CHAPTER IV.

CRIMINAL ANTHROPOLOGY (PSYCHICAL).

§ 1. _Moral Insensibility._

The moral insensibility of the instinctive and habitual criminal, his lack

of forethought, his absence of remorse, his cheerfulness, had been noted

long before they were exhaustively studied by Despine. In the _argot_ of

French criminals, conscience is _la muette_, and to induce any one to lead

a dishonest life is _l’affranchir_. This moral insensibility is, indeed, a

commonplace of observation with all who have come in close contact with

criminals. Gall remarked: “If criminals have remorse, it is that they have

not committed more crimes, or that they have let themselves be caught.”

Dostoieffsky, speaking from his intimate and sympathetic acquaintance with

convicts in Siberia, said: “During so many years I ought to have been able

to seize some indication, however fugitive, of regret, of moral suffering.

I have perceived positively nothing. Seclusion and excessive work only

develop among those people a profound hatred, the thirst of forbidden

pleasures, and a terrible indifference.” He goes on to tell of a parricide

who remarked carelessly, in the course of conversation: “Take my father,

for example; he was never ill up to the day of his death.” “Scenes of

heartrending despair are hardly ever witnessed among prisoners,” observes

Dr. Wey of Elmira; “their sleep is disturbed by no uneasy dreams, but is

easy and sound; their appetites, also, are excellent.”[54] “It is a most

singular thing,” remarks Mr. Davitt, “that I have met very few individuals

in prison who gave evidence in appearance or talk of being _truly_

miserable, no matter what the length of their sentence, amount of extra

punishment, or contrast between their previous and their convict life may

have been.”[55] Mr. Davitt seems inclined to attribute this sinister

contentment to a sort of heroic fortitude providentially implanted in the

criminal breast. He refers, however, to one man who never smiled during

the time he was in Dartmoor. “His existence seemed to be one perpetual

sorrow, and he formed altogether the most striking exception to the rule

of non-despairing prisoners which came under my notice during my long

intercourse with Dartmoor’s criminal population.” Now this man was a

Swansea stone-mason who had come home one Saturday evening “a little

fresh,” but not drunk, to find his wife in tears, and on learning that she

had been insulted by a man who lived on the other side of the street, he

rushed out, chisel in hand, to the man’s house and left him desperately

wounded. It is clear that this man, who was sentenced to seven years’

penal servitude, was not an instinctive criminal, or an habitual criminal

at all; it was the strength of his social, and not of his anti-social,

instincts which had caused his crime. He was merely a criminal by passion,

and his case forms, therefore, no exception to the general rule.

On the whole we may conclude that the practice of the instinctive and

habitual criminal corresponds very closely with the faith of that

religious sect who in Commonwealth days held “that heaven and all

happiness consists in the acting of those things which are sin and

wickedness,” and “that such men and women are most perfect and like to God

or eternity which do commit the greatest sins with least remorse.”

Despine, in his _Psychologie Naturelle_ (1868), studied this question on

the largest scale in order to obtain exact results. “I addressed myself

for this purpose,” he tells us, “to the collection of the _Gazette des

Tribunaux_, going back to 1825, and I soon acquired certainty that this

psychical peculiarity is an invariable rule among these criminals.... I

acquired the certainty that those who premeditate and commit crime in cold

blood never experience moral remorse. I found also that those who manifest

acute sorrow and real remorse after a criminal act, have committed that

act either under the influence of a violent passion which has momentarily

stifled the moral sense, or by accident, without intention.” He concludes

that the two great psychical conditions for crime are moral insensibility

and perversity, with two accessory moral anomalies, imprudence and lack of

foresight.

“You premeditated your crime?” said the judge. “Yes, for eighteen months.”

“But that is monstrous.” “I know; I ought to have done it in April, but

having no money, I arranged it for January.” A murderer, after receiving

sentence, was led out in the midst of a crowd who hurled imprecations at

him. He saw a comrade and shouted to him, almost laughing--“Hallo! I’ve

just been condemned to death.” An Albanian, after having killed a

traveller to rob him, lamented that the expense of the shot amounted to

five paras; he had only found four paras on the victim; that was his one

regret. An assassin after his crime passed two days eating and drinking

with a comrade; “he was as gay as a lark,” said the latter. “But,” said

the judge to the accused, “one fact indicates remorse on your part: you

were about to cut your throat when arrested.” “That was that I might not

be taken to prison.”

Wainewright unblushingly avowed his atrocities. How could he kill such an

innocent and trustful creature as Helen Abercrombie, he was asked once.

After a moment’s reflection he replied, “Upon my soul I don’t know, unless

it was because she had such thick legs.”

It would be easy to give many similar stories exhibiting the moral

insensibility of the instinctive criminal, frequently manifested in brutal

bravado. They are, however, easily accessible and of sufficient notoriety.

It is enough to give one more. A corporal at Paris killed an old woman,

the landlady of an inn, in order to rob her. He was condemned to death

without any hope that his penalty would be commuted. He knew this, but was

not disturbed, and was proud of his calmness and _sangfroid_; he talked to

his warders on the most various subjects, without reference, however, to

his crime; read books from the prison library, and finally devoted himself

to what he called the literary labours of his last hours. He had a taste

for verse, and wrote a drama concerning his crime. “Death!” he often said

to those around him; “I cannot fear it either as a soldier or as a

philosopher. Yet it is overtaking me in my youth and strength. It is a

terrible thing, but I am prepared, and I shall go to my execution

courageously and with head erect.” The acts of this Socratic criminal

agreed with his words. He slept peacefully, rose and dressed himself with

a smile on his lips, glad, as he said, to find himself still in this

world, where it is, after all, so pleasant to live. His appetite was

always good, and he joked with the warder who attended him about the small

amount of food supplied to him. “Patience!” he exclaimed, “_à la guerre

comme à la guerre_.”

An executioner told Lombroso that all the highwaymen and murderers went to

their deaths joking. It would, however, be a mistake to trace moral

insensibility in the tranquil avocations and _bon-mots_ of men who,

whatever their crimes, are about to pay the extreme forfeit for them. One

criminal occupied his last hours with arranging his unpublished literary

works; another gave lessons in hygiene to the warders; a third remarked to

those who sought to hurry him to the place of execution, “Do not be

disturbed; they will not begin without me.” Such stories have, however,

been recorded of the most eminent political offenders in all countries.

[Illustration: PLATE IX.]

Dr. Corre, in his interesting work, _Les Criminels_, has investigated the

historic and judicial documents relative to the last moments of 88

criminals condemned to death, of whom 64 were men and 24 women. Of the men

25 died in a cowardly manner, already half-dead with fear, or else after a

despairing struggle with the executioner. These were more than two-fifths

of the whole number, and included many of the chief criminal celebrities,

some of them educated men, doctors and priests. Four accepted their fate

in a state of extreme nervous excitement, accompanied by loquacity. Twelve

maintained to the end a cynical and theatrical attitude; these were

vain individuals, often with some pretensions to literary ability;

Lacenaire is the type of them. Five died with indifference, an impassivity

which recalls the insensibility of the brute or the unconsciousness of the

madman. Eighteen went out of the world with a calm and resigned courage,

often repentant, and prepared by the exhortations of the priest. They

belonged to various social classes. Those of the lower classes were

generally more sincere, and publicly avowed their guilt, holding

themselves up as warnings to others; those belonging to the middle

classes, anxious to leave behind a doubt as to their guilt, declared

themselves innocent; others were silent. Of the 24 women, only 5 (about

one-fifth) showed cowardice. Only one, a poisoner, showed “revolting

cynicism.” The rest, 18 in number, were self-possessed and resigned,

frequently repentant, and generally consoled by religious administrations.

In this category is included the Marquise de Brinvilliers, who for a long

quarter of an hour was exposed to an immense crowd nearly naked--“mirodée,

rasée, dressée et redressée par le bourreau,” wrote Mme. de Sevigné--with

unshaken firmness. Three-fourths of the women, little more than one-fourth

of the men, are among those who died with resigned self-possession. The

cynicism, cowardice, and brutal passivity of the others alike testify to

moral insensibility.

Out of more than 400 murderers Bruce Thomson had known, only three

expressed remorse. Of the 4000 criminals who have passed through Elmira,

36.2 per cent. showed on admission positively no susceptibility to moral

impressions; only 23.4 per cent. were “ordinarily susceptible.” Dr.

Salsotto, in his recent study of 130 women condemned for premeditated

assassination or complicity in such assassination,[56] was only able to

recognise genuine penitence in six. He is careful to point out that

precise statistics on this point are of no great value, unless they are

associated with a very intimate knowledge of individual criminals; the

assumed penitence is seldom real, and the real penitence is not obtrusive.

Dostoieffsky, the most profound student of the human heart who has ever

studied criminals intimately, has noted this fact--“In one prison there

were men whom I had known for several years, whom I believed to be savage

beasts, and for whom, as such, I felt contempt; yet at the most unexpected

moment their souls would involuntarily expand at the surface with such a

wealth of sentiment and cordiality, with such a vivid sense of their own

and others’ suffering, that scales seemed to fall from one’s eyes; for an

instant the stupefaction was so great that one hesitated to believe what

one had seen and heard.”

The moral insensibility of the instinctive criminal is the cause of his

cruelty, a cruelty which he frequently displays from his childhood. Rossi

found in ten of his 100 criminals an exaggerated and precocious cruelty;

one of them, as a child, used to take young birds, pull out their

feathers, and roast them alive; another revenged himself on birds for the

punishments imposed on him by his parents. A certain amount of cruelty is,

however, almost normal in healthy children. The instinctive criminal is

more distinctively marked by his continuance of the same practices

throughout life. At Buenos Ayres a man killed his father in order to rob

him, and not finding the money, he placed his mother’s feet on the fire to

make her confess that of which she was ignorant. Another, after killing an

entire family, played with the corpses of the children by throwing them in

the air and catching them alternately. Another, mentioned by Lombroso,

when shown a photograph of his wife whom he had murdered, testified to the

identity without the tremor of an eyelid, tranquilly adding that after

inflicting the fatal wound he had asked for forgiveness, which had not

been granted. A little nursemaid poisoned the twin children under her care

with the phosphorus from a box of matches, in order to procure the

excitement of going out to the doctor’s and the chemist’s.[57]

In India no motive for murder seems too unnatural or too far-fetched to be

occasionally true. “A village schoolmaster in Aligarh (1881) killed one of

his pupils; and a stepfather in the same district threw his two stepsons

into the Ganges because he was tired of them. A man in Jhansi (1885)

killed his daughter because his neighbour had slandered her, in order that

the girl’s blood might be upon the neighbour’s head. A master murdered his

servant (1881) and threw the body before his enemy’s door, solely in order

to bring a false charge against the latter. A similar case occurred in

Azamgarh five years later: a boy was murdered by his grandfather and

uncle; they threw the body into a sugar-cane field, and then charged the

owner with the crime. A still stranger story comes from the Mutha

District: Randbir, a Jat, who had once been a thriving man in Randbirpur,

fell into the hands of the moneylenders, lost his property and his house,

and became for some crooked reason embittered against his old

fellow-villagers. He made up his mind to bring them into trouble. Taking

his chopper with him, he met a little Chamar girl, whom he took into a

temple in Bahadurpur. There he cut her throat and slightly wounded

himself, and then brought a charge of dacoity and murder against the

people of his old village.”[58]

Such moral insensibility is, no doubt, intimately related to the physical

insensibility already noted, and is of an equally morbid or atypical

character. It passes far beyond that of the savage with which the moral

insensibility involved in deliberately killing or injuring a

fellow-creature may fairly be compared. “How you snore!” said one person

to another. “Do it again, and I kill you.” An hour afterwards he killed

him. Lord Gifford mentions an Australian woman of the Muliana tribe who

admitted having killed and eaten two of her own children, who annoyed her

by crying. (The Australian aborigines are, however, usually very tender to

their children.) A Maori chief said to Mr. Tregear--“If I go out for a

morning walk with my spear, and I see a man, and I push my spear through

him, _that_ isn’t murder--that is ‘_killing_.’ But if I invite him to my

home, give him food, tell him to sleep, and then kill him, _that_ is

‘_murder_.’”[59] Such a clear-cut distinction as this testifies to a

considerable degree of moral insensibility. It must be noted, however,

that while in this respect the criminal approximates to the savage, he is

at the same time related to those more or less civilised persons who

tolerate killing with equanimity when it is called war.

§ 2. _Intelligence._

The two most characteristic features in the intelligence of the average

criminal are at first sight inconsistent. On the one hand he is stupid,

inexact, lacking in forethought, astoundingly imprudent. On the other hand

he is cunning, hypocritical, delighting in falsehood, even for its own

sake, abounding in ruses. These characteristics are fully illustrated in

the numerous anecdotal books which have been written concerning crime and

criminals.

Several attempts have been made to attain accurate figures as to the

relative intelligence of criminals, but there must be a considerable

element of guess-work in such calculations. Dr. Marro, a reliable

observer, detected a notable defect of intelligence in 21 cases out of

500. He found that incendiaries and then murderers yielded the largest

proportion of individuals with defective intelligence; then came

vagabonds, sexual offenders, those convicted of assault, highwaymen, and

those convicted of simple theft. The fraudulent class, as well as

pickpockets and burglars, showed no instances of defective intelligence.

That is to say that criminals against the person show a much lower level

of intelligence than criminals against property.

The stupidity and the cunning of the criminal are in reality closely

related, and they approximate him to savages and to the lower animals.

Like the savage, the criminal is lacking in curiosity, the foundation of

science, and one of the very highest acquisitions of the highly-developed

man. He is constantly compared in this respect to animals. Macé, a former

chief of the Parisian _police de sûreté_, remarks: “In spite of the

cunning and tricks, which are too gratuitously credited to thieves, their

stupidity generally is scarcely credible; they nearly all resemble the

ostrich who, when his head is hidden behind a leaf, thinks that he is not

seen because he cannot see.” Dr. Corre remarks: “There is something feline

in the criminal: like the cat, indolent and capricious, yet ardent in the

pursuit of an aim, the anti-social being knows only how to satisfy his

impulsive instincts.” Dr. Wey of Elmira says: “It is a mistake to suppose

that the criminal is naturally bright. If bright, it is usually in a

narrow line and self-repeating. Like the cunning of the fox, his smartness

displays itself in furthering his schemes, and personal gratification and

comfort.” “Many criminal illiterates,” he remarks elsewhere, “are so

densely stupid as to be unable to tell the right hand from the left.” M.

Joly, discussing the criminal’s delight in ruse, adds: “Animals are of all

living things fondest of ruse when their special instincts are in action.

Idle and untrained children, resolved to deceive their teachers and to

amuse themselves at all risks, are more _rusé_ than their comrades at the

head of the class. Women make use of ruse much more than men.” I will

quote, finally, on this point some words of Dr. A. Krauss[60]:--“The

specialists say that criminals are more astute than intelligent. But what

is this astuteness? It is an instinctive, innate faculty, which does not

depend on real intelligence, and which is already found precociously

perfected in children, in the lowest savages, in women, and also in

imbeciles; although experience comes to its aid, it is never capable of

artificial culture. It is essentially a faculty limited to the

consideration of concrete cases, and which is chiefly concerned with the

deception of others. The mental inertia so often combined with this

faculty is recognised in this, that a criminal, in planning a crime, does

not calculate all the possible eventualities, and immediately after the

success of his action he loses all caution, as if the energy of his mind

directed to the project and its execution was exhausted at one stroke.

Beside this instinctive faculty, intelligence is a faculty of infinite

variety, which matures slowly, and gradually affects language and

questions of abstract culture. It needs to be cultivated with diligence,

and with the help of a happy organisation of the nervous centres. It often

develops late even in highly-gifted men.”

At the same time men of undoubted intellectual power are sometimes found

among criminals. Villon, one of the truest, if not one of the greatest of

poets, was a criminal, a man perpetually in danger of the gallows; it does

not seem to me, however, by any means clear that he was what we should

call an instinctive criminal. Vidocq, a clever criminal who became an

equally successful police official, and wrote his interesting and

instructive _Memoirs_, may not have been, as Lombroso claims, a man of

genius, but he was certainly a man of great ability. Eugene Aram is now

generally recognised as a comparative philologist who foresaw and to some

extent inaugurated some of the later advances of that science.

[Illustration: PLATE X.]

Jonathan Wild is an interesting example of a criminal of great practical

ability, a man whose genius for organisation would have made him equal to

any position in which he might have been placed. “In the republic of the

thieves’ guild”--I quote Mr. Pike’s excellent summary of his

career[61]--“Jonathan Wild became as it were a dictator; but like many of

the great men of the middle ages, he owed his greatness to double dealing.

From small beginnings he became, in London at least, the receiver-in-chief

of all stolen goods. He acquired and maintained this position by the

persistent application of two simple principles: he did his best to aid

the law in convicting all those misdoers who would not recognise his

authority, and he did his best to repair the losses of all those who had

been plundered and who took him into their confidence. By degrees he set

up an office for the recovery of missing property, at which the government

must, for a time, have connived. Here the robbed sought an audience of the

only man who could promise them restitution; here the robbers congregated

like workmen at a workshop, to receive the pay for the work they had done.

Wild was, in some respects, more autocratic than many kings, for he had

the power of life and death. If he could reward the thief who submitted to

him, he could hang the robber who omitted to seek his protection. If he

could, for a sufficient fee, discover what had been lost, he could, when

his claims were forgotten, make the losers repent their want of worldly

wisdom. He was not above his position, and never allowed such a sentiment

as generosity to interfere with the plain rules of business. He carried

a wand of office, made of silver, which he asserted to be an indication of

authority given to him by the government. Valuable goods he carefully

stowed away in some of his numerous warehouses; and when there was no

market for them in England, through the apathy of the persons robbed, or

the dangers to dishonest purchasers, he despatched them on board a ship of

his own to Holland, where he employed a trustworthy agent. Like barbarian

monarchs, he gave presents when he wished to express a desire for

friendship and assistance; and in order that the recipients of these

favours might not be compromised, he retained a staff of skilled artizans,

who could so change the appearance of a snuff-box, a ring, or a watch,

that not even the real owner could recognise it. When satisfied with the

good service of any of his subordinates who might be in danger, he gave

them posts in his own household, with money and clothing, and found

employment for them in clipping and counterfeiting coin. He did not even

restrict his operations to London, but, in imitation of other great

conquerors and pillagers, or perhaps through the independent working of

his own intellect, he divided England into districts, and assigned a gang

to each; each had to account to him, as the counties of old to the king,

for the revenue collected. And as a well-appointed army has its artillery,

its cavalry, and its infantry, so among Jonathan Wild’s retainers there

was a special corps for robbing in church, another for various festivities

in London, and a third with a peculiar aptitude for making the most of a

country fair. The body-guards of a sovereign are usually chosen for their

appearance, or for tried valour in the field. Wild’s principle of

selection was somewhat different. He considered that fidelity to himself

was the first virtue in a follower, and that fidelity was certain only

when there was absolute inability to be unfaithful. For this reason the

greatest recommendation which any recruit could possess was that he had

been a convict, had been transported, and had returned before the time of

his sentence had expired. Such a man as this not only had experience in

his profession, but was legally incapable of giving evidence against his

employer. Through his actions he was always in the power of Wild, who, as

the law stood, could never be in his power. Thus Wild’s authority was in

two ways supreme. Nor was he the first man who ever abused such authority.

He did what political parties had done in earlier times. He used without

stint or scruple all the means at his disposal, either to ensure his own

safety, or to crush any one whom he suspected. It was necessary, according

to the public opinion of his time, that a considerable number of thieves

and robbers should be hanged; he satisfied at once the popular notions of

justice and his own principles by bringing to the gallows all who

concealed their booty, or refused to share it with himself. When required,

he provided also a few additional victims in the form of persons who had

committed no offence whatever. Sometimes he destroyed them because they

were unfortunately in possession of evidence against himself, sometimes

only because a heavy reward had been offered for the conviction of any one

who might have perpetrated a great crime, and because, with the gang at

his back, it was quite as easy to prove the case against the innocent as

against the guilty, and not less convenient.” Wild’s greatness had a

sudden fall. He was arrested for coming to the rescue of a highwayman near

Bow, and his enemies at once took courage. He was speedily overwhelmed

with evidence, and was hanged in 1725.

§ 3. _Vanity._

The vanity of criminals is at once an intellectual and an emotional fact.

It witnesses at once to their false estimate of life and of themselves,

and to their egotistic delight in admiration. They share this character

with a large proportion of artist and literary men, though, as Lombroso

remarks, they decidedly excel them in this respect. The vanity of the

artist and literary man marks the abnormal element, the tendency in them

to degeneration. It reveals in them the weak points of a mental

organisation, which at other points is highly developed. Vanity may exist

in the well-developed ordinary man, but it is unobtrusive; in its extreme

forms it marks the abnormal man, the man of unbalanced mental

organisation, artist or criminal.

George Borrow, who was so keen a student of men, has some remarks on the

vanity of criminals in regard to dress:--“There is not a set of people in

the world more vain than robbers in general, more fond of cutting a figure

whenever they have an opportunity, and of attracting the eyes of their

fellow-creatures by the gallantry of their appearance. The famous Sheppard

of olden times delighted in sporting a suit of Genoese velvet, and when he

appeared in public generally wore a silver-hilted sword at his side;

whilst Vaux and Hayward, heroes of a later day, were the best-dressed men

on the _pavē_ of London. Many of the Italian bandits go splendidly

decorated, and the very gipsy robber has a feeling for the charms of

dress; the cap alone of the Haram Pasha, a leader of the cannibal gipsy

band which infested Hungary towards the conclusion of the last century,

was adorned with gold and jewels to the value of four thousand guilders.

Observe, ye vain and frivolous, how vanity and crime harmonise. The

Spanish robbers are as fond of this species of display as their brethren

of other lands, and, whether in prison or out of it, are never so happy as

when, decked out in a profusion of white linen, they can loll in the sun,

or walk jauntily up and down.” He then describes the principal features of

Spanish robber foppery.[62]

More significant and even more widely spread is the moral vanity of

criminals. “In ordinary society,” said Vidocq, “infamy is dreaded; among a

body of prisoners the only shame is not to be infamous; to be an _escarpe_

(assassin) is the highest praise.” This is universally true among every

group of murderers or of thieves; the author of a large criminal

transaction is regarded by all his fellows as a hero, and he looks down

upon the others with contempt; the man who has had the misfortune to be

imprisoned for a small or, in the opinion of criminal society,

disreputable offence, represents himself as the author of some crime of

magnitude.

A Russian youth of nineteen killed an entire family. When he heard that

all St. Petersburg was talking of him, he said: “Now, my schoolfellows

will see how unfair it was of them to say that I should never be heard

of.” It is this same weak-minded desire to excite interest and sympathy

which leads young men and women of ill-balanced mental organisation to

commit suicide in some public and startling fashion. The same feeling, and

also, doubtless, the need for expression, leads to the frequency with

which criminals keep diaries. The Marquise de Brinvilliers wrote a minute

account of her vices and crimes which was brought up in evidence against

her; Wainewright appears to have kept a diary of this kind which also fell

into other hands; John Wilkes Booth, the shallow-brained young actor who

killed President Lincoln, had, with his stagy patriotism, some of the

characteristics of the instinctive criminals, showing themselves

especially in his morbid vanity. The chief suffering he felt after the

deed was to his vanity. He wrote in his diary: “I struck boldly, and not

as the papers say; I walked with a firm step through thousands of his

friends; was stopped, but pushed on. A colonel was at his side. I shouted

_Sic Semper_ before I fired. In jumping broke my leg. I passed all the

pickets. Rode sixty miles that night, with the bone of my leg tearing the

flesh at every jump.” And again he writes: “After being hunted like a dog

through swamps, woods, and last night chased by gun-boats till I was

forced to return, wet, cold, and starving, with every man’s hand against

me, I am here in despair. And why? For doing what Brutus was honoured

for--what made Tell a hero.” And again: “I am abandoned, with the curse of

Cain upon me, when, if the world knew my heart, that one blow would have

made me great.”

The excessive vanity of the criminal sometimes leads him to commit the

imprudence of talking about his plans beforehand, and so courting

detection. Before killing three rich men, a murderer was heard to say, “I

want to do something great: oh, I shall be talked about!” We hear of

Wainewright’s “insatiable and morbid self-esteem.” He enjoyed the respect

paid to him in prison, and insisted upon being treated as a gentleman. A

prisoner concluded a letter to her accomplice, “Your Lucrezia Borgia.”

Sometimes the vanity of the criminal shows itself in the artistic or

dramatic representations which he makes of his crime. Perhaps the most

curious and audacious attempt is that recorded by Lombroso, who gives a

representation of it: three assassins had themselves photographed as they

appeared with knives in their hands and looks of resolute villainy, when

about to commit the deed.

The Abbé Moreau has described the reception of a great criminal by his

fellows at the prison of La Grande Roquette. He is immediately surrounded,

though the curiosity remains respectful; “he is a king in the midst of his

subjects; envious looks are cast at those privileged individuals who have

succeeded in placing themselves near him; they listen eagerly for his

slightest word; they do not speak their admiration for fear of

interrupting him, and he knows that he dominates and fascinates them.”

§ 4. _Emotional Instability._

The criminal everywhere is incapable of prolonged and sustained exertion;

an amount of regular work which would utterly exhaust the most vigorous

and rebellious would be easily accomplished by an ordinary workman. He is

essentially idle; the whole art of crime lies in the endeavour to avoid

the necessity of labour. This constitutional laziness is therefore one of

the chief organic bases of crime. Make idleness impossible and you have

done much to make the criminal impossible. It is not without reason that

French criminals call themselves _pègres_ (from _pigritia_), the idle.

Lemaire, a notorious French criminal of the beginning of the century, was

speaking for all his class when he said to his judges: “I have always been

lazy; it is a shame, I admit, but I am not adapted for work; to work one

needs an effort, and I am incapable of it; I only have energy for evil; if

one must work I do not care about life; I would rather be condemned to

death.”

While he is essentially lazy, and exhibits this even in his general

neglect of personal cleanliness (though sometimes dressed outwardly as an

ordinary man of the world), the criminal is capable of moments of violent

activity. He cannot, indeed, live without them; they are the chief events

of his spiritual life.

Louis Desprez, an unfortunate _littérateur_, imprisoned at Saint-Pélagie

for a literary offence, “summed up the psychology of criminals,” remarks

M. Émile Gautier, “in one picturesque formula: They see the world under

the aspect of an immense gaol alternating with an immense brothel. And

this is true. For them imprisonment is the normal condition. Liberty is

their holiday, an occasional transitory holiday, during which they wallow

in the _far niente_ and debauch, like sailors who consume in three days

the earnings of eighteen months, but a holiday which will have an end, a

foreseen and expected end.”

The criminal craves for some powerful stimulus, excitement, uproar, to

lift him out of his habitual inertia. That is why the love of alcohol is

in all countries so strong among criminals. The man who is organised as we

have seen the criminal to be must have some powerful stimulant to take him

out of himself, to give him a joy which is otherwise beyond his grasp, and

alcohol is the stimulant which comes easiest to hand. When, as frequently

happens, he is the child of alcoholic parents, the craving for drink soon

obtains morbid intensity. Crime and drink are intimately bound together,

although we must beware of too unreservedly setting down drink as the

cause of crime. Both crime and drink are the morbid manifestations of

organic defects which for the most part precede birth. The abuse of

alcohol is not, however, universal among criminals, at all events when any

intellectual ability is required. “It would not do to drink in our

business,” said a sharper to Lombroso.

The criminal finds another strong form of excitement in gambling. The love

of cards is even more widely spread among criminals than the love of

drink. It frequently becomes a passion. Lauvergne tells of a band of

criminals who played for two days without intermission. We hear of a

French prisoner who gambled away his meagre rations of bread and wine and

at last died of starvation; of another who in the excitement of the game

forgot his approaching execution.

To all forms of sexual excitement, natural and unnatural, criminals of

both sexes resort, often from a very early age. The prison, in which the

criminal is confined alone, or with persons of the same sex, serves to

develop perverted sexual habits to a high degree. Prince Krapotkine,

speaking of the moral influence of prisons on prisoners in France,

writes:--“The facts which we came across during our prison life surpass

all that the most frenzied imagination could invent. One must have been

for long years in a prison, secluded from all higher influences and

abandoned to one’s own and that of a thousand convicts’ imaginations, to

come to the incredible state of mind which is witnessed among some

prisoners. And I suppose that I shall say only what will be supported by

all intelligent and frank governors of prisons, if I say that the prisons

are _the_ nurseries for the most revolting category of breaches of moral

law.”[63] There is unquestionable evidence that the same practices exist,

notwithstanding all discipline, in English prisons.

Such practices grow up chiefly as a means of excitement and diversion in

vacuous lives. Love, in its highest and strongest forms, seems to be

extremely rare. This is true even when love is the cause of the crime. The

love, even when strong, remains rather brutal. When a man was asked if he

really loved the woman for whose sake he had murdered her husband, he

replied: “Oh, if you had seen her naked!”

The craving for excitement, for intoxication, for uproar, finds its chief

satisfaction in the love of orgy, which is now almost confined, at all

events in its extreme forms, to the criminal and his intimate ally, the

prostitute. The orgy is the criminal’s most sacred festival; here he

attains his highest experiences of forgetful exhilaration. Vidocq, still

a criminal at heart, even after he had become a police official, has

described the orgy in his _Memoirs_:--“Imagine a rather large square hall,

with walls, once white, now blackened by exhalations of every kind: such

is, in all its simplicity, the aspect of a temple of Bacchus and

Terpsichore. At first by a very natural optical illusion, one is only

struck by the smallness of the place, but when the eye succeeds in

piercing the atmosphere, thick with a thousand vapours which are not

inodorous, the size becomes manifest by the details which escape from the

chaos. This is the moment of creation; everything clears up; the mist

dissipates, becomes peopled and animated; there is movement, agitation,

not of empty shadows but of substantial forms which cross and interlace in

every direction. What beatitude! What a joyous life! Never for epicureans

were so many felicities gathered together as here for those who love to

wallow in mire. Around, rows of tables, on which, without their ever being

cleaned, disgusting libations are renewed a hundred times a day, serve to

frame in a space which is reserved for what are called the dancers. At the

end of this infectious den rises, supported by four worm-eaten pillars, a

kind of platform, its construction hidden by two or three fragments of old

tapestry. On this hencoop the musicians are perched, two clarinettes, a

fiddle, a loud trombone, and a deafening drum.... In this receptacle one

finds none but prostitutes and their bullies, sharpers of all kinds,

swindlers of the lowest sort, and a good many of those disturbers of the

night whose lives are divided into two parts, one consecrated to rowdyism,

the other to robbery.”

More interesting than this resort to external sources of stimulus, and

more significant of emotional instability, are the spontaneous outbursts

of excitement common among criminals, curious self-evolved intoxications

springing from mysterious and incalculable depths of the organism.

Dostoieffsky has studied these outbursts and admirably described them. “A

prisoner has lived tranquilly,” he tells us,[64] “for several consecutive

years, and his conduct has been exemplary. All at once, to the great

astonishment of his guardians, he mutinies and recoils before no crime,

even murder or rape. Every one is astonished. This unexpected explosion is

the anguished, convulsive manifestation of personality, an instinctive

melancholy, a desire to affirm the degraded _ego_, an emotion which

obscures the judgment. It is like a spasm, an access of epilepsy; the man

who is buried alive and who suddenly awakes strikes in despair against his

coffin-lid; he strives to push it back, to raise it; his reason convinces

him of the uselessness of all his efforts, but reason has nothing to do

with his convulsions. It must not be forgotten that nearly every

manifestation of the personality of the prisoner is considered a crime;

also that the question whether the manifestation is important or

insignificant is perfectly indifferent to the prisoner. Risk for risk, it

is better to go to the extreme, even to murder. It is only the first step

that costs; little by little the man is carried away and can no longer be

held in.” The prison has much to answer for in the development of these

emotional outbreaks, and it is only in prison that there is opportunity of

studying them. It would, however, be rash to conclude that they are

entirely due to prison conditions. They are in harmony with all that we

know of criminal psychology, and it is not alone under prison conditions

that they are the causes of crime.

In Germany these periodic explosions (known as _Zuchthaus-Knall_) have

been described by Delbrück and Krafft-Ebing. In Italy they have been noted

by Lombroso, especially in very hot weather and at such times as epileptic

attacks are most frequent, and he regards them as fresh proof of a close

relationship between the instinctive criminal and the epileptic. In

England they appear to be rare in men, but, on the other hand, common in

women who have, in prison language, “broken out.” This wild fit of

maniacal violence which from time to time seizes on the women confined in

prisons, and might almost be regarded as an exaggerated or vicarious form

of orgy, has been studied with some care in England. Here as well as

abroad it is frequently supposed to be a voluntary insubordination

deserving punishment.

A lady superintendent thus described the “breaking out” to

Mayhew:--“Sometimes they know when the fit is coming on, and will

themselves ask to be locked up in the refractory wards. When they’re in

these fits they’re terribly violent indeed; they tear up and break

everything they can lay their hands on. The younger they are the worse

they behave. The most violent age, I think, is from seventeen to two or

three and twenty;--indeed they are like fiends at that age very often.”

The medical officer told him that “4 per cent. of the whole of the

prisoners, or 20 in 600, were subject to such fits of violent passion, and

these were almost invariably from fifteen to twenty-five years of age.”

“Women,” he added, “seldom injure themselves or those around them, though

they will break their windows, and even occasionally tear their own

clothing to ribbons.”[65]

Miss Mary Carpenter, in her _Female Life in Prison_, reproduces what she

tells us is a characteristic dialogue:--

“‘Miss G., I’m going to break out to-night.’

“‘Oh, nonsense; you won’t think of any such folly, I’m sure.’

“‘I’m sure I shall.’

“‘What for?’

“‘Well, I’ve made up my mind, that’s what for. I shall break out

to-night--see if I don’t.’

“‘Has any one offended you or said anything?’

“‘N-no. But I _must_ break out. It’s so dull here. I’m sure to break out.’

“‘And then you’ll go to the “dark” [cell].’

“‘I want to go to the “dark.”’

“And the breaking out often occurs as promised; the glass shatters out of

the window frames; strips of sheets and blankets are passed through or

left in a heap in the cell; the guards are sent for, and there is a

scuffling and fighting and scratching and screaming that Pandemonium might

equal, nothing else.”

Dr. Nicolson has made an interesting observation as to the periods when

these “breakings-out” are most liable to occur. “At dates corresponding

with the menstrual period there is a greater likelihood of their

occurrence. Besides having verified this in several cases myself, I have

the testimony of experienced prison matrons to the same effect.” These

maniacal outbursts of hysteria may be compared to the somewhat similar

effects observed especially at the menstrual periods among the epileptic,

the insane, and the imbecile. Thus Dr. H. Sutherland (_West Riding Asylum

Reports_, vol. ii.), from observations on 500 inmates of the West Riding

Asylum, remarks that in epileptic insanity the fits are generally

increased in number, and the patients generally become excited at the

catamenial period; while the mania exacerbations usually occur at this

time. He notes the frequency of excitement, violence, indecent language,

tearing up clothes, etc., among insane women generally at this period. In

a girl with congenital imbecility, who became violent, cruel, and

capricious at puberty, Dr. Langdon Down noted that the monthly period was

always marked by insubordination, violent language, rude gestures, and

untruthfulness. In ordinary healthy young girls the onset of the monthly

period is often marked by a fit of unusual boisterousness.

The period of the year seems also to have some influence on the emotional

instability. Miss Carpenter remarks that “the prisoners are always the

most ill-behaved at Christmas time,” perhaps because this period has, even

before the days of Christianity, been associated with excesses. Among the

men at Elmira, judging from the charts given by Dr. Wey, there is a

tendency to insubordination in the autumn, and also in the spring. In

Spanish prisons, it appears from Salillas’s _Vida Penal en España_,

quarrels and arrests are much more common in spring and summer than at any

other season. Thus, to take one record: March-May, 8; June-Aug., 9;

Sept.-Nov., 4; Dec.-Feb., 3. Two suicides both occurred in September.

Very interesting is the instinctive and irresistible character of

criminal impulses, as shown by evidence which there is no good reason to

impeach. Casanova, speaking of his clever schemes of fraud, says: “When I

put into execution a spontaneous idea which I had not premeditated, it

seemed to me that I was following the laws of destiny, and yielding to a

supreme will.” Several pickpockets have said to Lombroso: “You see, in

those moments of inspiration (_sic_) we cannot restrain ourselves, we have

to steal.” “I did try very hard, Miss,” the women will sometimes say to

the matron, remarks Miss Carpenter, “but it wasn’t to be. I was obliged to

steal, or to watch some one there was a chance of stealing from. I did try

my best, but it couldn’t be helped, and here I am. It wasn’t my fault

exactly, because I _did_ try.” A pickpocket said to Marro: “When I see any

one pass with a watch in his pocket, even though I have no need of money,

I feel a real need to take it.” Dostoieffsky, giving a minute account of

one of the convicts who was most feared, but who was sincerely devoted to

him, says: “He sometimes stole from me, but it was always _involuntary_;

he scarcely ever borrowed from me, so that what attracted him was not

money or other interested motive.” Once it was a Bible which he sold to

obtain drink. “Probably he felt a strong desire for drink that day, and

when he felt a strong desire for anything it had to be satisfied. I

endeavoured to reproach him as he deserved, for I regretted my Bible. He

listened to me without irritation, very peacefully; he agreed with me that

the Bible is a very useful book, and he sincerely regretted that I no

longer possessed it, but he felt no repentance, not even for an instant,

for having stolen it; he looked at me with such assurance that I

immediately ceased to scold him. He bore my reproaches because he judged

that it could not be otherwise, that he deserved to be blamed for such an

action, and that I ought to abuse him, in order to relieve myself, as a

consolation for the loss; but privately he esteemed it a folly, a folly

which a serious man would have been ashamed to speak of. I even think he

regarded me as a child, an urchin who does not understand the simplest

things in the world.”

Precisely the same instinctive and involuntary impulses, unaccompanied by

shame, are found among various lower races. Of the natives of British New

Guinea, for instance, it has been said, “They are inveterate thieves, but

they experience no sense of shame when they are discovered. They

frequently say that they can feel an irresistible power which compels them

to put out their hand and close it upon some article which they covet, but

which does not belong to them.”[66]

§ 5. _Sentiment._

It may seem a curious contradiction of what has already been set down

concerning the criminal’s moral insensibility, his cruelty, and his

incapacity to experience remorse, when it is added that he is frequently

open to sentiment. It is, however, true. Whatever refinement or tenderness

of feeling criminals attain to reveals itself as what we should call

sentiment or sentimentality. Their cynicism allies itself with sentiment

in their literary productions. Their unnatural loves are often

sentimental, as revealed in the character of the tattoo marks. Two

interesting examples of criminal sentiment have recently been recorded by

Dr. Lindau. A German criminal (it is perhaps as well to note that he was a

German), having murdered his sweetheart most cruelly, went back to her

house to let out a canary which might suffer from want of food. Another,

after having killed a woman, stayed behind to feed her child which was

crying. Lacenaire, on the same day that he committed a murder, risked his

own life to save that of a cat. Eugene Aram was very indulgent to animals.

Wainewright was always very fond of cats; in his last days “his sole

companion was a cat for which he evinced an extraordinary affection.” One

of the chief characters of Wainewright’s essays is their sentimentality.

Himself, when in prison, he described as the possessor of “a soul whose

nutriment is love, and its offspring art, music, divine song, and still

holier philosophy.”

[Illustration: PLATE XI.]

All prisoners make pets of birds, or animals, or flowers, if they get the

chance. This is simply the result of solitude, and has no connection

whatever with criminal psychology. It is found, if anything, more

frequently among non-criminal prisoners. No one has described better than

Dostoieffsky, in his _Recollections of the Dead-House_, the part that

animals play in the lives of prisoners. He describes at length the goat,

the horse, the dogs, the ducks, the eagle. No one who has once read it may

forget the history of the eagle. The eagle would not be tamed; solitary

and inconsolable he refused all food; at last his mournful despair aroused

the sympathy of the convicts; they resolved to liberate him, bore him to

the ramparts on the cold and grey autumn afternoon, and stood long and

wistfully watching him as he winged his way across the steppes, free.

Family affection is by no means rare among criminals. Often indeed, as is

well known, it constitutes the motive for the crime. It is very rare to

find a prisoner who is not touched by an allusion to his mother. Inspector

Byrnes, of New York, says: “Remember that nearly all the great criminals

of the country are men who lead double lives. Strange as it may appear, it

is the fact that some of the most unscrupulous rascals who ever cracked a

safe, or turned out a counterfeit, were at home model husbands and

fathers. In a great many cases wives have aided their guilty partners in

their villainy, and the children too have taken a hand in it. But in as

many all suggestions of the criminal’s calling was left outside the front

door. There was George Engles, the forger. His family lived quietly and

respectably, mingled with the best of people, and were liked by all they

met. George Leonidas Leslie, _alias_ Howard, who was found dead near

Yonkers, probably made away with by his pals, was a fine-looking man, with

cultured tastes and refined manners. Billy Porter and Johnny Irving were

not so spruce, but they would pass for artisans; and Irving is said, in

all his villainy, to have well provided for his old mother and his

sisters. Johnny the Greek paid for his little girls’ tuition at a convent

in Canada, and had them brought up as ladies, without even a suspicion of

their father’s business reaching them. I know this same thing to be done

by some of the hardest cases we have to contend with.”

Inspector Byrnes also mentions a celebrated burglar and forger of

America, called by the fraternity “the Prince of Thieves,” on account of

his great liberality; “it is a well-known fact that he has always

contributed to the support of the wives and families of his associates

when they were in trouble.”

The criminal appreciates sympathy. Dostoieffsky tells how immediately the

convicts responded to a governor who was affable and good-natured, and

treated the prisoners as equals: “They did not love him, they adored

him.... I do not remember that they ever permitted themselves to be

disrespectful or familiar. On the contrary. When he met the governor the

convict’s face suddenly lighted up; he smiled largely, cap in hand, even

to see him approach.” Prince Krapotkine quotes and confirms the

observations of Dr. Campbell, an experienced prison surgeon. By mild

treatment, says Dr. Campbell, “with as much consideration as if they had

been delicate ladies, the greatest order was generally maintained in the

hospital.” He was struck with that “estimable trait in the character of

prisoners--observable even among the roughest criminals; I mean the great

attention they bestow on the sick. The most hardened criminals,” he adds,

“are not exempt from this feeling.”

Such sentiment as this--limited, imperfect, fantastic, as it may sometimes

seem--is the pleasantest spot in criminal psychology. It is also the most

hopeful. In the development of this tenderness lies a point of departure

for the moralisation of the criminal. What a ruined fund of fine feeling,

for instance, was concealed in the young thief, recorded by Lombroso, who

committed suicide by hanging, having first set his shoes on the bed

between two straw crosses, as though to say, “I am going; pray for me.”

“If one thinks of it,” adds Lombroso, “it is a pathetic poem.”

§ 6. _Religion._

In all countries religion, or superstition, is closely related with crime.

The Sansya dacoits, in the Highlands of Central India, would spill a

little liquor on the ground before starting on an expedition, in order to

propitiate Devi. “If any one sneezed, or any other very bad omen was

observed, the start was postponed. If they heard a jackal, or the bray of

the village donkey, their hearts were cheered; but a funeral or a snake

turned them back. They were also very superstitious about their oil. The

vessel was not allowed to touch the ground until the oil had been poured

upon the torch, and then it was dashed on the earth; and from that moment

until the job was finished no water touched their lips.”[67]

Among 200 Italian murderers Ferri did not find one who was irreligious. “A

Russian peasant,” remarks Mr. Kennan, “may be a highway robber or a

murderer, but he continues nevertheless to cross himself and say his

prayers.” Dostoieffsky also notes the religious ardour with which the

convicts gave candles and gifts to the church. All those who live by

unlawful methods, said Casanova, confide in the help of God. Naples is the

most criminal city in Europe for crimes against the person; the number of

murderers there is about 16 in 100,000, while in Italy generally it is

8.12; and in Ireland (the least criminal land in Europe) it is about 5.

Naples is also the most religious city in Europe. “No other city,”

observes Garofalo,[68] “can boast of such frequent processions; no other,

perhaps, is so zealous an observer of the practices of the church. But

unfortunately--as an illustrious historian [Sismondi], speaking of the

Italians of his day, wrote--‘the murderer, still stained with the blood he

has just shed, devoutly fasts, even while he is meditating a fresh

assassination; the prostitute places the image of the Virgin near her bed,

and recites her rosary devoutly before it; the priest, convicted of

perjury, is never inadvertently guilty of drinking a glass of water before

mass.’ Those words of Sismondi’s,” Garofalo adds, “are as true to-day as

when they were written.” Of Marro’s 500 criminals, 46 per cent. were

regular frequenters of church, 25 per cent. went irregularly. Among sexual

offenders the proportion of frequenters rose to 61 per cent. A man of

sixty, known to Marro, imprisoned for rape on a child of eight, was much

scandalised at the irreligious talk of some of his companions. “I do not

imitate them,” he said; “morning and evening I say my prayers.”

Among women, the governor of Saint Lazare remarked to M. Joly, it is

especially the criminals by passion who are superstitious, thieves very

slightly so; they are practical women.

It must not be supposed that there is insincerity or hypocrisy in the

religion of criminals. For the man of low culture the divine powers lend

themselves easily to the succour of the individual, and it is always as

well to propitiate them. German murderers believe they can do this

crudely, according to Casper, by leaving their excrement at the spot of

the crime. A rather higher grade of intelligence will effect the same end

by prayer. A wife who was poisoning her husband wrote to her

accomplice:--“He is not well ... if God wished it. Oh, if God would have

pity on us, how I would bless Him! When he complains [of the effects of

the poison] I thank God in my heart.” And he answers, “I will pray to

Heaven to aid us.” And she again, “He was ill yesterday. I thought that

God was beginning His work. I have wept so much that it is not possible

God should not have pity on my tears.” Lombroso found 248 tattooed

prisoners out of 2480 bearing religious symbols, while the slang of

criminals witnesses to a faith in God, in the immortality of the soul, and

in the church. When a woman who had strangled and dismembered a child, in

order to spite its relations, heard her sentence of death pronounced, she

turned to her advocates and said, “Death is nothing. It is the salvation

of the soul that is everything. When that is safe, the rest is of no

account.”

It is clear how easily religious beliefs and religious observances,

especially in Catholic countries, lend themselves to the practices of the

ignorant criminal, and it very rarely happens that the criminal condemned

to death fails to avail himself of the ministrations of the chaplain (only

once in more than thirty years at La Roquette), and frequently to respond

to them with gratifying eagerness. In religion his primitive emotional

nature, with its instability and love of sentiment, easily finds what it

needs. A French chaplain of experience and intelligence told M. Joly that

he had “more satisfaction” with his prisoners than with people of the

world. The Rev. E. Payson Hammond, who has conducted many missions to

prisoners, finds very great aptitude for conversion among them. Of the

convicts of the State Prison of Jefferson City, in the United States, for

instance, he remarks:--“Many hearts were melted to tears, and I believe

that a very large number were converted.” “Convicts at their last hour,”

wrote Lauvergne, “nine times out of ten die religiously. Whatever the

enormity of their crimes, they all leave durable recollections in the

heart of the priest who assists them. He sees them long afterwards in his

dreams, beautiful and happy.”

When the criminal is not superstitiously devout, he is usually stupidly or

brutally indifferent. Maxime du Camp, during a visit to the prison of

Mazas, at service time on Sunday, had the curiosity to look into

thirty-three cellules, to observe the effect of the ceremony: three were

reading the mass; one stood up, with covered head, looking at the altar;

one was on his knees; one displayed a prayer-book, but was reading a

pamphlet; one wept with head buried in his arms; twenty-six sat at their

tables, working or reading.

It seems extremely rare to find intelligently irreligious men in prison.

The sublime criminals whom we meet with in Elizabethan dramas, arguing

haughtily concerning Divine things and performing unheard-of atrocities,

are not found in our prisons. Free-thinkers are rarely found. A trifle

will induce the prisoner to inscribe himself as Protestant, instead of

Catholic, or _vice versâ_, or to change from one side to the other; but

out of 28,351 admissions to three large metropolitan prisons, remarks the

Rev. J. W. Horsley, only fifty-seven described themselves as atheists, and

this number, he adds, must be further reduced as containing some Chinese

and Mahommedans. It should be noted that a profession of atheism would

deprive the prisoner of no advantage or privilege open to the others. Mr.

Horsley once resolved to keep notes of the first twelve consecutive cases

of those who on entrance described themselves either positively as

atheists or negatively as of no religion. The results were interesting: 1

was a thief, a rather ignorant person, whose chief reason for being an

infidel was that his parents had “crammed religion down his throat.” 2 an

ex-soldier, a heavy drinker, and when asked why he had described himself

as an atheist, “he said he only called himself mad;” he was actually

insane. 3 a burglar, who said he meant that he never attended church

because he had seen so much hypocrisy among professing Christians; in a

few days he gave up the designation of atheist. 4 was a swindler, a great

liar, and probably insane. 5 was a lad of nineteen, of very little

intellect, who had deserted from the army; his father had been “a follower

of Bradlaugh.” 6 a German Jew, who frequented Christian churches, but not

having been baptised, simply did not know how to describe himself. 7 an

intemperate schoolmaster, charged with deserting his family; he meant that

he had ceased to attend religious worship because he was conscious that

his religion was merely formal; his “atheism” was simply a form of

penitent self-abnegation. 8 a conceited lad of seventeen who had assaulted

his guardian, and had adopted atheism to justify his spirit of revenge. 9

a young man who had robbed his employer; he was brought up under religious

influences, but having attracted attention by objecting to revealed

religions, became a Secularist lecturer. 10 a prostitute and

dipsomaniac with 150 convictions; always called herself an atheist when

she was in a bad temper or drunk. 11 a young baker who had taken poison;

called himself an atheist under influence of laudanum; goes regularly to a

Congregational Chapel. 12 a girl of fifteen; she meant that she rarely, if

ever, attended any place of worship. So that only in two or three, or at

most four cases out of the twelve, was there profession of atheism in any

legitimate sense of the word.

[Illustration: PLATE XII.]

§ 7. _Thieves’ Slang._

Every profession, every isolated group of persons, almost every family

possesses a more or less extended set of words and phrases which are

unintelligible to strangers. This dialect is termed in English _slang_, in

French _argot_, in Italian _gergo_. The most highly developed and the most

widely extended slang of this kind is that used by habitual criminals.

Every country has its own thieves’ slang, but within the bounds of that

country the slang is generally intelligible; the Lombard thief, Lombroso

remarks, can understand the Calabrian; Parisian _argot_ is intelligible at

Marseilles. The use of criminals’ slang marks the recidivist. “When a man

talks _argot_,” said the Abbé Crozes, “he is registered in the army of

evil-doers.”

“I was jogging down a blooming slum in the Chapel, when I butted a reeler,

who was sporting a red slang. I broke off his jerry, and boned the clock,

which was a red one, but I was spotted by a copper, who claimed me. I was

lugged before the beak, who gave me six doss in the Steel. The week after

I was chucked up I did a snatch near St. Paul’s, was collared, lagged, and

got this bit of seven stretch.” That is a pickpocket’s history of his

arrest as narrated to Mr. Davitt. Here is the translation:--“As I was

walking down a narrow alley in Whitechapel, I ran up against a drunken

man, who had a gold watch-guard. I stole his watch, which was gold, but

was seen by a policeman, who caught me and took me before the magistrate,

who gave me six months in the Bastille [the old House of Correction,

Coldbath Fields]. When I was released I attempted to steal a watch near

St. Paul’s, but was taken again, convicted, and sentenced to seven years’

penal servitude.”

Mr. Horsley has an interesting passage on English thieves’ slang, which I

will transcribe at length:--“Of multifold origin, it is yet mainly derived

from Romany or gipsy talk, and thereby contains a large Eastern element,

in which old Sanskrit roots may readily be traced. Many of these words

would be unintelligible to ordinary folk, but some have passed into common

speech. For instance, the words bamboozle, pal (companion, a friend), mull

(to make a mull or mess of a thing), bosh (from the Persian), are pure

gipsy words, but have found some lodging, if not a home, in our

vernacular. Then there are survivals (not always of the fittest) from the

tongue of our Teutonic ancestors, so that Dr. Latham, the philologist,

says--‘The thieves of London’ (and he might still more have said the

professional tramps) ‘are the conservators of Anglo-Saxonisms. Next there

are the cosmopolitan absorptions from many a tongue. From the French

_bouilli_ we probably get the prison slang term ‘bull’ for a ration of

meat. ‘Chat,’ thieves’ term for house, is obviously _château_. ‘Steel,’

the familiar name for Coldbath Fields Prison, is an appropriation and

abbreviation of Bastille; and he who ‘does a tray’ (serves three months’

imprisonment) therein, borrows his word from our Gallican neighbours. So

from the Italian we get _casa_ for house, filly (_figlia_) for daughter,

donny (_donna_) for woman, and omee (_uomo_) for man. The Spanish gives us

_don_, which the universities have not despised as a useful term. From the

German we get durrynacker, for a female hawker, from _dorf_, a village,

and _nachgehen_, to run after. From Scotland we borrow _duds_ for clothes,

and from the Hebrew _shoful_ for base coin. Purely of native manufacture,

however, and entirely artificial, are the two classes of rhyming and

back-slang which mingle with cant to make a whole. By the former, any word

that rhymes with the one you mean to use is put in its place, and

gradually becomes accepted. This has the merit of unintelligibility when

it is desired not to let chance passers-by know of what we are speaking,

which naturally occurs not seldom in the days of detectives and

plain-clothes constables. Suppose I have ‘touched’ (_i.e._, been

successful in some robbery), and feel inclined for some relaxation in

company with my sweetheart (or one of them), I might address her

thus--‘Come, cows and kisses, put the battle of the Nile on your Barnet

Fair, and a rogue and villain in your sky-rocket; call a flounder and dab

with a tidy Charing Cross, and we’ll go for a Bushey Park along the frog

and toad into the live eels.’ This would apparently be but a pendant to

the celebrated bit of nonsense extemporised by Foote, but, as a matter of

fact, to a master or mistress of rhyming slang it would at once be

understood as--‘Come, missus, put a tile (hat) on your hair, and a

shilling in your pocket; call a cab with a tidy horse, and we’ll go for a

lark along the road into the fields.’ And the second class of manufactured

slang is that largely patronised by costermongers. It is called

back-slang, and simply consists of spelling (more or less accurately)

words backwards. Thus--‘Hi, yob! kool that enif elrig with the nael ekom.

Sap her a top o’ reeb and a tib of occabot,’ is only, ‘Hi, boy! look at

that fine girl with the lean moke (donkey). Pass her a pot of beer and a

bit of tobacco.’ The art or merit of this form of slang consists in the

rapidity, often remarkable, with which such words can be reversed. Thus a

gentleman, wishing to test the skill of a professor of the art with a word

not in common use in the market, asked his coster friend what was the back

slang for hippopotamus. At once he answered, ‘Summatopoppy,’ the _y_ being

euphoniously put for _ih_.”[69] Mr. Davitt thus describes a form of slang

(“thieves’ Latin”) commonly used by professional burglars and the superior

order of thieves:--“Its chief peculiarity consists in reversing the

position of the syllables of a word containing more than one syllable, and

making two syllables of all words having only one in ordinary

pronunciation, by adding a vowel or liquid consonant to the first or

second part of such word. By the application of this simple rule to slang

words, the ‘lingo’ becomes too complicated for any but the initiated to

understand. For instance, if two thieves were hunting for game, and one

were to see a policeman, he would shout to his comrade--‘Islema! Ogda the

opperca!’ which in slang is--‘Misle! Dog the copper!’ Otherwise--‘Vanish!

See the policeman!’”[70] Very similar practices prevail in the thieves’

slang of France, Italy, Spain, and India. It is doubtless, indeed,

universal. Closely allied is the kind of slang called _largongi_, by

which, for example, _macaroni_ becomes _lacaronimique_, and _vache_,

_lachevane_.

The chief interest of the slang of habitual criminals is psychological. It

furnishes us with a curious insight into the mental processes of those who

invent and use it; it is itself an embodiment of criminal tendencies; in

Victor Hugo’s vigorous phrase, “C’est le verbe devenu forçat.” It is full

of metaphorical expressions, of objects named after their attributes.

Nearly everything is degraded, sometimes with coarse and fantastic wit.

“While the imagination of the poet gives a soul to animate objects,”

remarks M. Joly, “the imagination of the criminal transforms living forms

into things, assimilates man to animals.” Thus the skin for them is

leather, the face _un mufle_, the mouth _un bec_, the arm _un aileron_.

The body is called the corpse, and to eat is to put something in one’s

corpse. The woman who supports a bully is called his saucepan (_marmite_),

a friend _un poteau_; _ne pas être méchant_ means to be a fool. Everything

is thus vulgarised. The criminal instinctively depreciates the precious

coinage of language, just as to his imagination money is at Paris “zinc,”

and in the Argentine Republic “iron.”

The Criminal · 第 4 / 9 章