CONSTANT BILLY (STICK DANCE).

In this, sticks are held and used, both in the "A" and "B" music, as

explained in "Rigs o' Marlow" (_see_ p. 55).

Stick-tapping in "B" music is done according to the following diagram:

signs, &c., to be read as in diagrams for "Rigs o' Marlow" (_see_ X

in music). The beats whereon stick-tappings occur are written in diagram

as b. (bar); and h.-b. (half-bar).

In the first bar of "B" music, at half-bar, No. 1, with top end, taps

butt of No. 2. In the second bar, at half-bar, No. 2, with top end, taps

butt of No. 1. In the third bar, at half-bar, No. 1 taps No. 2 as in

first bar. In the fourth bar, No. 1, at the beginning, with the butt,

taps No. 2's top end; and at half-bar, No. 1, with top, taps top end of

No. 2, thus:--

[Illustration: DIAGRAM OF STICK-TAPPING.]

The steps are the same for all. When tapping is continued (_see_

Notation) for eight bars, then, in the last four, all start on the left

foot, and step thus: L.L.R.R.L.L.R.L. Tapping is the same in first and

second four bars.

In tapping, of course, odd numbers do as No. 1 in diagram, even numbers

as No. 2.

The Morris Book, Part 1 A History of Morris Dancing, With a Description of Eleven Dances as Performed by the Morris-Men of England · 第 54 / 64 题