of "Endymion."] Painted in Paris. A figure of Pan under a
fig-tree, with this inscription:--
"O thou, to whom
Broad-leaved fig-trees even now foredoom
Their ripen'd fruitage."
1856. Venus. [A pendant to the Pan.] The figure of a nude nymph
about to bathe, with a little Cupid loosening her sandal.
Exhibited at the Manchester Exhibition and sent to America
after. Painted in Paris.
1857. *Salome, the daughter of Herodias. (44-1/2 x 25 inches.) See
Sketch, Leighton House Collection.
1858. *The Mermaid (the fisherman and the syren). (From a ballad
by Goethe.) (26-1/2 x 18-1/2 inches.) R.A.
"Half drew she him,
Half sunk he in,
And never more was seen."
1858. "Count Paris, accompanied by Friar Lawrence and a band of
musicians, comes to the house of the Capulets to claim his
bride: he finds Juliet stretched apparently lifeless on the
bed."--_Romeo and Juliet_, Act iv. sc. 5. (26-1/2 x 18-1/2
inches.) R.A.
1858. Reminiscence of Algiers: A Negro Dance. (Water-colour.)
Suffolk Street Gallery.
1859. Sunny Hours. R.A.
1859. *Roman Lady (La Nanna). R.A.
1859. *Nanna (Pavonia). R.A.
1859. Samson and Delilah. S.S. See Sketches, Leighton House
Collection.
1860. Capri--Sunrise. R.A.
1861. *Portrait of Mrs. Sutherland Orr [Mrs. S.O., a Portrait].
(28 x 18 inches.) R.A.
1861. *Portrait of John Hanson Walker, Esq. (23 x 17 inches.)
Owner, H.M. The King. R.A.
1861. Paolo e Francesca. See Sketch, Leighton House Collection.
"Ma solo un punto fu quel che ci vinse
Quando legemmo il disiato riso
Esser baciato da cotanto amante,
Questi, che mai da me non fia diviso,
La bocca mi bacio tutto tremante:
Galeotto fu 'l libro e chi lo scrisse:
Quel giorno piu non vi legemmo avante."
1861. A Dream.
"...Not yet--not yet--
Still there is trial for thee, still the lot
To bear (the Father wills it) strife and care;
With this sweet consciousness in balance set
Against the world, to soothe thy suffering there
The Lord rejects thee not.
Such tender words awoke me hopeful, shriven
To life on earth again from dream of heaven."
1861. Lieder ohne Worte. R.A. See Sketches, Leighton House
Collection.
1861. J.A. A Study. R.A.
1861. Capri--Paganos. R.A.
1862. Odalisque. R.A.
1862. *The Star of Bethlehem. (60 x 23-1/2 inches.) One of the
Magi, from the terrace of his house, stands looking at the
star in the East; the lower part of the picture indicates a
road, which he may be supposed just to have left. R.A. See
Sketches, Leighton House Collection.
1862. Sisters. R.A.
1862. *Michael Angelo Nursing his Dying Servant. (43 x 36 inches.)
R.A. See Sketches, Leighton House Collection.
1862. Duett. R.A.
1862. Sea Echoes. R.A.
1862. Rustic Music. R.A.
1863. Jezebel and Ahab, having caused Naboth to be put to death,
go down to take possession of his vineyard; they are met at
the entrance by Elijah the Tishbite. R.A. See Sketches,
Leighton House Collection.
"Hast thou killed, and also taken possession?"
1863. *Eucharis. (A Girl with a Basket of Fruit.) (32-1/2 x 22
inches.) R.A.
1863. A Girl Feeding Peacocks. R.A. See Sketch, Leighton House
Collection.
1863. An Italian Crossbowman. (51 x 24-1/2 inches.) R.A.
1864. Dante at Verona. R.A. See Sketches, Leighton House
Collection.
1864. *Orpheus and Eurydice. (49 x 42 inches.) R.A. See Sketches,
Leighton House Collection.
"But give them--the mouth, the eyes,--the brow--
Let them once more absorb me! One look now
Will lap me round for ever, not to pass
Out of its light, though darkness lie beyond!
Hold me but safe again within the bond
Of one immortal look! All woe that was,
Forgotten, and all terror that may be,
Defied--no past is mine, no future! look at me!"
--ROBERT BROWNING: _A Fragment._
1864. *Golden Hours. (36 x 48 inches.) R.A. See Sketches in oil
and chalk, Leighton House Collection.
1864. *Portrait of the late Miss Lavinia I'Anson. (Circular,
12-1/2 inches.)
1865. *David. (37 x 47 inches.) R.A. See Sketches, Leighton House
Collection.
"Oh that I had wings like a dove! for then would I fly
away, and be at rest."--_Psalm_ lv.
1865. Mother and Child. R.A.
1865. Widow's Prayer. R.A.
1865. Helen of Troy. R.A.
"Thus as she spoke, in Helen's breast arose
Fond recollections of her former lord,
Her home, and parents; o'er her head she threw
A snowy veil; and shedding tender tears
She issued forth not unaccompanied;
For with her went fair AEthra, Pittheus' child,
And stag-eyed Clymene, her maidens twain.
They quickly at the Scaean gate arrived."
1865. In St. Mark's. R.A.
1866. Painter's Honeymoon. R.A. See Sketch, Leighton House
Collection.
1866. Portrait of Mrs. James Guthrie. R.A.
1866. Syracusan Bride leading wild beasts in procession to the
Temple of Diana. (Suggested by a passage in the second Idyll
of Theocritus.) R.A. See Sketches, Leighton House
Collection.
"And for her, then, many other wild beasts were going
in procession round about, and among them a lioness."
1866. A Noble Lady of Venice. (Not exhibited till 1897.)
1866. The Wise and Foolish Virgins. (Fresco in Lyndhurst Church,
finished 1864.) See Sketches, Leighton House Collection.
1867. *Pastoral. (51-1/2 x 26 inches.) R.A. See Sketch, Leighton
House Collection.
1867. *Greek Girl Dancing. (Spanish Dancing Girl; Cadiz in the old
times.) (34 x 45 inches.) R.A.
1867. Knuckle-Bone Player. R.A.
1867. *Roman Mother. (24 x 19 inches.) R.A.
1867. *Venus disrobing for the Bath. (79 x 35-1/2 inches.) R.A.
1867. *Portrait of Mrs. John Hanson Walker. (18 x 16 inches.)
1868. Jonathan's Token to David. R.A.
"And it came to pass in the morning, that Jonathan went
out into the field at the time appointed by David, and
a little lad with him."
1868. *Portrait of Mrs. Frederick P. Cockerell. (23-1/2 x 19-1/2
inches.) R.A.
1868. *Portrait of John Martineau, Esq. (23-1/2 x 19-1/2 inches.)
R.A.
1868. *Ariadne abandoned by Theseus; Ariadne watches for his
return; Artemis releases her by death. (45 x 62 inches.)
R.A. See Sketches, Leighton House Collection.
1868. *Acme and Septimius. (Circular, 37-1/2 inches.) R.A.
"Then bending gently back her head
With that sweet mouth, so rosy red,
Upon his eyes she dropped a kiss,
Intoxicating him with bliss."
--CATULLUS (Theodore Martin's translation).
1868. *Actaea, the Nymph of the Shore. (22 x 40 inches.) R.A. See
Sketches, Leighton House Collection.
1869. *S. Jerome. (Diploma work, deposited in the Academy on his
election as an Academician.) (72 x 55 inches.) R.A.
1869. *Daedalus and Icarus. (53-1/2 x 40-1/2 inches.) R.A. See
Sketches, Leighton House Collection.
1869. *Electra at the Tomb of Agamemnon. (59-1/2 x 29 inches.)
R.A.
1869. *Helios and Rhodos. (65-1/2 x 42 inches) R.A. See Sketches,
Leighton House Collection.
1870. A Nile Woman. (21-1/2 x 11-1/2 inches.) R.A.
1870. Study. S.S.
1871. *Hercules Wrestling with Death for the Body of Alcestis. (54
x 104-1/2 inches.) R.A. See Sketches, Leighton House
Collection.
1871. Greek Girls picking up Pebbles by the shore of the Sea. R.A.
See Sketch, Leighton House Collection.
1871. *Cleoboulos instructing his daughter Cleobouline. (24 x
37-1/2 inches.) R.A.
1871. View of Assiout (?). (A sketch.) S.S.
1871. Sunrise at Lougsor. (A sketch.) S.S.
1871. View of the Red Mountains near Cairo. (A sketch) S.S.
1872. *After Vespers. (43 x 27-1/2 inches.) R.A. See Sketch,
Leighton House Collection.
1872. *Summer Moon. (Guildhall, 1890.) (39-1/2 x 50-1/2 inches.)
R.A. See Sketches, Leighton House Collection.
1872. Portrait of the Right Hon. Edward Ryan, Secretary of the
Dilettante Society, for which the picture was painted.
(S.P.P., 1893.) R.A.
1872. A Condottiere. R.A. See Sketch, Leighton House Collection.
1872. *The Industrial Arts of War, at the International Exhibition
at South Kensington. (Monochrome, 76 x 177 inches.) Carried
out in fresco on the wall of the Victoria and Albert Museum.
R.A. See Sketches, Leighton House Collection.
1872. The Captive. S.S.
1872. An Arab Cafe, Algiers. S.S.
1873. *Weaving the Wreath. (Guildhall, 1895.) R.A.
1873. Moretta. (Guildhall, 1894.) (20-1/2 x 14-1/2 inches.) R.A.
1873. The Industrial Arts of Peace. (Monochrome, 76 x 177 inches.)
Carried out in fresco on the wall of the Victoria and Albert
Museum. R.A. See Sketches, Leighton House Collection.
1873. A Roman. S.S.
1873. Vittoria. S.S.
1874. *Moorish Garden: A Dream of Granada. (Guildhall 1895.) (41 x
40 inches.) R.A.
1874. Old Damascus: Jews' Quarter. R.A.
1874. *Antique Juggling Girl. (Guildhall, 1892.) (41-1/2 x 24
inches.) R.A. See Sketch, Leighton House Collection.
1874. Clytemnestra from the battlements of Argos watches for the
Beacon Fires which are to announce the return of Agamemnon.
R.A. Leighton House Collection. See also Sketches, Leighton
House Collection.
1874. Annarella, Ana Capri. D.G.
1874. Rubinella, Capri. D.G.
1874. Lemon Tree, Capri. D.G.
1874. West Court of Palazzo, Venice. D.G.
1875. *Portion of the Interior of the Grand Mosque of Damascus.
(62 x 47 inches.) R.A.
1875. *Portrait of Mrs. H.E. Gordon. (35-1/2 x 37 inches.) R.A.
1875. *Little Fatima. (15-1/2 x 9-1/4 inches.) R.A.
1875. Venetian Girl. R.A.
1875. *Egyptian Slinger. (Eastern slinger scaring birds in harvest
time: Moonrise.) (Guildhall, 1890.) R.A. See Sketches,
Leighton House Collection.
1875. Florentine Youth. S.S.
1875. Ruined Mosque in Damascus. S.S.
1876. *Portrait of Sir Richard Francis Burton, K.C.M.G. (Portrait
of Captain Richard Burton, H.M. Consul at Trieste.) (23-1/2
x 19-1/2 inches.) (Paris, 1878; Melbourne, 1888; S.P.P.,
1892.) R.A. National Portrait Gallery.
1876. *The Daphnephoria. (89 x 204 inches.) A triumphal procession
held every ninth year at Thebes, in honour of Apollo and to
commemorate a victory of the Thebans over the Aeolians of
Arne. (See Proclus, "Chrestomath," p. 11.) R.A. See
Sketches, Leighton House Collection.
1876. Teresina. R.A.
1876. Paolo. R.A.
1877. *Music Lesson. (36-1/2 x 37-1/8 inches.) (Paris, 1878.) R.A.
1877. *Portrait of Miss Mabel Mills (The Hon. Mrs. Grenfell). (23
x 19 inches.) R.A.
1877. *An Athlete Strangling a Python.[96] Bronze. (Paris, 1878.)
R.A. See Sketch in plaster, Leighton House Collection,
presented by G.F. Watts, O.M.
1877. *Portrait of H.E. Gordon. (23-1/2 x 19 inches.) G.G.
1877. An Italian Girl. G.G.
1877. *Study. (A little girl with fair hair, in a pink robe.) (24
x 28 inches.) R.A.
1877. A Study. G.G.
1878. *Nausicaa. (57-1/2 x 26-1/2 inches.) (Guildhall, 1896.) R.A.
See Sketches, Leighton House Collection.
1878. Serafina. R.A.
1878. *Winding the Skein. (39-1/2 x 63-1/2 inches.) R.A. See
Sketch, Leighton House Collection.
1878. A Study. R.A.
1878. *Portrait of Miss Ruth Stewart Hodgson. (50-1/2 x 35-1/2
inches.) G.G.
1878. Study of a Girl's Head. G.G.
1878. Sierra: Elviza in the distance, Granada. S.S.
1878. The Sierra Alhama, Granada. S.S.
1879. Biondina. R.A.
1879. Catarina. R.A.
1879. *Elijah in the Wilderness. (91 x 81-1/2 inches.) R.A.
(Paris, 1878.) Corporation of Liverpool. See Sketches,
Leighton House Collection.
1879. Portrait of Signor G. Costa. R.A.
1879. Amarilla. R.A.
1879. A Study. R.A.
1879. Portrait of the Countess Brownlow. R.A.
1879. *Neruccia. (19 x 16 inches.) R.A.
1879. A Study. S.S.
1879. The Carrara Hills. S.S.
1879. A Street in Lerici. S.S.
1879. Via Bianca, Capri. G.G.
1879. Archway in Algiers. G.G.
1879. Ruins of a Mosque, Damascus. G.G.
1879. Study of a Donkey. G.G.
1879. On the Terrace, Capri. G.G.
1879. Sketch near Damascus. G.G.
1879. View in Granada. G.G.
1879. Study of a Donkey, Egypt. G.G.
1879. Study of a Head. G.G.
1879. Nicandra. G.G.
1880. *Sister's Kiss. (48 x 21-1/2 inches.) R.A. See Sketch,
Leighton House Collection.
1880. *Iostephane. (37 x 19 inches.) R.A.
1880. The Light of the Harem. (60 x 33 inches.) R.A.
1880. Psamathe. (36 x 24 inches.) R.A.
1880. *The Nymph of the Dargle (Crenaia). (29-1/2 x 10 inches.)
R.A.
1880. Rubinella. G.G.
1880. The Pozzo Corner, Venice. Winter Exhibition. G.G.
1880. Jack and his Cider Can. Winter Exhibition. G.G.
1880. The Painter's Honeymoon. Winter Exhibition. G.G.
1880. Winding of the Skein (with sketch). Winter Exhibition. G.G.
1880. Head of Urbino. Winter Exhibition. G.G.
1880. Steps of the Bargello, Florence. Winter Exhibition. G.G.
1880. A Contrast. Winter Exhibition. G.G.
1880. Garden at Capri. Winter Exhibition. G.G.
1880. Twenty-nine Studies of Heads, Flowers, and Draperies. Winter
Exhibition. G.G.
1881. Elisha raising the son of the Shunammite. (32 x 54 inches.)
(Guildhall, 1895.) R.A. See Sketches, Leighton House
Collection.
1881. Portrait of the Painter.[97] R.A.
1881. *Idyll. (41-1/2 x 84 inches.) R.A. See Sketches in oil and
chalk, Leighton House Collection.
1881. *Portrait of Mrs. Stephen Ralli. (48 x 33 inches.) R.A.
1881. *Whispers. (48 x 30 inches.) R.A. See Sketch, Leighton House
Collection.
1881. Viola. R.A.
1881. *Bianca. (18 x 12-1/2 inches.) R.A.
1881. Portrait of Mrs. Algernon Sartoris. G.G.
1882. *Day-Dreams. (47-1/2 x 35-1/2 inches.) R.A.
1882. Wedded. R.A. See Sketches, Leighton House Collection.
1882. Phryne at Eleusis. (86 x 48 inches.) (Melbourne, 1888.) R.A.
See Sketches, Leighton House Collection.
1882. Antigone. R.A.
1882. "And the sea gave up the dead which were in it"--Rev. xx.
13. (Design for a portion of a decoration in St. Paul's.)
R.A. The Tate Gallery. See Sketches, Leighton House
Collection.
1882. Melittion. R.A.
1882. *Portrait of Mrs. Mocatta. (23-1/2 x 19-1/2 inches.)
1882. Zeyra. G.G.
1883. The Dance: decorative frieze for a drawing-room in a private
house. R.A. See Sketches, Leighton House Collection.
1883. *Vestal. (24-1/2 x 17 inches.) R.A.
1883. *Kittens. (48 x 31-1/2 inches.) R.A.
1883. Memories. R.A.
1883. Portrait of Miss Nina Joachim. (16 x 13 inches.)
1884. *Letty. (18 x 15-1/2 inches.) R.A.
1884. *Cymon and Iphigenia. (64 x 129 inches.) (Berlin, 1885.)
R.A. See Sketches, Leighton House Collection.
1884. A Nap. R.A.
1884. Sun Gleams. R.A.
1885. ..."Serenely wandering in a trance of sober thought." ...
(46 x 27 inches.) R.A.
1885. Portrait of the Lady Sybil Primrose. R.A.
1885. *Portrait of Mrs. A. Hichens. (26-1/2 x 20-1/2 inches.) R.A.
1885. Music: a frieze. R.A. See Sketches, Leighton House
Collection.
1885. Phoebe. (Manchester, 1887.) R.A.
1885. A Study. G.G.
1885. Tombs of Muslim Saints. S.S.
1885. Mountains near Ronda Puerta de los Vientos. S.S.
1886. Painted decoration for the ceiling of a music-room.[98] (7 x
20 feet.) R.A. See Sketches, Leighton House Collection.
1886. Gulnihal. R.A.
1886. *The Sluggard. Statue, bronze. R.A. Presented to the Tate
Gallery by Sir Henry Tate. See Statuette, Leighton House
Collection.
1886. *Needless Alarms. Statuette. R.A. See Bronze, Leighton House
Collection.
1887. *The Jealousy of Simoetha, the Sorceress. (35 x 55-1/2
inches.) R.A. See Sketch, Leighton House Collection.
1887. *The Last Watch of Hero. (62-1/2 x 35-1/2 inches, with
predella 12-1/2 x 29-1/2 inches.) R.A. Corporation of
Manchester. See Sketch, Leighton House Collection.
"With aching heart she scanned the sea-face dim.
. . . . . . . . .
Lo! at the turret's foot his body lay,
Rolled on the stones, and washed with breaking spray."
--_Hero and Leander: Musaeus_ (translated by Edwin Arnold).
1887. [Picture of a little girl with golden hair, and pale blue
eyes.]
"Yellow and pale as ripened corn
Which Autumn's kiss frees--grain from sheath--
Such was her hair, while her eyes beneath,
Showed Spring's faint violets freshly born."
--ROBERT BROWNING.
1887. *Design for the reverse of the Jubilee Medallion. (Executed
for Her Majesty Queen Victoria's Government.) R.A. See
Sketches, Leighton House Collection.
Empire, enthroned in the centre, rests her right hand on the
sword of Justice, and holds in her left the symbol of
victorious rule. At her feet, on one side, Commerce proffers
wealth; on the other, a winged figure holds emblems of
Electricity and Steam-power. Flanking the throne to the right
of the spectator are Agriculture and Industry; on the opposite
side, Science, Literature, and the Arts. Above, interlocking
wreaths, held by winged genii representing respectively the
years 1837 and 1887, inclose the initials V.R.I.
1888. *Captive Andromache. (77 x 160 inches.) R.A. Corporation of
Manchester. See Sketches, Leighton House Collection.
..."Some standing by,
Marking thy tears fall, shall say, 'This is she,
The wife of that same Hector that fought best
Of all the Trojans, when all fought for Troy.'"
--_Iliad_, vi. (E.B. Browning's translation).
1888. *Portrait of Amy, Lady Coleridge. (42 x 39-1/2 inches.)
(S.P.P., 1891.) R.A.
1888. *Portraits of the Misses Stewart Hodgson. (47 x 39-1/2
inches.)
1888. Four Studies. R.W.S.
1888. Five Studies. S.S.
1889. *Sibyl. (59 x 34 inches.) R.A. See Sketches, Leighton House
Collection.
1889. *Invocation. (54 x 33-1/2 inches.) R.A.
1889. Elegy. R.A.
1889. Greek Girls playing at Ball. (45 x 78 inches.) R.A. See
Sketches, Leighton House Collection.
1889. *Portrait of Mrs. Francis A. Lucas. (23-1/2 x 19-1/2
inches.) R.A.
1890. Solitude. R.A.
1890. *The Bath of Psyche.[99] (75 x 24-1/2 inches.) R.A. See
Sketches, Leighton House Collection.
1890. *Tragic Poetess. (63 x 34 inches.) R.A. See Sketches,
Leighton House Collection.
1890. *The Arab Hall. (33 x 16 inches.) (Guildhall, 1890.) R.A.
1891. *Perseus and Andromeda. (91-1/2 x 50 inches.) R.A. See
Sketches, Leighton House Collection.
1891. *Portrait of A.B. Freeman-Mitford, Esq., C.B. (46-1/4 x
38-1/2 inches.) R.A.
1891. *Return of Persephone. (79 x 59-1/2 inches.) R.A.
Corporation of Leeds. See Sketches, Leighton House
Collection.
1891. Athlete Struggling with a Python. Group, marble. R.A.
1892. *"And the sea gave up the dead which were in it." (Circular,
93 inches.) R.A. See Sketches, Leighton House Collection.
1892. At the Fountain. (49 x 37 inches.) R.A.
1891. *The Garden of the Hesperides. (Circular, 66 inches.)
(Chicago, 1893; Guildhall, 1895.) R.A. See Sketches,
Leighton House Collection.
1892. Bacchante. R.A. See Sketches, Leighton House Collection.
1892. *Clytie. (32-1/2 x 53-1/2 inches.) R.A.
1892. Phryne at the Bath. (24 x 12 inches.) S.S. See Sketches,
Leighton House Collection.
1892. Malin Head, Donegal. S.S.
1892. St. Mark's, Venice. S.S.
1892. Interior of St. Mark's, Venice. S.S.
1892. The Doorway, North Aisle, Venice. S.S.
1892. Rizpah (the small study in oils). (7 x 7 inches.) S.S.
1893. *Farewell! (63 x 26-1/2 inches.) R.A.
1893. *Hit! (29 x 22 inches.) R.A. See Sketches, Leighton House
Collection.
1893. Atalanta. (26-1/2 x 19 inches.) R.A.
1893. Rizpah. (36 x 52 inches.) R.A. See Sketches, Leighton House
Collection.
1893. Corinna of Tanagra. (47-1/2 x 21 inches.) R.A.
1894. *The Spirit of the Summit. (77-1/2 x 39-1/2 inches.) R.A.
See Sketches, Leighton House Collection.
1894. *The Bracelet. (59-1/2 x 23 inches.) R.A. See Sketches,
Leighton House Collection.
1894. *Fatidica. (59-1/2 x 43 inches.) R.A. See Sketches, Leighton
House Collection.
1894. *Summer Slumber. (45-1/2 x 62 inches.) R.A. See Sketches,
Leighton House Collection, one presented by H.M. The King.
1894. At the Window. R.A.
1894. Wide, Wondering Eyes. (20 x 15-1/2 inches.) Manchester.
1894. The Roman Campagna, Monte Soracte in the distance. S.S.
1894. The Acropolis of Lindos. S.S.
1894. Fiume Morto, Gombo, Pisa. S.S.
1894. Gibraltar from San Rocque. S.S.
1895. Lachrymae. (60 x 24 inches.) R.A. See Sketches, Leighton
House Collection.
1895. The Maid with the Yellow Hair. R.A.
1895. *'Twixt Hope and Fear. (43-1/2 x 38-1/2 inches.) R.A.
1895. *Flaming June. (46 x 46 inches.) R.A. See Sketches, Leighton
House Collection.
1895. Listener. R.A.
1895. A Study. R.A.
1895. Phoenicians bartering with Britons. Presented to the Royal
Exchange by Lord Leighton. See Sketches, Leighton House
Collection.
1895. Boy with Pomegranate. Grafton Gallery.
1895. Miss Dene.
1895. Aqua Certosa, Rome. S.S.
1895. Chain of Hills seen from Ronda. S.S.
1895. Rocks, Malin Head, Donegal. S.S.
1895. Tlemcen, Algeria. S.S.
1896. *Clytie. (61-1/2 x 53-1/2 inches.) R.A. See Sketches,
Leighton House Collection.
1896. Candida. (21 x 41-1/2 inches.) Antwerp, 1896.
1896. *The Vestal. (27 x 20-1/2 inches.) Unfinished.
1896. *A Bacchante. (26-1/2 x 21 inches.)
1896. *The Fair Persian. (25-1/2 x 19-1/2 inches.) Unfinished.
FOOTNOTES:
[93] The asterisk denotes works exhibited at the Winter Exhibition of
the Royal Academy of Arts, 1897.
[94] R.A., Royal Academy; G.G., Grosvenor Gallery; R.W.S., Royal
Society of Painters in Water-Colours; S.S., Royal Society of British
Artists, Suffolk Street; D.G., Dudley Gallery; S.P.P., Society of
Portrait Painters.
[95] Exhibited in the Roman section by some blunder of the Committee,
the picture having been painted in Rome.
[96] Purchased for L2000 by the President and Council of the Royal
Academy, under the terms of the Chantrey Bequest.
[97] Painted by invitation for the collection of Portraits of Artists
painted by themselves, in the Uffizi Gallery, Florence.
[98] Painted for the house of Mr. Marquand, New York.
[99] Purchased for 1000 guineas by the President and Council of the
Royal Academy, under the terms of the Chantrey Bequest.
INDEX
Abercorn, Lady, i. 256; ii. 338
Aberdeen, Lord, i. 256
Abydos, ii. 180
Academy, _see_ Royal Academy
Acland, Sir Henry, ii. 364, 373
Acton, Lord, quoted, ii. 33-34
AEsthetics, i. 103-104
Afreet, ii. 168
Agnew, ii. 286
Aide, Hamilton, i. 195; ii. 60, 105, 110, 111;
letter from, ii. 126 _note_ [40];
quoted, i. 154 _note_ [28]
Aitchison, George, i. 164; ii. 7, 116, 117, 221, 363;
letter from, to Prof. Church, ii. 222 _note_ [57];
quoted, ii. 118-119, 217 _note_ [55], 365, 372
Albert, Prince Consort, i. 1, 261, 262; ii. 202;
death of, ii. 85
Alexandra, Queen (Princess of Wales), lines by, on Leighton, i. 33;
ii. 336
Algiers (1857), i. 18, 293-294, 297-304;
(1895), ii. 318;
Drawings of Moorish subjects, ii. 372
Allen, Robin, letters from, ii. 59 _note_ [18], 102, 230;
poem by, 102
America--
Hospitality in, i. 277
Slave crisis (1862), ii. 77-78, 82-85
Ampere, Mr., i. 146
Arab Hall, ii. 7-8, 217-222 _and notes_ [55-57], 365
Arabic, ii. 154
Architecture--
Athenian, ii. 128, 130-131, 145, 166
Ecclesiastical, i. 74
Egyptian, ii. 164-165, 185-186
Leighton's presidential address on, ii. 239 _and note_ [63]
Scottish, ii. 262
Westminster, in, i. 87
Armstrong, T., ii. 287
Arnold, Matthew, letters from, ii. 226, 231
Art--
Academic, i. 209; ii. 5
"Barbarians'" view as to, i. 41
Breadth-of-treatment school, i. 70-71
Catholicity in, ii. 264-265
Classification in, ii. 16
Detail, scrupulous care in, i. 202
Florentine, ii. 117-118
Form, importance of, i. 293; ii. 11, 263
Foundation-laying in, i. 155-156
Function of, i. 25-26; ii. 23, 278, 282, 283
Greek, i. 228
Impressionist, ii. 33
Industry, need for, i. 206-208
Influence of, Leighton's views as to, ii. 33-35
Inspiration, moments of, ii. 4
Inward source of, i. 92, 188, 212 _note_ [45]; ii. 15
Italian, Leighton's love for, ii. 5
Nature-study in, i. 174-175, 191, 199, 213; ii. 17-18
Practical nature of, i. 238
Protestant inconsistency as to, i. 74
Roman Catholic influence on, i. 66, 73
Roman influence on, i. 147, 188, 191
Spontaneity of, in the young, i. 217-218
Suggestion _v._ definition, ii. 26-28
White, painting of, ii. 367
_Art of Painting in the Queen's Reign, The_, cited, ii. 366
Artist Benevolent Fund, ii. 213
Artist Volunteer Corps, Leighton's membership of, i. 11-14;
ii. 107, 111;
resignation of commission (1883), ii. 243-245;
at Leighton's funeral, ii. 337
Ashburton, Lord, portrait of, ii. 123 _and note_ [37]
Assouan, ii. 148-150, 152
Athens, ii. 128, 130-131, 229 _note_ [60]
Austin, Mrs., ii. 86
Avignon, i. 298
Ballater, ii. 309
Barrington, Mrs. Russell, letters to, ii. 328, 332, 333
Bayreuth, ii. 316, 326
Beards, i. 170
Beauty--
Leighton's passion for, i. 59; ii. 2, 30, 328, 369
Puritanical attitude towards, i. 60
Becker, i. 56, 89
Beechey, Sir William, i. 269
Benedetto Bonfiglio, ii. 19
Beni Hassan, ii. 185-187
Benson, Ralph A., ii. 206-207;
letter from, 58 _note_ [18]
Bentinck, Count, i. 49, 52
Bentinck, Gen., i. 63
Bentinck, Penelope, i. 255, 262
Bergheim, i. 49-53
Berlin, i. 158-160
Bettino, i. 39
Bezzuoli, i. 38, 39
Bideford, ii. 66-67
Bileith, Mr., ii. 129
Birrell, Augustine, ii. 304-305
Boehm, Sir Edgar, letter from, ii. 200
Boughton, George H., letters from, ii. 199
Boxall, ii. 119, 227
Brackley, Lord, i. 264, 284
Brandes, Miss, ii. 217
British Institution, ii. 39, 44
British Museum, Leighton a trustee of, ii. 256
Brock, Mr., ii. 241, 259-260 _and note_ [73]
Brown, Madox, ii. 299
Browning, Mrs., ii. 51-52, 64, 374 _note_ [91];
letter from, 93
Browning, Robert, estimate of Leighton by, ii. 29 _note_ [6];
conversational powers of, i. 146 _and note_ [27], 149;
lines by, on the Heracles picture, ii. 190;
Leighton's estimate of, ii. 304-305;
letter to, ii. 51;
letters from, ii. 65, 225;
quoted, i. 164;
otherwise mentioned, i. 28, 149, 243, 280, 285; ii. 121
Bruce, Col. and Mrs., ii. 39
Bruckmann, Herr, ii. 113
Brunton, Sir Lauder, ii. 316, 323, 329-330
Buckner, i. 171
Bull-fights, ii. 210
Bulteel, Lady E., ii. 66
Burne-Jones, Sir E., ii. 3, 8, 199, 288, 368;
inaccuracies of, i. 219 _note_-220 [47];
estimate of, ii. 25
Burton, Sir Richard, portrait of, ii. 195-196;
letters from, 218-219
Calderon, ii. 196-197, 255
Cambridge, H.R.H. Duke of, ii. 262
Cameron, Mrs., cited, ii. 269 _note_ [76]
Campagna, Roman, i. 22 _and notes_ [8 and 9], 162, 164
Capri, ii. 18, 41
Carlisle, Earl of, ii. 6
Cartwright, W.C., politics of, i. 307-308;
letters from, ii. 126 _note_ [40], 152, 286;
otherwise mentioned, i. 124, 243, 255-257, 278; ii. 38, 46, 52
Casts, gallery of, ii. 287-288 _and note_ [79]
Chamberlayne, Kate, i. 126
Change of scene, importance of, i. 92-95
Chantrey Bequest, terms of, ii. 249-253
_Chemistry of Paints and Painting_ (Church), cited, ii. 290 _notes_ [80]
Choisy, M., quoted, ii. 221, 362-363
Chorley, Henry J., ii. 43 _and note_ [13];
letter from, 127 _note_ [40]
Church, Prof., cited, ii. 290 _notes_ [80 and 81];
letters to, 290-302
Churche, ii. 70
Cimabue, i. 227
Clarke, Sir C.P., ii. 365;
quoted, 218 _note_ [55]
Cleopatra, ii. 163, 172
Cleopatra's Needle, ii. 284
Cleveland, Duke of, ii. 286
Cliquiness, i. 192
Cockerell, F. Pepys, i. 285; ii. 58 _note_ [18], 87, 325 _note_ [86];
quoted, i. 294; ii. 372
Cole, Sir Henry, ii. 212;
letter from, 202;
letter to, 204
Coleridge, Lord, letter from, ii. 227
Colfax, Mr., ii. 165
Colnaghi, i. 252, 254; ii. 364;
cited 246
Colonna, i. 229 _note_ [50]
Colour, Leighton's feeling for, ii. 188, 189, 366, 367
Colours, &c., letters to Prof. Church regarding, ii. 290-302
Commissioned subjects, Leighton's views on, ii. 277-278
Conture, i. 154, 296
Copies, Leighton's views on, ii. 277
Cornelius, i. 56, 66, 141, 149, 151, 173;
Leighton's estimate of, 180, 190-191, 291, 295;
Steinle's estimate of, i. 280
_Cornhill Magazine_, Leighton's illustrations for, ii. 91, 92,
95, 103
Corot, i. 241
Correggio, ii. 41, 256
Costa, Prof. Giovanni, Leighton's first meeting with, i. 162-164;
portrait of, ii. 256;
estimate of Leighton by, ii. 379;
letter from, on Leighton, ii. 285 _note_ [78];
quoted--
on Leighton in Florence, i. 39; ii. 371;
on Leighton in Siena, ii. 242 _note_ [64];
on Leighton's methods, ii. 256;
on Leighton's last visit, ii. 327-328;
otherwise mentioned, ii. 7, 223, 297, 314
Cowley, Lady, i. 240, 309; ii. 88;
letter from, i. 48
Cowley, Lord, letters from, i. 53-54;
portrait of, ii. 88
Cowper, Lady, ii. 66
Cowper, Lord, portrait of, ii. 88
Crane, Walter, ii. 365;
estimate of Leighton by, 6-9
Craven, Augustus, ii. 41
Crawford, Lord, quoted, ii. 364
Criticism--
Leighton's appraisement of, i. 179
Ruskin on, ii. 122
Currie, Sir Donald, i. 4
Dalou, i. 241;
letter from, ii. 198
Dalziel's Bible, Leighton's illustrations for, ii. 94-95
Damascus, ii. 206-209
Davey, Lord, ii. 364
De l'Aigle, Madame, ii. 191
De l'Aigle, Marquis, ii. 103
De Morgan, Wm., ii. 364 _and note_ [90]
De Savelege, Emile, ii. 214
Delaroche, Paul, i. 249, 290
Denderah, ii. 172
Dene, Dorothy (Miss Pullen), ii. 267-274
Detail, perfection of, i. 202
Dickens, Charles, letters from, ii. 89;
Leighton compared with, 330-331 _note_ [87]
Dilettanti, Society of, ii. 212-213
Disneh, ii. 141
Dixon, Messrs., ii. 364
Dolby, Miss, ii. 43-44
Domestic decoration, ii. 220
Doyle, Richard, letter from, ii. 124 _note_ [38]
Drawings by Leighton--
"Cervara," i. 163 _note_ [32]
Comparison of, with finished paintings, ii. 93
"Drifting," ii. 103
Estimate of, i. 197, 205; ii. 368, 376
"Evening in a French Country House, An," ii. 103
Florentine fresco, copy of, ii. 374-375
"Lemon Tree," i. 201 _and note_ [42]-202; ii. 41 _and note_ [11]
"Monk Dividing Enemies, A," i. 65 _note_ [18]; ii. 371
Moorish subjects, of, ii. 372
"Plague in Florence in 1850," ii. 93
"Samson Wrestling with the Lion," ii. 94
"Vincenzo's Head," i. 151-152, 154-155
"Well-Head, The," i. 110 _note_ [24]
Du Maurier, i. 20 _note_ [7]
Duccio, i. 227
Dudley, Lord, ii. 53 _note_ [14]
Duff, Sir M. Grant, quoted, ii. 33
Duerer, Albert, i. 220; ii. 239-240
Dyer, Sir W. Thistelton, estimate of Leighton by, i. 219-221 _note_ [47]
East, Alfred, estimate of Leighton by, ii. 266
Eastlake, Sir Ch., i. 48, 94, 265
Edfou, ii. 162
Edis, Col., ii. 244-245
Edward VII., King (Prince of Wales), "Cimabue's Madonna" lent by,
for exhibition, i. 185;
Leighton's studio visited by, ii. 37, 39, 40;
tribute to Leighton by, i. 7; ii. 37;
otherwise mentioned, i. 265; ii. 41 _and note_ [9], 56, 60,
131, 213, 323, 363
Egypt, Leighton's visit to, ii. 131-187
Egyptian tombs, ii. 144-145
Elephantina, ii. 150
Elgin Cathedral, ii. 262
Eliot, George, _see_ Lewes
Ellesmere, Earl of, i. 252, 257, 265
Ellesmere, Lady, i. 268
Ellis, Maj.-Gen., ii. 338
Elmore, ii. 118
Ely, Lady, ii. 178
Erskine, Mr., ii. 130
Esne, ii. 147-148
Etty, i. 216
Farquhar, Miss, i. 152
Farrer, Lady (Miss Wedgwood), ii. 217
Fatma, ii. 167
Fenzi, M., i. 100, 285
Ferronay, Pauline la (Mrs. A. Craven), ii. 41 _note_ [10]
Ffrench, i. 260, 262
Findhorn River, ii. 261-262
Finlay, Mr., ii. 130, 131
FitzGerald, Percy, quoted, ii. 330 _note_ [87]
Flatz, i. 133
Fleury, Robert, i. 27, 154, 245, 248, 249, 290; ii. 214, 294;
letter from, ii. 37;
cited, ii. 46
Florence--
Leighton's early studies in, i. 38-40;
his stay at (1853), 136;
(1856), 284
List by Steinle of works to be studied in, i. 225-226
Florentine art, ii. 117-118
Flowers, Leighton's feeling for, i. 69, 75, 198;
studies, i. 200, 218-219; ii. 263, 325 _note_ [85], 372-373, 375-376
Form and matter, divergence between, ii. 184
Forres, ii. 261-262
Frankfort, Leighton at school at, i. 42
Frederick, Empress, ii. 337
French, i. 243
Fresco, Gambier Parry's medium for, ii. 105-106, 108-110, 301
Fresco _v._ oils, i. 296-297, 305; ii. 20
Freshfield, Mrs. Douglas, ii. 217
Frith, W.P., letter from, ii. 119 _note_ [35]
Fuehrich, i. 174
Fuller-Maitland, J.A., ii. 328, 372
Gamba, Count, i. 75, 85, 87, 90, 96, 98, 116-118, 120, 122, 123,
125, 132, 149, 151, 152, 164, 174, 188, 189, 191, 237; ii. 371
Gambart, ii. 114, 123
Garcia, Senor, ii. 239 _note_ [62]
Gebel Silsily, ii. 161
Genius, i. 206
German aesthetics, i. 103-104
Germany, Leighton's journey through (1852), i. 63-68
Gerome, ii. 147, 155
Gibson, i. 181, 261; ii. 39, 56;
Leighton's estimate of, i. 114
Gilbert, Alfred, quoted, i. 7
Gilbert, Sir J., ii. 286
Gilchrist, Connie, ii. 268
Giotto, i. 128, 226 _note_ [49], 228; ii. 374
Gladstone, W.E., ii. 57;
letters from, 243, 289
Glyn, Mrs., ii. 269, 270
Goethe's _Sprueche_, Leighton's criticism of, ii. 305-306
Gondolas, i. 78
Goodall, J., i. 48;
quoted, ii. 284
Gooderson, T., i. 171
Gordon, Lady Duff, ii. 132, 177, 181
Gortschakoff, Prince, i. 56
Gozze, Count, i. 169
Graefe, i. 157
Granada, ii. 210
Grant, Gen., ii. 165
Greek language, ii. 130-131
Greene, i. 258, 259
Greg, W.R., ii. 269 _note_ [76]
Grenfell, Hon. Mrs. (Miss Mabel Mills), portrait of, ii. 197
Greville, Charles, ii. 108
Greville, Henry, Leighton's friendship with, i. 28, 164, 251 _and
note_ [56], 282;
extracts from diaries of, i. 242-244, 246, 278;
death of, i. 268-269;
letters from, i. 252-268;
otherwise mentioned, i. 241, 247; ii. 43, 44, 46, 86, 92, 216
Grey, Countess, i. 270
Grove, Sir George, letter from, ii. 243 _note_ [65]
Grueber, H.A., quoted, ii. 255-256
Guaita, Mr., i. 281
Guthrie, Mrs. James, portrait of, ii. 10 _note_ [1], 114
Habit, deadening effect of, i. 93, 95
Hague, The, i. 54-55
Hale, Mr., ii. 163, 165
Halle, i. 234
Handel Festival (1859), ii. 43-44
Hardy, Thomas, ii. 320
Harrison, Mr., i. 260, 267, 282; ii. 46
Hassan Effendi, ii. 143
Haydon, i. 143-144
Hebert, i. 236, 237
Heidelberg, i. 63-64
Heilbronn, i. 64
Henderson, A., ii. 364
Hendschel, i. 150
Herkomer, Hubert, letter from, ii. 226
Hickey, Miss Emily, sonnet by, ii. 261 _note_ [74]
Hildesheim, ii. 315
Hills, Mr., ii. 291
Hoare, Lady, ii. 38, 40, 48
Hodgson, J.G., i. 275;
letter from, ii. 205 _note_ [74]
Holland, Leighton's visit to (1852), i. 54-55
Holland, Lord and Lady, i. 309; ii. 41, 67, 92
Hollyer, Fred, ii. 364, 370;
quoted, 288-289
Hommel, i. 150
Hooker, Sir Joseph, cited, i. 220
Hope, J.K. Kempton, letter from, ii. 213
Horsfall, T.C., correspondence with, ii. 274, 276-283
Horsley, Mr., ii. 223
Hosmer, Miss Harriet, i. 146, 181, 195; ii. 72, 76
Hosseyn, ii. 137-138, 140-142, 144, 146, 148, 153, 157, 158, 160,
165, 167, 170, 172, 174, 176-180, 187
Hughes, Mrs. Watts, ii. 332;
letter from, 217
Human form, Leighton's treatment of, ii. 29
Hunt, Holman, i. 187 _note_ [34], 220, 278; ii. 118, 148, 219
Hunter, Colin, i. 4
I'Anson, Mr. (great-uncle), i. 45-46
Impressionists, ii. 33
Ingres, i. 245
Innsbruck statues, i. 69-70, 88-89
Irish scenery, ii. 311
Irving, Sir H., ii. 270 _note_ [77];
Leighton compared with, 330-331 _note_ [87]
Italian art, ii. 5, 19, 117
Italy (_for districts, towns, &c., see their names_)--
Leighton's affection for, i. 19-24, 56, 62, 67-68, 72, 135, 137,
158, 302-303; ii. 51
Music of, i. 167
Street cries in, i. 72-73
Jameson, Mrs., i. 280
Janauschek, i. 55
Janotha, Miss, ii. 228
Joachim, Dr. Joseph, ii. 216, 223, 228, 316;
Leighton's speech at jubilee presentation to, ii. 245-247
Kalergi, Madame, i. 242
Karnak, ii. 165-167
Kaye, Miss, i. 264
Kemble, Adelaide, _see_ Sartoris
Kemble, Mrs. (Fanny), on "Pan" and "Venus," ii. 45;
reading of, i. 184;
estimate of Leighton by, i. 264;
letter to, i. 165;
letters from, i. 165 _note_ [33]; ii. 68-83, 126 _note_ [40];
otherwise mentioned, i. 146, 147, 149, 178, 181, 245, 255, 300
Kew gardens, i. 219-221 _note_ [47]
Kimberley, S.A., art exhibition at, i. 4
Kom Ombo, ii. 160, 161
Koorveh, ii. 145
Kuppelwieser, i. 174
Kyrle Society, ii. 274-275
Laing, Isabel (Lady Nias), i. 108, 122 _note_ [25], 125;
portrait of, 122-123, 177
Land, W.C., ii. 225
Landseer, Sir Edwin, ii. 59, 61
Lang, Mrs. Andrew, quoted, ii. 372
Lansdowne, Lord, ii. 41, 43
Lanteri, Edouard, ii. 288
Lascelles, E., ii. 92
Lawrence, Sir Thos., i. 269
Lecky, Prof., ii. 338
Leech, John, ii. 68
Lehmann, ii. 287
Leighton, Dr. (father), career of, i. 36-37;
attitude towards art as a profession, 16-17;
severity towards his son, 37;
anatomy studies, 38;
move to Bath, 56;
illness, ii. 309-310;
death, 314;
letters to, i. 44, 110, 171, 177, 180, 212, 236, 237, 244, 248,
269, 283, 307; ii. 58, 62, 86, 95, 114-116, 129, 131, 206, 209,
211, 213, 238 _note_ [62], 261, 313;
letter from, i. 101;
letter regarding, i. 135-136;
otherwise mentioned, i. 76, 84
Leighton, Lady (grandmother), i. 47, 56, 86
Leighton, Mrs. (mother), delicate health of, i. 36-38;
tenderness of, 37;
death of, ii. 126;
letters to, i. 18, 42, 46, 49, 51, 59, 84, 92, 104, 122, 137,
139, 142, 147, 166, 167, 176, 178, 212, 224, 234, 236, 240,
245, 247, 281, 287, 289, 290, 297, 308; ii. 14 _note_ [2], 38,
43-48, 55, 57, 60, 64-68, 88, 91, 107, 108, 110, 111, 119, 122,
191;
letters from, i. 57, 98, 133, 139, 144, 177, 226 _note_ [49], 232;
letter from, to younger daughter, ii. 56
Leighton, Alexandra (sister), _see_ Orr
Leighton, Augusta (sister), _see_ Matthews
Leighton, Sir Baldwyn, letter from, i. 34
Leighton, Frederic, Lord--
Ancestry of, i. 34-36
Career, chronological sequence of--
birth, i. 36;
early travels, 37, 38;
education, 37-39, 41-42;
under Steinle's influence, 40-42;
first picture, 44;
studies in Brussels, Paris and Frankfort, 44;
visit to London, 45-48;
portrait painting, 46, 48, 51-53;
back to Frankfort, 48;
at Bergheim, 49;
in Holland, 54-55;
Italy, 72-83;
Rome, 95-96, 106 _et seq._, 161;
at Bad Gleisweiler, 134;
at Frankfort and Florence, 136;
return to Rome, 139;
at Lucca, 154 _note_ [28];
Frankfort, Venice, Florence and Rome, 154;
consultation with Graefe, 157;
success of "Cimabue's Madonna," 193;
in London, 222, 233;
in Paris, 235-237, 239 _et seq._;
to Frankfort and Italy, 281-285;
back to Rome, 289;
in Algiers, 18, 293-294, 297-304;
in Rome (1858), ii. 37;
in London, 43;
at 2 Orme Square, 47, 49;
volunteering activities, i. 11-14; ii. 55, 107, 111;
in Devonshire, 66;
visit to Mason, 89-90;
at Compiegne, 103-104;
the Lyndhurst fresco, 104-108, 110-112;
building of Leighton House, 114-117;
A.R.A., 118;
visit to Spain (1866), 128;
examiner at Victoria and Albert Museum (1866-1875), 212;
at Vichy (1869), 218 _note_ [56];
up the Nile, 131-187;
R.A. (1869), 123, 188;
visit to Damascus (1873), 205-209;
to Spain (1877), 209;
P.R.A. (1878), 223;
trustee of British Museum (1881), 256;
resigns volunteer commission (1883), 243-245;
made a baronet (1886), 289;
waning health, 241, 313, 318, 323, 324, 328;
visit to Spain (1889), ii. 238 _note_ [62];
foreign travel, 313-316;
Algiers, 318;
made a peer, 331;
fatal illness, 333-334;
death, 334
Characteristics of--
Actuality, sense of, i. 280; ii. 5, 26-27, 30
Art, passionate attachment to, i. 2, 16, 17; ii. 338-339
Beauty, love of, i. 59; ii. 2, 30, 328, 369
_Bonhomie_, ii. 330
Boyishness, ii. 317
Children, love of, ii. 192, 328, 370
Consistency, ii. 3, 21
Courage, ii. 317
Critical faculty, i. 217
Criticism, attitude towards, i. 179
Depression, liability to, i. 10
Duty, sense of, i. 250; ii. 21
Enthusiasm, i. 18, 41
Fastidiousness, ii. 5
Gratitude, ii. 266
Greek-like combination of qualities, i. 24-25, 59;
ii. 368, 377-378
Impartiality, i. 5
Industry and strenuousness, ii. 4, 207-208, 223, 369
Insight, rapidity of, i. 24
Intellectual brilliancy, i. 4, 23, 24, 210; ii. 2, 242
Kindness, i. 269; ii. 7, 90, 104, 242 _note_ [64]
Loyalty, i. 19; ii. 3, 8
Mastery of others, ii. 242-243 _and note_ [64]
Modesty, i. 8, 206, 280; ii. 16, 233, 265, 266
Music, love of, i. 108, 126
Oratorical powers, i. 5, 6, 29; ii. 233-234
Originality, ii. 5, 16
Selective faculty, predominant, i. 219 _note_ [47]; ii. 2
Sensitiveness, i. 31
Simplicity, i. 9
Sincerity, i. 8, 60, 92, 216
Smell and hearing, keen senses of, i. 72
Social charm, i. 8, 30
Society, general, distaste for, i. 166, 168, 222-223
Spontaneity, lack of, i. 246; ii. 1, 20, 233-234
Sympathy, i. 4-6, 9 _and note_ [4], 216
Thoroughness, ii. 20, 31, 208, 233
Unselfishness, ii. 266
Vitality, exuberance of, i. 59, 224
Will power, ii. 369
Diary ("Pebbles"), extracts from, i. 61-87, 198
Diary of Egyptian visit, ii. 133-187
Dignities and honours conferred on, ii. 380
Drawings by, _see that title_
Estimates of, by--
Anonymous, i. 60; ii. 29-30, 374
Browning, Robert, ii. 29 _note_ [6]
Costa, Prof. G., ii. 379
Crane, W., ii. 6-9
Dyer, Sir W.T., i. 219-221 _note_ [47]
East, A., ii. 266
Greville, H., i. 243
Kemble, Mrs., i. 264
Powers, Hiram, i. 39
Poynter, Sir E., ii. 242 _note_ [64]
Richmond, Sir W., i. 209; ii. 1-6
Riviere, Briton, i. 5, 129, 207, 250; ii. 21-22
Ruskin, J., i. 212
Thornycroft, H., i. 5-6, 13-14
Watts, G.F., i. 4, 7, 210; ii. 22
Frescoes by, ii. 104-108, 110-112, 203-204
Funeral of, i. 31-33; ii. 335-338
Health difficulties, i. 42, 59, 130, 169, 240, 241; ii. 22, 68;
eyesight trouble, i. 101, 111, 113, 123-124, 130, 131, 142, 157,
247, 309; ii. 22;
waning health, 313, 318, 323, 324, 328;
fatal disease, ii. 241, 302, 316, 333-334
Limitations in his art, i. 211-215
Methods of, ii. 12-15, 256, 293
Pictures by, _see that title_
Portrait of, ii. 259;
bust by Brock, 260 _and note_ [73], 364
Portraits by, _see that title_
Presidential addresses by, ii. 229-233, 235-241
Sketches by, ii. 257-259 _and note_ [71], 366-367, 371-372
Speeches by, ii. 241-247
Statuary by, ii. 198-200, 259-260
Leighton, Sir James (grandfather), i. 36
Leighton, Rev. Wm., i. 35
Leighton House--
Aims of committee of, ii. 378-379
Arab Hall, ii. 217-222, 365
Contents of, ii. 363-378
Preface to Catalogue of, ii. 362-379
Preliminaries to building of, ii. 115-116
Site of, ii. 114 _and note_ [32]
Style of, ii. 362-363
Leitch, i. 181
"Les Natchez," ii. 184
Leslie, Lady Constance, ii. 92;
quoted, i. 193
Leslie, Sir John, i. 164, 261, 262
Lewes, Mr., ii. 95, 100
Lewes, Marian E. (George Eliot), ii. 95;
letters from, 96-100
Lewis, Arthur, ii. 55, 92
Lindos, ii. 129, 148
Lindsay, Sir Coutts, ii. 286
Linton, ii. 286
Lister, Sir Joseph, ii. 338
Lister, Villers, i. 285
Listowel, Lord, ii. 92
Liszt, ii. 43 _note_ [13]
Liverpool, Leighton's speech at Art Congress at (1888), ii. 247,
341-361
Loch, Lady, quoted, i. 3-4; ii. 334
Lockhart, i. 176
Lougsor, ii. 143, 174, 175
Lucas, Charles, cited, ii. 362
Lugano, Lake of, i. 283
Lynn of Dee, ii. 261 _and note_ [74], 309
Lyon, Lord, ii. 76
Lyons, Bickerton, i. 146, 243
Mackail, ii. 333
Mackenzie, Sir A., ii. 338
MacWhirter, J., ii. 374
Maeterlinck, ii. 25, 27
_Magazine of Art_, reprint from, ii. 362 _and note_ [89], 379
Mahometans, ii. 146, 169-170
Malet, Sir E., ii. 316
Malinmore (Co. Donegal), ii. 311, 324-325 _and note_ [85]
Man, Isle of, art exhibition in, i. 3
Manchester Art Museum and Galleries, ii. 274-281
_Manchester Courier_, extract from, ii. 275-280
Maquay, Mrs., i. 134, 285
Mariani, ii. 294-295
Mario, i. 309; ii. 43
Marochetti, i. 176, 261
Marquand, Mr., i. 277; ii. 259 _note_ [72]
Marriage, Leighton's views on, ii. 56
Massarani, Sig. Tullio, ii. 214
Mason, George, i. 32, 164, 286; ii. 66, 118;
Leighton's relations with, i. 193; ii. 89-90, 266
Matthews, Mrs. (Augusta N. Leighton), birth of, i. 36;
Leighton's advice to, on musical studies, 91-92, 97-98;
extracts from diary of, 233, 241;
in Leighton's last illness, ii. 333-334;
at the funeral, ii. 338;
letters to, i. 97, 182;
ii. 52, 64, 85, 90, 117, 216, 223, 309, 313, 315;
letter from Mrs. Leighton to, ii. 56;
otherwise mentioned, i. 76, 87, 99, 105, 145, 169, 181;
ii. 65, 95, 304, 316, 326, 363
May, Phil, ii. 32
Medinet Haboo, ii. 164
Meissonier, ii. 214
Melbourne, art exhibition in, i. 3-4
Meli, Signor, i. 37
Mendelssohn, Frau, i. 56
Meran, i. 71, 89, 282
Meynell, Wilfrid, ii. 321, 364
Middleburgh, i. 63
Millais, Sir J., Leighton's estimate of, ii. 67, 68;
flower painting by, i. 220;
"Needless Alarms" given to, ii. 260;
letter from, 230;
otherwise mentioned, i. 187 _note_ [34], 221, 234, 254;
ii. 60, 87, 118, 319, 322, 338, 368
Millet, Jean Francois, i. 241
Mills, Sir Charles, i. 4
Mills, Miss Mabel (Hon. Mrs. Grenfell), portrait of, ii. 197
Minyeh, ii. 135-136
Monbrison, George de, ii. 41
Monson, Lady, i. 244
Montfort, i. 243, 249; ii. 39;
cited, 46
Moor scenery, ii. 308-309, 311
Moorish interior, i. 301;
music, 303
Morants, ii. 66
Morlaix, ii. 324
Morley, Rt. Hon. John, letter from, ii. 331
Morny, i. 243
Morris, William, ii. 220
Mortlake, M.C., ii. 120 _note_ [35]
Music--
Italian, i. 167
Leighton's feeling for, i. 100, 182; ii. 6;
his singing, i. 140-141, 169-170;
his yearly gatherings, ii. 216-217;
his speech at the Joachim celebration, ii. 245-247
Monday popular concerts, ii. 216
Moorish, i. 303
Mustafa Aga, ii. 143-144, 165, 172
Napier, Lord, ii. 325
Naples, Leighton's visit to (1859), ii. 41
Nash, Mr. and Mrs., i. 224
Neville, Lady Dorothy, ii. 111, 114
Nettleship, ii. 114
Nias, Lady, _see_ Laing, Isabel
Nicholson, ii. 55
Nordau, Leighton's estimate of, ii. 326-327
North, Miss, i. 220
Norton, Hon. Mrs., letter from, ii. 10 _note_ [1]
Novello, Clara, ii. 43
Nubians, ii. 150
Oakes, i. 96, 108
_Obiter Dicta_ (Birrell), ii. 304-305
O'Conor, ii. 226
Ogle, Miss, ii. 38
Old Masters--
Leighton's attitude towards, i. 230
Winter Exhibitions of, ii. 214
Oppenheim, i. 56
Orcagna, i. 225
Ordway, Mr., ii. 69, 71, 74, 75, 83
Orr, Col. Sutherland, i. 3 _note_ [2], 300, 309
Orr, Mrs. Sutherland (Alexandra Leighton), birth of, i. 36;
marriage of, 3 _note_ [2];
in India, 300 _and note_ [70], 306, 309;
widowed, ii. 50;
portrait of, 54, 57, 61;
in Leighton's last illness, 333-334;
at the funeral, 338;
work on Browning by, 314 _and note_ [83];
letters to, i. 18, 19, 22 _note_ [8], 302;
ii. 240, 304, 307, 310, 311, 319, 322, 325, 326;
otherwise mentioned, i. 42, 44, 46, 99, 126, 183;
ii. 45, 211, 273, 315, 363
"Orphee," ii. 52-53 _and note_ [14]
Ouless, W.W., i. 4
Overbeck, i. 96, 116, 132-133, 189, 190, 192;
Leighton's estimate of, 113-114;
Steinle's, 121
Paestum, ii. 50
Paget, Sir James, ii. 313
Palmer, ii. 55
Panshanger, ii. 92
Pantaleone, Dr., i. 169; ii. 52
Paris, Comtesse de, telegram from, ii. 321
Parry, Gambier, ii. 105, 299-301;
letter from, 108
Pasta, i. 267-268
Pasteur, W., letter from, ii. 244 _note_ [66]
Pattison, Mrs. Mark, letters to, i. 16, 27, 302; ii. 118, 128, 209,
303
"Pebbles," _see under_ Leighton--Diary
Perry, Walter Copland, ii. 287-288 _and note_ [79]
Persian tiles, ii. 364-365
Perugia, ii. 19
Perugini, Carlo, i. 236, 237, 241; ii. 55
Petre, i. 290
Pheidias, i. 224
Philipson, Mr., ii. 364
Phipps, Hon. Col., i. 265, 267, 282, 290
Phipps, Hon. Mrs., ii. 40
Photography, i. 202-206;
of masterpieces, ii. 277
Phylae, ii. 150-151, 154-155, 167
Piatti, ii. 228
Pictures by Leighton--
"And the Sea gave up ...," ii. 193
"Antique Juggling Girl, The," ii. 194-195, 205 _note_ [53]
"Ariadne abandoned by Theseus," ii. 370
"Atalanta," ii. 262-263
"Bath of Psyche, The," ii. 257
"Byzantine Well," ii. 42 _and note_ [12]
"Captive Andromache," ii. 370
"Cimabue finding Giotto in the Fields of Florence," i. 56
"Cimabue's Madonna"--
Description of, i. 173
Estimate of, i. 185-186;
by Richmond, 186;
by Ruskin, 186 _note_ [34]; ii. 367;
by Rossetti, i. 187 _note_ [34]
Exhibition of, in Rome, i. 177, 180;
at Leighton House (1900), i. 185
Holes in, i. 260 _and note_ [59], 282-283, 290
Success of, i. 32, 193; ii. 367
Work on, i. 128-130, 135-136, 141, 145, 148-151, 155, 175, 179,
184-186
"Cleoboulos Instructing his Daughter Cleobouline," ii. 192
"Clytemnestra Watching from the Battlements of Argos," ii. 195
_and note_ 46, 205 _note_ [53], 366
"Clytie," ii. 96, 263, 327
"Condottiere, A," ii. 193
"Crossbowman, The," ii. 119
"Cymon and Iphegenia," i. 25; ii. 258 _and note_ [70], 259
"Daedalus and Icarus," ii. 188, 189
"Dante at Verona," ii. 114, 123 _and note_ [38]
"Daphnephoria, The," ii. 195-197
"Death of Brunelleschi, The," i. 55-56
"Duel between Romeo and Tybalt, The," i. 56
"Duet" (small "Johnnie"), ii. 85 _note_, 88, 123
"Eastern King, The," ii. 86-88, 107
"Egyptian Slinger," ii. 370
"Electra at the Tomb of Agamemnon," ii. 188, 189, 370
"Elijah in the Wilderness," ii. 188, 256
"Eucharis," ii. 9, 108, 119 _and note_ [34]
"Fisherman and the Syren, The," ii. 36 _and note_ [8], 62
"Flaming June," ii. 262-263
"Francesca," ii. 57, 59 _note_ [18]
"Girl feeding Peacocks," ii. 119 _and note_ [33]
"Golden Hours," ii. 9, 114
"Greek Girl Dancing," ii. 193
"Greek Girls Picking up Pebbles," ii. 192
"Helen of Troy," ii. 125 _and note_ [39]
"Helios and Rhodos," ii. 188
"Heracles Wrestling with Death for the Body of Alcestis,"
ii. 189-191, 370
"Honeymoon, The," ii. 114, 123
Improvement in, by keeping, ii. 258 _note_ [70]
"In a Moorish Garden," ii. 194, 205 _note_ [53]
"Industrial Arts of Peace, The," ii. 193-194, 202
"Industrial Arts of War, The," ii. 193-194, 224
Landscapes in Oil, i. 208
"Lieder ohne Worte," ii. 17 _and note_ [3], 57, 58 _note_ [16], 60
_note_ [19], 61-63, 65, 367
List of, ii. 381-392
"Michael Angelo Nursing his Dying Servant," ii. 86-88, 93,
105-107, 370
"Music Lesson," ii. 197
"Nanna, La," ii. 39-41, 48
"Nausicaa," ii. 200-201
"Negro Festival, A," i. 302; ii. 44-47
"Neruccia," ii. 256, 257
"Nile Woman, A," ii. 189
"Noble Lady of Venice, A," ii. 10
"Plague in Florence," ii. 370
"Psyche," ii. 368
Number of, during Presidency, ii. 257
"Odalisque," ii. 87, 88
"Old Damascus," ii. 205 _and note_ [53]
"Orpheus," _see subheading_ "Triumph of Music"
"Othello and Desdemona," i. 44
"Pan," i. 249, 258, 278;
in America, i. 300; ii. 45-46
"Paolo and Francesca," ii. 63, 76-77
"Persephone," i. 220
"Perseus and Andromeda," ii. 198
Perugini, Carlo, head of, i. 237
Poetry in, i. 211; ii. 29 _and note_ [6]
"Reconciliation of the Montagues and Capulets"--
America, in, i. 300; ii. 46
Criticism of, i. 287 _note_ [68]
France, in, i. 235
Sale of, i. 289
mentioned, i. 141, 176
"Romeo," _see subheading_ "Reconciliation"
"Romeo and Juliet," ii. 36 _and note_ [8]
"Rustic Music" (large "Johnnie"), ii. 85 _note_ [22], 86, 88
"S. Jerome," ii. 188
"Salome, the Daughter of Herodias," i. 308; ii. 119 _and note_ [35]
"Samson and Delilah," ii. 39, 47, 74
"Sea Echoes," ii. 87 _and note_ [24], 88
"Solitude," ii. 260-261 _and note_ [74]
"Spirit of the Summit, The," i. 10
"Study," ii. 197
"Summer Moon," ii. 192-193, 366
"Sunrise--Capri," ii. 53
"Syracusan Bride ..., A," ii. 10 _and note_ [1], 124
Texture of, ii. 93
"Triumph of Music, The"--
Failure of, i. 246-249
"Sketches of Orpheus," i. 278
Subject of, i. 244-245
mentioned, i. 236, 238, 257; ii. 46, 114
"Venus," i. 249, 258-259, 278, 287 _note_ [68];
in America, i. 300; ii. 45-46
"Venus disrobing for the Bath," ii. 368
Vision of Mrs. Sandbach, ii. 54 _and note_ [15], 56, 57, 58 _note_
"Weaving the Wreath," ii. 194
"Wedded," ii. 29 _note_ [6]
"Winding the Skein," ii. 201, 368
Pisano, Nicolo, i. 227
Pocock, ii. 87
Pollington, Lady, i. 115;
portrait of, 54
Portraits by Leighton--
Ashburton, Lord, ii. 123 _and note_ [37]
Bentinck, Count, family of, i. 49, 52
Burton, Sir R., ii. 195, 196
Costa, Giovanni, ii. 256
Cowley, Lady, and family, i. 48-49, 53
Cowper, Lord, ii. 88
Guthrie, Mrs. James, ii. 10 _note_ [1], 114
I'Anson, Mr., i. 46
Mills, Miss Mabel, ii. 197
Pollington, Lady, i. 54
Walker, Mrs. Hanson, i. 251 _note_ [57]
Powers, Hiram, i. 114;
estimate of Leighton by, i. 39
Poynter, Sir E., i. 164;
estimate of Leighton by, ii. 242 _note_ [64]
Prange, Mr., i. 4
Pre-Raphaelites--
Burne-Jones distinguished from, ii. 25;
Leighton's estimate of, i. 289;
his relations with, ii. 52
Pullen, Miss (Dorothy Dene), ii. 267-274
Pullen, Lina, ii. 268
Quilter, Sir Cuthbert, ii. 258 _note_ [70]
Rafaello, i. 162 _and note_ [31], 163
Ravaschieri, Duchessa, i. 167
Rawnsley, Canon, ii. 372
Redesdale, Lord, i. 121
Reeves, Sims, ii. 44
Reston, i. 268
Rhapsodist performance, i. 303-304
Rhoden, i. 133
Rhodes Island, ii. 129-130, 148
Rhys, Ernest, cited, ii. 232 _note_ [61]
Ricardo, Puliza, ii. 46
Richmond, George, ii. 255;
letter from, 312
Richmond, Sir Wm. B., i. 186, 220; ii. 55;
estimate of Leighton by, i. 209; ii. 1-6
Ristori, i. 242-243
Ritchie, Miss, ii. 217
Ritchie, Mrs. Richard, quoted, i. 194 _note_ [36]; ii. 43 _note_ [13]
Riviere, Briton, estimate of Leighton by, i. 5, 129, 207, 250;
ii. 21-22;
quoted, i. 216; ii. 233-234, 317;
letter from, ii. 230;
letters to, ii. 318, 324
Roberts, Dr., ii. 241, 315, 316, 329
Roman Catholic faith, i. 66
Rome--
Art, influence on, i. 147, 188, 191
Cafe Greco, i. 162 _note_ [31]
Leighton's early studies in, i. 37
Steinle's estimate of, i. 280-281
_Romola_, Leighton's illustrations for, ii. 95-102, 121
Rosebery, Lord, ii. 372
Ross, Mr., ii. 132
Ross, Mrs., ii. 8
Rossetti, D.G., i. 278; ii. 118, 288;
quoted, i. 187 _note_ [34]; ii. 60 _note_ [19], 191, 368
Rossetti, Wm., ii. 45-46, 58
Rossini, i. 166-167
Royal Academy--
Attacks on, ii. 8
Chantry Bequest, terms of, ii. 251-253
Codification Committee, ii. 254-255
Constitution of, ii. 248-251 _note_ [67]
Exhibitions of--
Burlington House, at, ii. 201
Colour, as test of, ii. 88
Winter, of Old Masters, ii. 214
Leighton an Associate of, ii. 118;
member, 123, 188;
President, ii. 223;
his speeches at banquets of, ii. 241-243 _and notes_ [64 and 65];
his bequest to, ii. 333
Pension question, ii. 252-253, 255
Presidency of, ii. 231 _note_ [61]
Treasurership of, ii. 249 _note_ [67]
Tresham case, ii. 248-250 _note_ [67]
Women, question of admission of, to membership, ii. 247-248
_and note_ [67]
Ruskin, John, estimate by, of "Cimabue's Madonna," i. 186 _note_ [34];
ii. 367;
of Leighton, i. 212; ii. 373;
on "A Lemon Tree," ii. 41;
on the Lyndhurst fresco, ii. 112;
letters from, ii. 42, 120-121;
otherwise mentioned, i. 201 _note_ [42], 220, 234, 245, 247, 257;
ii. 59, 377
Russell, Odo (Lord Ampthill), ii. 38, 40, 52
Russell, Lady William, letters from, ii. 215, 216
S. Francis of Assisi, quoted, i. 22 _note_ [10]
Salisbury, ii. 67
Salisbury, Lord, ii. 338
Samuelson, Right Hon. Sir Bernard, ii. 190 _note_ [42]
Sandbach, Mrs., ii. 54 _and note_ [15], 56
Sartoris, Hon. Mrs. Alfred, letter from, ii. 88 _and note_ [25];
quoted, 104
Sartoris, Edward, Leighton's friendship with, i. 124, 126;
illness of, i. 263, 266, 267;
otherwise mentioned, i. 28, 147, 240, 241, 245, 257, 310;
ii. 46, 52, 66, 68
Sartoris, Mrs. (Adelaide Kemble), Leighton's friendship with,
i. 27-28, 124, 126-128, 149, 166, 168, 176, 181, 183, 194, 250,
289;
estimates of, i. 126-128;
portrait of, i. 172, 184, 232;
intimates of, i. 183;
personal appearance of, i. 183;
Mrs. Ritchie's account of, i. 194 _note_ [36];
extract from early diary of, 195-196 _note_ [36];
Leighton's family's appreciation of, i. 232-233;
"A Week in a French Country House" by, ii. 103;
illness of, ii. 191-192;
letter from, to Greville, i. 266;
to Mrs. Leighton, ii. 61;
otherwise mentioned, i. 146, 147, 182, 234, 240-245, 247, 251
_note_ [56], 258, 260-265, 278; ii. 43 _and note_ [13], 52, 57,
66, 68, 81, 217, 218, 239 _note_ [62]
Saunders, Mr. Bailey, letter to, ii. 305
Scarborough Borough Council, messages from, ii. 225, 331
Schaeffer, i. 116
Scheffer, Ary, i. 245 _and note_ [55], 249; ii. 46
Schlemmer, Dr., i. 56
Schlosser, Frau Rath, i. 64, 190
Schwind, i. 293
Scottish rivers and scenery, ii. 261-262, 308-309
Sculpture, Leighton's view on, i. 6, 69, 88-89;
his work in, ii. 198-200, 259-260
Selim, Sheykh, ii. 141-143, 179
Sermoneta, Duke, i. 169
Servolini, i. 38, 39
Seville, ii. 210
Shakespear, illustration of, ii. 113
Shaw, Norman, letter from, ii. 239
Sheik Boran Bukh, letter to, i. 306;
letter from, 307
Shelley, ii. 307
Shields, Frederick, ii. 299
Si Achmet, Syed, ii. 173, 174, 176, 177
Siddons, Mrs., i. 268
Siena, Leighton at the Duomo fire in, ii. 242 _note_ [64]
Simon, John, ii. 42
Smith, George, ii. 364
Society, i. 166, 222-223
Sohag, ii. 140, 159
Somers, Lord, ii. 213
"Souls," the, ii. 25
South London Fine Art Gallery, ii. 8
Spain, Leighton's visit to (1866), ii. 128;
(1887), ii. 209;
(1889), 238 _note_ [62]
Spanish language, Leighton's mastery of, ii. 238 _note_ [62]
Speke, ii. 172
Spencer, Lord and Lady, ii. 92
Sphinx, ii. 146
Spielmann, M., letter to, ii. 12
Spottiswoode, Wm., letter from, ii. 216 _note_ [54]
Stanton, Col., ii. 131-132
Statuary, _see_ Sculpture
Steinle, Eduard von, influence of, on Leighton, i. 27, 92, 215, 250;
ii. 303;
Leighton's tribute to, i. 61;
list of Florentine paintings recommended by, for study,
i. 225-226;
with Leighton (1856), i. 281-282;
water-colour by, i. 291 _note_ [69];
portrait of (_Der Winter_), ii. 303-304;
estimate of, i. 40-42;
death of, ii. 303;
letters to, i. 22 _note_ [9], 87, 118, 119, 130, 134, 150,
154, 157, 172, 187, 190, 193, 215, 233, 237, 238, 279, 284,
291-296, 304, 305; ii. 11, 49, 50, 53, 63, 64, 91, 105, 106,
112, 188, 201;
letters from, i. 116, 120, 151, 189, 280; ii. 127, 224, 302;
otherwise mentioned, i. 24, 56, 64-65, 86, 113, 129, 136
Stephens, ii. 59, 87
Sterlings, ii. 133, 135, 182
Stevens, Alfred, Wellington monument by, ii. 286-287
Storey, W.W., ii. 7
Strafford, Alice, Countess of, i. 251 _note_ [56]
Strangford, Lady, ii. 222 _note_ [57]
Stratford de Redcliffe, Lady, ii. 40
Strauch, i. 238
Stretton, i. 34
Style, ii. 4, 376
Sunrise, i. 79
Sunset, i. 170
Swinburne, A.C., letter from, ii. 307;
tribute of, ii. 339;
quoted, ii. 218 _note_ [56]
Symons, Arthur, quoted, ii. 23-24
Syoot, ii. 137-140
Tadema, Alma, i. 220
Talfourd, ii. 55
Tangiers, ii. 209-210
Tate, Sir Henry, ii. 259
Tate Gallery, founding of, ii. 284-286
Taylor, Tom, i. 300; ii. 58
Temple, A.G., ii. 364;
quoted, 366
Tennyson, ii. 66
Terry, Ellen, ii. 271 _note_ [77]
Thackeray, Miss, ii. 43, 92
Thackeray, W.M., i. 176
Thompson, Sir E., ii. 338
Thorley, Mrs. Anne, quoted, i. 36
Thornycroft, Hamo, ii. 376;
estimate of Leighton by, i. 5-6, 13-14
Titian, i. 225; ii. 11
Tintoretto, ii. 26
Tree, Beerbohm, ii. 271
Troyon, i. 245
Turkish children, ii. 168
Tunnicliffe, Dr., ii. 319
Tupper, Martin F., letters from, ii. 125 _note_ [39]
Turner, ii. 121
Tyrolese scenery and peasantry, i. 66-69, 71, 198
Ulm, i. 65
Underhill, Mr., quoted, ii. 231 _note_ [61]
Valletort, Lady Katharine, ii. 92
Valletort, Lord, ii. 92
Van Eycke, ii. 32
Van Haanen, cited, ii. 301
Vandyke, i. 54
Vaughan, Kate, ii. 25
Velasquez, ii. 235-238
Venetians, i. 82-83
Venice (1852), i. 77-82, 88;
(1856), 283, 285;
after Athens, ii. 131
Verdi, i. 268
Verona, i. 72, 73, 75
Viardot, Madame, ii. 52-53 _and note_ [14], 217
Vibert, ii. 301, 302
Vichy, ii. 218 _note_ [56]
Victoria, Queen, "Cimabue's Madonna" bought by, i. 187 _note_ [34],
193, 195, 222;
on Prince Consort's death, ii. 85, 86;
medallion for Jubilee of, ii. 288;
otherwise mentioned, i. 261, 263, 265, 276
Victoria and Albert Museum--
Decoration of, ii. 202-204;
Leighton examiner at, ii. 212
Volunteering, Leighton's activities in, i. 11-14; ii. 86, 107, 111;
his retirement (1883), ii. 243-245
Vyner, Mr. Clare, ii. 92
Walker, John Hanson ("Johnny"), Leighton's friendship with, i. 251
_and note_ [57];
paintings from, ii. 85 _and note_ [22];
letters to, i. 269-277
Walker, Mrs. J.H., portrait of, i. 251 _note_ [57], 273 _and note_ [66]
Wall-painting, i. 296-297, 305
Walpole, Mr. and Mrs. Henry, i. 115
Walton, Frank, i. 4
Wantage, Lady, ii. 18 _note_ [4]
Ward, J., cited, ii. 201 _note_ [52]
Waterhouse, A., ii. 366
Watney, Mrs. James, ii. 364
Watson, Wm., letters from, ii. 321
Watts, G.F., estimate of Leighton by, i. 4, 7, 210; ii. 22;
Leighton's estimate of, ii. 18;
views on the province of art, 23-24;
theory on rendering of truth, 31;
Leighton's friendship with, i. 224 _and note_ [48];
compared with Leighton, 230-231;
portraits of "Dorothy Dene," ii. 269 _note_ [75];
Hollyer's photographs from, 288;
baronetcy declined by, 289;
picture presented by, to Leighton House, 366;
letter from, i. 231;
quoted, 208; ii. 198 _note_ [49], 259, 366;
cited, ii. 192, 194 _note_ [45];
otherwise mentioned, i. 144, 258, 260-262;
ii. 57, 119, 258-259, 264, 298
Wellington, Duke of, i. 168-169;
Stevens' monument of, ii. 286-287
Wells, Henry, letters from, ii. 248 _note_ [67], 250 _note_ [67];
letters to, 249-255 _and note_ [67], 286, 287, 318, 322, 329
Westbury, ii. 74
Westminster, architecture in, i. 87
Whistler, i. 241; ii. 32
Wilkinson, Gardiner, cited, ii. 160
Willig, i. 291
Wilson, Herbert, i. 237, 240
Wonista, Mrs., ii. 181
Woolfe, Henry, ii. 114
Woeredle, i. 295
Wright, Dr. William, quoted, ii. 206
Yeames' "Arthur and Hubert," ii. 283
Zanetti, i. 39
Zermatt, ii. 315
THE END
Printed by BALLANTYNE, HANSON & CO.
Edinburgh & London
ERRATA
Page 41, note 2, _for_ "soeuer," _read_ "soeur."
Page 148, line 21, _for_ "Lindas," _read_ "Lindos."
Page 260, line 16, _for_ "Rispah," _read_ "Rizpah."
Page 316, line 1, _for_ "altmodish," _read_ "altmodisch."
Page 320, line 34, _for_ "men-schlich," _read_ "mensch-lich."
Page 301, line 10, _for_ "Gambia Parry," _read_ "Gambier Parry."
* * * * *
+------------------------------------------------------------+
| Typographical errors corrected in text: |
| |
| Page 14: "This arrangement, if effected" replaced with |
| "This arrangement, is effected" |
| Page 46: "a quarelle" replaced with "aquarelle" |
| Page 69: RIVERE HOUSE replaced with REVERE HOUSE |
| Page 69: Mr. Caleot replaced with Mr. Cabot |
| Page 129: Mr. Bileith replaced with Mr. Biliotti |
| Page 131: 1878 replaced with 1868. (Grant and Colfax, |
| mentioned later in the diary, were elected in |
| 1868, not 1878.) |
| Page 133: 1878 replaced with 1868. (see above) |
| Page 145: Koorveh replaced with Koorneh |
| Page 183: fastastic replaced with fantastic |
| Page 192: "Cleaboulos Instructing his Daughter Cleabouline"|
| replaced with |
| "Cleoboulos Instructing his Daughter Cleobouline"|
| Page 194: Cleabouline replaced with Cleobouline |
| Page 197: Cleabouline replaced with Cleobouline |
| Page 201: Cleabouline replaced with Cleobouline |
| Page 207: delighful replaced with delightful |
| Page 209: aficimado replaced with aficionado |
| Page 233: spontanteous replaced with spontaneous |
| Page 236: sociel replaced with social |
| Page 241: Gussey replaced with Gussy |
| Page 294: 'Are there differents kinds' replaced with |
| 'Are there different kinds' |
| Page 320: mensch-lich replaced with menschlich (the errata |
| includes the hyphen because it spans two lines) |
| Page 345: heirarchy replaced with hierarchy |
| Page 347: "a vivid scene of abstract beauty" replaced with |
| "a vivid sense of abstract beauty" |
| Page 382: Keat's replaced with Keats' |
| Page 384: OEthra replaced with AEthra |
| Page 385: Longsor replaced with Lougsor |
| Page 386: 1886. *The Daphnephoria. replaced with |
| 1876. *The Daphnephoria. |
| Page 386: Oeolians replaced with Aeolians |
| Page 387: 1889. Catarina. replaced with 1879. Catarina. |
| Page 389: Hichins replaced with Hichens |
| Page 391: Mont replaced with Moute |
| Page 396: 'Garcia, Senor' replaced with 'Garcia, Senor' |
| Page 402: Phylae replaced with Phylae |
| |
| Note that the date "Friday, 28th" on page 147 is out of |
| order. By checking the dates it clearly should be the 23rd,|
| which is confirmed with the date Wednesday, 28th on page |
| 153. This has been corrected to "Friday, 23rd" in the text.|
| "Friday Evening" on page 152 has been corrected to |
| "Tuesday Evening" by the same logic. |
| |
| Words that are not errors: |
| |
| Page 9: distrest. |
| Page 27: subtile. |
| Page 31: scumble. |
| Page 32: subtilty. |
| Page 47: the phrase 'tol-lol!' is 19th century slang for |
| pretty good. |
| Page 198: tres. |
| Page 236: euphuism. |
| Page 320: fribbled. |
| Page 347: shapliness. |
| |
+------------------------------------------------------------+
* * * * *