He lost his head. "Miss Green! Come here, quick!"

A buzz, the swift drone of wings, and she was beside him, perching on

his shoulder. Mel pointed.

She gave a lamenting little cry of recognition. As if it had been a

signal, the yellow circle darted sideways in a long streaking slant,

and vanished. Miss Green fled to report to the princess, while Mel

stayed at the window, and quickly returned to him again. Evidently she

was both excited and distressed, and he wondered what was wrong. If

that apparition of pale light had been one of their vessels, as her

behavior indicated, it seemed probable that its mission was to hunt for

survivors of the lost globe.

Miss Green seemed either less sure of that, or less confident that the

rescue would be easily effected. Some minutes later, she pointed to

a different section of the sky, where the yellow circle--or another

very like it--was now moving slowly about. Presently it vanished again,

and when it reappeared for the second time, it was accompanied by two

others.

Meanwhile, Miss Green might have been transmitting some understanding

of the nature of her doubts to Mel, because the ghostly vagrants

now gave him an immediate impression of insubstantiality: not

space-spanning luminous globes but pictured shapes projected on the

air. His theory of interplanetary travelers became suddenly much less

probable.

In the next few moments, the concept he was struggling with abruptly

completed itself in his mind, so abruptly, in fact, that there was no

longer any question that it had originated with Miss Green. The rescue

craft Mel thought he was seeing actually were just that.

But the pictures in the sky were only signals to possible survivors

that help was approaching. The globes themselves were elsewhere,

groping their way blindly and dangerously through strange dimensions

that had nothing to do with the ones Mel knew.

And they were still, in some manner his imagination did not even

attempt to clarify, very, very "far away."

* * * * *

"I was wondering what you'd done with the bird box," Maria de Guesgne

explained. "It's not there in the bush any more!"

Mel told her annoyedly that the bird box had been damaged by the storm,

and so he'd thrown it into the incinerator.

"Well," Maria said vaguely, "that's too bad." Her handsome dark eyes

were shifting about his living room meanwhile, not at all vaguely. Mel

had left the apartment door partly open, and she had walked right in on

her way to the market. When she wasn't drinking or working herself up

to a bout of creative painting, which seemed to put her into a tranced

sort of condition, Maria was a highly observant young woman. The

question was now how to get her out of the apartment again before she

observed more than he wanted her to.

"How does it happen you're not at work on Monday afternoon?" she

inquired, and set her shopping bag down on the armchair.

Keeping one eye on the kitchenette door, Mel explained about his

vacation. Miss Green hadn't been in sight for almost an hour; but he

wasn't at all sure she mightn't come out to inspect the visitor, and

the thought of Maria's probable reactions was unnerving.

"Two weeks?" Maria repeated chattily. "It'll be fun having you around

for two weeks--unless you're going off to spend your vacation

somewhere else. Are you?"

"No," Mel said. "I'm staying here--"

And at that moment, Miss Green came in through the kitchenette door.

At least, Mel assumed it was Miss Green. All he actually saw was a

faint blur of motion. It went through the living room, accompanied by a

high-pitched hum, and vanished behind Maria.

"Good Lord!" she cried, whirling. "What's that? _Oh!_" The last was a

shrill yelp. "It stung me!"

* * * * *

Mel hadn't imagined Miss Green could move so fast. Rising and falling

with furious menace, the sound seemed to come from all points of the

room at once, as Maria darted out of the apartment. Clutching her

shopping bag, Mel followed her out hastily and slammed the door behind

them. He caught up with Maria in the court.

She was rubbing herself angrily.

"I'm not coming into that apartment again, Mel Armstrong," she

announced, "until you've had it fumigated! That thing kept stinging me!

What was it, anyway?"

"A wasp, I guess." Mel felt weak with relief. She hadn't really seen

anything. "Here's your bag. I'll chase it out."

Maria stalked off, complaining about screens that didn't even protect

people against giant wasps.

Mel found the apartment quiet again and went into the kitchenette. Miss

Green was poised on the top edge of the cupboard, a gold-eyed statuette

of Victory, laughing down at him, the laminated wings spread and raised

behind her like iridescent glass fans. Mel looked at her with a trace

of uneasiness. She had some kind of small white bundle in her arms,

and he wondered whether it concealed the weapon with which she'd stung

Maria.

"I don't think you should have done that," he told her. "But she's gone

now."

Looking rather pleased with herself, Miss Green glanced back over her

shoulder and piped a few questioning notes to the princess. There was

a soft reply, and she soared down to the table, folded her wings and

knelt to lay the bundle gently down on it. She beckoned to Mel.

Mel's eyes popped as she unfolded the bundle. Perhaps he really

shouldn't have been surprised.

He was harboring four guests now--the princess had been safely

delivered of twins.

* * * * *

At dusk, Miss Green widened the biggest slit in the bedroom screen a

little more and slipped out to do her own kind of shopping, with a

section of one of Mel's handkerchiefs to serve as a bag.

Mel left the lights out and stayed at the window. He felt depressed,

but didn't quite know why--unless it was that so many odd things had

happened since Sunday morning that his mind had given up trying to

understand them.

He wasn't really sure now, for example, whether he was getting

occasional flash-glimpses of those circular luminous vessels plowing

through another dimension somewhere, or whether he was half asleep and

imagining it. Usually it was a momentary glow printed on the dark air

at the edge of his vision, vanishing before he could really look at it.

He had a feeling they had managed to come a good deal closer during

the day. Then he wondered briefly whether other people had been seeing

strange light-shapes, too, and what they might have thought the

glimpses were.

Spots before their eyes, probably.

Miss Green was back with a soft hum of wings, on the outer window sill,

six feet from where he sat. She pushed the knotted scrap of cloth

through the screen. There was something inside it now; it caught for

a moment on the wires. Mel started up to help, then checked himself,

afraid of feeling some bug squirming desperately inside; and while he

hesitated, she had shoved it through. She followed it, picked it up

again and flew off to the living room. After a moment she returned with

the empty cloth and went out again.

She made eight such trips in the next hour, while night deepened

outside and then began to lighten as a half-moon shoved over the

horizon. Mel must have dozed off several times; at least, he suddenly

found himself coming awake, with the awareness that something had just

landed with a soft thump on the window sill outside.

It wasn't Miss Green. He saw a chunky shadow at one corner of the

window, and caught the faintest glint of green eyes peering into the

room. It was the cat from the courtyard.

In the same moment, he heard the familiar faint hum, and Miss Green

appeared at the opposite end of the sill.

* * * * *

Afterward, Mel realized he'd simply sat there, stiffening in groggy,

sleep-dazed horror, as the cat-shadow lengthened and flowed swiftly

toward the tiny humanoid figure. Miss Green seemed to raise both arms

over her head. A spark of brilliant blue glowed from her cupped hands

and extended itself in an almost invisible thread of fire that stabbed

against the cat's forehead. The cat yowled, swung aside and leaped

down into the court.

Mel was on his feet, shaking violently, as Miss Green slipped in

through the screen. He heard Maria open her window upstairs to peer

down into the court, where the cat was making low, angry sounds.

Apparently it hadn't been hurt, but no wonder Maria had suspected that

afternoon she'd been stung by a wasp! Or that Miss Green's insect

victims never struggled, once she had caught them!

He pulled down the shade and stood undecided in the dark, until he

heard her piping call from the living room. It was followed by an

impatient buzzing about the standing lamp in there, and Mel concluded

correctly that he was supposed to turn on the light.

He discovered her on the living room table, sorting out the plunder she

had brought back.

It wasn't a pile of electrocuted insects, as he had expected, but a

puzzlingly commonplace collection--little heaps of dry sand from the

beach, some small white pebbles, and a sizable bundle of thin twigs

about two inches in length. Since she was disregarding him, he shifted

the lamp over to the table to see what this human-shaped lightning bug

from another dimension was going to do next.

That was the way he felt about Miss Green at the moment....

What she did was to transport the twigs in two bundles to the top of

the cupboard, where she left them with the princess. Then she came back

and began to lay out a thin thread of white sand on the dark, polished

surface of the table.

Mel pulled up his armchair, poured himself a glass of brandy, lit a

cigarette, and settled down to watch her.

* * * * *

By the time Miss Green indicated to him that she wanted the light

turned out again, he had finished his second drink and was feeling

rather benevolent. She had used up all her sand, and about a square

foot of the table's surface was covered now with a confusingly

intricate maze of lines, into which she had placed white pebbles here

and there. Some of the lines, Mel noticed, blended into each other,

while others stopped abruptly or curved back on themselves. As a

decorative scheme, it hardly seemed worthwhile.

"Miss Green," he told her thoughtfully, "I hope it makes sense to you.

It doesn't to me."

She piped imperiously, pointing: the light! Mel had a moment of

annoyance at the way she was ordering him around in his own apartment.

"Well," he said, "I'll humor you this time."

For a moment after he had pulled the switch, he stood beside the table

to let his eyes adjust to the dark. However, they weren't adjusting

properly--a patch of unquiet phosphorescent glimmering floated

disturbingly within his field of vision, and as the seconds passed, it

seemed to be growing stronger.

Suddenly, Mel swore in amazement and bent down to examine the table.

"Now what have you done--?" he began.

Miss Green fluted soothingly at him from the dark and fluttered up to

his shoulder. He felt a cool touch against his ear and cheek, and a

burst of oddly pleasant tinglings ran over his scalp.

"Stop that!" he said, startled.

Miss Green fluted again, urgently. She was trying to tell him something

now, and suddenly he thought he understood.

"All right," he said. "I'll look at it. That's what you want me to do,

isn't it?"

Miss Green flew down to the table again, which indicated agreement.

Mel groped himself back into the chair and leaned forward to study the

curiously glowing design she had created of sand and pebbles.

He discovered immediately that any attempt to see it clearly merely

strained his vision. Details turned into vaguely distorted, luminous

flickerings when he stared at them, and the whole pale, spidery pattern

made no more sense than it had with the light on. She must have some

purpose in mind with it, but Mel couldn't imagine what.

Meanwhile, Miss Green was making minor adjustments in his position

which Mel accepted without argument, since she seemed to know what she

was doing. Small tugs and pushes told him she wanted his hands placed

on the table to either side of the design. Mel put them there. His

head was to be tilted forward just so. He obliged her again. Then she

was back on the table, and the top two-thirds of the pattern vanished

suddenly behind a blur.

After a moment, he realized she had opened her wings and blotted that

part from his sight.

* * * * *

In the darkness, he fastened his puzzled gaze on the remaining section:

a quivering, thinly drawn pattern of blue-white light that faded

periodically almost to the limits of visibility and slowly grew up

again to what was, by comparison, real brilliance. His head was aching

slightly. The pattern seemed to tilt sideways and move upward, as if it

were creeping in a slow circle about some pivot-point. Presently, it

turned down again to complete the circle and start on another round.

By that time, the motion seemed normal.

When a tiny shape of light suddenly ran across the design and vanished

again as it reached the other side, Mel was only moderately surprised.

The figure had reminded him immediately of Miss Green. After a while,

it crossed his field of vision in another direction, and then there

were two more....

He seemed to be swimming forward, through the pattern, into an area

of similar tiny figures like living silhouettes of light, and of

entrancingly delicate architectural designs. It was like a marionette

setting of incredible craftsmanship, not quite real in the everyday

sense, but as convincing as a motion picture which was spreading out,

second by second, and beginning to flow about him--

"Hey!" Mel sat up with a start. "You're trying to hypnotize me!"

Miss Green piped pleadingly. Clearly, she had only been trying to show

him something. And wasn't it beautiful? Didn't he want to see more?

Mel hesitated. He was suspicious now, but he was also curious. After

all, what could she do to him with her tricks?

Besides, he admitted to himself, the picture had vanished as soon as he

shifted his eyes, and it _was_ beautiful, like moving about through a

living illustration of a book of fairy tales.

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