See A. Venturi, _I Caracci e la loro scuola_, 1895. (W. M. R.)

CARACCIOLO, FRANCESCO, PRINCE (1732-1799), Neapolitan admiral and

revolutionist, was born on the 18th of January 1732, of a noble

Neapolitan family. He entered the navy and learned his seamanship under

Rodney. He fought with distinction in the British service in the

American War of Independence, against the Barbary pirates, and against

the French at Toulon under Lord Hotham. The Bourbons placed the greatest

confidence in his skill. When on the approach of the French to Naples

King Ferdinand IV. and Queen Mary Caroline fled to Sicily on board

Nelson's ship the "Vanguard" (December 1798), Caracciolo escorted them

on the frigate "Sannita." He was the only prominent Neapolitan trusted

by the king, but even the admiral's loyalty was shaken by Ferdinand's

cowardly flight. On reaching Palermo Caracciolo asked permission to

return to Naples to look after his own private affairs (January 1799).

This was granted, but when he arrived at Naples he found all the

aristocracy and educated middle classes infatuated with the French

revolutionary ideas, and he himself was received with great enthusiasm.

He seems at first to have intended to live a retired life; but, finding

that he must either join the Republican party or escape to Procida, then

in the hands of the English, in which case even his intimates would

regard him as a traitor and his property would have been confiscated, he

was induced to adhere to the new order of things and took command of the

republic's naval forces. Once at sea, he fought actively against the

British and Neapolitan squadrons and prevented the landing of some

Royalist bands. A few days later all the French troops in Naples, except

500 men, were recalled to the north of Italy.

Caracciolo then attacked Admiral Thurn, who from the "Minerva" commanded

the Royalist fleet, and did some damage to that vessel. But the British

fleet on the one hand and Cardinal Fabrizio Ruffo's army on the other

made resistance impossible. The Republicans and the 500 French had

retired to the castles, and Caracciolo landed and tried to escape in

disguise. But he was betrayed and arrested by a Royalist officer, who on

the 29th of June brought him in chains on board Nelson's flagship the

"Foudroyant." It is doubtful whether Caracciolo should have been

included in the capitulation concluded with the Republicans in the

castles, as that document promised life and liberty to those who

surrendered before the blockade of the forts, whereas he was arrested

afterwards, but as the whole capitulation was violated the point is

immaterial. Moreover, the admiral's fate was decided even before his

capture, because on the 27th of June the British minister, Sir W.

Hamilton, had communicated to Nelson Queen Mary Caroline's wish that

Caracciolo should be hanged. As soon as he was brought on board, Nelson

ordered Thurn to summon a court martial composed of Caracciolo's former

officers, Thurn himself being a personal enemy of the accused. The court

was held on board the "Foudroyant," which was British territory--a most

indefensible proceeding. Caracciolo was charged with high treason; he

had asked to be judged by British officers, which was refused, nor was

he allowed to summon witnesses in his defence. He was condemned to death

by three votes to two, and as soon as the sentence was communicated to

Nelson the latter ordered that he should be hanged at the yard-arm of

the "Minerva" the next morning, and his body thrown into the sea at

sundown. Even the customary twenty-four hours' respite for confession

was denied him, and his request to be shot instead of hanged refused.

The sentence was duly carried out on the 30th of June 1799.

Caracciolo was technically a traitor to the king whose uniform he had

worn, but apart from the wave of revolutionary enthusiasm which had

spread all over the educated classes of Italy, and the fact that treason

to a government like that of the Neapolitan Bourbons could hardly be

regarded as a crime, there was no necessity for Nelson to make himself

the executor of the revenge of Ferdinand and Mary Caroline. His greatest

offence, as Captain Mahan remarks (_Life of Nelson_, i. 440), was

committed against his own country by sacrificing his inalienable

character as the representative of the king of Great Britain to his

secondary and artificial character as delegate of the king of Naples.

The only explanation of Nelson's conduct is to be found in his

infatuation for Lady Hamilton, whose low ambition made her use her

influence over him in the interest of Queen Mary Caroline's malignant

spite.

AUTHORITIES.--Besides the general works on Nelson and Naples, such as

P. Colletta's _Storia del Reame di Napoli_ (Florence, 1848), there is

a large amount of special literature on the subject. _Nelson and the

Neapolitan Jacobins_ (Navy Records Society, 1903), contains all the

documents on the episode, including those incorrectly transcribed by

A. Dumas in his _Borboni di Napoli_ (Naples, 1862-1863), with an

introduction defending Nelson by H.C. Gutteridge; the work contains a

bibliography. The case against Nelson is set forth by Professor P.

Villari in his article "Nelson, Caracciolo, e la Repubblica

Napolitana" (_Nuova Antologia_, 16th February 1899); Captain A.T.

Mahan has replied in "The Neapolitan Republic and Nelson's Accusers"

(_English Historical Review_, July 1899), "Nelson at Naples" (_ibid._,

October 1900), and "Nelson at Naples" (_Athenaeum_, 8th July 1899);

see also F. Lemmi, _Nelson e Caracciolo_ (Florence, 1898); C.

Giglioli, _Naples in 1799_ (London, 1903); Freiherr von Helfert,

_Fabrizio Ruffo_ (Vienna, 1882); H. Huffer, _Die neapolitanische

Republik des Jahres 1799_ (Leipzig, 1884). (L. V.*)

CARACOLE (a Fr. word, the origin of which is doubtful, meaning the

wheeling about of a horse; in Spanish and Portuguese _caracol_ means a

snail with a spiral shell), a turn or wheeling in horsemanship to the

left or right, or to both alternately, so that the movements of the

horse describe a zig-zag course. The term has been used loosely and

erroneously to describe any display of fancy riding. It is also used for

a spiral staircase in a tower.

CARACTACUS, strictly CARATACUS, the Latin form of a Celtic name, which

survives in Caradoc and other proper names. The most famous bearer of

the name was the British chieftain who led the native resistance to the

Roman invaders in A.D. 48-51, and was finally captured and sent to Rome

(Tac. _Ann._ xii. 33, Dio. lx.). Two old camps on the Welsh border are

now called Caer Caradoc, but the names seem to be the invention of

antiquaries and not genuinely ancient memorials of the Celtic hero.

CARADOC SERIES, in geology, the name introduced by R.I. Murchison in

1839 for the sandstone series of Caer Caradoc in Shropshire, England.

The limits of Murchison's Caradoc series have since been somewhat

modified, and through the labours of C. Lapworth the several members of

the series have been precisely defined by means of graptolitic zones.

These zones are identical with those found in the rocks of the same age

in North Wales, the Bala series (q.v.), and the terms Bala or Caradoc

series are used indifferently by geologists when referring to the

uppermost substage of the Ordovician System. The Ordovician rocks of the

Caradoc district have been subdivided into the following beds, in

descending order: the _Trinucleus_ shales, Acton Scott beds, Longville

flags, Chatwell and Soudley sandstones, Harnage shales and Hoar Edge

grits and limestone. In the Corndon district in the same county the

Caradoc series is represented by the Harrington group of ashes and

shales and the Spy Wood group beneath them; these two groups of strata

are sometimes spoken of as the Chirbury series. In the Breidden district

are the barren Criggeon shales with ashes and flows of andesite.

In the Lake district the Coniston limestone series represents the

Upper Caradocian, the lower portion being taken up by part of the

great Borrowdale volcanic series of rocks. The Coniston limestone

series contains the following subdivisions:--

Ashgill group (Ashgill shales and _Staurocephalus_ limestone).

Kiesley limestone.

Sleddale group (Applethwaite beds = Upper Coniston limestone

conglomerate; Yarlside rhyolite; stye end beds = Lower Coniston

limestone).

Roman Fell group (Corona beds).

The Dufton shales and Drygill shales are equivalents of the Sleddale

group.

Rocks of Caradoc age are well developed in southern Scotland; in the

Girvan district they have been described as the Ardmillan series with

the Drummock group and Barren Flagstone group in the upper portion,

and the Whitehouse, Ardwell and Balclatchie groups in the lower part.

Similarly, two divisions, known as the Upper and Lower Hartfell

series, are recognized in the southern and central area, in

Peeblesshire, Ayrshire and Dumfriesshire.

In Ireland the Caradoc or Bala series is represented by the limestones

of Portraine near Dublin and of the Chair of Kildare; by the

Ballymoney series of Wexford and Carnalea shales of Co. Down. In the

Lough Mask district beds of this age are found, as in Wales,

interstratified with volcanic lavas and tuffs. Other localities are

known in counties Tyrone, Meath and Louth, also in Lambay Island.

See ORDOVICIAN SYSTEM; also C. Lapworth, _Ann. and Mag. Nat. Hist._,

5th series, vol. vi., 1880; _Geol. Mag._, 1889; C. Lapworth and W.W.

Watts, _Proc. Geol. Assoc._, xiii., 1894; J.E. Marr, _Geol. Mag._,

1892; J.E. Marr and T. Roberts, _Q.J.G.S._, 1885; B.N. Peach and J.

Home, "Silurian Rocks of Great Britain," vol. I., 1899 (_Mem. Geol.

Survey_). (J. A. H.)

CARALES (Gr. [Greek: K['a]ralis], mod. _Cagliari_, q.v.), the most

important ancient city of Sardinia, situated on the south coast of the

island. Its foundation is generally attributed to the Carthaginians, and

Punic tombs exist in considerable numbers near the present cemetery on

the east and still more on the rocky plateau to the north-west of the

town. It first appears in Roman history in the Second Punic War, and

probably obtained full Roman civic rights from Julius Caesar. In

imperial times it was the most important town in the island, mainly

owing to its fine sheltered harbour, where a detachment of the _classis

Misenas_ was stationed. In the 4th and 5th centuries it was probably the

seat of the _praeses Sardiniae_. It is mentioned as an important harbour

in the Gothic and Gildonic wars. It was also the chief point of the road

system of Sardinia. Roads ran hence to Olbia by the east coast, and

through the centre of the island, to Othoca (Oristano) direct, and

thence to Olbia (probably the most frequented route), through the mining

district to Sulci and along the south and west coasts to Othoca. The

hill occupied by the Pisan fortifications and the medieval town within

them must have been the acropolis of the Carthaginian settlement; it is

impossible to suppose that a citadel presenting such natural advantages

was not occupied. The Romans, too, probably made use of it, though the

lower quarters were mainly occupied in imperial times. A. Taramelli

(_Notizie degli Scavi_, 1905, 41 seq.) rightly points out that the

nucleus of the Roman _municipium_ is probably represented by the present

quarter of the Marina, in which the streets intersect at right angles

and Roman remains are frequently found in the subsoil. An inscription

found some way to the north towards the amphitheatre speaks of paving in

the squares and streets, and of drains constructed under Domitian in

A.D. 83 (F. Vivanet in _Notizie degli Scavi_, 1897, 279). The

amphitheatre occupies a natural depression in the rock just below the

acropolis, and open towards the sea with a fine view. Its axes are

95-1/2 and 79 yds., and it is in the main cut in the rock, though some

parts of it are built with concrete. Below it, to the south, are

considerable remains of ancient reservoirs for rain-water, upon which

the city entirely depended. This nucleus extended both to the east and

to the west; in the former direction it ran some way inland, on the east

of the castle hill. Here were the _ambulationes_ or public promenades

constructed by the pro-consul Q. Caecilius Metellus before A.D. 6

(_Corp. Inscrip. Lat._ x., Berlin, 1883, No. 7581). Here also, not far

from the shore, the remains of Roman baths, with a fine coloured mosaic

pavement, representing deities riding on marine monsters, were found in

1907. To the east was the necropolis of Bonaria, where both Punic and

Roman tombs exist, and where, on the site of the present cemetery,

Christian catacombs have been discovered (F. Vivanet in _Notizie degli

Scavi_, 1892, 183 seq.; G. Pinza in _Nuovo Bullettino di Archeologia

Cristiana_, 1901, 61 seq.). But the western quarter seems to have been

far more important; it extended along the lagoon of S. Gilla (which lies

to the north-west of the town, and which until the middle ages was an

open bay) and on the lower slopes of the hill which rises above it. The

chief discoveries which have been made are noted by Taramelli (loc.

cit.) and include some important buildings, of which a large Roman house

(or group of houses) is the only one now visible (G. Spano in _Notizie

degli Scavi_, 1876, 148, 173; 1877, 285; 1880, 105, 405). Beyond this

quarter begins an extensive Roman necropolis extending along the edge of

the hill north-east of the high road leading to the north-west; the most

important tomb is the so-called Grotta delle Vipere, the rock-hewn tomb

of Cassius Philippus and Atilia Pomptilla, the sides of which are

covered with inscriptions (_Corpus Inscr. Lat._ x., Berlin, 1883, Nos.

7563-7578). Other tombs are also to be found on the high ground near the

Punic tombs already mentioned. The latter are hewn perpendicularly in

the rock, while the Roman tombs are chambers excavated horizontally. In

the lagoon itself were found a large number of terra cottas, made of

local clay, some being masks of both divinities and men (among them

grotesques) others representing hands and feet, others various animals,

and of _amphorae_ of various sizes and other vases. Some of the

_amphorae_ contained animals' bones, possibly the remains of sacrifices.

These objects are of the Punic period; they were all found in groups,

and had apparently been arranged on a platform of piles in what was then

a bay, in readiness for shipment (F. Vivanet in _Notizie degli Scavi_,

1893, 255). It is probable that the acropolis of Carales was occupied

even in prehistoric times; but more abundant traces of prehistoric

settlements (pottery and fragments of obsidian, also kitchen middens,

containing bones of animals and shells of molluscs used for human food)

have been found on the Capo S. Elia to the south-east of the modern town

(see A. Taramelli in _Notizie degli Scavi_, 1904, 19 seq.). An

inscription records the existence of a temple of Venus Erycina on this

promontory in Roman times. The museum contains an interesting collection

of objects from many of the sites mentioned, and also from other parts

of the island; it is in fact the most important in Sardinia, and is

especially strong in prehistoric bronzes (see SARDINIA).

For the Roman inscriptions see _C.I.L._ cit., Nos. 7552-7807.

(T. As.)

CARAN D'ACHE, the pseudonym (meaning "lead-pencil") of Emmanuel Poire

(1858-1909), French artist and illustrator, who was born and educated at

Moscow, being the grandson of one of Napoleon's officers who had settled

in Russia. He determined to be a military painter, and when he arrived

in Paris from Russia he found an artistic adviser in Detaille. He served

five years in the army, where the principal work allotted to him was the

drawing of uniforms for the ministry of war. He embellished a

short-lived journal, _La Vie militaire_, with a series of illustrations,

among them being some good-tempered caricatures of the German army,

which showed how accurately he was acquainted with military detail. His

special gift lay in pictorial anecdote, the story being represented at

its different stages with irresistible effect, in the artist's own

mannered simplicity. Much of his work was contributed to _La Vie

parisienne_, _Le Figaro illustre_, _La Caricature_, _Le Chat noir_, and

he also issued various albums of sketches, the _Carnet de cheques_,

illustrating the Panama scandals, _Album de croquis militaires et

d'histoire sans legendes_, _Histoire de Marlborough_, &c., besides

illustrating a good many books, notably the _Prince Kozakokoff_ of

Bemadaky. He died on the 26th of February 1909.

A collection of his work was exhibited at the Fine Art Society's rooms

in London in 1898. The catalogue contained a prefatory note by M.H.

Spielmann.

CARAPACE (a Fr. word, from the Span, _carapacho_, a shield or armour),

the upper shell of a crustacean, tortoise or turtle. The covering of the

armadillo is called a carapace, as is also the hard case in which

certain of the Infusoria are enclosed.

CARAPEGUA, an interior town of Paraguay, 37 m. S.E. of Asuncion on the

old route between that city and the missions. Pop. (est.) 13,000

(probably the population of the large rural district about the town is

included in this estimate). The town (founded in 1725) is situated in a

fertile country producing cotton, tobacco, Indian corn, sugar-cane and

mandioca. It has two schools, a church and modern public buildings.

CARAT (Arab. _Q[-i]r[-a]t_, weight of four grains; Gr. _[Greek:

ker['a]tion]_, little horn, the fruit of the carob or locust tree), a

small weight (originally in the form of a seed) used for diamonds and

precious stones, and a measure for determining the fineness of gold. The

exact weight of the carat, in practice, now varies slightly in different

places. In 1877 a syndicate of London, Paris and Amsterdam jewellers

fixed the weight at 205 milligrammes (3.163 troy grains). The South

African carat, according to Gardner Williams (general manager of the De

Beers mines), is equal to 3.174 grains (_The Diamond Mines of South

Africa_, 1902). The fineness of gold is measured by a ratio with 24

carats as a standard; thus 2 parts of alloy make it 22-carat gold, and

so on.

CARAUSIUS, MARCUS AURELIUS, tyrant or usurper in Britain, A.D. 286-293,

was a Menapian from Belgic Gaul, a man of humble origin, who in his

early days had been a pilot. Having entered the Roman army, he rapidly

obtained promotion, and was stationed by the emperor Maximian at

Gessoriacum (Bononia, _Boulogne_) to protect the coasts and channel from

Frankish and Saxon pirates. He at first acted energetically, but was

subsequently accused of having entered into partnership with the

barbarians and was sentenced to death by the emperor. Carausius

thereupon crossed over to Britain and proclaimed himself an independent

ruler. The legions at once joined him; numbers of Franks enlisted in his

service; an increased and well-equipped fleet secured him the command of

the neighbouring seas. In 289 Maximian attempted to recover the island,

but his fleet was damaged by a storm and he was defeated. Maximian and

Diocletian were compelled to acknowledge the rule of Carausius in

Britain; numerous coins are extant with the heads of Carausius,

Diocletian and Maximian, bearing the legend "Carausius et fratres sui."

In 292 Constantius Chlorus besieged and captured Gessoriacum (hitherto

in possession of Carausius), together with part of his fleet and naval

stores. Constantius then made extensive preparations to ensure the

reconquest of Britain, but before they were completed Carausius was

murdered by Allectus, his praefect of the guards (Aurelius Victor,

_Caesares_, 39; Eutropius ix. 21, 22; Eumenius, _Panegyrici_ ii. 12, v.

12). A Roman mile-stone found near Carlisle (1895) bears the inscription

IMP. C[aes] M. AUR[elius] MAUS. The meaning of MAUS is doubtful, but it

may be an anticipation of ARAUS (see F.J. Haverfield in _Cumberland and

Westmoreland Antiquarian Soc. Transactions_, 1895, p. 437).

A copper coin found at Richborough, inscribed _Domino Carausio Ces._,

must be ascribed to a Carausius of later date, since the type of the

reverse is not found until the middle of the 4th century at the

earliest. Nothing is known of this Carausius (A.J. Evans in _Numismatic

Chronicle_, 1887, "On a coin of a second Carausius Caesar in Britain in

the Fifth Century").

See J. Watts de Peyster, _The History of Carausius, the Dutch

Augustus_ (1858); P.H. Webb, _The Reign and Coinage of Carausius_

(1908).

CARAVACA, a town of south-eastern Spain, in the province of Murcia; near

the left bank of the river Caravaca, a tributary of the Segura. Pop.

(1900) 15,846. Caravaca is dominated by the medieval castle of Santa

Cruz, and contains several convents and a fine parish church, with a

miraculous cross celebrated for its healing power, in honour of which a

yearly festival is held on the 3rd of May. The hills which extend to the

north are rich in marble and iron. Despite the lack of railway

communication, the town is a considerable industrial centre, with large

iron-works, tanneries and manufactories of paper, chocolate and oil.

CARAVAGGIO, MICHELANGELO AMERIGHI (or MERIGI) DA (1569-1609), Italian

painter, was born in the village of Caravaggio, in Lombardy, from which

he received his name. He was originally a mason's labourer, but his

powerful genius directed him to painting, at which he worked with

immitigable energy and amazing force. He despised every sort of idealism

whether noble or emasculate, became the head of the Naturalisti

(unmodified imitators of ordinary nature) in painting, and adopted a

style of potent contrasts of light and shadow, laid on with a sort of

fury, indicative of that fierce temper which led the artist to commit a

homicide in a gambling quarrel at Rome. To avoid the consequences of his

crime he fled to Naples and to Malta, where he was imprisoned for

another attempt to avenge a quarrel. Escaping to Sicily, he was attacked

by a party sent in pursuit of him, and severely wounded. Being pardoned,

he set out for Rome; but having been arrested by mistake before his

arrival, and afterwards released, and left to shift for himself in

excessive heat, and still suffering from wounds and hardships, he died

of fever on the beach at Pontercole in 1609. His best pictures are the

"Entombment of Christ," now in the Vatican; "St Sebastian," in the Roman

Capitol; a magnificent whole-length portrait of a grand-master of the

Knights of Malta, Alof de Vignacourt, and his page, in the Louvre; and

the Borghese "Supper at Emmaus."

CARAVAGGIO, POLIDORO CALDARA DA (1495 or 1492-1543), a celebrated

painter of frieze and other decorations in the Vatican. His merits were

such that, while a mere mortar-carrier to the artists engaged in that

work, he attracted the admiration of Raphael, then employed on his great

pictures in the Loggie of the palace. Polidoro's works, as well as those

of his master, Maturino of Florence, have mostly perished, but are well

known by the fine etchings of P.S. Bartoli, C. Alberti, &c. On the sack

of Rome by the army of the Constable de Bourbon in 1527, Polidoro fled

to Naples. Thence he went to Messina, where he was much employed, and

gained a considerable fortune, with which he was about to return to the

mainland of Italy when he was robbed and murdered by an assistant, Tonno

Calabrese, in 1543. Two of his principal paintings are a Crucifixion,

painted in Messina, and "Christ bearing the Cross" in the Naples

gallery.

CARAVAN (more correctly _Karwan_), a Persian word, adopted into the

later Arabic vocabulary, and denoting, throughout Asiatic Turkey and

Persia,[1] a body of traders travelling together for greater security

against robbers (and in particular against Bedouins, Kurds, Tatars and

the like, whose grazing-grounds the proposed route may traverse) and for

mutual assistance in the matter of provisions, water and so forth. These

precautions are due to the absence of settled government, inns and

roads. These conditions having existed from time immemorial in the major

part of western Asia, and still existing, caravans always have been the

principal means for the transfer of merchandise. In these companies

camels are generally employed for the transport of heavy goods,

especially where the track, like that between Damascus and Bagdad, for

example, lies across level, sandy and arid districts. The camels are

harnessed in strings of fifty or more at a time, a hair-rope connecting

the rear of one beast with the head of another; the leader is gaily

decorated with parti-coloured trappings, tassels and bells; an unladen

ass precedes the file, for luck, say some, for guidance, say others.

Where the route is rocky and steep, as that between Damascus and Aleppo,

mules, or even asses, are used for burdens. The wealthier members ride,

where possible, on horseback. Every man carries arms; but these are in

truth more for show than for use, and are commonly flung away in the

presence of any serious robber attack. Should greater peril than

ordinary be anticipated, the protection of a company of soldiers is

habitually pre-engaged,--an expensive, and ordinarily a useless adjunct.

A leader or director, called _Karawan-Bashi_ (headman), or, out of

compliment, _Karawan-Seraskier_ (general), but most often simply

designated _Rais_ (chief), is before starting appointed by common

consent. His duties are those of general manager, spokesman, arbitrator

and so forth; his remuneration is indefinite. But in the matter of sales

or purchases, either on the way or at the destination, each member of

the caravan acts for himself.

The number of camels or mules in a single caravan varies from forty or

so up to six hundred and more; sometimes, as on the reopening of a

long-closed route, it reaches a thousand. The ordinary caravan seasons

are the months of spring, early summer and later autumn. Friday, in

accordance with a recommendation made in the Koran itself, is the

favourite day for setting out, the most auspicious hour being that

immediately following noonday prayer. The first day's march never does

more than just clear the starting-point. Subsequently each day's route

is divided into two stages,--from 3 or 4 A.M. to about 10 in the

forenoon, and from between 2 and 3 P.M. till 6 or even 8 in the evening.

Thus the time passed daily on the road averages from ten to twelve

hours, and, as the ordinary pace of a laden camel does not exceed 2 m.

an hour, that of a mule being 2-3/4, a distance varying from 23 to 28 m.

is gone over every marching day. But prolonged halts of two, three, four

and even more days often occur. The hours of halt, start and movement,

the precise lines of route, and the selection or avoidance of particular

localities are determined by common consent. But if, as sometimes

happens, the services of a professional guide, or those of a military

officer have been engaged, his decisions are final. While the caravan is

on its way, the five stated daily prayers are, within certain limits,

anticipated, deferred or curtailed, so as the better to coincide with

the regular and necessary halts,--a practice authorized by orthodox

Mahommedan custom and tradition.

Two caravans are mentioned in Genesis xxxvii.; the route on which they

were passing seems to have coincided with that nowadays travelled by

Syrian caravans on their way to Egypt. Other allusions to caravans may

be found in Job, in Isaiah and in the Psalms. Eastern literature is full

of such references.

The yearly pilgrim-bands, bound from various quarters of the Mahommedan

world to their common destination, Mecca, are sometimes, but

inaccurately, styled by European writers caravans; their proper

designation is _Hajj_, a collective word for pilgrimages and pilgrims.

The two principal pilgrim-caravans start yearly, the one from Damascus,

or, to speak more exactly, from Mozarib, a village station three days'

journey to the south of the Syrian capital, the other from Cairo in

Egypt.[2] This latter was formerly joined on its route, near Akaba of

the Red Sea, by the North African Hajj, which, however, now goes from

Egypt by sea from Suez; the former gathers up bands from Anatolia,

Kurdistan, Mesopotamia and Syria. Besides these a third, but smaller

Hajj of Persians, chiefly sets out from Suk-esh-Sheiukh, in the

neighbourhood of Meshed Ali, on the lower Euphrates; a fourth of

negroes, Nubians, etc., unites at Yambu on the Hejaz coast, whither they

have crossed from Kosseir in Upper Egypt; a fifth of Indians and Malays,

centres at Jidda; a sixth and seventh, of southern or eastern Arabs

arrive, the former from Yemen, the latter from Nejd.

The Syrian Hajj is headed by the pasha of Damascus, either in person or

by a vicarious official of high rank, and is further accompanied by the

_Sorrah Amir_ or "Guardian of the Purse," a Turkish officer from

Constantinople. The Egyptian company is commanded by an amir or ruler,

appointed by the Cairene government, and is accompanied by the famous

"Mahmal," or sacred pavilion. The other bands above mentioned have

each their own amir, besides their _mekowwams_ or agents, whose business

it is to see after provisions, water and the like, and are not seldom

encumbered with a numerous retinue of servants and other attendants.

Lastly, a considerable force of soldiery accompanies both the Syrian and

the Egyptian Hajj.

No guides properly so-called attend these pilgrim-caravans, the routes

followed being invariably the same, and well known. But Bedouin bands

generally offer themselves by way of escort, and not seldom designedly

lead their clients into the dangers from which they bargain to keep them

safe. This they are the readier to do because, in addition to the

personal luxuries with which many of the pilgrims provide themselves for

the journey, a large amount of wealth, both in merchandise and coins, is

habitually to be found among the travellers, who, in accordance with

Mahommedan tradition, consider it not merely lawful but praiseworthy to

unite mercantile speculation with religious duty. Nor has any one, the

pasha himself or the amir and the military, when present, excepted, any

acknowledged authority or general control in the pilgrim-caravans; nor

is there any orderly subdivision of management or service. The pilgrims

do, indeed, often coalesce in companies among themselves for mutual

help, but necessity, circumstance or caprice governs all details, and

thus it happens that numbers, sometimes as many as a third of the entire

Hajj, yearly perish by their own negligence or by misfortune,--dying,

some of thirst, others of fatigue and sickness, others at the hand of

robbers on the way. In fact the principal routes are in many places

lined for miles together with the bones of camels and men.

The numbers which compose these pilgrim caravans are much exaggerated by

popular rumour; yet it is certain that the Syrian and Egyptian sometimes

amount to 5000 each, with 25,000 or 30,000 camels in train. Large

supplies of food and water have to be carried, the more so at times that

the pilgrim season, following as it does the Mahommedan calendar, which

is lunar, falls for years together in the very hottest season. Hence,

too, the journey is usually accomplished by night marches, the hours

being from 3 to 4 P.M. to 6 or 7 A.M. of the following day. Torches are

lighted on the road, the pace is slower than that of an ordinary

caravan, and does not exceed 2 m. an hour.

See MECCA and MAHOMMEDAN RELIGION.

Encyclopaedia Britannica, 11th Edition, "Capefigue" to "Carneades" Volume 5, Slice 3 · 第 63 / 74 题