CHAPTER XV.

THE OLD CHURCH.

The awe that dwells in churches fell upon me as I crossed the

threshold--an awe I never fail to feel--heightened in many cases, no

doubt, by the sense of antiquity and of art, but an awe which I have

felt all the same in crossing the threshold of an old Puritan

conventicle, as the place where men worship and have worshipped the God

of their fathers, although for art there was only the science of common

bricklaying, and for beauty staring ugliness. To the involuntary fancy,

the air of petition and of holy need seems to linger in the place, and

the uncovered head acknowledges the sacred symbols of human inspiration

and divine revealing. But this was no ordinary church into which I

followed the gentlewoman who was my guide. As entering I turned my eyes

eastward, a flush of subdued glory invaded them from the chancel, all

the windows of which were of richly stained glass, and the roof of

carved oak lavishly gilded. I had my thoughts about this chancel, and

thence about chancels generally which may appear in another part of my

story. Now I have to do only with the church, not with the cogitations

to which it gave rise. But I will not trouble my reader with even what

I could tell him of the blending and contradicting of styles and modes

of architectural thought in the edifice. Age is to the work of

contesting human hands a wonderful harmoniser of differences. As nature

brings into harmony all fractures of her frame, and even positive

intrusions upon her realm, clothes and discolours them, in the old

sense of the word, so that at length there is no immediate shock at

sight of that which in itself was crude, and is yet coarse, so the

various architecture of this building had been gone over after the

builders by the musical hand of Eld, with wonder of delicate transition

and change of key, that one could almost fancy the music of its

exquisite organ had been at work _informing_ the building, half melting

the sutures, wearing the sharpness, and blending the angles, until in

some parts there was but the gentle flickering of the original

conception left, all its self-assertion vanished under the file of the

air and the gnawing of the worm. True, the hand of the restorer had

been busy, but it had wrought lovingly and gently, and wherein it had

erred, the same influences of nature, though as yet their effects were

invisible, were already at work--of the many making one. I will not

trouble my reader, I say, with any architectural description, which,

possibly even more than a detailed description of natural beauty

dissociated from human feeling, would only weary him, even if it were

not unintelligible. When we are reading a poem, we do not first of all

examine the construction and dwell on the rhymes and rhythms; all that

comes after, if we find that the poem itself is so good that its parts

are therefore worth examining, as being probably good in themselves,

and elucidatory of the main work. There were carvings on the ends of

the benches all along the aisle on both sides, well worth examination,

and some of them even of description; but I shall not linger on these.

A word only about the columns: they supported arches of different

fashion on the opposite sides, but they were themselves similar in

matter and construction, both remarkable. They were of coarse granite

of the country, chiselled, but very far from smooth, not to say

polished. Each pillar was a single stone with chamfered sides.

Walking softly through the ancient house, forgetting in the many

thoughts that arose within me that I had a companion, I came at length

into the tower, the basement of which was open, forming part of the

body of the church. There hung many ropes through holes in a ceiling

above, for bell-ringing was encouraged and indeed practised by my

friend Shepherd. And as I regarded them, I thought within myself how

delightful it would be if in these days as in those of Samuel, the word

of God was precious; so that when it came to the minister of his

people--a fresh vision of his glory, a discovery of his meaning--he

might make haste to the church, and into the tower, lay hold of the

rope that hung from the deepest-toned bell of all, and constrain it by

the force of strong arms to utter its voice of call, "Come hither, come

hear, my people, for God hath spoken;" and from the streets or the

lanes would troop the eager folk; the plough be left in the furrow, the

cream in the churn; and the crowding people bring faces into the

church, all with one question upon them--"What hath the Lord spoken?"

But now it would be answer sufficient to such a call to say, "But what

will become of the butter?" or, "An hour's ploughing will be lost." And

the clergy--how would they bring about such a time? They do not even

believe that God has a word to his people through them. They think that

his word is petrified for use in the Bible and Prayer-book; that the

wise men of old heard so much of the word of God, and have so set it

down, that there is no need for any more words of the Lord coming to

the prophets of a land; therefore they look down upon the

prophesying--that is, the preaching of the word--make light of it, the

best of them, say these prayers are everything, or all but everything:

_their_ hearts are not set upon hearing what God the Lord will speak

that they may speak it abroad to his people again. Therefore it is no

wonder if the church bells are obedient only to the clock, are no

longer subject to the spirit of the minister, and have nothing to do in

telegraphing between heaven and earth. They make little of this part of

their duty; and no wonder, if what is to be spoken must remain such as

they speak. They put the Church for God, and the prayers which are the

word of man to God, for the word of God to man. But when the prophets

see no vision, how should they have any word to speak?

These thoughts were passing through my mind when my eye fell upon my

guide. She was seated against the south wall of the tower, on a stool,

I thought, or small table. While I was wandering about the church she

had taken her stocking and wires out of her pocket, and was now

knitting busily. How her needles did go! Her eyes never regarded them,

however, but, fixed on the slabs that paved the tower at a yard or two

from her feet, seemed to be gazing far out to sea, for they had an

infinite objectless outlook. To try her, I took for the moment the

position of an accuser.

"So you don't mind working in church?" I said.

When I spoke she instantly rose, her eyes turned as from the far

sea-waves to my face, and light came out of them. With a smile she

answered--

"The church knows me, sir."

"But what has that to do with it?"

"I don't think she minds it. We are told to be diligent in business,

you know, sir."

"Yes, but it does not say in church and out of church. You could be

diligent somewhere else, couldn't you?"

As soon as I said this, I began to fear she would think I meant it. But

she only smiled and said, "It won't hurt she, sir; and my good man, who

does all he can to keep her tidy, is out at toes and heels, and if I

don't keep he warm he'll be laid up, and then the church won't be kep'

nice, sir, till he's up again."

I was tempted to go on.

"But you could have sat down outside--there are some nice gravestones

near--and waited till I came out."

"But what's the church for, sir? The sun's werry hot to-day, sir; and

Mr. Shepherd, he say, sir, that the church is like the shadow of a

great rock in a weary land. So, you see, if I was to sit out in the

sun, instead of comin' in here to the cool o' the shadow, I wouldn't be

takin' the church at her word. It does my heart good to sit in the old

church, sir. There's a something do seem to come out o' the old walls

and settle down like the cool o' the day upon my old heart that's

nearly tired o' crying, and would fain keep its eyes dry for the rest

o' the journey. My old man's stockin' won't hurt the church, sir, and,

bein' a good deed as I suppose it is, it's none the worse for the

place. I think, if He was to come by wi' the whip o' small cords, I

wouldn't be afeared of his layin' it upo' my old back. Do you think he

would, sir?"

Thus driven to speak as I thought, I made haste to reply, more

delighted with the result of my experiment than I cared to let her know.

"Indeed I do not. I was only talking. It is but selfish, cheating, or

ill-done work that the church's Master drives away. All our work ought

to be done in the shadow of the church."

"I thought you be only having a talk about it, sir," she said, smiling

her sweet old smile. "Nobody knows what this old church is to me."

Now the old woman had a good husband, apparently: the sorrows which had

left their mark even upon her smile, must have come from her family, I

thought.

"You have had a family?" I said, interrogatively.

"I've had thirteen," she answered. "Six bys and seven maidens."

"Why, you are rich!" I returned. "And where are they all?"

"Four maidens be lying in the churchyard, sir; two be married, and one

be down in the mill, there."

"And your boys?"

"One of them be lyin' beside his sisters--drownded afore my eyes, sir.

Three o' them be at sea, and two o' them in it, sir."

At sea! I thought. What a wide _where_! As vague to the imagination,

almost, as _in the other world_. How a mother's thoughts must go

roaming about the waste, like birds that have lost their nest, to find

them!

As this thought kept me silent for a few moments, she resumed.

"It be no wonder, be it, sir? that I like to creep into the church with

my knitting. Many's the stormy night, when my husband couldn't keep

still, but would be out on the cliffs or on the breakwater, for no good

in life, but just to hear the roar of the waves that he could only see

by the white of them, with the balls o' foam flying in his face in the

dark--many's the such a night that I have left the house after he was

gone, with this blessed key in my hand, and crept into the old church

here, and sat down where I'm sittin' now--leastways where I was sittin'

when your reverence spoke to me--and hearkened to the wind howling

about the place. The church windows never rattle, sir--like the cottage

windows, as I suppose you know, sir. Somehow, I feel safe in the

church."

"But if you had sons at sea," said I, again wishing to draw her out,

"it would not he of much good to you to feel safe yourself, so long as

they were in danger."

"O! yes, it be, sir. What's the good of feeling safe yourself but it

let you know other people be safe too? It's when you don't feel safe

yourself that you feel other people ben't safe."

"But," I said--and such confidence I had from what she had already

uttered, that I was sure the experiment was not a cruel one--"some of

your sons _were_ drowned for all that you say about their safety."

"Well, sir," she answered, with a sigh, "I trust they're none the less

safe for that. It would be a strange thing for an old woman like me,

well-nigh threescore and ten, to suppose that safety lay in not being

drownded. Why, they might ha' been cast on a desert island, and wasted

to skin an' bone, and got home again wi' the loss of half the wits they

set out with. Wouldn't that ha' been worse than being drownded right

off? And that wouldn't ha' been the worst, either. The church she seem

to tell me all the time, that for all the roaring outside, there be

really no danger after all. What matter if they go to the bottom? What

is the bottom of the sea, sir? You bein' a clergyman can tell that,

sir. I shouldn't ha' known it if I hadn't had bys o' my own at sea,

sir. But you can tell, sir, though you ain't got none there."

And though she was putting her parson to his catechism, the smile that

returned on her face was as modest as if she had only been listening to

his instruction. I had not long to look for my answer.

"The hollow of his hand," I said, and said no more.

"I thought you would know it, sir," she returned, with a little glow of

triumph in her tone. "Well, then, that's just what the church tells me

when I come in here in the stormy nights. I bring my knitting then too,

sir, for I can knit in the dark as well as in the light almost; and

when they come home, if they do come home, they're none the worse that

I went to the old church to pray for them. There it goes roaring about

them poor dears, all out there; and their old mother sitting still as a

stone almost in the quiet old church, a caring for them. And then it do

come across me, sir, that God be a sitting in his own house at home,

hearing all the noise and all the roaring in which his children are

tossed about in the world, watching it all, letting it drown some o'

them and take them back to him, and keeping it from going too far with

others of them that are not quite ready for that same. I have my

thoughts, you see, sir, though I be an old woman; and not nice to look

at."

I had come upon a genius. How nature laughs at our schools sometimes!

Education, so-called, is a fine thing, and might be a better thing; but

there is an education, that of life, which, when seconded by a pure

will to learn, leaves the schools behind, even as the horse of the

desert would leave behind the slow pomposity of the common-fed goose.

For life is God's school, and they that will listen to the Master there

will learn at God's speed. For one moment, I am ashamed to say, I was

envious of Shepherd, and repined that, now old Rogers was gone, I had

no such glorious old stained-glass window in my church to let in the

eternal upon my light-thirsty soul. I must say for myself that the

feeling lasted but for a moment, and that no sooner had the shadow of

it passed and the true light shined after it, than I was heartily

ashamed of it. Why should not Shepherd have the old woman as well as I?

True, Shepherd was more of what would now be called a ritualist than I;

true, I thought my doctrine simpler and therefore better than his; but

was this any reason why I should have all the grand people to minister

to in my parish! Recovering myself, I found her last words still in my

ears.

"You are very nice to look at," I said. "You must not find fault with

the work of God, because you would like better to be young and pretty

than to be as you now are. Time and time's rents and furrows are all

his making and his doing. God makes nothing ugly."

"Are you quite sure of that, sir?"

I paused. Such a question from such a woman "must give us pause." And,

as I paused, the thought of certain animals flashed into my mind and I

could not insist that God had never made anything ugly.

"No. I am not sure of it," I answered. For of all things my soul

recoiled from, any professional pretence of knowing more than I did

know seemed to me the most repugnant to the spirit and mind of the

Master, whose servants we are, or but the servants of mere priestly

delusion and self-seeking. "But if he does," I went on to say, "it must

be that we may see what it is like, and therefore not like it."

Then, unwilling all at once to plunge with her into such an abyss as

the question opened, I turned the conversation to an object on which my

eyes had been for some time resting half-unconsciously. It was the sort

of stool or bench on which my guide had been sitting. I now thought it

was some kind of box or chest. It was curiously carved in old oak, very

much like the ends of the benches and book-boards.

"What is that you were sitting on?" I asked. "A chest or what?"

"It be there when we come to this place, and that be nigh fifty years

agone, sir. But what it be, you'll be better able to tell than I be,

sir."

"Perhaps a chest for holding the communion-plate in old time," I said.

"But how should it then come to be banished to the tower?"

"No, sir; it can't be that. It be some sort of ancient musical piano, I

be thinking."

I stooped and saw that its lid was shaped like the cover of an organ.

With some difficulty I opened it; and there, to be sure, was a row of

huge keys, fit for the fingers of a Cyclops. I pressed upon them, one

after another, but no sound followed. They were stiff to the touch; and

once down, so they mostly remained until lifted again. I looked if

there was any sign of a bellows, thinking it must have been some

primitive kind of reed-instrument, like what we call a seraphine or

harmonium now-a-days. But there was no hole through which there could

have been any communication with or from a bellows, although there

might have been a small one inside. There were, however, a dozen little

round holes in the fixed part of the top, which might afford some clue

to the mystery of its former life. I could not find any way of reaching

the inside of it, so strongly was it put together; therefore I was

left, I thought, to the efforts of my imagination alone for any hope of

discovery with regard to the instrument, seeing further observation was

impossible. But here I found that I was mistaken in two important

conclusions, the latter of which depended on the former. The first of

these was that it was an instrument: it was only one end of an

instrument; therefore, secondly, there might be room for observation

still. But I found this out by accident, which has had a share in most

discoveries, and which, meaning a something that falls into our hands

unlocked for, is so far an unobjectionable word even to the man who

does not believe in chance. I had for the time given up the question as

insoluble, and was gazing about the place, when, glancing up at the

holes in the ceiling through which the bell-ropes went, I spied two or

three thick wires hanging through the same ceiling close to the wall,

and right over the box with the keys. The vague suspicion of a

discovery dawned upon me.

"Have you got the key of the tower?" I asked.

"No, sir. But I'll run home for it at once," she answered. And rising,

she went out in haste.

"Run!" thought I, looking after her. "It is a word of the will and the

feeling, not of the body." But I was mistaken. The dear old creature

had no sooner got outside of the church-yard, within which, I presume,

she felt that she must be decorous, than she did run, and ran well too.

I was on the point of starting after her at full speed, to prevent her

from hurting herself, but reflecting that her own judgment ought to be

as good as mine in such a case, I returned, and sitting down on her

seat, awaited her reappearance, gazing at the ceiling. There I either

saw or imagined I saw signs of openings corresponding in number and

position with those in the lid under me. In about three minutes the old

woman returned, panting but not distressed, with a great crooked old

key in her hand. Why are all the keys of a church so crooked? I did not

ask her that question, though. What I said to her, was--

"You shouldn't run like that. I am in no hurry."

"Be you not, sir? I thought, by the way you spoke, you be taken with a

longing to get a-top o' the tower, and see all about you like. For you

see, sir, fond as I be of the old church, I du feel sometimes as if

she'd smother me; and then nothing will do but I must get at the top of

the old tower. And then, what with the sun, if there be any sun, and

what with the fresh air which there always be up there, sir,--it du

always be fresh up there, sir," she repeated, "I come back down again

blessing the old church for its tower."

As she spoke she was toiling up the winding staircase after me, where

there was just room enough for my shoulders to get through by turning

themselves a little across the lie of the steps. They were very high,

but she kept up with me bravely, bearing out her statement that she was

no stranger to them. As I ascended, however, I was not thinking of her,

but of what she had said. Strange to tell, the significance of the

towers or spires of our churches had never been clear to me before.

True, I was quite awake to their significance, at least to that of the

spires, as fingers pointing ever upwards to

"regions mild of calm and serene air,

Above the smoke and stir of this dim spot,

Which men call Earth;"

but I had not thought of their symbolism as lifting one up above the

church itself into a region where no church is wanted because the Lord

God almighty and the Lamb are the temple of it.

Happy church indeed, if it destroys the need of itself by lifting men

up into the eternal kingdom! Would that I and all her servants lived

pervaded with the sense of this her high end, her one high calling! We

need the church towers to remind us that the mephitic airs in the

church below are from the churchyard at its feet, which so many take

for the church, worshipping over the graves and believing in death--or

at least in the material substance over which alone death hath power.

Thus the church, even in her corruption, lifts us out of her

corruption, sending us up her towers and her spires to admonish us that

she too lives in the air of truth: that her form too must pass away,

while the truth that is embodied in her lives beyond forms and customs

and prejudices, shining as the stars for ever and ever. He whom the

church does not lift up above the church is not worthy to be a

doorkeeper therein.

Such thoughts passed through me, satisfied me, and left me peaceful, so

that before I had reached the top, I was thanking the Lord--not for his

church-tower, but for his sexton's wife. The old woman was a jewel. If

her husband was like her, which was too much to expect--if he believed

in her, it would be enough, quite--then indeed the little child, who

answered on being questioned thereanent, as the Scotch would say, that

the three orders of ministers in the church were the parson, clerk, and

sexton, might not be so far wrong in respect of this individual case.

So in the ascent, and the thinking associated therewith, I forgot all

about the special object for which I had requested the key of the

tower, and led the way myself up to the summit, where stepping out of a

little door, which being turned only heavenwards had no pretence for,

or claim upon a curiously crooked key, but opened to the hand laid upon

the latch, I thought of the words of the judicious Hooker, that "the

assembling of the church to learn" was "the receiving of angels

descended from above;" and in such a whimsical turn as our thoughts

will often take when we are not heeding them, I wondered for a moment

whether that was why the upper door was left on the latch, forgetting

that that could not be of much use, if the door in the basement was

kept locked with the crooked key. But the whole suggested something

true about my own heart and that of my fellows, if not about the

church: Revelation is not enough, the open trap-door is not enough, if

the door of the heart is not open likewise.

As soon, however, as I stepped out upon the roof of the tower, I forgot

again all that had thus passed through my mind, swift as a dream. For,

filling the west, lay the ocean beneath, with a dark curtain of storm

hanging in perpendicular lines over part of its horizon, and on the

other side was the peaceful solid land, with its numberless shades of

green, its heights and hollows, its farms and wooded vales--there was

not much wood--its scattered villages and country dwellings, lighted

and shadowed by the sun and the clouds. Beyond lay the blue heights of

Dartmoor. And over all, bathing us as it passed, moved the wind, the

life-bearing spirit of the whole, the servant of the sun. The old woman

stood beside me, silently enjoying my enjoyment, with a still smile

that seemed to say in kindly triumph, "Was I not right about the tower

and the wind that dwells among its pinnacles?" I drank deep of the

universal flood, the outspread peace, the glory of the sun, and the

haunting shadow of the sea that lay beyond like the visual image of the

eternal silence--as it looks to us--that rounds our little earthly life.

There were a good many trees in the church-yard, and as I looked down,

the tops of them in their richest foliage hid all the graves directly

below me, except a single flat stone looking up through an opening in

the leaves, which seemed to have been just made for it to let it see

the top of the tower. Upon the stone a child was seated playing with a

few flowers she had gathered, not once looking up to the gilded vanes

that rose from the four pinnacles at the corners of the tower. I turned

to the eastern side, and looked over upon the church roof. It lay far

below--looking very narrow and small, but long, with the four ridges of

four steep roofs stretching away to the eastern end. It was in

excellent repair, for the parish was almost all in one lord's

possession, and he was proud of his church: between them he and Mr.

Shepherd had made it beautiful to behold and strong to endure.

When I turned to look again, the little child was gone. Some butterfly

fancy had seized her, and she was away. A little lamb was in her place,

nibbling at the grass that grew on the side of the next mound. And when

I looked seaward there was a sloop, like a white-winged sea-bird,

rounding the end of a high projecting rock from the south, to bear up

the little channel that led to the gates of the harbour canal. Out of

the circling waters it had flown home, not from a long voyage, but

hardly the less welcome therefore to those that waited and looked for

her signal from the barrier rock.

Reentering by the angels' door to descend the narrow cork-screw stair,

so dark and cool, I caught a glimpse, one turn down, by the feeble

light that came through its chinks after it was shut behind us, of a

tiny maiden-hair fern growing out of the wall. I stopped, and said to

the old woman--

"I have a sick daughter at home, or I wouldn't rob your tower of this

lovely little thing."

"Well, sir, what eyes you have! I never saw the thing before. Do take

it home to miss. It'll do her good to see it. I be main sorry to hear

you've got a sick maiden. She ben't a bedlar, be she, sir?"

I was busy with my knife getting out all the roots I could without

hurting them, and before I had succeeded I had remembered Turner's

using the word.

"Not quite that," I answered, "but she can't even sit up, and must be

carried everywhere."

"Poor dear! Everyone has their troubles, sir. The sea's been mine."

She continued talking and asking kind questions about Connie as we went

down the stair. Not till she opened a little door I had passed without

observing it as we came up, was I reminded of my first object in

ascending the tower. For this door revealed a number of bells hanging

in silent power in the brown twilight of the place. I entered

carefully, for there were only some planks laid upon the joists to keep

one's feet from going through the ceiling. In a few moments I had

satisfied myself that my conjecture about the keys below was correct.

The small iron rods I had seen from beneath hung down from this place.

There were more of them hanging shorter above, and there was yet enough

of a further mechanism remaining to prove that those keys, by means of

the looped and cranked rods, had been in connection with hammers, one

of them indeed remaining also, which struck the bells, so that a tune

could be played upon them as upon any other keyed instrument. This was

the first contrivance of the kind I had ever seen, though I have heard

of it in other churches since.

"If I could find a clever blacksmith in the neighbourhood, now," I said

to myself, "I would get this all repaired, so that it should not

interfere with the bell-ringing when the ringers were to be had, and

yet Shepherd could play a psalm tune to his parish at large when he

pleased." For Shepherd was a very fair musician, and gave a good deal

of time to the organ. "It's a grand notion, to think of him sitting

here in the gloom, with that great musical instrument towering above

him, whence he sends forth the voice of gladness, almost of song to his

people, while they are mowing the grass, binding the sheaves, or gazing

abroad over the stormy ocean in doubt, anxiety, and fear. 'There's the

parson at his bells,' they would say, and stop and listen; and some

phrase might sink into their hearts, waking some memory, or giving

birth to some hope or faint aspiration. I will see what can be done."

Having come to this conclusion, I left the abode of the bells,

descended to the church, bade my conductress good morning, saying I

would visit her soon in her own house, and bore home to my child the

spoil which, without kirk-rapine, I had torn from the wall of the

sanctuary. By this time the stormy veil had lifted from the horizon,

and the sun was shining in full power without one darkening cloud.

Ere I left the churchyard I would have a glance at the stone which ever

seemed to lie gazing up at the tower. I soon found it, because it was

the only one in that quarter from which I could see the top of the

tower. It recorded the life and death of an aged pair who had been

married fifty years, concluding with the couplet--

"A long time this may seem to be, But it did not seem long to we."

The whole story of a human life lay in that last verse. True, it was

not good grammar; but they had got through fifty years of wedded life

probably without any knowledge of grammar to harmonise or to shorten

them, and I daresay, had they been acquainted with the lesson he had

put into their dumb mouths, they would have been aware of no ground of

quarrel with the poetic stone-cutter, who most likely had thrown the

verses in when he made his claim for the stone and the cutting. Having

learnt this one by heart, I went about looking for anything more in the

shape of sepulchral flora that might interest or amuse my crippled

darling; nor had I searched long before I found one, the sole but

triumphant recommendation of which was the thorough "puzzle-headedness"

of its construction. I quite reckoned on seeing Connie trying to make

it out, looking as bewildered over its excellent grammar, as the poet

of the other ought to have looked over his rhymes, ere he gave in to

the use of the nominative after a preposition.

"If you could view the heavenly shore,

Where heart's content you hope to find,

You would not murmur were you gone before,

But grieve that you are left behind."

The Seaboard Parish Volume 1 · 第 15 / 17 章