CHAPTER VIII

THE DUKE OF DEVONSHIRE

There are certain things that come to one only in maturity. One is a

taste for Jane Austen. Another is a correct sense of the meaning and

importance of such men as Spencer Compton Cavendish, Knight of the

Garter, eighth Duke of Devonshire, Marquis of Hartington, Earl of

Devonshire, Earl of Burlington, Baron Cavendish of Hardwicke, and Baron

Cavendish of Keighley.

To a young man in the Nineties the mere fact of the Duke’s importance was

obvious enough. Had he not been in politics time out of mind, ever since

he was twenty-four? Was not his breach with Mr. Gladstone one of the

cardinal facts of modern history? Was he not among the first half-dozen

men accorded the distinction of “first person” reports? Was he not

cartooned and quoted after the manner of the very greatest? But why? The

young fellow of the Nineties saw simply a large dull man, with a large

dull way of talking, a man incapable of saying a witty thing, or doing

a picturesque thing; and in his haste this young fellow declared that

all men were snobs, that the sole secret of the Duke’s influence was his

wealth and position, that if he had been born the son of a clerk he would

never have risen to be more than a clerk, but, being the son of a great

noble, people hastened to find in him qualities which were simply not

there.

And in some ways, no doubt, the young fellow was right. In any station

Spencer Compton Cavendish would have been something, something real

and substantial, something of true human worth, of strong sense, shrewd

vision, and rare fidelity. But it is highly probable that, had he been

born poor, he would never have been heard of beyond the limits of his

parish. For he had few of the qualities, and none of the defects, that

make a man rise. No human being was ever more destitute of vanity,

which is one great motive of pushfulness. Though his sense of duty made

him accept responsibility, he hated it; though he felt compelled to

do much work, he detested exertion; utterance in any kind was painful

to him; he was quite wanting in surface brilliance and in the quality

people call magnetism. Such men do not readily “get on.” They find their

groove, and stay in it. They are too much trusted in the positions they

actually fill for anybody to be anxious to promote them, while their own

laziness, pride, dislike of cultivating superiors, and general capacity

of “consuming their own smoke” all conspire to keep them where they are.

In most business places one will find men almost indispensable in their

special jobs, who are never thought of in connection with a superior

job, partly because it would be troublesome to replace them, partly

because they are bad courtiers, but chiefly from the sheer difficulty of

imagining them elsewhere.

The Duke of Devonshire was a man of this sort. He did not make

himself, and he was not exactly made by circumstances; he was there,

and the circumstances were so, and a process of adaptation, chiefly

unconscious, followed. He might almost be described, politically, as a

natural growth—a kind of tree which went through its destined changes

of development and decay in accordance with a certain principle, but

in obedience to no visible motive. He got himself planted in a certain

soil without much consideration on his own part; he took such firm

root that he could not unplant himself, though he constantly wished

to do so; and thus it arrived that for over fifty years he was the one

permanent feature in a changing landscape. The creatures of the hour, the

beasts of the political field, gathered under him for shade, support,

or convenience, and he gave them what he had to give, almost with the

impartiality of a thing inanimate. But, just as the beech-tree is often

in close association with a herd of swine, but does not follow the swine

when they roam away to an oak, so the Duke remained rooted in the midst

of a constantly changing company; he had all sorts of associates, but he

did not follow them when they sought fresh woods and pastures new; to

the end he remained what he had been from the beginning—the pure Whig. I

remember a poor little Liberal Unionist of the Nineties who complained

that he had been sadly misrepresented. “It is not I,” he used to say—he

was about five feet high, and had a querulous little squeak—“it is not

I who have deserted my party; it is my party that has deserted me.” The

Duke of Devonshire could at any time have said the same thing without

evoking a challenge or even a smile. He did not leave Mr. Gladstone; he

merely stayed where he was. He did not leave Mr. Balfour twenty years

later; Mr. Balfour took up a new position, and the Duke remained in his.

Of all the Liberal Unionists he alone did not suffer “some sea change” as

the result of immersion in the Tory flood. Even Mr. Chamberlain was not

immune; he did not become a Conservative, but he did become a new kind of

Radical. The Duke shed no particle of his old-fashioned Whiggism, with

its distrust of the Crown, the Church, and the people, and its intense

faith in itself. In 1902 he was still conscious of a dividing line

between himself and his Conservative colleagues—a line “imperceptible

to the practised eye” of Lord Rosebery. The line was assuredly there,

real if not obtruded. Lord Salisbury was still too much of a Carolean

theologically and too much of a modernist politically to suit a mind

which envisaged Sir Robert Walpole as the ideal occupant of 10, Downing

Street, and Dr. Thomas Tusher as the proper tenant of Lambeth.

If this immobility had been the result of mere stupidity the young man

of the Nineties would have been justified in his scepticism. But in fact

the Duke was by no means stupid. Or, rather, the fact can best be put in

positive form. While the least clever of men, he had a quite uncommon

gift of true wisdom. He had all the outward marks of dullness. No man

was more completely without colour or atmosphere. A rather abnormal

carelessness in dress contributed to his conventionality rather than

relieved it. He was old-fashioned without a touch of the picturesqueness

of the antique, and untidy without the piquancy of Bohemianism. Some of

his contemporaries had the interest of a well-ordered “period” room;

the Duke gave rather the impression of a furniture broker’s shop full

of miscellaneous Victorian mahogany. His beard—though it had a certain

subtle character of its own, as just a shade different from the growth

of any plebeian, lay or clerical—completed the notion of carelessness

without grace and individuality without distinction. His attitudes

were angular; when he did not sprawl on a bench or in an arm-chair he

leaned up against a pillar or a mantelpiece, and somehow he seemed to

take the colour out of the most glowing examples of stuff and stone.

His expression was habitually dreary, and if by chance he said he was

glad to see you—and very often he did not—you would have had some little

difficulty in believing it had you not reflected that “no Cavendish

tells a lie,” and that he was a most typical Cavendish in that regard.

He suffered from a permanent difficulty of self-expression; the simplest

speech caused him torment, and (though he could be the kindest and most

considerate of hosts) social chit-chat was scarcely less painful. He

was most extraordinarily lazy. He dozed when he could, and yawned when

he could not. His yawn was perfectly impartial—he yawned at friends,

foes, and himself. Once in the middle of his own Army Estimates the fit

came upon him, and he signified in the usual manner his weariness of

the whole performance. This yawn was a thing of wonder, so hearty and

natural that no question of manners arose. It suggested no affront, even

to the most prolix speaker; it was rather a proclamation of privilege,

like the wearing of a hat in the House of Commons. It seemed to say, “I

am a Duke, and (possibly more to the point) a great gentleman, so that

nobody can accuse me of not knowing how to ‘behave.’ But after all what

is the use of owning Chatsworth, Devonshire House, all those Eastbourne

ground-rents, and I really cannot trouble to think what else, if I cannot

be natural? Here I am—heaven alone knows really why—condemned to this

intolerable boredom. I go through it, because I feel somehow that I

ought. But I claim in return the freedom of not pretending that I find

it amusing. Please don’t be offended; I should be sorry if you were.

But if you insist on taking offence I shall sleep none the less soundly

to-night, or—who knows?—ten minutes hence if the fit takes me.”

It is related of the Duke that he once went to another seat in the House

of Lords specially to listen to a speech, and fell asleep there before

five minutes had elapsed. He once gave a reply to a noble lord. The noble

lord was not satisfied, and made a long speech in order to say so. The

Duke fell asleep, but woke automatically (as people do at the end of a

sermon) when the voice ceased. Then he began to read his answer a second

time, but, suddenly remembering what had already happened, abruptly sat

down again without saying another word. And the House (which knew its

Duke) was perfectly satisfied.

How the Duke in such circumstances managed to get the right end of any

controversial stick must ultimately remain a mystery. But that he did

so is a plain fact. For, if a slow thinker, he was a generally clear

one, and, if a painful speaker, he made speeches which never lacked

matter. His was one of those minds on which sophistry has no effect.

He was not incapable of admiring eloquence and ingenuity. His attitude

towards Mr. Gladstone was a singular mixture of reverence and something

not unlike disdain. So much of Mr. Gladstone was admirable, and yet so

much of him simply “would not do for the Duke.” One often sees a shrewd

old Hodge listening to the patter of a cheap-jack at a fair. He enjoys

the jokes, and has a kind of glee in the dexterity, but he is simply not

made to believe in an eighteen-carat gold English lever, jewelled in

thirty-seven holes, for twenty-three and six. The Duke never troubled to

consider every point; he was content to say that it could not be done at

the price, and leave the matter there. And if he would not buy, still

less would he consider any proposal to go into the cheap-jack business

himself; if anybody wanted the Duke as a colleague it was no use to

propose a line in razors made only to sell. The character, of course,

has its defects. The Duke was mainly negative in his wisdom. His belief

in gold might make him unjust to platinum, but he was infallible in

detecting pinchbeck. On things of pure spirit it was useless to consult

him, but on any question which could be weighed in the balance of

common-sense his judgment sought its fellow.

Hence it became a habit of a large number of people, during a long

range of time, to wait till the Duke had declared himself before they

made up their own minds. It sometimes took the Duke a long time to

declare himself. Where, as in the case of Home Rule, the matter was

comparatively simple, no man could be more sharply decisive. It was

impossible for him to undergo any process of self-hypnosis such as that

of which Mr. Gladstone was occasionally capable; he could not understand

the distinction between “war” and “military operations” or between being

“surrounded” and being “hemmed in.” In 1885 he had declared himself

unalterably against Home Rule, and he saw no reason to say another thing

in 1886. But in the matter of Tariff Reform the issue and the man were

both more complicated, and plain “Yes” or “No” harder. The Duke was quite

sure about Ireland; he was less sure about maintaining Free Trade by

reverting at least partially to Protection. He knew Mr. Gladstone to the

bottom; no human being had succeeded in knowing Mr. Balfour. He could

only confess himself at first “completely puzzled and distracted by all

the arguments _pro_ and _con_ Free Trade and Protection.” But, he finally

decided, “whichever of them is right, I cannot think that something

which is neither, but a little of both, can be right.” In both cases

his judgment was an element of great importance, but, while it was of

decisive effect in regard to Home Rule, it exerted less influence on the

latter controversy. The public judged, as usual, rightly. In the one case

Lord Hartington, as a plain and very honest Englishman in close contact

with realities, might be trusted to form at least an interim judgment on

behalf of plain and honest Englishmen in general. But in the other case

the moral factor counted for less, and the intellectual factor for more,

and the prolonged puzzlement of the Duke detracted from his influence

when he finally decided (with infinite agony) on his course.

The main source of the Duke’s influence was, indeed, the general

conviction that, with a masculine but ordinary understanding, he

combined perfect disinterestedness and straightforwardness. This faith

was not based wholly on the fact that he was a great noble; the middle

class might, indeed, have been a little scandalised by the side of him

illustrated in the affair of the napkin-ring. The Duke had seen in the

paper that somebody had given a certain bride a set of napkin-rings. He

worried about the meaning of this until he came across a knowledgeable

man, who, he thought, could explain what napkin-rings were. The

explanation was given that in a certain class of society people did not

use clean napkins for every meal, and that therefore each member of the

family kept a distinctive ring. The Duke remained silent for ten minutes.

Then he suddenly exclaimed: “Good God!” It was certainly not this kind

of aloofness that gave the Duke his power. Nor was it so much to the

point that he was placed, by his rank and wealth, far above all vulgar

ambitions. Many men as rich and as highly placed have been the objects of

sleepless suspicion. Apart from money, there are plenty of temptations

open to rank, and wealth is no guarantee of honesty. The Duke enjoyed

public confidence in an extraordinary degree because it was so very

obvious, not only that he was getting nothing, but that it was impossible

for him to get anything out of politics. His yawn, in fact, was his great

talisman. Everybody knew that if he had consulted his own tastes he

would hardly have stirred beyond his park palings. Everybody knew that

he carried out what he believed to be his political duties just as he

carried out what he believed to be his social duties, not because he got

any pleasure or profit from them, but because the obligations were there

and had to be met. It is said that he once invited the Prince of Wales

to lunch, and then forgot all about it; the Prince presumably arrived to

find Devonshire House fragrant with the ducal equivalent of Irish stew;

while His Grace himself had to be summoned by telephone from his club by

a terrified major-domo. It was part of the Duke’s strength that such a

story could be related of him. The true point was not that he was a great

nobleman, and therefore disinterested; it was that he was from every

point of view uninterested. It was not simply that he had no financial

or social axe to grind; there was no fancy cutlery of the spiritual or

intellectual kind which he desired to sharpen. Men do not always ruin

their country for a fee; they more often do so for a fad. The Duke was

free from all fads, except Whiggism. He had a certain honourable interest

in education. He nourished, in his dry and secretive way, a distinct

love of the arts in general and of certain departments in literature.

But on all public questions he was able to bring his faculties, such as

they were—and it was particularly easy to rate them too lowly—without

subjective disturbance; it may almost be said that he thought _in vacuo_.

Moreover, he was in essence a very ordinary Englishman. With an effort

he might think of himself as a Briton, or as a citizen of the British

Empire. But his inner mind knew nothing of Acts of Union; he was English

and nothing but English. And being very English, it followed that he

cared a great deal about truth and very little about logic, and that

he was much more inclined to follow the beaten track than to initiate.

People felt that he was a safe man, who would not go far, but therefore

could not go far wrong. He once described himself, rather pathetically,

as “the brake on the wheel.” It is a humble, but on occasion a useful,

function, and the sheer unimaginativeness of the man was time and time

again an asset to his country. But such a character arouses no great

enthusiasm, and if the Duke was trusted without limit, he was neither a

popular idol nor the hero of a small circle. He went his way in a certain

detachment, never alone but always a little lonely. Even in his own

houses there was a tendency to regard him as something to gather round

instead of someone to talk to. He might almost be said to fulfil the

function of the dining-table rather than of the host.

The position had its compensations. The Duke was the chartered libertine

of his time. He could go poaching where others could not look over the

hedge. Lord Rosebery’s Derby victories caused scandal among the virtuous

of his party. Nobody troubled about the Duke’s bets or race-horses. He

played bridge for high points, but nobody thought of him as a gambler. He

used emphatic adjectives, without the reproach attaching to the swearer

of profane oaths. It may be an exaggeration to say that whatever the

Duke did was right. But nobody troubled about his doing wrong; no doubt

because people felt that it would not be very much wrong, after all. And

in this their judgment was sufficiently sound. The man was in no sense

a saint or a hero. He never said or did a thing to make a single man’s

pulse beat quicker. He was incapable of the highest in any kind. But

his character, however prosaic, was based on a foundation of granitic

firmness. If not a great man, he was at least a true and honest one.

Portraits of the Nineties · 第 8 / 29 章