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THE CLOCK STRIKES THIRTEEN
by
MILDRED A. WIRT
Author of
Mildred A. Wirt Mystery Stories
Trailer Stories for Girls
Illustrated
Cupples and Leon Company
Publishers
New York
* * * * *
_PENNY PARKER_
MYSTERY STORIES
_Large 12 mo. Cloth Illustrated_
TALE OF THE WITCH DOLL
THE VANISHING HOUSEBOAT
DANGER AT THE DRAWBRIDGE
BEHIND THE GREEN DOOR
CLUE OF THE SILKEN LADDER
THE SECRET PACT
THE CLOCK STRIKES THIRTEEN
THE WISHING WELL
SABOTEURS ON THE RIVER
GHOST BEYOND THE GATE
HOOFBEATS ON THE TURNPIKE
VOICE FROM THE CAVE
GUILT OF THE BRASS THIEVES
SIGNAL IN THE DARK
WHISPERING WALLS
SWAMP ISLAND
THE CRY AT MIDNIGHT
* * * * *
Copyright, 1942, by Cupples and Leon Co.
The Clock Strikes Thirteen
Printed in U. S. A.
_CONTENTS_
CHAPTER PAGE
1 SANDWICHES FOR TWO _1_
2 NIGHT RIDERS _11_
3 A BLACK HOOD _20_
4 A NEW CARETAKER _28_
5 OLD SETH _38_
6 TALL CORN _48_
7 MR. BLAKE'S DONATION _55_
8 PUBLICITY BY PENNY _63_
9 JERRY'S PARTY _71_
10 IN THE MELON PATCH _78_
11 PENNY'S CLUE _89_
12 ADELLE'S DISAPPEARANCE _97_
13 AN EXTRA STROKE _106_
14 THROUGH THE WINDOW _115_
15 TRACING BEN BOWMAN _123_
16 A FAMILIAR NAME _130_
17 FALSE RECORDS _137_
18 ADELLE'S ACCUSATION _147_
19 TRAILING A FUGITIVE _155_
20 CLEM DAVIS' DISCLOSURE _163_
21 A BROKEN PROMISE _170_
22 THE MAN IN GRAY _178_
23 A TRAP SET _185_
24 TIMELY HELP _193_
25 SPECIAL EDITION _203_
CHAPTER
1
_SANDWICHES FOR TWO_
Jauntily, Penny Parker walked through the dimly lighted newsroom of the
_Riverview Star_, her rubber heels making no sound on the bare, freshly
scrubbed floor. Desks were deserted, for the final night edition of the
paper had gone to press half an hour earlier, and only the cleaning women
were at work. One of the women arrested a long sweep of her mop just in
time to avoid splashing the girl with water.
"I sorry," she apologized in her best broken English. "I no look for
someone to come so very late."
"Oh, curfew never rings for me," Penny laughed, side stepping a puddle of
water. "I'm likely to be abroad at any hour."
At the far end of the long room a light glowed behind a frosted glass
door marked: "Anthony Parker--Editor." There the girl paused, and seeing
her father's grotesque shadow, opened the door a tiny crack, to rumble in
a deep voice:
"Hands up! I have you covered!"
Taken by surprise, Mr. Parker swung quickly around, his swivel chair
squeaking a loud protest.
"Penny, I wish you wouldn't do that!" he exclaimed. "You know it always
makes me jump."
"Sorry, Dad," Penny grinned, slumping into a leather chair beside her
father's desk. "A girl has to have some amusement, you know."
"Didn't three hours at the moving picture theatre satisfy you?"
"Oh, the show was worse than awful. By the way, here's something for
you."
Removing a sealed yellow envelope from her purse, Penny flipped it
carelessly across the desk.
"I met a Western Union boy downstairs," she explained. "He was looking
for you. I paid for the message and saved him a trip upstairs. Two
dollars and ten cents, if you don't mind."
Absently Mr. Parker took two crisp dollar bills from his pocket and
reached for the telegram.
"Don't forget the dime," Penny reminded him. "It may seem a trifle to
you, but not to a girl who has to live on a weekly allowance."
For lack of change, the editor tossed over a quarter, which his daughter
pocketed with deep satisfaction. Ripping open the envelope, he scanned
the telegram, but as he read, his face darkened.
"Why, Dad, what's wrong?" Penny asked in surprise.
Mr. Parker crumpled the sheet into a round ball and hurled it toward the
waste paper basket.
"Your aim gets worse every day," Penny chuckled, stooping to retrieve the
paper. Smoothing the corrugations, she read aloud:
"YOUR EDITORIAL 'FREEDOM OF THE PRESS' IN THURSDAY'S STAR THOROUGHLY
DISGUSTED THIS READER. WHAT YOUR CHEAP PAPER NEEDS IS A LITTLE LESS
FREEDOM AND MORE DECENCY. IF OUR FOREFATHERS COULD HAVE FORESEEN THE
YELLOW PRESS OF TODAY THEY WOULD HAVE REGULATED IT, NOT MADE IT FREE.
WHY DON'T YOU TAKE THAT AMERICAN FLAG OFF YOUR MASTHEAD AND SUBSTITUTE
A CASH REGISTER? FLY YOUR TRUE COLORS AND SOFT-PEDAL THE PARKER BRAND
OF HYPOCRISY!"
"Stop it--don't read another line!" the editor commanded before Penny had
half finished.
"Why, Dad, you poor old wounded lion!" she chided, blue eyes dancing with
mischief. "I thought you prided yourself that uncomplimentary opinions
never disturbed you. Can't you take it any more?"
"I don't mind a few insults," Mr. Parker snapped, "but paying for them is
another matter."
"That's so, this little gem of literature did set you back two dollars
and ten cents. Lucky I collected before you opened the telegram."
Mr. Parker slammed his desk shut with a force which rattled the office
windows.
"This same crack-pot who signs himself 'Disgusted Reader' or 'Ben
Bowman,' or whatever name suits his fancy, has sent me six telegrams in
the past month! I'm getting fed up!"
"All of the messages collect?"
"Every one. The nit-wit has criticised everything from the _Star_'s comic
strips to the advertising columns. I've had enough of it!"
"Then why not do something about it?" Penny asked soothingly. "Refuse the
telegrams."
"It's not that easy," the editor growled. "Each day the _Star_ receives a
large number of 'collect' messages, hot news tips from out-of-town
correspondents and from reporters who try to sell free lance stories.
We're glad to pay for these telegrams. This fellow who keeps bombarding
us is just smart enough to use different names and send his wires from
various places. Sometimes he addresses the telegrams to me, and then
perhaps to City Editor DeWitt or one of the other staff members."
"In that case, I'm afraid you're out of luck," Penny said teasingly. "How
about drowning your troubles in a little sleep?"
"It is late," Mr. Parker admitted, glancing at his watch. "Almost
midnight. Time we're starting home."
Reaching for his hat, Mr. Parker switched off the light, locked the door,
and followed Penny down the stairway to the street. At the parking lot
opposite the _Star_ building, he tramped about restlessly while waiting
for an attendant to bring the car.
"I'll drive," Penny said, sliding behind the steering wheel. "In your
present mood you might inadvertently pick off a few pedestrians!"
"It makes my blood boil," Mr. Parker muttered, his thoughts reverting to
the telegram. "Call my paper yellow, eh? And that crack about the cash
register!"
"Oh, everyone knows the _Star_ is the best paper in the state," Penny
said, trying to coax him into a better mood. "You're a good editor too,
and a pretty fair father."
"Thanks," Mr. Parker responded with a mock bow. "Since we're passing out
compliments, you're not so bad yourself."
Suddenly relaxing, he reached out to touch Penny's hand in a rare
expression of affection. Tall and lean, a newspaper man with a reputation
for courage and fight, he had only two interests in life--his paper and
his daughter. Penny's mother had been dead many years, but at times he
saw his wife again in the girl's sparkling blue eyes, golden hair, and
especially in the way she smiled.
"Hungry, Dad?" Penny asked unexpectedly, intruding upon his thoughts. "I
know a dandy new hamburger place not far from here. Wonderful coffee
too."
"Well, all right," Mr. Parker consented. "It's pretty late though. The
big clock's striking midnight."
As the car halted for a traffic light, they both listened to the musical
chimes which preceded the regularly spaced strokes of the giant clock.
Penny turned her head to gaze at the Hubell Memorial Tower, a grim stone
building which rose to the height of seventy-five feet. Erected ten years
before as a monument to one of Riverview's wealthy citizens, its chimes
could be heard for nearly a mile on a still night. On one side, its high,
narrow windows overlooked the city, while on the other, the cultivated
lands of truck farmers.
"How strange!" Penny murmured as the last stroke of the clock died away.
"What is strange?" Mr. Parker asked gruffly.
"Why, that clock struck thirteen times instead of twelve!"
"Bunk and bosh!"
"Oh, but it did!" Penny earnestly insisted. "I counted each stroke
distinctly."
"And one of them twice," scoffed her father. "Or are you spoofing your
old Dad?"
"Oh, I'm not," Penny maintained. As the car moved ahead, she craned her
neck to stare up at the stone tower. "I know I counted thirteen. Why,
Dad, there's a green light burning in one of the windows! I never saw
that before. What can it mean?"
"It means we'll have a wreck unless you watch the road!" Mr. Parker
cried, giving the steering wheel a quick turn. "Where are you taking me
anyhow?"
"Out to Toni's." Reluctantly Penny centered her full attention upon the
highway. "It's only a mile into the country."
"We won't be home before one o'clock," Mr. Parker complained. "But since
we're this far, I suppose we may as well keep on."
"Dad, about that light," Penny said thoughtfully. "Did you ever notice it
before?"
Mr. Parker turned to gaze back toward the stone tower.
"There's no green light," he answered grimly. "Every window is dark."
"But I saw it only an instant ago! And I did hear the clock strike
thirteen. Cross my heart and hope to die--"
"Never mind the dramatics," Mr. Parker cut in. "If the clock struck an
extra time--which it didn't--something could have gone wrong with the
mechanism. Don't try to build up a mystery out of your imagination."
The car rattled over a bridge and passed a deserted farm house that
formerly had belonged to a queer old man named Peter Fenestra. Penny's
gaze fastened momentarily upon an old fashioned storm cellar which marred
the appearance of the front yard.
"I suppose I imagined all that too," she said, waving her hand toward the
disfiguring cement hump. "Old Peter never had any hidden gold, he never
had a SECRET PACT with tattooed sailors, and he never tried to burn your
newspaper plant!"
"I'll admit you did a nice piece of detective work when you uncovered
that story," her father acknowledged. "Likewise, you brought the _Star_
one of its best scoops by outwitting slippery Al Gepper and entangling
him in his own _Silken Ladder_."
"Don't forget the _Tale of the Witch Doll_ either," Penny reminded him.
"You laughed at me then, just as you're doing now."
"I'm not laughing," denied the editor. "I merely say that no light was
burning in the tower window, and I very much doubt that the clock struck
more than twelve times."
"Tomorrow I shall go to the tower and talk with the caretaker, Seth
McGuire. I'll prove to you that I was right!"
"If you do, I'll treat to a dish of ice cream decorated with nuts."
"Make it five gallons of gasoline and I'll be really interested," she
countered.
Due to an unusual set of circumstances, Penny had fallen heir to two
automobiles, one a second-hand contraption whose battered sides bore the
signature of nearly every young person in Riverview. The other, a
handsome maroon sedan, had been the gift of her father, presented in
gratitude because of her excellent reporting of a case known to many as
_Behind the Green Door_. Always hard pressed for funds, she found it all
but impossible to keep two automobiles in operation, and her financial
difficulties were a constant source of amusement to everyone but herself.
Soon, an electric sign proclaiming "Toni's" in huge block letters loomed
up. Penny swung into the parking area, tooting the horn for service.
Immediately a white-coated waiter brought out a menu.
"Coffee and two hamburgers," Penny ordered with a flourish. "Everything
on one, and everything but, on the other."
"No onions for the little lady?" the waiter grinned. "Okay. I'll have 'em
right out."
While waiting, Penny noticed that another car, a gray sedan, had drawn up
close to the building. Although the two men who occupied the front seat
had ordered food, they were not eating it. Instead they conversed in low
tones as they appeared to watch someone inside the cafe.
"Dad, notice those two men," she whispered, touching his arm.
"What about them?" he asked, but before she could reply, the waiter came
with a tray of sandwiches which he hooked over the car door.
"Not bad," Mr. Parker praised as he bit into a giant-size hamburger.
"First decent cup of coffee I've had in a week too."
"Dad, watch!" Penny reminded him.
The restaurant door had opened, and a man of early middle age came
outside. Immediately the couple in the gray sedan stiffened to alert
attention. As the man passed their car they lowered their heads, but the
instant he had gone on, they turned to peer after him.
The man who was being observed so closely seemed unaware of the scrutiny.
Crossing the parking lot, he chose a trail which led into a dense grove
of trees.
"Now's our chance!" cried one of the men in the gray sedan. "Come on,
we'll get him!" Both alighted and likewise disappeared into the woods.
"Dad, did you hear what they said?" asked Penny.
"I did," he answered grimly. "Tough looking customers too."
"I'm afraid they mean to rob that first man. Isn't there anything we can
do?"
Mr. Parker barely hesitated. "I may make a chump of myself," he said,
"but here goes! I'll tag along and try to be on hand if anything
happens."
"Dad, don't do it!" Penny pleaded, suddenly frightened lest her father
face danger. "You might get hurt!"
Mr. Parker paid no heed. Swinging open the car door, he strode across the
parking lot, and entered the dark woods.
CHAPTER
2
_NIGHT RIDERS_
Not to be left behind, Penny quickly followed her father, overtaking him
before he had gone very far into the forest.
"Penny, you shouldn't have come," he said sternly. "There may be trouble,
and I'll not have you taking unnecessary risks."
"I don't want you to do it either," she insisted. "Which way did the men
go?"
"That's what I wonder," Mr. Parker responded, listening intently. "Hear
anything?"
"Not a sound."
"Queer that all three of them could disappear so quickly," the editor
muttered. "I'm sure there's been no attack. Listen! What was that?"
"It sounded like a car being started!" Penny exclaimed.
Hastening to the edge of the woods, she gazed toward the parking lot. The
Parker car stood where it had been abandoned, but the gray sedan was
missing. A moving tail light could be seen far down the road.
"There go our friends," Mr. Parker commented rather irritably. "Their
sudden departure probably saved me from making a chump of myself."
"How could we tell they didn't mean to rob that other man?" Penny asked
in an injured tone. "You thought yourself that they intended to harm
him."
"Oh, I'm not blaming you," the editor answered, starting toward the
parking lot. "I'm annoyed at myself. This is a graphic example of what we
were talking about awhile ago--imagination!"
Decidedly crestfallen, Penny followed her father to the car. They
finished their hamburgers, which had grown cold, and after the tray was
removed, started home.
"I could do with a little sleep," Mr. Parker yawned. "After a hard day at
the office, your brand of night life is a bit too strenuous for me."
Selecting a short-cut route to Riverview, Penny paid strict attention to
the road, for the narrow pavement had been patched in many places. On
either side of the highway stretched truck farms with row upon row of
neatly staked tomatoes and other crops.
Rounding a bend, Penny was startled to see tongues of flame brightening
the horizon. A large wooden barn, situated in plain view, on a slight
knoll, had caught fire and was burning rapidly. As she slammed on the
brake, Mr. Parker aroused from light slumber.
"Now what?" he mumbled drowsily.
"Dad, unless I'm imagining things again, that barn is on fire!"
"Let 'er burn," he mumbled, and then fully aroused, swung open the car
door.
There were no fire fighters on the scene, in fact the only person visible
was a woman in dark flannel night robe, who stood silhouetted in the red
glare. As Penny and Mr. Parker reached her side, she stared at them
almost stupidly.
"We'll lose everything," she said tonelessly. "Our entire crop of melons
is inside the barn, packed for shipment. And my husband's new truck!"
"Have you called a fire company?" the editor asked.
"I've called, but it won't do any good," she answered. "The barn will be
gone before they can get here."
With a high wind whipping the flames, Penny and her father knew that the
woman spoke the truth. Already the fire had such a start that even had
water been available, the barn could not have been saved.
"Maybe I can get out the truck for you!" Mr. Parker offered.
As he swung open the barn doors, a wave of heat rushed into his face.
Coughing and choking, he forced his way into the smoke filled interior,
unaware that Penny was at his side. Seeing her a moment later, he tried
to send her back.
"You can't get the truck out without me to help push," she replied,
refusing to retreat. "Come on, we can do it!"
The shiny red truck was a fairly light one and stood on an inclined
cement floor which sloped toward the exit. Nevertheless, although Penny
and her father exerted every iota of their combined strength, they could
not start it moving.
"Maybe the brake is on!" Mr. Parker gasped, running around to the cab.
"Yes, it is!"
Pushing once more, they were able to start the truck rolling. Once in
motion its own momentum carried it down the runway into the open, a safe
distance from the flames.
"How about the crated melons?" Penny asked, breathing hard from the
strenuous exertion.
"Not a chance to save them," Mr. Parker answered. "We were lucky to get
out the truck."
Driven back by the heat, Penny and her father went to stand beside the
woman in dark flannel. Thanking them for their efforts in her behalf, she
added that her name was Mrs. Preston and that her husband was absent.
"John went to Riverview and hasn't come back yet," she said brokenly.
"This is going to be a great shock to him. All our work gone up in
smoke!"
"Didn't you have the barn insured?" the editor questioned her.
"John has a small policy," Mrs. Preston replied. "It covers the barn, but
not the melons stored inside. Those men did it on purpose, too! I saw one
of 'em riding away."
"What's that?" Mr. Parker demanded, wondering if he had understood the
woman correctly. "You don't mean the fire deliberately was set?"
"Yes, it was," the woman affirmed angrily. "I was sound asleep, and then
I heard a horse galloping into the yard. I ran to the window and saw the
rider throw a lighted torch into the old hay loft. As soon as he saw it
blaze up, he rode off."
"Was the man anyone you knew?" Mr. Parker asked, amazed by the
disclosure. "Were you able to see his face?"
"Hardly," Mrs. Preston returned with a short laugh. "He wore a black
hood. It covered his head and shoulders."
"A black hood!" Penny exclaimed. "Why, Dad, that sounds like night
riders!"
"Mrs. Preston, do you know of any reason why you and your husband might
be made the target of such cowardly action?" the newspaper man inquired.
"It must have been done because John wouldn't join up with them."
"Join some organization, you mean?"
"Yes, they kept warning him something like this would happen, but John
wouldn't have anything to do with 'em."
"I don't blame your husband," said the editor, seeking to gather more
information. "Tell me, what is the name of this disreputable
organization? What is its purpose, and the names of the men who run it?"
"I don't know any more about it than what I've told you," Mrs. Preston
replied, suddenly becoming close-lipped. "John never said much about it
to me."
"Are you afraid to tell what you know?" Mr. Parker asked abruptly.
"It doesn't pay to do too much talking. You act real friendly and you did
me a good turn saving my truck--but I don't even know your name."
"Anthony Parker, owner of the _Riverview Star_."
The information was anything but reassuring to the woman.
"You're not aiming to write up anything I've told you for the paper?" she
asked anxiously.
"Not unless I believe that by doing so I can expose these night riders
who have destroyed your barn."
"Please don't print anything in the paper," Mrs. Preston pleaded. "It
will only do harm. Those men will turn on John harder than ever."
Before Mr. Parker could reply, the roof of the storage barn collapsed,
sending up a shower of sparks and burning brands. By this time the red
glare in the sky had attracted the attention of neighbors, and several
men came running into the yard. Realizing that he could not hope to gain
additional information from the woman, Mr. Parker began to examine the
ground in the vicinity of the barn.
"Looking for hoof tracks?" Penny asked, falling into step beside him.
"I thought we might find some, providing the woman told a straight
story."
"Dad, did you ever hear of an organization such as Mrs. Preston
mentioned?" Penny inquired, her gaze on the ground. "I mean around
Riverview, of course."
Mr. Parker shook his head. "I never did, Penny. But if what she says is
true, the _Star_ will launch an investigation. We'll have no night riders
in this community, not if it's in my power to blast them out!"
"Here's your first clue, Dad!"
Excitedly, Penny pointed to a series of hoof marks plainly visible in the
soft earth. The tracks led toward the main road.
"Apparently Mrs. Preston told the truth about the barn being fired by a
man on horseback," Mr. Parker declared as he followed the trail leading
out of the yard. "These prints haven't been made very long."
"Dad, you look like Sherlock Holmes scooting along with his nose to the
ground!" Penny giggled. "You should have a magnifying glass to make the
picture perfect."
"Never mind the comedy," her father retorted gruffly. "This may mean a
big story for the _Star_, not to mention a worthwhile service to the
community."
"Oh, I'm heartily in favor of your welfare work," Penny chuckled. "In
fact, I think it would be wonderfully exciting to capture a night rider.
Is that what you have in mind?"
"We may as well follow this trail as far as we can. Apparently, the
fellow rode his horse just off the main highway, heading toward
Riverview."
"Be sure you don't follow the trail backwards," Penny teased. "That would
absolutely ruin your reputation as a detective."
"Jump in the car and drive while I stand on the running board," Mr.
Parker ordered, ignoring his daughter's attempt at wit. "Keep close to
the edge of the pavement and go slowly."
Obeying instructions, Penny drove the car at an even speed. Due to a
recent rain which had made the ground very soft, it was possible to
follow the trail of hoof prints without difficulty.
"We turn left here," Mr. Parker called as they came to a dirt road.
"Speed up a bit or the tires may stick. And watch sharp for soft places."
"Aye, aye, captain," Penny laughed, thoroughly enjoying the adventure.
Soon the car came to the entrance of a narrow, muddy lane, and there Mr.
Parker called a halt.
"We've come to the end of the trail," he announced.
"Have the tracks ended?" Penny asked in disappointment as she applied
brakes.
"Quite the contrary. They turn into this lane."
Both Mr. Parker and his daughter gazed thoughtfully toward a small cabin
which could be seen far back among the trees. Despite the late hour, a
light still glowed in one of the windows.
"The man who set the fire must live there!" Penny exclaimed. "What's our
next move, Dad?"
As she spoke, the roar of a fast traveling automobile was heard far up
the road, approaching from the direction whence they had just come.
"Pull over," Mr. Parker instructed. "And flash the tail light. We don't
want to risk being struck."
Barely did Penny have time to obey before the head-beams of the oncoming
car illuminated the roadway. But as it approached, the automobile
suddenly slackened speed, finally skidding to a standstill beside the
Parker sedan.
"That you, Clem Davis?" boomed a loud voice. "Stand where you are, and
don't make any false moves!"
CHAPTER
3
_A BLACK HOOD_
"Good Evening, Sheriff," Mr. Parker said evenly as he recognized the
heavy-set man who stepped from a county automobile. "I'm afraid you've
mistaken me for someone else this time."
Sheriff Daniels put away his revolver and moved into the beam of light.
"Sorry," he apologized. "Thought you might be Clem Davis, and I wasn't
taking any chances. You're Parker of the _Riverview Star_?"
"That's right," agreed the editor, "Looking for Clem Davis?"
"I'm here to question him. I'm investigating a fire which was set at the
Preston place."
"You're a fast worker, Sheriff," Mr. Parker remarked. "My daughter and I
just left the Preston farm, and we didn't see you there. What put you on
Davis' trail?"
"Our officer received an anonymous telephone call from a woman. She
reported the fire and said that I'd find my man here."
"Could it have been Mrs. Preston who notified you?" Mr. Parker inquired
thoughtfully.
"It wasn't Mrs. Preston," answered the sheriff. "I traced the call to the
Riverview exchange. Thought it must be the trick of a crank until our
office got a report that a fire actually had been set at the Preston
farm. By the way, what are you doing around here, Parker?"
"Oh, just prowling," the editor replied, and explained briefly how he and
Penny had chanced to be at the scene of the fire.
"If you followed a horseman to this lane there may be something to that
anonymous telephone call," the sheriff declared. "I'll look around, and
then have a talk with Davis."
"Mind if we accompany you?" inquired Mr. Parker.
"Come along," the sheriff invited.
Penny was hard pressed to keep step with the two men as they strode down
the muddy lane. A light glowed in the window of the cabin, and a woman
could be seen sitting at a table. The sheriff, however, circled the
house. Following the trail of hoof marks he went directly to the stable,
quietly opening the double doors.
Once inside, Sheriff Daniels switched on a flashlight. The bright beam
revealed six stalls, all empty save one, in which stood a handsome black
mare who tugged restlessly at her tether. Her body was covered with
sweat, and she shivered.
"This horse has been ridden hard," the sheriff observed, reaching to
throw a blanket over her.
"Here's something interesting," commented Mr. Parker. Stooping, he picked
up a dark piece of cloth lying in plain view on the cement floor. It had
been sewed in the shape of a headgear, with eye holes cut in the front
side.
"A black hood!" Penny shouted in awe.
Sheriff Daniels took the cloth from the editor, examining it closely but
saying very little.
"Ever hear of any night riders in this community?" Mr. Parker asked after
a moment, his tone casual.
"Never did," the sheriff replied emphatically. "And I sure hope such a
story doesn't get started."
Mr. Parker fingered the black mask. "All the same, Sheriff, you can't
just laugh off a thing like this. Even if the November elections aren't
far away--"
"I'm not worried about my job," the other broke in. "So far as I know
there's no underground organization in this county. All this mask proves
is that Clem Davis may be the man who set the Preston fire."
The officer turned to leave the stable. Before he could reach the exit,
the double doors slowly opened. A woman, who carried a lighted lantern,
peered inside.
"Who's there?" she called in a loud voice.
"Sheriff Daniels, ma'am," the officer answered. "You needn't be afraid."
"Who said anything about bein' afraid?" the woman belligerently retorted.
Coming into the stable, she gazed with undisguised suspicion from one
person to another. She was noticeably thin, slightly stooped and there
was a hard set to her jaw.
"You're Mrs. Davis?" the sheriff inquired, and as she nodded, he asked:
"Clem around here?"
"No, he ain't," she answered defiantly. "What you wanting him for
anyhow?"
"Oh, just to ask a few questions. Where is your husband, Mrs. Davis?"
"He went to town early and ain't been back. What you aimin' to lay onto
him, Sheriff?"
"If your husband hasn't been here since early evening, who has ridden
this horse?" the sheriff demanded, ignoring the question.
Mrs. Davis' gaze roved to the stall where the black mare noisily crunched
an ear of corn.
"Why Sal _has_ been rid!" she exclaimed as if genuinely surprised. "But
not by Clem. He went to town in the flivver, and he ain't been back."
"Sorry, but I'll have to take a look in the house."
"Search it from cellar to attic!" the woman said angrily. "You won't find
Clem! What's he wanted for anyway?"
"The Preston barn was set afire tonight, and your husband is a suspect."
"Clem never did it! Why, the Prestons are good friends of ours!
Somebody's just tryin' to make a peck o' trouble for us."
"That may be," the sheriff admitted. "You say Clem hasn't been here
tonight. In that case, who rode the mare?"
"I don't know anything about it," the woman maintained sullenly.
"Didn't you hear a horse come into the yard?"
"I never heard a sound until your car stopped at the entrance to the
lane."
"I suppose you never saw this before either." The sheriff held up the
black hood which had been found in the barn.
Mrs. Davis stared blankly at the cloth. "I tell you, I don't know nothin'
about it, Sheriff. You ain't being fair if you try to hang that fire onto
Clem. And you won't find him hidin' in the house."
"If your husband isn't here, I'll wait until he comes."
"You may have a long wait, Sheriff," the woman retorted, her lips parting
in a twisted smile. "You can come in though and look around."
Not caring to follow the sheriff into the house, Penny and her father
bade him goodbye a moment later. Tramping down the lane to their parked
car, they both expressed the belief that Clem Davis would not be arrested
during the night.
"Obviously, the woman knows a lot more than she's willing to tell," Mr.
Parker remarked, sliding into the car seat beside Penny.
"Dad, do you think it was Clem who set fire to the Preston barn?"
"We have no reason to suspect anyone else," returned the editor. "All the
evidence points to his guilt."
Penny backed the car in the narrow road, heading toward Riverview.
"That was the point I wanted to make," she said thoughtfully. "Doesn't it
seem to you that the evidence was almost too plain?"
"What do you mean, Penny?"
"Well, I was just thinking, if I had been in Clem Davis' place, I never
would have left a black hood lying where the first person to enter the
barn would be sure to see it."
"That's so, it was a bit obvious," Mr. Parker admitted.
"The horse was left in the stable, and the hoof tracks leading to the
Davis place were easy to follow."
"All true," Mr. Parker nodded.
"Isn't it possible that someone could have tried to throw the blame on
Clem?" suggested Penny, anxiously awaiting her father's reply.
"There may be something to the theory," Mr. Parker responded. "Still,
Mrs. Davis didn't deny that the mare belonged to her husband. She claimed
that she hadn't heard the horse come into the stable, which obviously was
a lie. Furthermore, I gathered the impression that Clem knew the sheriff
was after him, and intends to hide out."
"It will be interesting to learn if Mr. Daniels makes an arrest. Do you
expect to print anything about it in the paper?"
"Only routine news of the fire," Mr. Parker replied. "There may be much
more to this little incident than appears on the surface, but until
something develops, we must wait."
"If you could gain proof that night riders are operating in this
community, what then?" Penny suggested eagerly.
"In that case, I should certainly launch a vigorous campaign. But why go
into all the details now? I'm sure I'll not assign you to the story."
"Why not?" Penny asked in an injured tone. "I think night riders would be
especially suited to my journalistic talents. I could gather information
about Clem Davis and the Prestons--"
"This is Sheriff Daniel's baby, and we'll let him take care of it for the
time being," Mr. Parker interrupted. "Why not devote yourself to the
great mystery of the Hubell clock? That should provide a safe outlook for
your energies."
The car was drawing close to Riverview. As it approached the tall stone
tower, Penny raised her eyes to the dark windows. Just then the big clock
struck twice.
"Two o'clock," Mr. Parker observed, taking a quick glance at his watch.
"Or would you say three?"
"There's no argument about it this time, Dad. All the same, I intend to
prove to you that I was right!"
"How?" her father asked, covering a wide yawn.
"I don't know," Penny admitted, favoring the grim tower with a dark
scowl. "But just you wait--I'll find a way!"
CHAPTER
4
_A NEW CARETAKER_
"I declare, getting folks up becomes a harder task each morning,"
declared Mrs. Maud Weems, who had served as the Parker housekeeper for
eleven years, as she brought a platter of bacon and eggs to the breakfast
table. "I call and call until I'm fairly hoarse, and all I get in
response is a few sleepy mutters and mumbles. The food is stone cold."
"It's good all the same," praised Penny, pouring herself a large-size
glass of orange juice. "There's not a woman in Riverview who can equal
your cooking."
"I'm in no mood for blarney this morning," the housekeeper warned. "I
must say quite frankly that I don't approve of the irregular hours in
this house."
"Penny and I did get in a little late last night," Mr. Parker admitted,
winking at his daughter.
"A little late! It must have been at least four o'clock when you came in.
Oh, I heard you tiptoe up the stairs even if you did take off your
shoes!"
"It was only a few minutes after two," Penny corrected. "I'm sorry
though, that we awakened you."
"I hadn't been asleep," Mrs. Weems replied, somewhat mollified by the
apology. "I'm sure I heard every stroke of the clock last night."
"You did!" Penny exclaimed with sudden interest. "How many times would
you say it struck at midnight? I mean the Hubell Tower clock."
"Such a question!" Mrs. Weems protested, thoroughly exasperated.
"It's a very important one," Penny insisted. "My reputation and five
gallons of gas are at stake, so weigh well your words before you speak."
"The clock struck twelve, of course!"
"There, you see, Penny," Mr. Parker grinned triumphantly. "Does that
satisfy you?"
"Mrs. Weems," Penny persisted, "did you actually count the strokes?"
"Certainly not. Why should I? The clock always strikes twelve, therefore
it must have struck that number last night."
"I regret to say, you've just disqualified yourself as a witness in this
case," Penny said, helping herself to the last strip of bacon on the
platter. "I must search farther afield for proof."
"What are you talking about anyhow?" the housekeeper protested. "It
doesn't make sense to me."
As she finished breakfast, Penny explained to Mrs. Weems how the
disagreement with her father had arisen. The housekeeper displayed slight
interest in the tale of the clock, but asked many questions about the
fire at the Preston farm.
"That reminds me!" Mr. Parker suddenly exclaimed before Penny had
finished the story. "I want to 'phone Sheriff Daniels before I start for
the office. Excuse me, please."
Pushing aside his chair, he went hurriedly to the living room. Not
wishing to miss any news which might have a bearing on the affair of the
previous night, Penny trailed him, hovering close to the telephone.
However, her father's brief comments told her almost nothing.
"What did you learn?" she inquired eagerly as he hung up the receiver.
"Was Clem Davis arrested last night?"
"No, it turned out about as we expected. Apparently, Davis knew the
sheriff was looking for him. Anyway, he never returned home."
Jamming on his hat, Mr. Parker started for the front door. Penny pursued
him to the garage, carrying on a running conversation.
"This rather explodes my theory about Clem not being guilty," she
remarked ruefully. "If he were innocent, one would expect him to face the
sheriff and prove an alibi."
"Davis can't be far away," Mr. Parker responded, getting into the maroon
sedan. "The sheriff will nab him soon."
Penny held open the garage doors, watching as her father backed down the
driveway, scraping the bark of a tree whose gnarled trunk already bore
many scars. Before she could reenter the house, Louise Sidell, a
dark-haired, slightly plump girl, who was Penny's most loyal friend,
sauntered into the yard.
"Hi!" she greeted cheerily. "About ready?"
"Ready for what?" Penny asked, her face blank.
Louise regarded her indignantly. "If that isn't just like you, Penny
Parker! You make promises and then forget them. Don't you remember
telling Mrs. Van Cleve of the Woman's Club that we would help sell tags
today, for the Orphans' Home summer camp?"
"Now that you remind me, I have a vague recollection. How many are we to
sell?"
"Twenty-five at not less than a quarter each. I have the tags, but we'll
have to work fast or the other girls will sell all the easy customers."
"I'll be with you in two shakes," Penny promised, heading for the house.
"Wait until I tell Mrs. Weems where I am going."
Returning a moment later with the car ignition keys, she found Louise
staring disconsolately at the empty space in the garage.
"What became of your new car?" asked her chum.
"Dad's auto is in the garage for repairs," Penny explained briefly. "I
didn't have the heart to make him walk."
"I should think not!" laughed Louise. "Imagine having three cars in one
family--if you can call this mess of junk by such a flattering name."
Depreciatingly, she kicked the patched tire of a battered but brightly
painted flivver which had seen its heyday in the early thirties.
"Don't speak so disrespectfully of my property," Penny chided, sliding
into the high, uncomfortable seat. "Leaping Lena is a good car even if
she is a bit creaky in the joints. She still takes us places."
"And leaves us stranded," Louise added with a sniff. "Oh, well, let's
go--if we can."
Penny stepped on the starter and waited expectantly. The motor sputtered
and coughed, but true to form, would not start. Just as the girls were
convinced that they must walk, there was an explosive backfire, and then
the car began to quiver with its familiar motion.
"You should sell Lena to the government for a cannon," Louise teased as
they rattled down the street. "What do you burn in this smoke machine?
Kerosene?"
"Never mind the slurs. Where do we start our business operations?"
"We've been assigned to the corner of Madison and Clark streets," Louise
answered as she separated the yellow benefit tags into two evenly divided
piles. "It shouldn't take us long to get rid of these."
Neither of the girls regretted their promise to help with the tag-day
sale, for the cause was a worthy one. The campaign to raise sufficient
funds with which to purchase and equip an orphans' summer camp site, had
been underway many weeks, and was headed by Mrs. Van Cleve, a prominent
club woman.
Parking Leaping Lena at the designated street corner, the girls went to
work with a will. All their lives they had lived in Riverview, and Penny
in particular, had a wide acquaintance. Accosting nearly everyone who
passed, she soon disposed of all her tags, and then sold many for her
chum.
"They've gone fast," Louise declared as the morning wore on. "We have
only one left."
"Don't sell that tag!" Penny said impulsively. "I have it earmarked for a
certain person--Old Seth McGuire."
"The caretaker at the Hubell Clock Tower?" Louise asked in astonishment.
"Yes, he always liked children and I think he would be glad to help."
"But why drive so far?" protested Louise. "I'm sure we could dispose of
it right here, and much quicker."
"Oh, I have a special reason for going to see Seth," Penny answered
carelessly. "I'll tell you about it on the way there."
From her chum's manner, Louise deducted that something interesting lay
ahead. She had learned, frequently to her sorrow, that Penny enjoyed
interviewing unusual characters and engaging in amazing activities. Only
a few months earlier, the girls had operated their own newspaper in an
abandoned downtown building with results which were still the talk of
Riverview. Another time they had attended a society wedding on an island
guarded by a drawbridge, and had ended by using the drawbridge as a means
of capturing a boatload of crooks. In fact, Louise took delight in
remarking that if ever her chum chose to write an autobiography, a
suitable title would be: "Life with Penelope Parker: Never a Dull
Moment."
"What's up now, Penny?" she inquired, as they rattled toward the Hubell
Tower in Leaping Lena.
"Just a little argument I had with Dad last night. I maintain that the
big clock struck thirteen last night at midnight. He thinks I'm a wee bit
touched in the head."
"Which you must be," retorted Louise. "Who ever heard of such a thing?"
"What's so crazy about it?" Penny asked with a grimace. "Didn't you ever
hear a clock strike the wrong number?"
"Of course, but not the Hubell clock. Why, the works were purchased in
Europe, and it's supposed to be one of the best in the country."
"Even a good clock can make a mistake, I guess. Anyway, we'll see what
Seth McGuire has to say about it."
Penny brought Leaping Lena to a quivering halt opposite the tall Hubell
Tower. Glancing upward at the octagonical-shaped clock face, she saw that
the hands indicated twenty minutes to twelve.
"Rather an awkward time to call," she remarked, swinging open the car
door, "but Seth probably won't mind."
As the girls walked toward the tower entrance, they noticed that the
grounds surrounding the building were not as neat as when last they had
viewed them. The shrubs were untrimmed, the lawn choked with weeds, and
old newspapers had matted against the hedge.
"I wonder if Mr. McGuire has been well?" Penny commented, knocking on the
tower door. "He always took pride in looking after the yard."
"At least he seems to be up and around," Louise returned in a low tone.
"I can hear someone moving about inside."
The girls waited expectantly for the door to open. When there was no
response to their knock, Penny tried again.
"Who's there?" called a loud and not very friendly voice.
Penny knew that it was not Old Seth who spoke, for the caretaker's
high-pitched tones were unmistakable.
"We came to see Mr. McGuire," she called through the panel.
The door swung back and the girls found themselves facing a stout,
red-faced man of perhaps forty, who wore a soiled suede jacket and
unpressed corduroy trousers.
"McGuire's not here any more," he informed curtly. "You'll probably find
him at his farm."
Before the man could close the door, Penny quickly asked if Mr. McGuire
had given up his position as caretaker because of sickness.
"Oh, he was getting too old to do his work," the man answered with a
shrug. "I'm Charley Phelps, the new attendant. Visiting hours are from
two to four each afternoon."
"We didn't come to see the clock," persisted Penny.
"What did bring you here then?" the man demanded gruffly. "You a personal
friend of Seth's?"
"Not exactly." Penny peered beyond the caretaker into an untidy living
room clouded with tobacco smoke. "We thought we might sell him one of
these tags. Perhaps you would like to contribute to the orphans' camp
fund?"
She extended the bit of yellow cardboard, bestowing upon the attendant
one of her most dazzling smiles.
"No, thanks, Sister," he declined, refusing to take the tag. "You'll have
to peddle your wares somewhere else."
"Only twenty-five cents."
"I'm not interested. Now run along and give me a chance to eat my lunch
in peace."
"Sorry to have bothered you," Penny apologized woodenly. Without moving
from the door, she inquired: "Oh, by the way, what happened to the clock
last night?"
"Nothing happened to it," the caretaker retorted. "What d'you mean?"
"At midnight it struck thirteen times instead of twelve."
"You must have dreamed it!" the man declared. "Say, what are you trying
to do anyhow--start stories so I'll lose my job?"
"Why, I never thought of such a thing!" Penny gasped. "I truly believed
that the clock did strike thirteen--"
"Well, you were wrong, and I'll thank you not to go around telling folks
such bunk!" the man said angrily. "The clock hasn't struck a wrong hour
since the day it was installed. I take better care of the mechanism than
Seth McGuire ever did!"
"I didn't mean to intimate that you were careless--" Penny began.
She did not complete the sentence, for Charley Phelps slammed the door in
her face.
CHAPTER
5
_OLD SETH_
"Well, Penny, you certainly drew lightning that time," Louise remarked
dryly as the girls retreated to Leaping Lena. "I thought Mr. Phelps was
going to throw the tower at you!"
"How could I know he was so touchy?" Penny asked in a grieved tone.
"You did talk as if you thought he had been careless in taking care of
the big clock."
"I never meant it that way, Lou. Anyway, he could have been more polite."
Jerking open the car door, Penny slid behind the steering wheel and
jammed her foot on the starter. Leaping Lena, apparently realizing that
her young mistress was in no mood for trifling, responded with
instantaneous action.
"I guess you're satisfied now that the clock never struck thirteen,"
Louise teased as the car fairly leaped forward.
"I should say not!" Penny retorted. "Why, I'm more convinced than ever
that something went wrong with the mechanism last night. Phelps knew it
too, and for that reason didn't want us asking questions!"
"You die hard, Penny," chuckled Louise. "From now on, I suppose you'll go
around asking everyone you meet: 'Where were you at midnight of the
thirteenth?'"
"It wouldn't do any good. Most folks just take things for granted in this
world. But there's one person who would pay attention to that clock!"
"Who?"
"Why, old Seth McGuire. We'll drive out to his farm and ask him about
it."
"It's lunch time and I'm hungry," Louise protested.
"Oh, you can spend the rest of your life eating," Penny overruled her.
"Business before pleasure, you know."
Seth McGuire, one of Riverview's best known and well loved characters,
had been caretaker at the Hubell Clock Tower from the day of its
erection, and the girls could not but wonder why he had been relieved of
his post. The old man had personally installed the complicated machinery,
caring for it faithfully over the years. In fact, his only other interest
in life was his farm, located a mile from the city limits, and it was
there that Penny hoped to find him.
"Watch for a sign, 'Sleepy Hollow,'" she instructed. "Mr. McGuire has
given his place a fancy name."
A moment later Louise, seeing the marker, cried: "There it is! Slow
down!"
Penny slammed on the brakes and Leaping Lena responded by shivering in
every one of her ancient joints. Louise was thrown forward, barely
catching herself in time to prevent a collision with the windshield.
"Why don't you join a stunt circus?" she said irritably. "You drive like
Demon Dan!"
"We're here," replied Penny cheerfully. "Nice looking place, isn't it?"
The car had pulled up near a small, neatly-kept cottage framed in
well-trimmed greenery. An even, rich green lawn was highlighted here and
there by beds of bright red and blue flowers.
After admiring the grounds, the girls rang the front bell. Receiving no
response, they went around to the rear, pounding on the kitchen screen
door.
"Mr. McGuire's not here," said Louise. "Just another wild goose chase."
"Let's try this out-building," Penny suggested, indicating a long, low
structure made of cement building blocks which was roofed with tin. A
sign dangling above the door proclaimed that it was the foundry and
machine shop of one Seth McGuire, maker of bells and clocks.
As the girls peered through the open door an arresting sight met their
gaze. Through clouds of smoke they saw a spry old man directing the
movements of a muscular youth who pulled a large pot-shaped crucible of
molten metal on an overhead pulley track.
"Are you Seth McGuire?" Penny shouted to make herself heard above the
noise of running machinery.
The old man, turning his head, waved them back.
"Don't come in here now!" he warned. "It's dangerous. Wait until we pour
the bell."