CHAPTER EIGHTEEN.

With the New Year--or, rather, in advance of it--Peggy's youngest sister

arrived at the Hall. Mrs Chadwick had invited the entire family; but

the Midland doctor could not leave her practice, and the children of the

married niece had inconveniently developed whooping-cough; so Sophy, the

architect, had divided her holiday, spending Christmas with her married

sister and coming on to the Hall for the finish of the festivities,

which included a dance to be held on New Year's Eve and a round of

somewhat dull dinners and similar entertainments wherewith the

Chadwicks' guests sought to make a return of hospitality.

Sophy hated dinner-parties, but she looked forward with considerable

enthusiasm to the coming dance. Mrs Chadwick had provided both nieces

with dresses for the occasion, and, in order that these independent

young women should not feel unduly indebted, she called these her

Christmas gifts.

"Aunt Ruby is a brick," remarked Sophy, as she surveyed herself

complacently in the mirror in her sister's room and wondered what use

the gauzy creation would serve when she got back to her plans and her

desk. "I look really _chic_, don't I?"

"You look sweet," Peggy said with warm sincerity; and her sister caught

her round the waist and drew her to the glass and stood holding her and

surveying their double reflections with critical, unenvious eyes.

"I look just a plain young gawk beside you," she said. "You _are_

pretty, Peggy. You grow prettier every year. Is the masculine breast

of Moresby susceptible?--or is Moresby wholly feminine? A bachelor--an

eligible bachelor--would be an anomaly in a place like this."

"There is John," said Peggy, smiling.

Her sister's brows lifted ironically.

"John! Has it come to that already? Who is John?"

"We passed him on the road from Rushleigh," Peggy explained. "The

comfortable-looking person in the motor with the fur on his coat."

Sophy laughed.

"Is that all Moresby can produce?... You poor dear! John looks about

as romantic as a city alderman. I can tell you exactly the kind of man

he is: he attends church regularly and collects the offertory, and he

subscribes handsomely to all the local charities. His opinion carries

weight, not because it is really worth anything, but because he is a

local institution and because the motor and the fur coat give him an air

of prosperous distinction. He stands for usage in Moresby; and usage,

coupled with a substantial banking account, gains respect. I shall

enter the lists and try to cut you out with John."

Peggy received this intimation with amusement.

"Your tongue is too sharp," she said. "John likes womenly women."

"Heavens!" ejaculated Sophy, with a curious little twist of the lips.

"I hope he is prepared to match his ideal's womanliness with a

corresponding manliness. That is a point these fastidious people are

apt to overlook." She scrutinised her sister with a wicked little smile

and touched the becoming dimple at the corner of Peggy's mouth with the

tip of a long, well-shaped finger. "I believe you are cultivating the

quality," she said.

"What quality?"

"Womanliness, my innocent," Sophy retorted, and laughed again. "Don't

do it, my Pegtop. It is not womanly to tamper with a fastidious

middle-aged heart."

"John wouldn't consider it womanly of us to be discussing him in this

manner," Peggy returned.

"And I'm equally convinced he wouldn't consider it womanly of you to

take liberties with his Christian name," said Sophy. "I think it will

be a good day for John when Aunt Ruby takes you abroad in the spring.

By the way, isn't John Mrs Sommers' brother? Yes! Well, she is all

right. He can't be such an absolute bore, after all."

One thing Sophy discovered during the New Year's Eve ball, which was

that if Moresby could not produce any young men, Rushleigh could; that

one of these was well-favoured and agreeable; that, moreover, he was

very unmistakably in love with her sister. It was significant in

Sophy's opinion, that her sister, while speaking of John with such ready

flippancy, had refrained from mentioning Doctor Fairbridge altogether.

Clearly such unnatural reserve on Peggy's side did not originate from a

lack of interest; no girl, Sophy's experience assured her, lacks

interest in a good-looking man who favours her with a generous share of

that same quality. The conclusion she arrived at, therefore, was that

Peggy, being pleasantly embarrassed by his devotion, was desirous of

appearing unconscious of it.

Peggy introduced Doctor Fairbridge to her sister; and Sophy danced with

him several times, and found him extremely entertaining. He was, and

she knew it, exerting himself to create a good impression, which

amiability, though not disinterested, pleased Sophy. She ranged herself

promptly on his side, prepared to champion him whole-heartedly in his

bid for her sister's favour. John Musgrave she refused to consider in

the light of a possible rival.

Mr Musgrave did not care about dancing, but he sat through one of the

intervals beside Sophy in the warmth of the great fire in the hall and

asked her several astonished questions relative to her work, and showed

surprise when she informed him that she had drawn up some of the plans

for the reconstruction of the home farm-buildings. He did not, she

perceived, take either herself or her work quite seriously; but that did

not trouble Sophy.

"It is such an amazing profession for a young lady," he remarked

gravely.

"Why?" inquired Sophy.

"It seems so to me," he replied, unable, he found, to explain further.

"These new ideas appear to me fantastic. It's a reversion of things.

Women's sphere should be the home."

"Well," said Sophy, smiling, "that's where my sphere lies mainly. I

plan homes--for other people. It isn't a new idea really. Abroad, you

know, the women build the home--the blacks, I mean. Aunt Ruby says the

women make all those jolly ill-constructed huts; they cut the poles, and

do everything. I'd like to go out and teach them how to construct them

properly, with some idea of ventilation other than a doorway." She

laughed cheerfully, and held a daintily-gloved hand to the flames.

"Wouldn't it be awful if we had to sit here with the door open to let

the smoke escape?"

Mr Musgrave looked round the beautiful old hall, looked at the several

couples seated on the broad oak staircase, looked into his companion's

young, fresh, smiling face, and smiled too.

"It would be unpleasantly draughty," he allowed.

She lifted her white shoulders expressively.

"I like modern comfort," she said. "I love everything beautiful and

solid and good. I admire this house, and I admire Moresby. It is

picturesque. But I wouldn't care to live here."

"No? Why?" he asked.

"I don't enjoy vegetating. I should turn into a cabbage if I had to

remain here. It's the same with Peggy. We are all alike that way; we

must have change."

"Ah!" he said. "That is a sign of the times, too."

For some reason or other he seemed ill-pleased with her last remark,

though he could not have explained why a desire for change in a young

lady whom he met for the first time should disturb him. Perhaps it was

less the expression of Sophy's own inclination than that reference to a

similar taste on her sister's part which vexed him; or it may have been

that he resented the general tone of her remarks about the desirability

of Moresby as a permanent dwelling-place. He had lived most of his life

in Moresby, and he felt no nearer in kin to the vegetable world now than

in the days of his more fervid youth.

"It is natural that the present generation should be representative of

the times," observed Sophy cheerfully. "I wouldn't wish to be an

anachronism."

She laughed gaily at the perplexed gravity of his face. Her sister's

opinion, expressed earlier in the evening, to the effect that John would

not like her because of the sharpness of her tongue, occurred to her as

surprisingly astute. John certainly did not like her. Possibly he

cherished antipathy towards most things which he failed to understand.

Mr Musgrave had never met such an astounding young woman before. By

comparison, Peggy Annersley appeared a very simple and gracious

contrast. He was getting perilously near to thinking of Peggy as

womanly; and yet when he first met Peggy that flattering adjective was

the last he would have applied as fittingly describing her. He had

almost forgotten the abominable overalls. He certainly was not thinking

of them when presently Peggy flitted up to them, a distractingly

pleasing sight in blue, with blush roses at her breast. The roses had

been made in Paris, but Mr Musgrave did not detect their artificiality.

Peggy dexterously exchanged her own partner for her sister's escort,

and sat down beside Mr Musgrave on the big oak seat.

"I'm tired," she said, and played absently with her fan, making the

remark as though she considered some explanation of this rescue of her

bored young sister necessary. Sophy's idea of enjoyment was not, she

knew, consistent with sitting out when she might be dancing; and the

band, hired for the occasion from Rushleigh, was playing a two-step.

She did not look tired when she made this admission. But Mr Musgrave

was not observant, and he considered it becoming in a woman to confess

to fatigue. Also the substitution of companions was entirely agreeable

to him. Peggy was undeniably the more charming of the two sisters.

"Don't you dance?" she asked presently.

"These new dances are unfamiliar," he replied. "I used to waltz years

ago; but, save for an occasional square dance, I have not engaged in the

exercise for so long that I expect I have forgotten the steps. I like

to look on."

He was not, however, indulging his liking; there was no view of the

dancing from where they sat. The couples on the staircase had melted

away with the first strains of the music, find Peggy and John Musgrave

had the old hall to themselves.

"I don't care about looking on," said Peggy. "I like to take part, or

get away from it altogether. It's nice sitting here; it's restful."

She lifted the little decorated programme hanging from her fan and

studied it, wrinkling her pretty brows over the undecipherable initials

which defaced its page.

"I don't believe you have asked me for a single dance," she said, the

faintest trace of reproach perceptible in her voice.

Before this attack Mr Musgrave experienced some embarrassment. The

rebuke in its directness was tantamount to an accusation of negligence;

in its suggestion of an invitation it implied a compliment. John

Musgrave was as much discomfited by the one as by the other.

"I--I didn't wish to trespass on your good nature to that extent," he

replied.

"Isn't that just a little unkind?" hazarded Peggy, with a smile which

brought the dimple into play.

Mr Musgrave fell to studying the dimple while Peggy studied her card,

and became so intent in this pleasing form of research that he omitted

to answer her question. Presently he took the card from her.

"Is it filled?" he inquired.

"There's one blank--a square, towards the end," replied Peggy demurely,

not thinking it necessary to tell him with what difficulty she had

preserved that blank space in her programme.

"I can't dance," he said, reddening. "I've forgotten how. It wouldn't

be fair to spoil your enjoyment. So many people would be grateful for

the privilege of dancing it with you."

Peggy shook her head.

"I do not feel like gratifying them," she said.

Very gravely and deliberately Mr Musgrave took hold of the tiny pencil

hanging by its slender cord from the card, and, pencil in one large

gloved hand and programme in the other, looked searchingly into the grey

eyes that met his steadfast scrutiny with a kindly smile.

"Does that," he asked, "convey a gracious permission to me to write my

name against the blank?"

"Not--unless to do so would be equally agreeable to you," Peggy

answered.

Mr Musgrave did not immediately remove his gaze from hers. So long,

indeed, did he continue looking at her that Peggy felt her cheeks grow

warm beneath his earnest eyes. Then he transferred his attention from

her face to the card he held, and wrote his name clearly, "John

Musgrave," in the single blank space thereon.

"Thank you," he said, and returned her programme to her with a courteous

bow.

Peggy, experiencing a timid embarrassment in having so easily gained her

point, felt curiously inadequate to making any suitable reply. She took

the card from him with nervous fingers and let it fall into her lap, and

sat gazing into the fire abstractedly, concealing in this concentration

on the flames the tiny gleam of triumph that lighted the grey eyes. The

thought, shaping its f mutely in her mind in inelegant phraseology, was,

in effect, that Moresby would sit up when it saw John treading a measure

with herself. Had Mr Musgrave divined that thought it is safe to

predict that he would never have led pretty Peggy Annersley out on the

ballroom floor.

Coelebs: The Love Story of a Bachelor · 第 19 / 31 题