Very interesting, not less, your picture of the blest irreflection and

absence of morbid analysis in which you are living--in face of all the

possibilities; and wondrous enough surely must be all the changes and

lapses of importance and value, of sensibility itself, the difference of

your relation to things and the drop out of some relations

altogether.... But I catch in your remarks the silver thread of

optimism, not bulging out but subtly gleaming, and it gives me no end of

satisfaction. A few gleams have lately been coming to me otherwise, and

the action of Neuve Chapelle (if I may rashly name it,) which we have

reports of in the papers, is I suppose the one you speak of as cheering.

The great thing we do in London, however, is to strain our ears for the

thunder of the Dardanelles, which we even feel that we get pretty

straight and pretty strong, and in which we see consequences the most

tremendous, verily beyond all present utterance. Nothing in all the war

has made me hang on it in such suspense--though we venture even almost

to presume. I see few people--and _try_ to see only those I positively

want to; whom, par exemple, I value the exchange of earnest remarks with

more than ever. But I am ill-conditioned for "telling" you things--and

indeed I should think meanly of London if there _was_ very much to tell.

A few nights ago I dined with Mervyn O'Gorman, my rather near neighbour

here, and met a youngish and exceedingly interesting, in fact charming,

Colonel Brancker, just back from the front--both of which high

aeronautic experts you probably know. I mention them because I extracted

from them so intense a thrill--drawing them out--for they let me--on the

subject of the so more and more revealed affinity of the British

temperament with that of the conquering airman--and thereby of the

extent to which the military, or the energetic, future of this country

may be in the air. They put it so splendidly that I went home

unspeakably rejoicing (it may "mean" so much!) and as if myself

ponderously soaring. But what am I ridiculously remarking to _you_? The

great point I wish to make is the lively welcome I shall give you in

April--thank you for that knowledge; and that I am all-faithfully yours,

/*

HENRY JAMES.

*/

_To Mrs. Wharton._

_Dictated._

/*

21 Carlyle Mansions,

Cheyne Walk, S.W.

March 23rd, 1915.

*/

/*

Chere Madame et Confrere,

*/

Don't imagine for a moment that I don't feel the full horror of my

having had to wait till now, when I can avail myself of this aid, to

acknowledge, as the poor pale pettifogging term has it, the receipt from

you of inexpressibly splendid bounties. I won't attempt to explain or

expatiate--about this abject failure of utterance: the idea of

"explaining" anything to _you_ in these days, or of any expatiation that

isn't exclusively that of your own genius upon your own adventures and

impressions! I think _the_ reason why I have been so baffled, in a word,

is that all my powers of being anything else have gone to living upon

your two magnificent letters, the one from Verdun, and the one after

your second visit there; which gave me matter of experience and

appropriation to which I have done the fullest honour. Your whole record

is sublime, and the interest and the beauty and the terror of it all

have again and again called me back to it. I have ventured to share it,

for the good of the cause and the glory of the connection (mine,) with

two or three select others--this I candidly confess to you--one of whom

was dear Howard, absolutely as dear as ever through everything, and whom

I all but reduced to floods of tears, tears of understanding and

sympathy. I know them at last, your incomparable pages, by heart--and

thus it is really that I feel qualified to speak to you of them. With

the two sublimities in question, or between them, came of course also

the couple of other favours, enclosing me, pressing back upon me, my

attempted contribution to your Paris labour: to which perversity I have

had to bow my head. I was very sorry to be so forced, but even while

cursing and gnashing my teeth I got your post-office order cashed, and

the money _is_, God knows, assistingly spendable here! Another pang was

your mention of Jean du Breuil's death.... I didn't know him, had never

seen him; but your account of the admirable manner of his end makes one

feel that one would like even to have just beheld him. We are in the

midst, the very midst, of histories of that sort, miserable and

terrible, here too; the Neuve Chapelle business, from a strange, in the

sense of being a pretty false, glamour at first flung about which we are

gradually recovering, seems to have taken a hideous toll of officers,

and other distressing legends (legends of mistake and confusion) are

somehow overgrowing it too. But painful particulars are not what I want

to give you--of anything; you are up to your neck in your own, and I had

much rather pick my steps to the clear places, so far as there be any

such! I continue to try and keep my own existence one, so far as I

may--a place clear of the last accablement, I mean: apparently what it

comes to is that it's "full up" with the last but one.

_Wednesday, 24th._ I had to break this off yesterday--and it was time,

apparently, with the rather dreary note I was sounding: though I don't

know that I have a very larky one to go on with to-day--save so far as

the taking of the big Austrian fortress, which I can neither write nor

pronounce, makes one a little soar and sing. This seems really to

represent something, but how much I put forth not the slightest

pretension to measure. In fact I think I am not measuring anything

whatever just now, and not pretending to--I find myself, much more,

quite consentingly dumb in the presence of the boundless enormity; and

when I wish to give myself the best possible account of this state of

mind I call it the pious attitude of waiting. Verily there is much to

wait for--but there I am at it again, and should blush to offer you in

the midst of what I believe to be your more grandly attuned state, such

a pale apology for a living faith. Probably all that's the matter with

one is one's vicious propensity to go on feeling more and more, instead

of less and less--which would be so infinitely more convenient; for the

former course puts one really quite out of relation to almost everybody

else and causes one to circle helplessly round outer social edges like a

kind of prowling pariah. However, I try to be as stupid as I can....

All the while, with this, I am not expressing my deep appreciation of

your generous remarks about again placing Frederick at my disposition. I

am doing perfectly well in these conditions without a servant; my life

is so simplified that all acuteness of need has been abated; in short I

manage--and it is of course fortunate, inasmuch as the question would

otherwise not be at all practically soluble. No young man of military

age would I for a moment consider--and in fact there _are_ none about,

putting aside the physically inapt (for the Army)--and these are kept

tight hold of by those who can use them. Small boys and aged men are

alone available--but the matter has in short not the least importance.

The thing that most assuages me continues to be dealing with the wounded

in such scant measure as I may; such, e.g., as my having turned into

Victoria Station, yesterday afternoon, to buy an evening paper and there

been so struck with the bad lameness of a poor hobbling khaki

convalescent that I inquired of him to such sympathetic effect that, by

what I can make out, I must have committed myself to the support of him

for the remainder of his days--a trifle on account having sealed the

compact on the spot. It all helps, however--helps _me_; which is so much

what I do it for. Let it help _you_ by ricochet, even a little too....

...Good-bye for now, and believe me, less gracelessly and faithlessly

than you might well, your would-be so decent old

/*

HENRY JAMES.

*/

_To Thomas Sergeant Perry._

_Dictated._

/*

21 Carlyle Mansions,

Cheyne Walk, S.W.

March 27th, 1915.

*/

/*

My dear Thomas and my dear Lilla:

*/

Don't resent please the economic form of this address, the frugal

attempt to make one grateful acknowledgment serve for both of you: for I

think that if you were just now on this scene itself there isn't a shade

of anxious simplification that you wouldn't at once perfectly grasp. The

effect of the biggest and most appalling complication the world has ever

known is somehow, paradoxically, as we used to say at Newport, an effect

of simplification too--producing, that is, a desperate need for the

same, in all sorts of ways, lest one be submerged by the monster of a

myriad bristles. In short you do understand of course, and how it is

that I should be invidiously writing to _you_, Lilla, in response to

your refreshing favour of some little time since (the good one about

your having shrieked Rule Britannia at somebody's lecture, or at least

done something quite as vociferous and to the point, and quite as

helpful to our sacred cause). This exclusive benefit should you be

enjoying, I say, hadn't a most beneficial letter from Thomas come to me

but yesterday, crowning the edifice of a series of suchlike bounties

which he has been so patient over my poor old inevitable silence

about....

You inflame me so scarcely less, Thomas, with your wonderful statistics

of the American theatre of my infancy, a propos of my printed prattle

about it, that I could almost find it in me to inquire from what

published source it is you recover the ghostly little facts. Are they

presented in some procurable volume that would be possible to send me? I

ask with a queer dim feeling that they might, or the fingered volume

might, operate as a blest little diversion from our eternal obsession

here. I have reached the point now, after eight months of that

oppression, of cultivating small arts of escape, small plunges into

oblivion and dissimulation; in fact I am able to read again--for ever so

long this power was almost blighted--and to want to become as

dissociated as possible from the present.

...However, I didn't mean to be black--but only pearly grey, as your

letter so benevolently incites: yours too, Lilla, for I keep you

together in all this. And I don't, you see, pretend to treat you to any

scrap of information whatever--you have more of the public, of a hundred

sorts, than we, I guess: and the private mostly turns out, in these

parts, to go but on one leg, after the first fond glimpse of it. I

lunched yesterday with the Prime Minister, on the chance of catching

some gleam between the chinks--which was idiotic of me, because it's

mostly in those circles that the chinks are well puttied over. The

nearest I came to any such was through my being told by a member of the

P.M.'s family, whom I wouldn't enable you to identify for the world,

that she had heard him just before luncheon say to three or four members

of the Government, and even Cabinet, gathered at the house, that

something-or-other was "the most awkward situation he had ever found

himself up against": with the comment that she, my informant, was in

liveliest suspense to know what it was he had alluded to in those

portentous terms. Which I give, however, but as a specimen of the

_bouche_ chink, not of the gaping; the admirable (as I think him, quite

affectionately think him) Master of the Situation having presently

joined us in the most unmistakeable serenity of strength and cheer, and

the riddle remaining at any rate without the least pretence of, or for

that matter need of, a key. It will be a hundred years old by the time

my small anecdote reaches you, and not have _le moindre rapport_ to

anything that in the least concerns us _then_. But I must tear myself

from you, and try withal to close on some sublime note--a large choice

of which sort I feel we are for that matter perfectly possessed of.

Well, then, a friend of much veracity told me a couple of days since

that a friend of his (I admit that it's always a friend of somebody

else's,) an officer of the upper command, just over for a couple of days

from the Front, had spoken to him of the now enormous mass of the French

and British troops fronting the enemy as covering, in dense gatheredness

together, 40 miles of the land of France--I don't mean in length of

front, of course, which would be nothing, but in rearward extent and

just standing, so to speak, in close-packed available spatial presence.

But there I am at an item--and I abjure items, they defy all dealing

with, and am your affectionate old

/*

HENRY JAMES.

*/

_To Edward Marsh._

/#

A copy of this letter was sent by Mr. Marsh to Rupert Brooke, then

with the Dardanelles Expeditionary Force; it reached him two days

before his death. The letter refers of course to his "1914"

Sonnets. The line criticised in the first sonnet is: "And the worst

friend and enemy is but death."

#/

/*

21 Carlyle Mansions,

Cheyne Walk, S.W.

March 28th, 1915.

*/

/*

Dear admirable Eddie!

*/

I take it very kindly indeed of you to have found thought and time to

send me the publication with the five brave sonnets. The circumstances

(so to call the unspeakable matter) that have conduced to them, and

that, taken together, seem to make a sort of huge brazen lap for their

congruous beauty, have caused me to read them with an emotion that

somehow precludes the critical measure, deprecates the detachment

involved in that, and makes me just want--oh so exceedingly much--to be

moved by them and to "like" and admire them. So I do greet them gladly,

and am right consentingly struck with their happy force and truth: they

seem to me to have _come_, in a fine high beauty and sincerity (though

not in every line with an equal _degree_ of those--which indeed is a

rare case anywhere;) and this evening, alone by my lamp, I have been

reading them over and over to myself aloud, as if fondly to test and

truly to try them; almost in fact as if to reach the far-off author, in

whatever unimaginable conditions, by some miraculous, some telepathic

intimation that I am in quavering communion with him. Well, they have

borne the test with almost all the firm perfection, or straight

inevitability, that one must find in a sonnet, and beside their poetic

strength they draw a wondrous weight from his having had the _right_ to

produce them, as it were, and their rising out of such rare realities of

experience. Splendid Rupert--to be the soldier that could beget them on

the Muse! and lucky Muse, not less, who could have an affair with a

soldier and yet feel herself not guilty of the least deviation! In order

of felicity I think Sonnet I comes first, save for a small matter that

(perhaps superfluously) troubles me and that I will presently speak of.

I place next III, with its splendid first line; and then V ("In that

rich earth a richer dust concealed!") and then II. I don't speak of No.

IV--I think it the least fortunate (in spite of "Touched flowers and

furs, and cheeks!") But the four happy ones are very noble and sound and

round, to my sense, and I take off my hat to them, and to their author,

in the most marked manner. There are many things one likes, simply, and

then there are things one likes to like (or at least that I do;) and

these are of that order. My reserve on No. I bears on the last line--to

the extent, I mean, of not feeling happy about that _but_ before the

last word. It may be fatuous, but I am wondering if this line mightn't

have acquitted itself better as: "And the worst friend and foe is only

death." There is an "only" in the preceding line, but the repetition

is--or would be--to me not only not objectionable, but would have

positive merit. My only other wince is over the "given" and "heaven"

rhyme at the end of V; it has been so inordinately vulgarized that I

don't think it good enough company for the rest of the sonnet, which

without it I think I would have put second in order instead of the III.

The kind of idea it embodies is one that always so fetches _this_ poor

old Anglomaniac. But that is all--and this, my dear Eddie, is all. Don't

dream of acknowledging these remarks in all your strain and stress--that

you should think I could bear that would fill me with horror. The only

sign I want is that if you should be able to write to Rupert, which I

don't doubt you on occasion manage, you would tell him of my pleasure

and my pride. If he should be at all touched by this it would infinitely

touch _me_. In fact, should you care to send him on this sprawl, that

would save you other trouble, and I would risk his impatience. I think

of him quite inordinately, and not less so of you, my dear Eddie, and am

yours all faithfully and gratefully,

/*

HENRY JAMES.

*/

P.S. I have been again reading out V, to myself (I read them very well),

and find I _don't_ so much mind that blighted balance!

_To Edward Marsh._

/*

21 Carlyle Mansions,

Cheyne Walk, S.W.

March 30th, 1915.

*/

/*

My dear Eddie,

*/

After my acknowledgment of the beautiful things had gone to you, came in

your note, and now your quite blessed letter. So I call it because it

testified to my having so happily given you that particular pleasure

which is the finest, I think, one can feel--the joy in short that you

allude to and that I myself rejoice in your taking. Splendid Rupert

indeed--and splendid _you_, in the generosity of your emotion!

I had stupidly overlooked that preliminary lyric, with its so charming

climax of an image. But I think--if you won't feel me over-contentious

for it--that your reasoning a propos of "heaven, given" &c. rather halts

as to the matter of rhyme and sense, or in other words sense and poetic

expression. Note well that, poetically speaking, it's not the sense

that's the expression, the "rhyme" or whatever, but those things that

are the sense, and that they so far betray it when they find for the

"only" words any but the ideally right or the (so to speak) quietly

proud. However, I didn't mean to plunge into these depths--there are too

many other depths now; I only meant to tell you how I participate and to

be yours, in this, all faithfully,

/*

HENRY JAMES.

*/

_To Mrs. Wharton._

/#

Lieut. Jean du Breuil de St. Germain, distinguished cavalry

officer, sociologist, traveller, was killed in action near Arras,

February 22, 1915.

#/

/*

21 Carlyle Mansions,

Cheyne Walk, S.W.

April 3rd, 1915.

*/

/*

Dearest Edith,

*/

Bounties unacknowledged and unmeasured continue to flow in from you, for

this a.m., after your beautiful letter enclosing your copy of M.

Seguier's so extraordinarily fine and touching one, arrive your two

_livraisons_ of the Revue containing the Dixmude of which you wrote me.

It is quite heartbreakingly noble of you to find initiative for the

rendering and the remembering of such services and such assurances, for

I myself gaze at almost _any_ display of initiative as I should stare at

a passing charge of cavalry down the Brompton Road--where we haven't

come to that yet, though we may for one reason and another indeed soon

have to. One is surrounded in fact here with more affirmations of energy

than you might gather from some of the accounts of matters that appear

in the _Times_, and yet the paralysis of my own power to do anything

but increasingly and inordinately _feel_, feel in a way to make

communication with almost all others impossible, they living and

thinking in such different terms--and yet that paralysis, _dis-je_, more

and more swallows up everything but the sore and sterile unresting

imagination. I can't proceed upon it after your sublime fashion--and in

fact its aching life is a practical destruction of every other sort,

which is why I call it sterile. But the extent, all the same, to which

one will have inwardly and darkly and drearily and dreadfully

lived!--with those victims of nervous horror in the ambulance-church,

the little chanting country church of the deadly serried beds of your

Verdun letter, and those others, the lacerated and untended in the

"fetid stable-heat" of the other place and the second letter--all of

whom live _with_ me and haunt and "inhibit" me. And so does your friend

du Breuil, and _his_ friend your admirable correspondent (in what a

nobleness and blest adequacy of expression their feeling finds

relief)--and this in spite of my having neither known nor seen either of

them; Seguier creating in one to positive sickness the personal pang

about your friend and his, and his letter making me feel the horror it

does himself, even as if my affection had something at stake in that.

But I don't know why I treat you thus to the detail of one's

perpetually-renewed waste. You will have plenty of detail of your own,

little waste as I see you allowing yourself.

I haven't yet had the hour of reading your Dixmudes, which I am

momentarily reserving, under some other pressure, but they shall not

miss my fond care--so little has any face of the nightmare been

reflected for me in any form of beauty as yet; your Verdun letter

excepted. This keeps making mere blue-books and yellow-books and

rapports the only reading that isn't, or that hasn't been, below the

level; through their not pretending to express but only giving one the

material. As it happens, when your Revues came I was reading Georges

Ohnet and in one of the three fascicules of his Bourgeois de Paris that

have alone, as yet, turned up here! and reading him, _ma foi_, with deep

submission to his spell! Funny enough to be redevable at this time of

day to that genius, who has come down from the cross where poor

vanquished Jules Lemaitre long ago nailed him up, as if to work fresh

miracles, dancing for it on Jules's very grave. But he is in fact

extraordinarily vivid and candid and amusing, with the force of an angry

little hunchback and a perfect and quite gratifying vulgarity of

passion; also, probably, with a perfect enormity of _vente_--in which

one takes pleasure.

Easter has operated to clear London in something like the fine old

way--we would really seem to stick so much to our fine old ways. I don't

truly know what to make of some of them--and yet don't let yourself

suppose from some of such appearances that the stiffness and toughness

of the country isn't on the whole deeper than anything else. Such at

least is my own indefeasible conviction--or impression. It's the

queerest of peoples--with its merits and defects so extraordinarily

parts of each other; its wantonness of refusals--in some of these

present ways--such a part of its attachment to freedom, of the

individualism which makes its force that of a collection of individuals

and its voluntaryism of such a strong quality. But it won't be the

defects, it will be the merits, I believe, that will have the last word.

Strange that the country should need a still bigger convulsion--for

itself; it does, however, and it will get it--and will act under it.

France has had hers in the form of invasion--and I don't know of what

form ours will yet have to be. But it will come--and then we

shall--damp and dense, but not vicious, not vicious _enough_, and

immensely capable if we can once get _dry_. _Voila_ that _I_ am,

however; yet with it so yours,

/*

H. J.

*/

_To Edward Marsh._

/#

Rupert Brooke died on a French hospital-ship in the Aegean Sea,

April 28, 1915, while serving with the Royal Naval Division.

#/

/*

21 Carlyle Mansions,

Cheyne Walk, S.W.

April 24th, 1915.

*/

/*

My dear dear Eddie,

*/

The Letters of Henry James (Vol. II) · 第 32 / 36 段