though less celebrated poet than his namesake and relative, the author
of _Malacca Conquistada_, was born at Oporto and held high office under
King Sebastian and the Cardinal King. His verses to the river Leça,
famous in the seventeenth century, were neglected in the eighteenth and
rediscovered by Dr. Sousa Viterbo (1845-1910) in the Torre do Tombo at
Lisbon.
_D. Manuel de Portugal_ (p. 137), born at Evora, son of the poet Count of
Vimioso, was one of the earliest followers of Sá de Miranda. His poems
were collected in the year before his death: _Obras_ (1605). This mystic
sonnet is printed on f. 199 _v._
_Luis de Camões_ (p. 137), one of the most inspired lyrical poets of all
time, was born at Lisbon or Coimbra and belonged to an ancient family
of Spanish-Galician origin. His whole life was a tragedy of love and
sorrows. After studying at Coimbra he came to Lisbon, perhaps in 1545;
fell in love, possibly with Caterina de Ataide (Natercia), was banished
from Court, and after serving in North Africa returned penniless to
Lisbon. An affray in the Rocio caused his imprisonment in 1553 and he was
released on the understanding that he would serve the king in India.
He did not return to Portugal until 1569, and after living at Lisbon in
poverty died there, perhaps of the plague, on June 10, 1580. The year of
his birth is commonly considered 1524, but February 5 as the day of his
birth is arbitrary. His _Os Lusiadas_ appeared eight years before his
death, his _Rimas_ only in 1595. Snr. Epiphanio da Silva Dias published a
critical edition of The Lusiads (2 vols., 1910), but the difficult task
of editing his lyrics remains.
_Antonio Ferreira_ (p. 202) was born, lived, and died at Lisbon, where
he fell victim to the great plague of 1569. He was proud of never having
written a line in any other language but Latin and his native tongue.
Although not a great poet, he could rise to considerable heights, and in
fact maintains a high level both in his short poems and in his classical
play _Inés de Castro_. His _Poemas Lusitanos_ (1598) have been frequently
reprinted.
_Diogo Bernardez_ (p. 207), the most gifted of Miranda’s disciples, the
most musical of the singers in the new style, became a personal friend
of Miranda and mused and wrote on the banks of the Lima (on which, at
Ponte da Barca, he was born) in the intervals of a busier life at Lisbon.
He may have owed his release from African slavery in 1581 to Philip II
of Spain, from whom he received various benefits. The beauty of his
sonnets, eclogues, and letters in verse inevitably led to accusations
of plagiarism from Camões, which need not be seriously considered. It
is curious that Shakespeare’s line ‘With what I most enjoy contented
least’ is a literal translation of ‘Do que deseja mais mais duvidoso’.
For variations of text in the sonnets see C. Michaëlis de Vasconcellos,
_Investigações sobre sonetos_, etc. (1910), pp. 45-54 and _Zeitschrift
für rom. Phil._, vol. ix, pp. 372, 373.
_Frei Agostinho da Cruz_ (p. 123), younger brother of Diogo Bernardez,
became a Franciscan monk in 1561, on which occasion Diogo addressed to
him a fine letter in verse. His poems were not collected till 1771, but
recently they have received an edition at the hands of Dr. Mendes dos
Remedios as vol. xxi (1918) of the collection _Subsidios_.
_Fernam Alvarez do Oriente_ (p. 214), was born at Goa some thirty years
after its conquest by Afonso de Albuquerque. His _Lusitania Transformada_
was written in prose and verse in direct imitation of Sannazaro’s
_Arcadia_.
_Francisco Galvam_ (p. 215), born at Villa Viçosa, was equerry to the
Duke of Braganza. The authorship of the poems published by Antonio
Lourenço Caminha in 1791, and therefore of this remarkable sonnet,
appears doubtful.
_Anonymous_ (p. 215). The celebrated historian Frei Bernardo de Brito,
born at Almeida (Beira) is by many considered the author of the small
collection of poems entitled _Sylvia de Lysardo_, of which the sonnet
_Ponho-me a contemplar_ is no. 20.
_Francisco Rodriguez Lobo_ (p. 216), born at Leiria on the Lis, was
mellifluous and prolific both in prose and verse and struck an individual
note in his _vilancetes_. Both his _Corte na Aldea_ and a selection of
his poems deserve to be edited with the same loving care as Dr. Ricardo
Jorge brought to his biography. He was drowned in his prime in the Tagus
in 1522. The sonnet _Formoso Tejo meu_ is by many critics ascribed to him.
_Soror Violante do Ceo_ (p. 221), born at Lisbon, early won fame as a
poetess and musician. At Lisbon she spent over sixty years as a Dominican
nun. The chief collection of her poems appeared at Rouen: _Rythmas
Varias_ (1646).
_D. Francisco Manuel de Mello_ (p. 222) found time in his troubled and
adventurous life to write a considerable quantity of verse (_Las Tres
Musas del Melusino_: Lisboa, 1649; _Obras Metricas_, Lyon, 1665) some
of which is excellent. For his life and works see Professor Edgar
Prestage’s _Esboço biographico_ (Coimbra, 1914).
_Soror Maria do Ceo_ (p. 223), for nearly eighty years a Franciscan nun
at Lisbon, published, among other volumes of verse, only occasionally
marked by unaffected simplicity, _A Preciosa_, 2 pts. 1731, 33, and
_Enganos do Bosque, Desenganos do Rio_, 1741. Selections from her poetry
and from that of Soror Violante have been published by Dr. Mendes dos
Remedios in his _Subsidios_ (vol. xvi).
_Domingos dos Reis Quita_ (p. 224), a Lisbon barber, wrote verse of
remarkable suavity. A second edition of his _Obras Poeticas_ appeared
in 1781. His tragedy _Inés de Castro_ was translated into English by
Benjamin Thompson in 1800.
_Antonio Diniz da Cruz e Silva_ (p. 225) was born at Lisbon. His lyric
poems, _Poesias_, were published in six volumes in 1807-1817. His _O
Hyssope_ still has many readers and is not infrequently reprinted.
_João Xavier de Mattos_ (p. 226) is now unknown to fame and his life is
obscure, but one or two of his poems are attractive. The last edition of
his _Rimas_ is of 1827.
_Pedro Antonio Corrêa Garção_ (p. 226), born at Lisbon and the leading
spirit of _Arcadia_, had a poetic gift which did not often find adequate
subjects or expression. The _Cantata de Dido_ from his _Assemblea ou
Partida_ has fervent admirers.
_Nicolau Tolentino de Almeida_ (p. 229), of Lisbon, wrote gently
satirical poems, chiefly in _quintilhas_, which may be read in his _Obras
Completas_ (1861). It was he who, when asked to choose between two
sonnets, read the first only and chose the second. Some doubts have been
expressed as to the authorship of the sonnet on the _toucados altos_.
_Manuel Maria de Barbosa du Bocage_ (p. 230) wasted his genius and
died at the age of forty without having approached the achievement of
his great prototype Camões, who was constantly in his thoughts. His
improvisations deeply impressed his contemporaries, and some of his
sonnets only just fall short of a real magnificence. His popularity has
never quite waned in Portugal. A new edition of his poems appeared in
eight volumes in 1875-76.
_Almeida Garrett_ (p. 232) was born at Oporto, but his youth was not
spent in that city and later his Liberal principles sent him into exile.
With Herculano he was one of the Liberal army of 7,500 who landed near
Mindello in 1832. For the next twenty years he played a prominent part
as diplomatist, orator, judge, and politician. He renovated Portuguese
literature, freeing it from the trammels of pseudo-classicism and
introducing romanticism from England and France. He was the best poet,
the best dramatist, and the best prose-writer of Portugal in the first
half of the nineteenth century. His best lyrics are contained in the
slight volume entitled _Folhas Cahidas_.
_Antonio Feliciano de Castilho_ (p. 239), blind from the age of six,
wrote a mass of poems and translations in a style of classical purity,
and after Garrett’s death stood at the head of contemporary Portuguese
poetry until the Coimbra school unceremoniously dethroned him in 1865. He
was a native of Lisbon. His _Obras Completas_ occupy eighty small volumes
(Lisboa, 1903-10).
_Alexandre Herculano e Araujo_ (p. 240), born at Lisbon, Portugal’s
greatest modern historian, declared that he was a poet till he was
twenty-five. His _Poesias_ will never lack readers, because they have
that biblical fervour and sincerity which inspired Herrera in his odes
and Luis de Leon in some of his translations.
_Antonio Augusto Soares de Passos_ (p. 252), a romantic poet of Oporto,
wrote nothing finer than the celebrated ode _O Firmamento_. The text here
given is that of the sixth (1875) edition of his _Poesias_.
_João de Deus Ramos Nogueira_ (p. 257), the most spontaneous and
inspired Portuguese poet of the second half of the nineteenth century,
was born at Messines in Algarve. A complete collection of his poems,
entitled _Campo de Flores_, appeared in 1893. An excellent selection is
that of Snr. Affonso Lopes Vieira: _Livro de Amor_ (1921).
_Thomaz Ribeiro_ (p. 263) was born at Parada de Gonta in the province
of Beira and belonged to the romantic school of poets. His reputation
had been made half a century before his death when he published his long
romantic poem in many metres _D. Jayme_ (1862), and it is by the fifteen
introductory stanzas (_oitavas_) that he is best remembered.
_Julio Diniz_ (p. 267) is the pseudonym of Joaquim Guilherme Gomes
Coelho, who was born at Oporto. His novels met with immediate and
deserved success. His poems, some of which were inserted in his novels,
appeared posthumously in 1873 (_Poesias_).
_Anthero de Quental_ (p. 269) born at Ponta Delgada in the Azores, was
philosopher first, poet afterwards. His famous sonnets, constantly
republished, are filled with a serene light, that light towards which
Quental was ever groping his way. Many of them have been rendered into
English by Professor Edgar Prestage: _Sixty-four Sonnets_ (1894) and
Professor Griswold Morley: _Sonnets and Poems of Anthero de Quental_
(1922).
_Antonio Candido Gonçalves Crespo_ (p. 273) was born at Rio de Janeiro,
was sent to study at Coimbra and became the chief of the Portuguese
Parnassians. A second edition of his _Obras Completas_ appeared in 1913.
_Antonio Duarte Gomes Leal_ (p. 275) was born, lived, and died at Lisbon.
Much of his poetry was satirical, but he also displayed delicate feeling
and command of rhythm. His two best known works were _Claridades do Sul_
(1875) and _O Anti-Cristo_ (1884).
_Abilio Manuel Guerra Junqueiro_ (p. 276) was born at Freixo de Espada á
Cinta. In 1892 _Os Simples_ closed a series of brilliant works with a key
of gold, but he wrote comparatively little poetry of recent years. In its
political aspect his work was revolutionary and anticlerical, but he was
reconciled to the Church before his death. Appointed Portuguese Minister
in Switzerland in 1911, he soon retired from public life. This disciple
of Victor Hugo is not without originality, and a small part of his poetry
will be immortal.
_Antonio Nobre_ (p. 282) showed individuality and a haunting sense of
rhythm in _Só_ (1892), a collection of pliant verse which made a profound
impression in Portugal. The sonnet _Podessem suas mãos_ is from the
posthumous volume _Despedidas_ (1902).
_Snr. Eugenio de Castro_ (p. 283), Professor at Coimbra University
and Portugal’s foremost living poet, is the founder of the Portuguese
Symbolist school. In his more recent volumes he seems rather to emulate
the gnomic manner of Sá de Miranda, with conspicuous success. He is also
a master of those paper carnations, the popular quatrains.
_Snr. Joaquim Teixeira de Pascoaes_ (p. 287) gives the anthologist little
opportunity of doing justice to his talent, which reveals itself rather
in long poems such as _Marános_ (1911), filled with love of Nature and
musical expression. His best known works are _Sempre_ (1897), _Terra
Prohibida_ (1899), and _As Sombras_ (1907).
_Snr. Affonso Lopes Vieira_ (p. 288) can write delicately musical lyrics
light as feathers in the wind and poems of a fine breadth and fulness
of sound. In the history of Portugal, in the sea and in the poets of
Portugal’s golden age he finds an unfailing inspiration, very marked in
_Ilhas de Bruma_ (1917).
_Snr. Antonio Corrêa de Oliveira_ (p. 290) is one of the most widely read
and deeply appreciated of living Portuguese poets, in the _Auto do Fim
do Dia_ (1900) and numerous other volumes. He uses the short indigenous
metre as a master.
_Eduardo Pondal y Abente_ (p. 291), born at Ponteceso in the province of
Coruña, where he lived in a charming house ‘ó pé dos pinos escurecida’,
won fame with his poem _A Campana d’ Anllons_. Some of the poems of his
_Rumores de los Pinos_ (1879) and _Queixumes dos Pinos_ (1886) have an
even more haunting fascination.
_Rosalía de Castro_ (p. 294), or Rosalía Castro de Murguía, stands
with Pondal at the head of modern Galician poetry, which is intimately
linked across six centuries with the poetry of the Galician-Portuguese
_Cancioneiros_. Her fame has grown with the years and her Galician poems,
on which that fame must always chiefly rest, contained in the volumes
_Cantares Gallegos_ (1863) and _Follas Novas_ (1880), have recently been
reprinted in a complete edition of her works at Madrid.
INDEX OF AUTHORS
(The figures refer to the number of the poems)
Airas (Joan), 48, 49.
Alfonso X, 58-68.
Almeida Garrett, Visconde de, 167-171.
Alvarez do Oriente (Fernam), 144, 145.
Anez Solaz (Pedro), 18, 19.
Bernardez (Diogo), 138-141.
Bilac (Olavo), 195.
Bocage (Manuel Maria de Barbosa du), 162-166.
Bolseiro (Juian), 41-44.
Bonaval (Bernal de), 40.
Calvo (Paio), 45.
Camões (Luis de), 114-134.
Castilho (Antonio Feliciano de), 172.
Castro (Eugenio de), 197, 198.
Castro, (Rosalía de), 206-208.
Ceo (Maria do), 155.
Ceo (Violante do), 152.
Codax (Martin), 20-26.
Coelho (Estevam), 81.
Corrêa de Oliveira (Antonio), 203.
Corrêa Garção (Pedro Antonio), 159.
Cruz (Frei Agostinho da), 142, 143.
Dinis, King, 69-79.
Diniz (Julio), 179.
Diniz da Cruz e Silva (Antonio), 157.
Esquio (Fernando), 29.
Falcam (Cristovam), 104, 105.
Fernandez (Roy), 36.
Fernandez Torneol (Nuno), 11-13.
Ferreira (Antonio), 135-137.
Galvam (Francisco), 146.
Garcia (Pero), 37.
Ginzo (Martin de), 14.
Gomes Leal (Antonio Duarte), 191.
Gomez Charinho (Pai), 53-55.
Gonçalves Crespo (Antonio Candido), 188-190.
Gonçalvez de Portocarreiro (Pero), 16, 17.
Guerra Junqueiro (Abilio Manuel), 192-194.
Guilhade (Joan de), 47.
Herculano (Alexandre), 173, 174.
Lencastre (D. Philipa de), 88.
Lobeira (Joan de), 57.
Lopes Vieira (Affonso), 200-202.
Lourenço, 46.
Macias, 82.
Manuel de Mello (D. Francisco), 153, 154.
Martinz do Casal (Roy), 56.
Mattos (João Xavier de), 158.
Meendinho, 10.
Meogo (Pero), 30-35.
Moraes (Francisco de), 111.
Nobre (Antonio), 196.
Nogueira Ramos (João de Deus), 176, 177.
Nunez (Airas), 50-52.
Perez Sandeu (Nuno), 38.
Pondal (Eduardo), 204, 205.
Portugal (D. Manuel de), 113.
Quental (Anthero de), 180-187.
Quita (Domingos dos Reis), 156.
Resende (Garcia de), 90.
Ribeiro (Bernardim), 101-103.
Ribeiro (Thomaz), 178.
Rodriguez Lobo (Francisco), 149-151.
Sá de Meneses (Francisco de), 112.
Sá de Miranda (Francisco de), 106-110.
Sanchez (D. Afonso), 80.
Sancho I, 1.
Soares dos Passos (Antonio Augusto), 175.
Soarez Coelho (D. Joan), 27, 28.
Sousa (Francisco de), 89.
Teixeira de Pascoaes (Joaquim), 199.
Tolentino de Almeida (Nicolau), 160, 161.
Veer (Pero de), 39.
Vicente (Gil), 91-100.
Vivianez (Pero), 15.
Zorro (Joan), 2-9.
INDEX OF FIRST LINES
(Reference is to the number of the poems).
Abaix’ esta serra, 89
Acabava ali a terra, 171
A do mui bon parecer, 14
Adonde vas, ó Filo sem ventura, 155
Adorai, montanhas, 100
Á guerra, á guerra, moirinhos, 86
Ai cervas do monte, vin vos preguntar, 31
Ai Deus, a vo-lo digo, 28
Ai Deus, sab’ ora meu amigo, 23
Ai eu coitada como vivo, 1
Ai filha, o que vos ben queria, 38
Ai flores, ai flores do verde pino, 71
Ai fremosinha, se ben ajades, 40
Ai madre, ben vos digo, 37
Ai madr’, o que ben queria, 45
Ai ondas que eu vin veer, 26
Airiños, airiños aires, 208
Ai Santa Maria, 62
Ai Santiago, padron sabido, 54
Alegres campos, verdes arvoredos, 120
Alma minha gentil que te partiste, 126
Amad’ e meu amigo, 75
A madre do que a bestia, 64
Amiga des que o meu amigo vi, 46
Amor é um fogo que arde sem se ver, 122
Amo-te, Ó cruz, no vertice firmada, 173
Apetece minha alma a fonte viva, 113
Aquela cativa, 118
Aquela triste e leda madrugada, 127
Aquele claro sol que me mostrava, 135
Aquele espirito tam bem pagado, 110
Aquestas noites tan longas, 44
Aqui jaz pó, eu não; eu sou quem fui, 177
Armada de aspereza, minha estrela, 145
A Santa Maria mui bon servir faz, 67
A serra é alta, fria e nevosa, 98
As frores do meu amigo, 53
A suidade na molher, 97
Até o fim do mundo. A grande amada, 200
Bailemos agora, por Deus, ai velidas, 6
Bailemos nos ja todas, todas, aí amigas, 50
Bon dia vi, amigo, 69
Branca estais e colorada, 93
Brisa de Abril, 199
Cal as nubes n’ o espaço sin límites, 207
Campanas de Bastabales, 204
Canas do amor, canas, 95
Cantava Alcido um dia ao som das aguas, 141
Casinha despresivel, mal forrada, 154
Chaves na mão, melena desgrenhada, 160
Chegam de longe, 202
Comigo me desavim, 108
Como dormirão meus olhos, 104
Creio em ti, Deus, a fe viva, 170
Da branca neve e da vermelha rosa, 138
Das africanas, 205
Da triste, bela Inés inda os clamores, 162
Deus fabricou o grande ceo ... Depois, 197
De que morredes, filha, a do corpo velido, 72
Descalça vai para a fonte (Camões), 114
Descalça vai para a fonte (Rodriguez Lobo), 149
Desengano, quem vos quer, 111
De vergonna nos guardar, 58
Dezembro, noite: canta o galo, 193
Digades, filha, mia filha velida, 35
Disse ao meu coração: Olha por quantos, 181
Disseron-m’ oj’, ai amiga, que non, 55
Dized’ai trobadores, 65
Dizem que havia um pastor, 101
Dizia la fremosinha, 80
Donde vindes, filha, 94
Duas horas da tarde. Um sol ardente, 189
Eis nos toma a nacer o ano formoso, 137
Ele vinha da neve, dos trabalhos, 191
El rei de Portugal, 4
Em seus cabelos, 157
Em sonho ás vezes, se o sonho quebranta, 183
En as verdes ervas, 33
En Lixboa sobre lo mar, 3
En o sagrad’en Vigo, 25
Era assim: tinha esse olhar, 167
Era pelo mes de Abril, 91
Espirito que passas quando o vento, 180
Está o lascivo e doce passarinho, 123
Estando eu á janela, com a minha almofada, 85
Eu velida non dormia, 18
Fez ũa cantiga d’ amor, 42
Foi eu, madre, lavar meus cabelos, 27
Foi-se-me pouco a pouco amortecendo, 176
Fonte mais pura que o lustroso vidro, 172
Formoso Tejo meu, quam diferente, 148
Fostes, filha, en o bailar, 34
Gloria a Deus! Eis aberto o livro imenso, 175
Halitos de lilaz, de violeta e de opala, 194
Horas breves do meu contentamento, 140
Ja a roxa manhã clara, 130
Ja nace o belo dia, 150
Ja no roxo Oriente branqueando, 159
Ja sossega depois de tanta luta, 184
Junto de um seco, duro, esteril monte, 128
Jus’a lo mar e o rio, 9
Lá vão! O ceo se arquea, 195
Lá vem a nao Catharineta, 83
Levad’, amigo que dormides as manhanas frias, 11
Levantou-s’ a velida, 73
Levou-s’ a louçana, 32
Mandad’ ei comigo, 21
Manhaninha de S. João, 87
Mete el rei barcas no rio forte, 8
Meu Portugal, meu berço de inocente, 178
Meu ser evaporei na lida insana, 166
Mia irmana fremosa, 22
Mia madre velida, 74
Minha terra, quem me dera, 203
Mudam-se os tempos, mudam-se as vontades, 121
Naci em Londres, que é terra, 198
Na mão de Deus, na sua mão direita, 185
Nam vos sirvo nem vos amo, 88
Não a viram passar? Era no outono, 179
Não mais, Ó Tejo meu formoso e brando, 163
Nas barcas foi-s’ o meu amigo d’aqui, 41
Nestes povoados, 107
Non chegou, madr’, o meu amigo, 70
Nos campos o vilão seus sustos passa, 164
O anel do meu amigo, 16
O brando amor, mas em meu dano forte, 144
Ó guitarras de Alcacer-Quibir, 201
Oí oj’ eu ũa pastor cantar, 52
Ó montes erguidos, 89
Ondas do mar de Vigo, 20
O poeta Simonides, falando, 129
O que en Santa Maria, 66
Ó rio Leça, 112
Ó senhor tam novo d’olhos cor de esperança, 192
O sol é grande, caem com a calma as aves, 109
Os presos contam os dias, 105
Ó tu de puro amor, Deus, fonte pura, 146
Para alguem sou o lirio entre os abrolhos, 188
Par Deus, coitada vivo, 17
Peço-vos que me digais, 115
Pela ribeira de um rio, 102
Pela ribeira do rio, 5
Pelo souto de Crecente, 49
Pensando-vos estou, filha, 103
Per ribeira do rio, 2
Podessem suas mãos cobrir meu rosto, 196
Poi-las figuras fazen dos santos renembrança, 61
Pois nossas madres van a San Simon, 15
Pois que diz meu amigo, 77
Ponho-me a contemplar na fantasia, 147
Por castigar, Senhor, nossos insultos, 156
Por nos, Virgen Madre, 63
Por terra jaz o emporio do Oriente, 165
Pos-se o sol; como ja na sombra fea, 158
Provei de buscar mesura, 82
Qual será o coraçam, 90
Quando amor naceu, 136
Quando eu vejo las ondas, 36
Quando se fez ao longe a nave escura, 190
Quando será, Senhor, que desatado, 142
Quantas sabedes amar amigo, 24
Quantas vezes conheço o meu cuidado, 153
Que coita tamanha ei a sofrer, 12
Que grande variedade vão fazendo, 132
Quem disse á estrela o caminho, 169
Quem pode ser no mundo tam quieto, 133
Que muito m’ eu pago d’este verão, 51
Que soidade de mia senhor ei, 78
Quen a Virgen ben servirá, 59
Quen Santa Maria quiser defender, 68
Quen visse andar a fremosinha, 7
Rei de muitos reis, 106
Remando vam remadores, 99
Rogo-te, ai amor queiras comigo morar, 56
Rosa das rosas et fror das frores, 60
São belas, bem o sei, essas estrelas, 168
Saudade minha, 152
Sedia la fremosa seu sirgo torcendo, 81
Sedia-m’eu na ermida de San Simon, 10
Senhor genta, 57
Senhor fremosa, vejo-vos queixar, 79
Sete anos de pastor Jacob servia, 124
Se toda a vida nossa é desafio, 139
Sibila o vento, os torreões de nuvens, 174
Sobolos rios que vão, 119
Sofrei, coração, 151
Sonho que sou um cavaleiro andante, 182
Tal com’ as nubes, 206
Tal vai o meu amigo, 30
Tempo foi que pastava neste prado, 143
Tirai os olhos de mim, 96
Toda-las cousas eu vejo partir, 48
Ũa pastora se queixava, 76
Um amigo que eu havia, 92
Um mover de olhos brando e piedoso, 125
Vai, misero cavalo lazarento, 161
Vai o bem fugindo, 117
Vai o Conde, o Conde Ninho, 84
Vão as serenas aguas, 131
Vayamos, irmana, vayamos dormir, 29
Vej’eu, mia filha, quant’e meu cuidar, 43
Vejo-vos, filha, tan de coraçon, 39
Vem ás vezes sentar-se ao pe de mim, 187
Vida da minha alma, 116
Vi eu, mia madr’, andar, 13
Vinde cá, meu tam certo secretario, 134
Vi oj’eu donas mui ben parecer, 47
Vou m’eu, fremosa, peral rei, 19
Vozes do mar, das arvores, do vento, 186