CHAPTER XVI. “IT IS A MAN THEY ARE DEVOURING!”

Michel Menko was right. The beautiful Tzigana was awaiting him.

She stood at her window, like a spectre in her white dress, her hands

clutching the sill, and her eyes striving to pierce the darkness which

enveloped everything, and opened beneath her like a black gulf. With

heart oppressed with fear, she started at the least sound.

All she could see below in the garden were the branches defined against

the sky; a single star shining through the leaves of a poplar, like a

diamond in a woman’s tresses; and under the window the black stretch of

the lawn crossed by a band of a lighter shade, which was the sand of

the path. The only sound to be heard was the faint tinkle of the water

falling into the fountain.

Her glance, shifting as her thoughts, wandered vaguely over the trees,

the open spaces which seemed like masses of heavy clouds, and the sky

set with constellations. She listened with distended ears, and a shudder

shook her whole body as she heard suddenly the distant barking of a dog.

The dog perceived some one. Was it Menko?

No: the sound, a howling rather than a barking, came from a long

distance, from Sartrouville, beyond the Seine.

“It is not Duna or Bundas,” she murmured, “nor Ortog. What folly to

remain here at the window! Menko will not come. Heaven grant that he

does not come!”

And she sighed a happy sigh as if relieved of a terrible weight.

Suddenly, with a quick movement, she started violently back, as if some

frightful apparition had risen up before her.

Hoarse bayings, quite different from the distant barking of a moment

before, rent the air, and were repeated more and more violently below

there in the darkness. This time it was indeed the great Danish hounds

and the shaggy colossus of the Himalayas, which were precipitating

themselves upon some prey.

“Great God! He is there, then! He is there!” whispered Marsa, paralyzed

with horror.

There was something gruesome in the cries of the dogs, By the continued

repetition of the savage noises, sharp, irritated, frightful snarls and

yelps, Marsa divined some horrible struggle in the darkness, of a man

against the beasts. Then all her terror seemed to mount to her lips in a

cry of pity, which was instantly repressed. She steadied herself against

the window, striving, with all her strength, to reason herself into

calmness.

“It was his own wish,” she thought.

Did she not know, then, what she was doing when, wishing to place a

living guard between herself and danger, she had descended to the kennel

and unloosed the ferocious animals, which, recognizing her voice, had

bounded about her and licked her hands with many manifestations of joy?

She had ascended again to her chamber and extinguished the light, around

which fluttered the moths, beating the opal shade with their downy

wings; and, in the darkness, drinking in the night air at the open

window, she had waited, saying to herself that Michel Menko would not

come; but, if he did come, it was the will of fate that he should fall a

victim to the devoted dogs which guarded her.

Why should she pity him?

She hated him, this Michel. He had threatened her, and she had

defended herself, that was all. Ortog’s teeth were made for thieves

and intruders. No pity! No, no--no pity for such a coward, since he had

dared--

But yet, as the ferocious bayings of the dogs below became redoubled in

their fury, she imagined, in terror, a crunching of bones and a

tearing of flesh; and, as her imagination conjured up before her

Michel fighting, in hideous agony, against the bites of the dogs, she

shuddered; she was afraid, and again a stifled cry burst forth from her

lips. A sort of insanity took possession of her. She tried to cry out

for mercy as if the animals could hear her; she sought the door of her

chamber, groping along the wall with her hands outspread before her,

in order to descend the staircase and rush out into the garden; but her

limbs gave way beneath her, and she sank an inert mass upon the carpet

in an agony of fear and horror.

“My God! My God! It is a man they are devouring;” and her voice died

away in a smothered call for help.

Then she suddenly raised her head, as if moved by an electric shock.

There was no more noise! Nothing! The black night had all at once

returned to its great, mysterious silence. Marsa experienced a sensation

of seeing a pall stretched over a dead body. And in the darkness there

seemed to float large spots of blood.

“Ah! the unhappy man!” she faltered.

Then, again, the voices of the dogs broke forth, rapid, angry, still

frightfully threatening. The animals appeared now to be running, and

their bayings became more and more distant.

What had happened?

One would have said that they were dragging away their prey, tearing it

with hideous crimson fangs.

Prince Zilah — Complete · 第 6 / 14 章