CHAPTER VIII.

"As the wind

Sobs, an uncertain sweetness comes from out

The orange-trees.

Rise up, Olympia.--She sleeps soundly. Ho!

Stirring at last." BARRY CORNWALL.

The next day, Fanny was seen by Sarah counting the little hoard that she

had so long and so painfully saved for her benefactor's tomb. The money

was no longer wanted for that object. Fanny had found another; she said

nothing to Sarah or to Simon. But there was a strange complacent smile

upon her lip as she busied herself in her work, that puzzled the old

woman. Late at noon came the postman's unwonted knock at the door. A

letter!--a letter for Miss Fanny. A letter!--the first she had ever

received in her life! And it was from him!--and it began with "Dear

Fanny." Vaudemont had called her "dear Fanny" a hundred times, and the

expression had become a matter of course. But "Dear Fanny" seemed so

very different when it was written. The letter could not well be

shorter, nor, all things considered, colder. But the girl found no fault

with it. It began with "Dear Fanny," and it ended with "yours truly."

"--Yours truly--mine truly--and how kind to write at all!" Now it so

happened that Vaudemont, having never merged the art of the penman into

that rapid scrawl into which people, who are compelled to write hurriedly

and constantly, degenerate, wrote a remarkably good hand,--bold, clear,

symmetrical--almost too good a hand for one who was not to make money by

caligraphy. And after Fanny had got the words by heart, she stole gently

to a cupboard and took forth some specimens of her own hand, in the shape

of house and work memoranda, and extracts which, the better to help her

memory, she had made from the poem-book Vaudemont had given her. She

gravely laid his letter by the side of these specimens, and blushed at

the contrast; yet, after all, her own writing, though trembling and

irresolute, was far from a bad or vulgar hand. But emulation was now

fairly roused within her. Vaudemont, pre-occupied by more engrossing

thoughts, and indeed, forgetting a danger which had seemed so thoroughly

to have passed away, did not in his letter caution Fanny against going

out alone. She remarked this; and having completely recovered her own

alarm at the attempt that had been made on her liberty, she thought she

was now released from her promise to guard against a past and imaginary

peril. So after dinner she slipped out alone, and went to the mistress

of the school where she had received her elementary education. She had

ever since continued her acquaintance with that lady, who, kindhearted,

and touched by her situation, often employed her industry, and was far

from blind to the improvement that had for some time been silently

working in the mind of her old pupil.

Fanny had a long conversation with this lady, and she brought back a

bundle of books. The light might have been seen that night, and many

nights after, burning long and late from her little window. And having

recovered her old freedom of habits, which Simon, poor man, did not

notice, and which Sarah, thinking that anything was better than moping at

home, did not remonstrate against, Fanny went out regularly for two

hours, or sometimes for even a longer period, every evening after old

Simon had composed himself to the nap that filled up the interval between

dinner and tea.

In a very short time--a time that with ordinary stimulants would have

seemed marvellously short--Fanny's handwriting was not the same thing;

her manner of talking became different; she no longer called herself

"Fanny" when she spoke; the music of her voice was more quiet and

settled; her sweet expression of face was more thoughtful; the eyes

seemed to have deepened in their very colour; she was no longer heard

chaunting to herself as she tripped along. The books that she nightly

fed on had passed into her mind; the poetry that had ever unconsciously

sported round her young years began now to create poetry in herself.

Nay, it might almost have seemed as if that restless disorder of the

intellect, which the dullards had called Idiotcy, had been the wild

efforts, not of Folly, but of GENIUS seeking to find its path and outlet

from the cold and dreary solitude to which the circumstances of her early

life had compelled it.

Days, even weeks, passed--she never spoke of Vaudemont. And once, when

Sarah, astonished and bewildered by the change in her young mistress,

asked:

"When does the gentleman come back?"

Fanny answered, with a mysterious smile, "Not yet, I hope,--not quite

yet!"

Night and Morning, Volume 5 · 第 8 / 21 章