II.—THE COAST LINE.

It is four o’clock on a May morning, and Claude and I are just embarking

on board a Clovelly trawling skiff, which, having disposed of her fish at

various ports along the Channel, is about to run leisurely homewards with

an ebb tide, and a soft north-easterly breeze.

So farewell, fair Lynmouth; and ye storm-spirits, send us a propitious

day; and dismiss those fantastic clouds which are coquetting with your

thrones, crawling down one hill-side, and whirling and leaping up

another, in wreaths of snow, and dun, and amber, pierced every minute by

some long glittering upward arrow from the rising sun, which gilds grey

crags and downs a thousand feet above, while underneath the gorges still

sleep black and cold in shade.

There, they have heard us! The cap rises off the ‘Summer-house hill,’

that eight hundred feet of upright wall, which seems ready to topple down

into the nest of be-myrtled cottages at its foot; and as we sweep out

into the deeper water the last mist-flake streams up from the Foreland,

and vanishes in white threads into the stainless blue.

‘Look at the colours of that Foreland!’ cried Claude. ‘The simple

monotone of pearly green, broken only at intervals by blood-red stains,

where the turf has slipped and left the fresh rock bare, and all

glimmering softly through a delicate blue haze, like the bloom on a

half-ripened plum!’

‘And look, too, how the grey pebble beach is already dancing and

quivering in the mirage which steams up, like the hot breath of a

limekiln, from the drying stones. Talk of “glazings and scumblings,” ye

artists! and bungle at them as you will, what are they to Nature’s own

glazings, deepening every instant there behind us?’

‘Mock me not. I have walked up and down here with a humbled and broken

spirit, and had nearly forsworn the audacity of painting anything beyond

a beech stem, or a frond of fern.’

‘The little infinite in them would have baffled you as much as the only

somewhat bigger infinite of just the hills on which they grow.’

‘Confest: and so farewell to unpaintable Lynmouth! Farewell to the

charming contrast of civilized English landscape-gardening, with its

villas, and its exotics, and its evergreens, thus strangely and yet

harmoniously confronted with the chaos of the rocks and mountain-streams.

Those grounds of Sir William H—’s are a double paradise, the wild Eden of

the Past side by side with the cultivated Eden of the Future. How its

alternations of Art and Savagery at once startle and relieve the sense,

as you pass suddenly out of wildernesses of piled boulders, and

torrent-shattered trees, and the roar of fern-fringed waterfalls, into

“trim walks, and fragrant alleys green;” and the door of a summer-house

transports you at a step from Richmond to the Alps. Happy he who

“possesses,” as the world calls it, and happier still he whose taste

could organize, that fairy bower.’

So he, magniloquently, as was his wont; and yet his declamations always

flowed with such a graceful ease,—a simple, smiling earnestness,—an

unpractised melody of voice, that what would have been rant from other

lips, from his showed only as the healthy enthusiasm of the passionate,

all-seeing, all-loving artist.

‘Look yonder, again,’ said he, gazing up at the huge boulder-strewn

hill-side above us. ‘One wonders at that sight, whether the fable of the

giants be not true after all,—and that “Vale of Rocks,” hanging five

hundred feet in air, with all its crag-castles, and tottering

battlements, and colossal crumbling idols, and great blocks, which hang

sloping, caught in act to fall, be not some enormous Cyclopean temple

left half-disinterred: or is it a fragment of old Chaos, left

unorganized?—or, perhaps, the waste heap of the world, where, after the

rest of England had been made, some angel put up a notice for his

fellows, “Dry rubbish shot here”?’

‘Not so, unscientific! It is the grandfather of hills,—a fossil bone of

some old continent, which stood here ages before England was. And the

great earth-angel, who grinds up mountains into paint, as you do bits of

ochre, for his “Continental Sketches,” found in it the materials for a

whole dark ground-tone of coal-measures, and a few hundred miles of warm

high-lights, which we call New Red Sandstone.’

What a sea-wall they are, those Exmoor hills! Sheer upward from the sea

a thousand feet rise the downs; and as we slide and stagger lazily along

before the dying breeze, through the deep water which never leaves the

cliff, the eye ranges, almost dizzy, up some five hundred feet of rock,

dappled with every hue; from the intense dark of the tide-line, through

the warm green and brown rock-shadows, out of which the horizontal cracks

of the strata loom black, and the breeding gulls show like lingering

snow-flakes; up to the middle cliff, where delicate grey fades into pink,

pink into red, red into glowing purple; up to where the purple is

streaked with glossy ivy wreaths, and black-green yews; up to where all

the choir of colours vanishes abruptly on the mid-hill, to give place to

one yellowish-grey sheet of upward down, sweeping aloft smooth and

unbroken, except by a lonely stone, or knot of clambering sheep, and

stopped by one great rounded waving line, sharp-cut against the brilliant

blue. The sheep hang like white daisies upon the steep; and a solitary

falcon rides, a speck in air, yet far below the crest of that tall hill.

Now he sinks to the cliff edge, and hangs quivering, supported, like a

kite, by the pressure of his breast and long curved wings, against the

breeze.

There he hangs, the peregrine—a true ‘falcon gentle,’ ‘sharp-notched,

long-taloned, crooked-winged,’ whose uncles and cousins, ages since, have

struck at duck and pheasant, and sat upon the wrists of kings. And now

he is full proud of any mouse or cliff-lark; like an old Chingachgook,

last of the Mohicans, he lingers round ‘the hunting-field of his

fathers.’ So all things end.

‘The old order changeth, giving place to the new;

And God fulfils Himself in many ways,

Lest one good custom should corrupt the world.’

‘Ay, and the day may come,’ said Claude, ‘when the brows of that huge

High Vere shall be crowned with golden wheat, and every rock-ledge on

Trentishoe, like those of Petra and the Rhine, support its garden-bed of

artificial soil.’

‘And when,’ I answered, ‘the shingly sides of that great chasm of

Headon’s Mouth may be clothed with the white mulberry, and the summer

limestone-skiffs shall go back freighted with fabrics which vie with the

finest woof of Italy and Lyons.’

‘You believe, then, in the late Mrs. Whitby of Lymington?’

‘Seeing is believing, Claude: through laughter, and failures, and the

stupidity of half-barbarous clods, she persevered in her silk-growing,

and succeeded; and I should like to put her book into the hands of every

squire in Devon, Cornwall, and the South of Ireland.’

‘Or require them to pass an examination in it, as one more among the many

books which I intend, in my ideal kingdom, all landlords to read and

digest, before they are allowed to take possession of their estates. In

the meantime, what is that noble conical hill, which has increased my

wonder at the infinite variety of beauty which The Spirit can produce by

combinations so simple as a few grey stones and a sheet of turf?’

‘The Hangman.’

‘An ominous name. What is its history?’

‘Some sheep-stealer, they say, clambering over a wall with his booty

slung round his neck, was literally hung by the poor brute’s struggles,

and found days after on the mountain-side, a blackened corpse on one side

of the wall, with the sheep on the other, and the ravens—You may fill up

the picture for yourself.’

But, see, as we round the Hangman, what a change of scene—the

square-blocked sandstone cliffs dip suddenly under dark slate-beds,

fantastically bent and broken by primeval earthquakes. Wooded combes,

and craggy ridges of rich pasture-land, wander and slope towards a

labyrinth of bush-fringed coves, black isolated tide-rocks, and

land-locked harbours. There shines among the woods the Castle of

Watermouth, on its lovely little salt-water loch, the safest harbour on

the coast; and there is Combe-Martin, mile-long man-stye, which seven

centuries of fruitless silver-mining, and of the right (now deservedly

lost) of ‘sending a talker to the national palaver,’ have neither

cleansed nor civilized. Turn, turn thy head away, dear Claude, lest even

at this distance some foul odour taint the summer airs, and complete the

misfortune already presaged by that pale, sad face, sickening in the

burning calm! For this great sun-roasted fire-brick of the Exmoor range

is fairly burning up the breeze, and we have nothing but the tide to

drift us slowly down to Ilfracombe.

Now we open Rillage, and now Hillsborough, two of the most picturesque of

headlands; see how their round foreheads of glistening grey shale sink

down into two dark, jagged moles, running far out to seaward, and

tapering off, each into a long black horizontal line, vanishing at last

beneath its lace-fringe of restless hissing foam. How grand the contrast

of the lightness of those sea-lines, with the solid mass which rests upon

them! Look, too, at the glaring lights and Tartarean shadows of those

chasms and caves, which the tide never leaves, or the foot of man

explores; and listen how, at every rush of the long ground-swell,

mysterious mutterings, solemn sighs, sudden thunders, as of a pent-up

earthquake, boom out of them across the glassy swell. Look at those

blasts of delicate vapour that shoot up from hidden rifts, and hang a

moment, and vanish; and those green columns of wave which rush mast-high

up the perpendicular walls, and then fall back and outward in a waterfall

of foam, lacing the black rocks with a thousand snowy streams. There

they fall, and leap, and fall again. And so they did yesterday, and the

day before; and so they did centuries ago, when the Danes swept past

them, battleworn, and sad of heart for the loss of the magic raven flag,

from the fight at Appledore, to sit down and starve on ‘the island of

Bradanrelice, which men call Flat Holms.’ Ay, and even so they leapt and

fell, before a sail gleamed on the Severn sea, when the shark and the

ichthyosaur paddled beneath the shade of tropic forests—now scanty turf

and golden gorse. And so they will leap and fall on, on, through the

centuries and the ages. O dim abyss of Time, into which we peer

shuddering, what will be the end of thee, and of this ceaseless coil and

moan of waters? It is true, that when thou shalt be no more, then, too,

‘there shall be no more sea;’ and this ocean bed, this great grave of

fertility, into which all earth’s wasted riches stream, day and night,

from hill and town, shall rise and become fruitful soil, corn-field and

meadow-land; and earth shall teem as thick with living men as bean-fields

with the summer bees? What a consummation! At least there is One

greater than sea, or time: and the Judge of all the earth will do right.

But there is Ilfracombe, with its rock-walled harbour, its little wood of

masts within, its white terraces, rambling up the hills, and its capstone

sea-walk, the finest ‘marine parade,’ as Cockneydom terms it, in all

England, except that splendid Hoe at Plymouth, ‘Lam Goemagot,’

Gog-magog’s leap, as the old Britains called it, over which Corineus

threw that mighty giant. And there is the little isolated rock-chapel,

where seven hundred years ago, our west-country forefathers used to go to

pray St. Nicholas for deliverance from shipwreck,—a method lovingly

regretted by some, as a ‘pious idea of the Ages of faith.’ We, however,

shall prefer the method of lighthouses and the worthy Trinity Board, as

actually more godly and ‘faithful,’ as well as more useful; and,

probably, so do the sailors themselves.

But Claude is by this time nearly sick of the roasting calm, and the

rolling ground-swell, and the smell of fish, and is somewhat sleepy also,

between early rising and incoherent sermons; wherefore, if he takes good

advice, he will stay and recruit himself at Ilfracombe, before he

proceeds further with his self-elected cicerone on the grand tour of

North Devon. Believe me, Claude, you will not stir from the place for a

month at least. For be sure, if you are sea-sick, or heart-sick, or

pocket-sick either, there is no pleasanter or cheaper place of cure (to

indulge in a puff of a species now well nigh obsolete, the puff honest

and true) than this same Ilfracombe, with its quiet nature and its quiet

luxury, its rock fairyland and its sea-walks, its downs and combes, its

kind people, and, if possible, its still kinder climate, which combines

the soft warmth of South Devon with the bracing freshness of the Welsh

mountains; where winter has slipped out of the list of the seasons, and

mother Earth makes up for her summer’s luxury by fasting, ‘not in

sackcloth and ashes, but in new silk and old sack;’ and instead of

standing three months chin-deep in ice, and christening great snowballs

her ‘friends and family,’ as St. Francis of Assisi did of old, knows no

severer asceticism than tepid shower-baths, and a parasol of soft grey

mist.

Prose Idylls, New and Old · 第 16 / 21 题