affection, but they are shallow. No more than a

cat do they know true affection! As ready as a cat are they to sink

their claws into the hand that caresses them! And when their master is

gone, like a cat, they seek petting and fondling from another. They

cannot be constant till the master returns; they cannot be true to death

and after—like a faithful dog!”

Stella Stanley was rather high-spirited, and it made her “hot” to hear

anybody talk in such a manner.

“You are trying your best to insult me now,” she said, “and you are

succeeding very well! I’d like to tell you what I think of men like you,

but I haven’t the time, and I don’t choose to waste my breath on you

now. In some respects, I admire you; in others, I despise you. You are

like all men, thoroughly unjust toward women. Other men may hide their

thoughts, but you speak out; that is the difference. Men talk of the

fickleness of women, but experience shows that women are far more

constant than men. Once a woman loves a man truly, with all her heart

and soul, she never loves another like that. She gives that man all that

is best of her. What does she receive in return? If he provides her a

home, clothes, food, he thinks he is doing his full duty. Don’t talk to

me of the fickleness of women!” she hissed. “Don’t ever dare speak to me

again like this, Bart Hodge! Sometimes I think I admire you, but when

you show yourself as you have just now, I despise you!”

With that she left him; but she did not despise him, for all of her

words.

And Bart? He was trembling all over.

“By Heaven!” he hoarsely whispered. “I could love her, but I won’t!”

Frank Merriwell's Prosperity; or, Toil Has Its Reward · 第 17 / 19 章