CHAPTER I

HITTING THE LINE

By Ralph Henry Barbour

PURPLE PENNANT SERIES

The Lucky Seventh

The Secret Play

The Purple Pennant

YARDLEY HALL SERIES

Forward Pass

Double Play

Winning His Y

For Yardley

Around the End

Change Signals

HILTON SERIES

The Half-back

For the Honor of the School

Captain of the Crew

ERSKINE SERIES

Behind the Line

Weatherby’s Inning

On Your Mark

THE “BIG FOUR” SERIES

Four in Camp

Four Afoot

Four Afloat

THE GRAFTON SERIES

Rivals for the Team

Winning His Game

Hitting the Line

BOOKS NOT IN SERIES

The Brother of a Hero

Finkler’s Field

Danforth Plays the Game

Benton’s Venture

The Junior Trophy

The New Boy at Hilltop

The Spirit of the School

The Arrival of Jimpson

D. APPLETON AND COMPANY, Publishers, New York

[Illustration: The footsteps pounded behind on the frosty turf.]

HITTING

THE LINE

BY

RALPH HENRY BARBOUR

AUTHOR OF “RIVALS FOR THE TEAM,” “THE PURPLE PENNANT,”

“DANFORTH PLAYS THE GAME,” ETC.

[Illustration]

ILLUSTRATED BY

NORMAN ROCKWELL

D. APPLETON AND COMPANY

NEW YORK LONDON

1917

Copyright 1917, by

D. APPLETON AND COMPANY

Printed in the United States of America

CONTENTS

CHAPTER PAGE

I. A CHANCE ENCOUNTER 1

II. THE BOY FROM OUT WEST 12

III. MONTY CRAIL CHANGES HIS MIND 25

IV. “OUT FOR GRAFTON!” 36

V. A ROOM AND A ROOMMATE 48

VI. BATTLE ROYAL 63

VII. MONTY SHAKES HANDS 77

VIII. THE NEW CHUM 88

IX. SOAP AND WATER 103

X. SOME VICTORIES AND A DEFEAT 121

XI. MONTY IS BORED 135

XII. KEYS: PIANO AND OTHERS 144

XIII. STANDART GETS ADVICE 155

XIV. THE MIDDLETON GAME 168

XV. MONTY GOES OVER 178

XVI. COACH BONNER TALKS 190

XVII. BACK OF THE LINE 203

XVIII. WHAT’S IN A NAME? 216

XIX. “BULL RUN” 229

XX. TACKLED 240

XXI. STANDART PLAYS THE PICCOLO 250

XXII. HOLLYWOOD SPRINGS A SURPRISE 262

XXIII. MONTY FINDS A SOFT PLACE 275

XXIV. THE “BLUE” 288

XXV. “FIRE!” 300

XXVI. MONTY RECEIVES CALLERS 313

XXVII. HITTING THE LINE 323

LIST OF ILLUSTRATIONS

The footsteps pounded behind on the frosty turf _Frontispiece_

FACING

PAGE

“Great snakes, haven’t you had enough yet!” marveled Monty 72

“Then I guess you’ve already squealed, and I’d better――――” 164

“Help here, fellows!” 304

HITTING THE LINE

CHAPTER I

A CHANCE ENCOUNTER

Two boys alighted from a surface car in front of the big Terminal in

New York and dodged their way between dashing taxicabs, honking motor

cars and plunging horses to the safety of the broad sidewalk. Each boy

carried a suitcase, and each suitcase held, amongst the more or less

obliterated labels adorning it, a lozenge-shaped paster of gray paper,

bearing, in scarlet, the letters “G. S.,” cunningly angulated to fit

the space of the rhombus.

If I were Mr. Sherlock Holmes I should write, as a companion work to

the famous monograph on tobacco ashes, a Treatise on the Deduction

of Evidence from Hand Luggage. For one can learn a great deal from a

careful scrutiny of, say, a suitcase or kit bag. As for example. Here

is one bearing the initials “D. H. B.” on its end. It is quite an

ordinary affair, costing when new in the neighborhood of six dollars

perhaps. Its color has deepened to a light shade of mahogany, from

which we deduce that its age is about three years. While it is still

in good usable condition, it is not a bit “swagger,” and we reach the

conclusion that its owner is in moderate circumstances. There are no

signs of abuse and so it is apparent that the boy is of a careful

as well as a frugal turn of mind. A baggage tag tied to the handle

presumably bears name and address. Therefore he possesses forethought.

The letters “D. H. B.” probably stand for David H. Brown. Or possibly

Daniel may be the first name. We select David as being more common. As

to the last name, we frankly own that we may be mistaken, but Brown is

as likely as any other. The letters “G. S.” on the label indicate that

he belongs to some Society, but the G puzzles us. It might stand for

Gaelic or Gallic――or Garlic――but we’ll let that go for the moment and

look at the other bag.

This bears the initials “J. T. L.,” not in plain block letters but

in Old English characters. It is of approximately the same age as

the first one, but cost nearly twice as much, and has seen twice as

much use and more than twice as much abuse. The handle is nearly off

and those spots suggest rain. There is no tag on it. The initials

probably stand for John T. Long. The gray label with the scarlet

letters indicate that the owner of the suitcase is also a member of the

mysterious Society. Other facts show that he is wealthy, careless, not

over-neat, fond of show and lacks forethought. There!

And just at this moment “J. T. L.” lays a detaining hand on his

companion’s arm and exclaims: “Wait a shake, Dud!” And we begin to lose

faith in our powers of deduction and to fear that we will never rival

Mr. Holmes after all!

Dud――his full name, not to make a secret of it any longer, was Dudley

Henry Baker――paused as requested, thereby bringing down upon him the

ire of a stout gentleman colliding with the suitcase, and followed his

friend’s gaze. A few yards away, in a corner of the station entrance,

two newsboys were quarreling. Or so it seemed at first glance. A second

look showed that one boy, much larger and older than his opponent, was

quarreling and that the other was trying vainly to escape. The larger

boy had the smaller youth’s arm in a merciless grip and was twisting it

brutally, eliciting sharp cries of pain from his victim. The passing

throng looked, smiled or frowned and hurried by.

“The brute!” cried Dud indignantly, and started across the pavement,

his companion following with the light of battle in his eyes. But the

pleasure of intercession was not to be theirs, for before they had

covered half the distance a third actor entered the little drama. He

was a sizable youth of about their own age, and he set the bag he

carried down on the ledge of the step beside him, stuffed a morning

paper in his pocket, seized hold of the larger boy with his left

hand, placed his right palm under the boy’s chin and pushed abruptly

backward.

Needless to say, the smaller boy found himself free instantly. The

bully, staggering away, glared at his new adversary and rushed for

him, uttering an uncomplimentary remark. The new actor in the drama

waited, ducked, closed, crooked a leg behind the bully and heaved. The

bully shot across the sidewalk until his flight was interrupted by the

nearest pedestrian and then, his fall slightly broken by that startled

and indignant passer, measured his length on the ground. At the same

instant a commotion ensued near the curb and the rescued newsboy

sensing the reason for it, exclaimed: “Beat it, feller! The cop’s

coming!” and slid through the nearest door. His benefactor acted almost

as quickly, and when the policeman finally pushed his way to the scene

he found only a dazed bully and an irate pedestrian as a nucleus for

the quickly-forming crowd.

Dud and his companion, grinning delightedly, followed the youth with

the bag. The newsboy had utterly vanished, but his rescuer was a few

yards away, crossing the waiting-room. On the impulse Dud and his

companion hurried their steps and drew alongside him, the latter

exclaiming admiringly: “Good for you, old man! That was a peach of a

fall!”

The other turned, showing no surprise, and smiled slowly and genially.

“Hello,” he responded. “What did you remark, Harold?”

“I said that was a peach of a fall.”

“Oh! Were you there? I guess we’d have had some real fun if the cops

hadn’t butted in. Is this the way to the trains, Harold?”

“Yes, but my name isn’t Harold,” answered the other, slightly

exasperated. “What train do you want?”

The boy observed the questioner reflectively for a moment. Then: “What

trains have you got?” he inquired politely.

“Come on, Jimmy,” said Dud, tugging at his friend’s sleeve. “He’s too

fresh.”

“Thought you might be a stranger, and I was trying to help you,” said

James Townsend Logan stiffly. “You find your own train, will you?”

They had emerged into the concourse now and the stranger stopped and

put his bag down, facing Jimmy with a quizzical smile. “I guess you’re

an artist,” he said. “Making believe to get mad would fool most any

fellow. What is it now? Eskimo Twins? Or――――”

“That’ll be about all for you!” said Jimmy hotly. “If I’m an Eskimo

you’re――――”

“Back up, Harold! You don’t savvy. Far be it from me to take a chance

on your nationality――――”

“Oh, dry up!” growled Jimmy, turning away.

“Well, but you’re not going, are you?” called the stranger in surprised

tones. Jimmy _was_ going, and Dud was going with him. And on the way

to the gate they exchanged short but succinct verdicts on the youth

behind.

“Flip kid!” sputtered Jimmy.

“Crazy!” said Dud, disgustedly.

The subject of the uncomplimentary remarks had watched them amusedly

as long as they were in sight. Outraged dignity spoke eloquently from

Jimmy Townsend’s back. When the two boys were hidden by the throng

about the gate the stranger chuckled softly, took up his bag again

and moved toward a ticket window. He had a long, easy stride, and the

upper part of his body, in spite of the heavy kit-bag he carried, swung

freely, giving the idea that he was used to much walking and in less

crowded spaces.

“One of your very best tickets to Greenbank, please,” he said to the

man behind the window.

“Any special Greenbank?” asked the latter, faintly sarcastic.

“Which one would you advise?”

The man shot an appraising look at the boy, smiled, pulled a slip of

cardboard from a rack, stamped it and pushed it across the ledge.

“Two-sixty-eight, please.”

“Thank you. You think I’ll like this one?”

“If you don’t, bring it back and I’ll change it.”

“That’s fair. Good-morning.”

At the news-stand he selected two magazines, paid for them and then

glanced at the clock. Twenty minutes past eleven exactly. He drew a

watch from his pocket and compared it with the clock. “Is that clock

about right?” he asked the youth behind the counter.

“Just right,” was the crisp reply.

“Honest? I make it three minutes slow.” He held his own timepiece up in

evidence. The youth smiled ironically.

“Better speak to the President about it,” he advised. “He just set that

clock this morning.”

“Wouldn’t he be too busy to see me?” asked the other doubtfully.

“Naw, he never does nothin’! He’d be glad to know about it.”

“Well, I’m sure I think he ought to know. I guess he wouldn’t want

folks to be too early and miss their trains!” He smiled politely and

moved away, leaving the news-stand youth to smile derisively and

murmur: “Dippy Dick!”

The sign “Information” above a booth in the center of the concourse met

his gaze and he turned his steps toward it. “Will you please give me a

timetable showing the train service between New York and Greenbank?” he

asked gently.

“Greenbank, where?” demanded the official bruskly.

“Yes, sir.”

“Come on! Greenbank, Connecticut? Greenbank, Rhode Island?

Greenbank――――”

“Which do you consider the nicest?” asked the boy anxiously.

“Now, look here! I haven’t got time to fool away. Find out where you

want to go first.”

“I’m so sorry! I saw it said ‘Information’ here and thought I’d get a

little. If I’m at the wrong window――――”

“This is the Information Bureau, son, but I’m no mind reader. If you

don’t know which Greenbank you want――Yes, Madam, eleven-thirty-two:

Track 12!”

“Maybe this ticket will tell,” hazarded the boy, laying it on the

ledge. The man seized it impatiently.

“Of course it tells! Here you are!” He tossed a folder across. “You

oughtn’t to travel alone, son,” he added pityingly.

“No, sir, I hope I shan’t have to. There’ll be other people on the

train, won’t there?”

“If there aren’t――Yes, sir, Stamford at twelve, sir――you’d better put

yourself in charge of the conductor!”

“I shall,” the other assured him earnestly. “Good-morning.”

“Just plain nutty, I guess,” thought the man, looking after him.

Eleven-twenty-four now, and the boy approached the gate, holding his

bag in front of him with both hands so that it bumped at every step and

fixing his eyes on the announcement board, his mouth open vacuously.

“Look where you’re going!” exclaimed a gentleman with whom the boy

collided.

“Huh?”

“Look where you’re going, I said! Stop bumping me with your bag!”

“Uh-huh.”

The gentleman pushed along, muttering angrily, and the boy followed,

his bag pressed against the backs of the other’s immaculate gray

trousered knees. “Greenbank, Mister?” he inquired of the man at the

gate.

“Yes. Ticket, please!”

“Huh?”

“Let me see your ticket.”

“Ticket?”

“Yes, yes, your railway ticket! Come on, come on!”

“I got me one,” said the boy.

“Well, let me see it! Hurry, please! You’re keeping others back.”

“Uh-huh.” The boy set down his bag and began to dig into various

pockets. The ticket examiner watched impatiently a moment while

protests from those behind became audible. Finally:

“Here, shove that bag aside and let these folks past,” said the man

irascibly. “Did you buy your ticket?”

“Huh?”

“I say, did you buy your ticket?”

“Uh-huh, I got me one, Mister.”

“Well, find it then! And you’d better hurry if you want this train!”

“Huh?”

“I say, if you want this――Here, what’s that you’ve got in your hand?”

“This?” The boy looked at the small piece of cardboard in a puzzled

manner. “Ain’t that it?” he asked. But the man had already whisked it

out of his hand, and now he punched it quickly, thrust it back to the

boy and pushed him along through the gate.

“Must be an idiot,” he growled to the next passenger. “Someone ought to

look after him.”

“All aboard!” shouted the conductor as the boy with the bag swung his

way along the platform. “All aboard!”

“Is this the train for Greenbank?”

The conductor turned impatiently. “Yes. Get aboard!”

“Pardon me?” The boy leaned nearer, a hand cupped behind his ear.

“Yes! Greenbank! Get on!”

“I’m so sorry,” smiled the other. “Would you mind speaking a little

louder?”

“_Yes, this is the Greenbank train!_” vociferated the conductor. “_Get

aboard!_”

“Thank you,” replied the boy with much dignity, “but you needn’t shout

at me. I’m not deaf!” Whereupon he climbed leisurely up the steps of

the already moving train and entered a car.

Hitting the line · 第 1 / 27 章