CHAPTER XVI

A few days later Dr. Burney was at the point of setting out for

Chessington to share Mr. Crisp’s hermitage until the end of the week. He

had already said good-bye to the household; but Fanny accompanied him to

the door. It was her last chance, she knew. She had long ago made up her

mind that one of her secrets must be told to him, and she had more than

once, since the printed sheets had been brought to her, tried to screw up

her courage to the point of telling him, but she had not yet succeeded.

And now he was going to Chessington for four days, and in the meantime

the book should be returned to the printer. It was the last chance she

would have of discharging the duty which was incumbent on her. She had

been hovering around him in the hall, shaking out his gloves for him,

polishing the gold knob of his cane, picking a scrap of dust from the

collar of his travelling-cloak. In another minute he would be gone—her

opportunity would be gone.

And then came the relieving thought of further procrastination:

“I shall write to him at Chessington and confess all.”

It seemed as though she had uttered her thought aloud, for he turned to

her with his hand on the latch of the hall door, saying:

“You will write to Chessington to-morrow or the day after, my dear. It is

no trouble to you to write. You enjoy it, do you not?”

“Oh, it is my chief enjoyment. That is why I have been practising it so

much, just as the others have been practising their music. I have no

music in my soul, so I—I have been writing. Of course, it is not to be

expected that I could do more than write some nonsense—my equivalent to

the strumming of the scales.”

“It pleases me greatly to hear that,” said he. “But you do yourself an

injustice; Mr. Crisp never ceases to praise your letters.”

“He is praising his own pupil then,” said she, “for ’twas he who first

taught me how to write, and now I have been putting together some

imaginary letters, and I thought that if he could see them printed in

front of him he would be amused.”

“Imaginary letters? Why not continue your real ones, my dear? It would

cost a great deal to have your imaginary ones printed.”

“My dear father,” she cried, “you surely do not think that I would ask

you for money to pay for my whim? But if I could prevail on someone—a

bookseller—to print what I write, I hope you will consent to my doing

so—not putting my name to the thing, of course?”

“And does my Fanny believe that ’tis all so easy to persuade a bookseller

to pay her printer’s bill?” he said, pinching her ear. “Booksellers are

shrewd men of business.”

“But even men of business have their weak moments,” said she. “And so

if—if—you would not think it too bold of me to let James take my parcel

to a bookseller? You would not forbid me to try to realize my ambition?”

“You may be sure that the one to frustrate your aims will not be your

father,” said he, smiling shrewdly. “I will consent if—ah, there is the

fatal if—if your bookseller consents. Now good-bye, my dear child. I

will take your love to your Daddy Crisp, and tell him to await a real

letter from you—not an imaginary one.”

She stood on tiptoe to kiss him—but even then he had to stoop before his

lips were on her forehead.

He was gone in another moment. She stood at the inner side of the closed

door and listened to the rattling of the wheels of the chaise over the

cobble-stones.

So the ordeal that she dreaded had been faced, and how simple a thing

it had turned out after all! Her father had treated the idea which

she had submitted to him as if it were nothing beyond the thought of

a simpleton—a foolish, simple girl who knew nothing of the world of

business and booksellers, and who fancied that a bookseller would print

everything that was sent to him.

He had delivered that contingent “if” with the shake of the head and the

shrewd smile of one who is acquainted with the seamy side of business, in

the presence of a child who fancies that printing follows automatically

upon the writing of a book and that there are thousands of buyers

eagerly awaiting the chance of securing everything that passes through

a printing-press. She had perceived just what was in his mind; and his

consent, followed by that contingent “if,” to her publishing what she

had written, was given to her with the same freedom that would have

accompanied his permission to appropriate all the gold used in paving

the streets of the City. She could see from the way he smiled that he

felt that she knew as little about the conditions under which books are

printed as a child does about the paving of the streets of the City.

She knew that he would never again refer to the subject of those

imaginary letters of hers—he would be too considerate of her feelings to

do so; he would have no desire to humiliate her. He would not even rally

her in a playful way about her literary work, asking her how the printing

was progressing, and if she had made up her mind to start a coach as

grand as that magnificent piece of carved and gilded furniture which

Sir Joshua had just had built for himself—oh, no: her father had always

respected her sensibility. Years ago, when her brothers and sisters were

making their light jests upon her backwardness, he had stopped them and

said that he had no fears for the future of Fanny; and she was certain

that in referring to her, as he so frequently did, as “poor Fanny,” he

meant nothing but kindness to her. To be sure, at first it grated upon

her sensitiveness to be referred to in that kindly pitying way, but she

did not resent it—indeed, she usually thought of herself as “poor Fanny.”

In a household where proficiency in music was the standard from which

every member was judged, it was inevitable that her incompetence should

be impressed upon her; but no one was hard upon her—the kindly “poor

Fanny” of her father represented the attitude of the household toward

her, even when she had confided to some of the members the fact that she

was writing a novel. They had been startled; but, then, a novel was not a

musical composition, and such an achievement could not be received with

the warmth that Esther’s playing received. It was really not until the

printed sheets of the book lay before Susy that she felt that Fanny had,

in one leap, brought herself wellnigh to the level of Esther; and by the

time Susy had read the story to the end she had made up her mind that if

it might be possible to compare the interest of a literary work with that

of the playing of a piece of music, Fanny’s work could claim precedence

over the best that Esther had done—she had confessed as much to Fanny in

secret, and Fanny had called her a foolish child.

Fanny had seated herself in the parlour opening off the little hall, on

the departure of her father, and her memory took her back to the days

she had passed in the house at Poland Street, when she had written her

story of Caroline Evelyn, and had been induced by her stepmother to burn

it, with sundry dramas and literary moralizings after the manner of the

_Tatler_—all the work of her early youth. She recalled her resolution

never again to engage in any such unprofitable practices as were

represented by the smoke which was ascending from the funeral pyre of her

“Caroline Evelyn” and the rest.

How long had she kept to her resolution? She could not remember.

She could not recall having any sense of guilt when she had begun

her “Evelina”—it seemed to have sprung from the ashes of “Caroline

Evelyn”—nor could she recollect what had been on her mind when she was

spending those long chilly hours of her restricted leisure toiling over

the book. All that she could remember now was her feeling that it had to

be written—that it seemed as if someone in authority had laid on her the

injunction to write it, and she had no choice but to obey.

Well, she had obeyed—the book had been written and printed and she meant

to send the corrected sheets back to Mr. Lowndes in the course of the

day. Her father’s consent to its publication had been obtained and it

would be advertised for sale within some months, and then—

Her imagination was not equal to the pursuit of the question of its

future. Sometimes she felt that she never wished to hear of the book

again. She could almost hope that sending the sheets back to Mr. Lowndes

would be the same as dropping them, with a heavy stone in the parcel,

into the deep sea.

But that was when the trouble of getting her father’s permission to

publish it was looming before her. Now that this cloud had been dispelled

she felt less gloomy. She had a roseate dream of hearing people talk

about the book and even wishing to know the name of the author. She had

a dream of Fame herself carrying her away to sublime heights—to such

heights as she had been borne by the singing of “Waft her, Angels.”

Her dream was of sitting on these heights of Fame by the side of the

singer—on the same level—not inferior in the eyes of the world—not as the

beggar maid uplifted in her rags to the side of the King.

That had been her dream when listening to the singing, and it returned to

her now, as she sat alone in the little parlour, having just taken the

last step that was necessary before giving to the world the book which

was to do so much for her. Her visions of success showed her no more

entrancing a prospect than that of being by his side with her fame as a

dowry worthy of his acceptance at her hands; so that people might not say

that he had chosen unworthily—he, who had all the world to choose from.

And quite naturally there came to her in due sequence the marvellous

thought that he had already chosen her out of all the world—he had chosen

her, believing her to be the dowerless daughter of a music-teacher—the

one uninteresting member of a popular family!

This was the most delightful thought of the whole train that came to her.

It was worth cherishing above all the rest—close to her heart—close to

her heart. She hugged that thought so close to her that it became warm

with the warmth of her heart. Even though her book should never be heard

of again, even though the world might treat it with contempt, she would

still be consoled by the reflection that he had chosen her.

* * * * *

“Why on earth should you be sitting here in the cold, Fanny?” came the

voice from the opened door—the voice of firm domestic virtue.

“Cold? cold? Surely ’tis not cold, mamma,” she said.

“Not so very cold; but when there is a fire in the work-room it should

not be wasted,” said Mrs. Burney. “But to say the truth you do not look

as if you were cold; your face is quite flushed, child. I hope you do not

feel that you are on the brink of a sickness, my dear.”

“Dear mamma, I never felt stronger in my life,” cried Fanny with a laugh.

“I am glad to hear that. I was saying to Lottie just now that for some

days past you have had alternately a worried look and the look of one

whose brain is over-excited. Is anything the matter, my child?”

“Nothing—nothing—indeed nothing! I never felt more at ease in all my

life.”

“Well, well, a little exercise will do you no harm, I am sure; so put on

your hat and accompany me to the fishmonger’s. He has not been treating

us at all fairly of late. It is not that I mind the remark made quite

respectfully by James at dinner yesterday—it would be ridiculous to

expect to find fish as fresh in the centre of London as he and his

shipmates were accustomed to in the middle of the Pacific Ocean; but it

would not be unreasonable for us to look for turbot with less of a taint

than that we had yesterday. You will hear the man excuse himself by

asserting that I chose the fish at his stall; but my answer to that—well,

come with me and you shall hear what is my answer.”

Fanny went with her and heard.

Discovering "Evelina": An Old-fashioned Romance A Companion Book to "The Jessamy Bride" · 第 16 / 35 章