Thus things went on for some time. Marcelline daily added to

her collection of exquisite fac-similes, and her father labored

diligently in the cause to which he had devoted his life. He did

not obtain the result he so ardently desired; but his perseverance

was not without reward. On two occasions he discovered works of

great importance, in a literary point of view, covered over with

a mass of old law transactions; and the sums he obtained for them

enabled him greatly to increase his stock of manuscripts. He soon

became so well known to all who dealt in such articles, that every

new importation was offered to him, before it was shown elsewhere.

Meanwhile Marcelline received increasing pleasure from the visits

of Hyppolite. She began to suspect that the trivial chat uttered

in that fresh young voice, with occasional peals of ringing

laughter, possessed for her a greater charm than the noble words

of her father, always teeming with knowledge and interest of

various kinds. She shrunk from admitting this to herself. She would

not believe it, but she had an uneasy suspicion of it. As for

Hyppolite, his walk of two or three miles, to visit his new-found

relatives, became his greatest pleasure. He found innumerable

opportunities of making the Rue Cassette the shortest cut to one

or other of the distant quarters of Paris, where the business of

his employers carried him, though in fact it was often miles out

of his way. To gratify Marcelline’s peculiar taste, he frequently

brought her ornaments cut from the pages of old illuminated

manuscripts. When asked where he obtained them, he would merely

laugh, and say he would bring some more soon. Dubois began to

remonstrate against the barbarism of mutilating manuscripts in that

way; but Hyppolite would point to the piles of manuscripts from

which he had washed both ornaments and writing, and would put on

such a comic look, and laugh so merrily, that his uncle could not

help laughing, too.

One calm summer evening, Dubois had gone to the busy part of Paris,

and Marcelline sat at the window, busily employed in copying a

noble group of illuminated letters from a gorgeous manuscript of

the twelfth century, which stood on the desk before her. The window

was open, and the air gently moved the leaves of crisp vellum, with

their antique writing and their curious enrichments. The massive

silver clasps of the great folio hung back and glistened in the

evening light. As the young artist looked up at her model, she felt

tempted to make a drawing of the whole superb volume, instead of

the especial group of letters she was copying. The foliage of the

lime-trees moved gently in the warm evening breeze, and a linnet,

hidden in its recesses, was singing his vesper hymn. Marcelline

felt very happy. The balmy hour, the congenial employment, and

the bright halo of her twenty young years, threw around her an

atmosphere of soft, pure, gentle pleasure. Thoughts of more homely

things mingled with her poetic mood. She thought of the choice

little supper Madeleine was preparing for her father, and she tried

to conjecture when he would arrive.

The current of her ideas was interrupted by the ringing of the

bell on the landing, and Madeleine announced the arrival of

Monsieur Hyppolite. An uncontrollable thrill lifted her heart

with one great bound. For a moment the illuminated volume, the

sweet summer breeze, the tuneful linnet, and the little supper for

her father, were all forgotten. By a strong effort she recovered

herself, however, and received Hyppolite as usual; perhaps a

little more coolly, for she was inwardly shocked to find that his

presence had power, even for a moment, to obliterate the pleasures

and affections she had always deemed so sacred. He brought two

beautifully illuminated letters, that had evidently formed part

of a very fine Italian manuscript. Being in an unusual style of

art, they attracted her attention, and diverted her thoughts from

the channel they had taken. She reseated herself at her work;

and while he watched her skilful pencil tracing the intricate

interlacings of various and many-colored lines and branches, he

sought to entertain her with his usual light chat. But Marcelline

did not respond so gayly as she was accustomed to do, and he

grew unwontedly silent; so silent, that the song of the linnet

was heard again, and no other sound disturbed the stillness. At

last, Hyppolite, with a great effort, and as if something choked

his usual clear utterance, said, “Marcelline, you must have long

perceived that I--” she rose hastily, exclaiming, “O don’t say that

word! _Don’t_ say it! To break the holy spell of filial affection

which has always bound my heart, would be sacrilege.” But Hyppolite

knelt at her feet, and poured forth the fervid language that comes

to all when the heart is kindled by a first love. Marcelline turned

away her head and wept. The bitter tears, not without sweetness,

relieved the deep trouble of her heart. She resumed her seat,

and told her cousin decidedly, but kindly, that he must never

speak to her of love while her dear father lived; that she could

never allow any earthly affection to come between her and him.

The young man, in the midst of his disappointment, could not but

wish that his uncle might live long; for he truly loved his genial

nature, and regarded his great learning with almost superstitious

veneration. He held out his hand, saying, “My cousin, it is the

hand of friendship.” She pressed it kindly, and gently admonished

him that his visits must be less frequent. After a brief struggle

he resigned himself to her guidance, and recovered his equanimity,

if not his usual gayety. All was peaceful and pleasant when Dubois

returned, and Hyppolite was urged to stay and partake of the choice

little supper.

The household continued to go on in the old quiet way, varied

occasionally by visits from antiquarians and learned men. On

such occasions, it was charming to hear Dubois descant on his

favorite topics with the enthusiasm and beautiful flow of language

which they always excited. Marcelline was often appealed to in

these discussions; for her intimate knowledge of the beauties

of illumination enabled her to judge the age of a manuscript,

by delicate peculiarities in its ornaments, more readily than

learned men could do by the character of the writing or the nature

of the subject. Hyppolite, who was sometimes present by special

invitation, would sit apart, drinking in every delicate epithet and

daintly selected word uttered by his cousin, as though they were

heaven-distilled drops of nectar.

One morning, Dubois rushed into his daughter’s apartment, eagerly

exclaiming, “Eureka! Eureka! I have found it! I have found it! My

name will go down to posterity joined with that of Livy! At last

I have found The Lost Books!” Joyfully, he drew his daughter into

his study, and there, spread upon the floor, were several sheets of

vellum still wet from the action of his sponge. The more recent

writing had been removed, and traces of a nearly erased manuscript,

apparently of the tenth century, was gradually becoming more

distinct under the influence of a preparation he had applied. The

old man drew himself up as he pointed to it, and looking proudly at

his daughter, said, “The labor of my life has been well expended.

It will be _my_ great privilege to be the first among moderns to

read the whole of the noble history of Livy; for I believe the

_whole_ is there.” He insisted that Hyppolite should be sent for to

hear the glad tidings. The good-natured youth hastened to the Rue

Cassette, and congratulated his uncle upon his great discovery. He

did not, indeed, understand the importance of the recovered annals,

for he thought we had a tolerably complete history of Rome without

these famous Lost Books, but he cordially sympathized with the joy

of his uncle and cousin. It was a day marked with “a white stone”

in the annals of the quiet little family. In honor of the occasion,

a bottle of the choice wine called Chateaux Margaux, was placed

on the generally frugal little dinner-table, and the sun traced

upon it bright lights and shadows through the branches of the

lime-trees, as if to aid in the celebration.

Day by day, more pages of the _palimpsest_ were prepared, and the

ancient text developed itself so well, that the exulting Dubois

resolved to invite his most learned friends to a grand evening

reunion, in honor of his discovery. A lithographed circular was

accordingly prepared, and sent round in due form. It brought

together a select party of the knowing ones in such matters. Dubois

was all smiles and urbanity. In the fluent language, of which he

had extraordinary command, he related the successive details of

his discovery. He deemed himself the most fortunate of men. His

heart was running over with enthusiasm. His hearers were charmed

with the copious flood of eloquence that he poured forth without

stint, full of the deepest erudition, yet warmed and embellished by

a pervading gleam of amiable exhilaration, and innocent exultation

over the triumphant result of his life-long labors. The sheets of

the recovered manuscript were placed in a good light, and eagerly

examined through many pairs of glittering spectacles and powerful

microscopes. It obviously related to that portion of Roman history

lost from the books of Livy, but many doubts were expressed

whether it were written by that great historian. Peculiarities of

orthography and style were adduced to prove that the writer must

have been a monk. But Dubois ingeniously converted every objection

into an additional proof that they had before them the identical

Lost Books of Livy.

The animated discussion was interrupted by the entrance of

Madeleine, who said that two men were at the door, with old

manuscripts to sell. Dubois could never resist the temptation

to examine musty vellum, and he ordered them to be shown in. The

manuscripts did not prove to be of any value; and Madeleine was

very glad to close the door upon the intruders, for she did not

like their looks. A similar impression seemed to have been made on

the company; for several of them remarked that it was hazardous to

introduce men of that stamp into a room filled with books clasped

with silver, and with many other ancient articles of curious

workmanship, some of them in the precious metals. But Dubois

laughed at the idea that anybody would think of robbing a poor

book-antiquarian of his musty treasures, though some of them were

clasped with silver.

The dimensions of the table were enlarged by piles of huge folios,

and Madeleine spread it with choice viands, in the discussion

of which the style and orthography of Livy were for a while

forgotten. The lively sallies of Hyppolite, his funny anecdotes,

and descriptions of practical jokes, began to entertain the guests

more than their own conversation. His merry, thrilling laugh became

infectious. First, his pretty cousin joined in with her silvery

treble; then Dubois; then all of them. No one, listening to this

hilarious chorus, would have supposed the company consisted of

the most profound scholars that ever enlightened the halls of the

Institute or the Academy.

Dubois went to sleep that happy night dreaming of new discoveries

among the as yet unrestored leaves of his precious _palimpsest_. He

was wakened very early in the morning by a loud knock at his door,

and heard the voice of old Madeleine crying out, “Monsieur Dubois!

Monsieur Dubois! Get up! Pray get up immediately!” He hurried on

his dressing-gown, and found Madeleine in the middle of his study,

her eyes streaming with tears. The room where he had heaped up so

many treasures, where he had spent so many hours of calm happiness,

where he had the last evening enjoyed so much, was empty. The pile

of folios, the rows of richly-bound manuscripts, with the velvet

covers and silver clasps, his precious _palimpsest_, and even the

bundles of musty vellum, had all disappeared. The window was open,

and the little curtain torn; plainly indicating how the robbers

had obtained entrance into his sanctuary. The linnet was singing

a morning song in the lime-trees, and the early sun checkered

the empty floor with bright light and quivering shadows of the

foliage. It seemed as if the sweet sounds and the brilliant rays

were rejoicing over a scene of gladness, instead of such utter

desolation and wretchedness.

No words can describe the pangs which wrung the heart of poor

Dubois, thus suddenly and strangely deprived of the treasure which

he had spent all the energies of his life in discovering. For a

moment, his eyes glared with rage, like those of a tiger deprived

of her young. Then he clasped his trembling hands, and fell

heavily, nearly fainting, into his chair. Alarmed by the sound

of his fall, Marcelline came running in. It was long before she

and old Madeleine could rouse him from his lethargy. At last, his

stupefied senses were awakened and concentrated by his daughter’s

repeated assurances that the lost treasure would be recovered if

an immediate pursuit were instituted. “It is not likely,” said

she, “that we shall recover the richly-illuminated manuscripts, in

their valuable bindings; or the carved ivories; or those codices

written in gold upon grounds of purple; but the sheets of that old

_palimpsest_, with its half-obliterated characters, and the old

volume containing the rest of the work, cannot possibly be of use

to anybody but yourself. Those can surely be recovered.”

A flood of passionate tears came to her father’s relief. His usual

calmness was restored; and after drinking a cup of coffee, urged

upon him by the kind old Madeleine, he hurried forth to give

information to the police, and to make all possible efforts to

recover his treasures.

Some fragments of parchment were found under the lime-trees, but

no further traces were discovered, till late in the forenoon it

was ascertained that one of the richly-bound manuscripts had been

offered to a dealer for sale. In the afternoon, another clew was

obtained from a waste-paper dealer, who described a quantity of

parchment brought to him that morning, which he had not, however,

purchased. From the description, it appeared that the precious

_palimpsest_ was among these bundles. Dubois’s hopes were kindled

by this information. He was recommended to go to the establishments

of various dealers in such articles in remote quarters of the city,

and, accompanied by the police, he made diligent search. Only one

more remained, and that was close to the Barrière du Trone.

Arrived at this establishment, Dubois was surprised to see his

nephew mounted aloft at a desk in the inner warehouse; for he had

never inquired concerning the nature of the factory in which he

was employed. As soon as Hyppolite perceived his uncle, he hurried

forward to welcome him, and told him he had intended to call at

the Rue Cassette that day, for he had just obtained possession of

two illuminated letters that he wished to present to Mademoiselle

Marcelline. He took two slips of vellum from his desk; “See,” said

he, “these are very much in the style of that old Roman History you

were exhibiting to the company last night.”

“Very much in the style!” exclaimed Dubois, his eyes glistening

with delight. “They are identical! Where did you get them?”

“Our foreman sent them down to me,” rejoined Hyppolite. “We

purchase enormous quantities of old parchment, and frequently a few

painted letters are found in the mass. Our manager, in compliance

with my request, cuts them out and reserves them for me.”

“Then the vellum from which they were cut is here?”

“Yes, it is, uncle; but why are you so agitated?”

Dubois briefly related the circumstances of the robbery; and

wiping the cold perspiration from his brow, he added: “But all

is safe now! I would not walk twenty paces to recover all the

silver-clasped volumes, if I can only hold once more the musty

_palimpsest_ which contains that priceless treasure,--The Lost

Books of Livy!”

The flush faded from Hyppolite’s ruddy cheek. “There is not a

moment to be lost!” exclaimed he. “Follow me, dear uncle.”

Away he ran across court-yards, through long warehouses filled

with merchandise, and up flights of stairs, two steps at a bound.

Dubois, highly excited, followed with the activity of youth. They

reached a small room adjoining an enormous mass of lofty chimneys,

from which heavy columns of smoke rolled away before the wind.

“Where is the lot of old vellum that came this morning?” gasped

Hyppolite, all out of breath.

A man who was busy checking off accounts, asked, “Do you mean the

lot from which you cut those two letters?”

“Yes, yes,” replied Hyppolite. “Where is it? Where is it? It is

very important!”

“Let me see,” said the man. “It was lot number fourteen, purchased

at eight o’clock this morning. We happened to be very short of

vellum, and I gave out that new lot directly.” He opened a creaking

door, and called out, “Pierre! Pierre! what was the number of the

lot you put in last?”

“Number fourteen,” replied a deep voice within; and the door closed

again, with dinning rattle of rope and weight.

“It is too late,” said the foreman, turning to Hyppolite. “It went

in at eleven o’clock.”

“Went _in_? Went in _where_?” exclaimed Dubois, turning first to

Hyppolite, and then to the foreman, with a look of haggard anxiety.

“Into the boiler,” replied Hyppolite, taking his uncle’s hand.

“This is a gelatine manufactory. We boil down tons of old parchment

every year.”

* * * * *

It was long before Dubois recovered from the shock he had

received; but he did finally recover. He began to accumulate fresh

bibliographical treasures around him, and many pleasant evenings

were spent in those old apartments. But his former enthusiasm never

returned. Any new discovery in the field of his research no longer

excited a rapid flow of ardent words, but was merely indicated by a

faint smile. He was always kindly and genial, and was only roused

to an occasional word or look of bitterness when some circumstance

happened to remind him of the treasure he had lost. “To think that

what I had been hunting for all my life should be found only to be

lost in a pot of gelatine!” he would exclaim, indignantly. Then he

would fall into a silence which no one ventured to disturb. But,

with a slight sigh, and a quiver of his gray locks, he would soon

dismiss the subject from his mind, and change the conversation.

If he ever felt regret at having expended all the energies of his

life among the dim shadows of the past, no one ever heard him

express the feeling. And this was wise; for his habits were too

firmly fixed to be changed. He lived with his dear old volumes as

with friends. The monotony of his life was soothed by a daughter’s

love, and cheered by the kind attentions of his gay young nephew.

His uncommon talents and learning left no traces behind them,

and his name passed away as do the pleasant clouds of twilight.

Hyppolite’s constant love was rewarded by the heart and hand of

Marcelline; and the two

who most reverenced the old man’s learning,

and most tenderly cherished the memory

of his genial character, lived to

talk of them often to each

other, and to teach

them to their

descendants.

[Illustration]

[Illustration]

TO ONE WHO WISHED ME SIXTEEN YEARS OLD.

BY ALICE CARY.

Suppose your hand with power supplied,

Say, would you slip it ’neath my hair.

And turn it to the golden side

Of sixteen years? Suppose you dare,

And I stood here with smiling mouth,

Red cheeks, and hands all softly white,

Exceeding beautiful with youth,

And that some tiptoe-treading sprite

Brought dreams as bright as they could be,

To keep the shadows from my brow,

And plucked down hearts to pleasure me,

As you would roses from a bough.

What could I do then? Idly wear,

While all my mates went on before,

The bashful looks and golden hair

Of sixteen years! and nothing more?

Nay, done with youth are my desires,

Life has no pain I fear to meet;

Experience, with its dreadful fires,

Melts knowledge to a welding heat.

And all its fires of heart and brain,

Where purpose into power was wrought,

I’d bear, and gladly bear again,

Rather than be put back a thought.

So, sigh no more, my gentle friend,

That I am at the time of day

When white hair comes, and heart-beats send

No blushes through the cheeks astray.

For could you mould my destiny,

As clay, within your loving hand,

I’d leave my youth’s sweet company,

And suffer back to where I stand.

* * * * *

THE SILVERY HEAD.

Though youth may boast the curls that flow,

In sunny waves of auburn glow,

As graceful, on thy hoary head,

Has time the robe of honor spread,

And there, O, softly, softly shed

His wreath of snow.

FELICIA HEMANS.

[Illustration]

GROWING OLD.[I]

ADDRESSED TO UNMARRIED WOMEN.

[I] From Miss Muloch’s “Thoughts about Women.”

It is a trying crisis in life to feel that you have had your fair

half at least of the ordinary term of years allotted to mortals;

that you have no right to expect to be any handsomer, or stronger,

or happier than you are now; that you have climbed to the summit

of life, whence the next step must necessarily be decadence. The

air may be as fresh, the view as grand, still you know that, slower

or faster, you are going down hill. It is not a pleasant descent

at the beginning. It is rather trying when, from long habit, you

unwittingly speak of yourself as a “girl,” to detect a covert

smile on the face of your interlocutor; or, when led by some

chance excitement to deport yourself in an ultra-youthful manner,

some instinct warns you that you are making yourself ridiculous;

or, catching in some strange looking-glass the face you are too

familiar with to notice much, ordinarily, you suddenly become

aware that it is not a young face, and will never be a young face

again. With most people, the passing from maturity to middle age

is so gradual as to be almost imperceptible to the individual

concerned. There is no denying this fact, and it ought to silence

many an ill-natured remark upon those unlucky ones who insist upon

remaining “young ladies of a certain age.” It is very difficult

for a woman to recognize that she is growing old; and to all, this

recognition cannot but be fraught with considerable pain. Even the

most sensible woman cannot fairly put aside her youth, with all it

has enjoyed, or lost, or missed, and regard it as henceforth to be

considered a thing gone by, without a momentary spasm of the heart.

To “grow old gracefully” is a good and beautiful thing; to grow

old worthily is a better. And the first effort to that end is to

become reconciled to the fact of youth’s departure; to have faith

in the wisdom of that which we call change, but which is in truth

progression; to follow openly and fearlessly, in ourselves and

our daily life, the same law which makes spring pass into summer,

summer into autumn, and autumn into winter, preserving an especial

beauty and fitness in each of the four.

If women could only believe it, there is a wonderful beauty even in

growing old. The charm of expression, arising from softened temper

or ripened intellect, often atones amply for the loss of form and

coloring; consequently, to those who could never boast of either of

these latter, years give much more than they take away. A sensitive

person often requires half a lifetime to get thoroughly used to

this corporeal machine; to attain a wholesome indifference both to

its defects and perfections; and to learn at last what nobody would

acquire from any teacher but experience, that it is the _mind_

alone which is of any consequence. With good temper, sincerity,

and a moderate stock of brains, or even with the two former only,

any sort of a body can in time be made a useful, respectable,

and agreeable travelling-dress for the soul. Many a one who was

absolutely plain in youth, thus grows pleasant and well-looking in

declining years. You will seldom find anybody, not ugly in mind,

who is repulsively ugly in person after middle life.

So it is with character. However we may talk about people being

“not a whit altered,” “just the same as ever”; the fact is, not

one of us is, or can be, for long together, exactly the same. The

body we carry with us is not the identical body we were born with,

or the one we supposed ours seven years ago; and our spiritual

self, which inhabits it, also goes through perpetual change and

renewal. In moral and mental, as well as in physical growth, it

is impossible to remain stationary. If we do not advance, we

retrograde. Talk of being “too late to improve,” “too old to

learn”! A human being should be improving with every day of a

lifetime; and will probably have to go on learning throughout all

the ages of immortality.

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