When doña Bernarda found herself alone, and absolute mistress of her
home, she could not conceal her satisfaction.
Now they would see what a woman could do.
She counted on the advice and experience of don Andrés, who was closer
than ever to her now; and on the prestige of Rafael, the young lawyer,
who bade fair to sustain the reputation of the Brulls.
The power of the family continued unchanged. Don Andrés, who, at the
death of his master, had succeeded to the authority of a second father
in the Brull house, saw to the maintenance of relations with the
authorities at the provincial capital and with the still bigger fish in
Madrid. Petitions were heard in the _patio_ the same as ever. Loyal
party adherents were received as cordially as before and the same favors
were done, nor was there any decline of influence in places that don
Andrés referred to as "the spheres of public administration."
There came an election for Parliament, and as usual, doña Bernarda
secured the triumph of the individual whose nomination had been dictated
from Madrid. Don Ramón had left the party machine in perfect condition;
all it needed was enough "grease" to keep it running smoothly; and there
his widow was besides, ever alert at the slightest suggestion of a creak
in the gearing.
At provincial headquarters they spoke of the District with the usual
confidence:
"It's ours. Brull's son is as powerful as the old man himself."
The truth was that Rafael took little interest in "the Party." He looked
upon it as one of the family properties, the title to which no one could
dispute. He confined his personal activities to obeying his mother. "Go
to Riola with don Andrés. Our friends there will be happy to see you."
And he would go on the trip, to suffer the torment of an interminable
rally, a _paella_, during which his fellow partisans would bore him with
their uncouth merriment and ill-mannered flattery. "You really ought to
give your horse a couple of days' rest. Instead of going out for a ride,
spend your afternoon at the Club! Our fellows are complaining they never
get a sight of you." Whereupon Rafael would give up his rides--his sole
pleasure practically--and plunge into a thick smoke-laden atmosphere of
noise and shouting, where he would have to answer questions of the most
illustrious members of the party. They would sit around, filling their
coffee-saucers with cigar-ash, disputing as to which was the better
orator, Castelar or Canovas, and, in case of a war between France and
Germany, which of the two would win--idle subjects that always provoked
disagreements and led to quarrels.
The only time he entered into voluntary relations with "the Party" was
when he took his pen in hand and manufactured for the Brull weekly a
series of articles on "Law and Morality" and "Liberty and Faith,"--the
rehashings of a faithful, industrious plodder at school, prolix
commonplaces seasoned with what metaphysical terminology he remembered,
and which, from the very reason that nobody understood them, excited
the admiration of his fellow partisans. They would blink at the articles
and say to don Andrés:
"What a pen, eh? Just let anyone dare to argue with him.... Deep, that
noodle, I tell you!"
Nights, when his mother did not oblige him to visit the home of some
influential voter who must be kept content, he would spend reading, no
longer, however, as in Valencia, books lent him by the canon, but works
that he bought himself, following the recommendations of the press, and
that his mother respected with the veneration always inspired in her by
printed paper sewed and bound, an awe comparable only to the scorn she
felt for newspapers, dedicated, every one of them, as she averred, to
the purpose of insulting holy things and stirring up the brutal passions
of "the rabble."
These years of random reading, unrestrained by the scruples and the
fears of a student, gradually and quietly shattered many of Rafael's
firm beliefs. They broke the mould in which the friends of his mother
had cast his mind and made him dream of a broader life than the one
known to those about him. French novels transported him to a Paris that
far outshone the Madrid he had known for a moment in his graduate days.
Love stories awoke in his youthful imagination an ardor for adventure
and involved passions in which there was something of the intense love
of indulgence that had been his father's besetting sin. He came to dwell
more and more in the fictitious world of his readings, where there were
elegant, perfumed, clever women, practicing a certain art in the
refinement of their vices.
The uncouth, sunburned orchard-girls inspired him with revulsion as if
they had been women of another race, creatures of an inferior genus. The
young ladies of the city seemed to him peasants in disguise, with the
narrow, selfish, stingy instincts of their parents. They knew the exact
market price of oranges and just how much land was owned by each
aspirant to their hand; and they adjusted their love to the wealth of
the pretender, believing it the test of quality to appear implacable
toward everything not fashioned to the mould of their petty life of
prejudice and tradition.
For that reason he was deeply bored by his colorless, humdrum existence,
so far removed from that other purely imaginative life which rose from
the pages of his books and enveloped him with an exotic, exciting
perfume.
Some day he would be free, and take flight on his own wings; and that
day of liberation would come when he got to be deputy. He waited for his
coming of age much as an heir-apparent waits for the moment of his
coronation.
From early boyhood he had been taught to look forward to the great event
which would cut his life in two, opening out new pathways for a "forward
march" to fame and fortune.
"When my little boy gets to be deputy," his mother would say in her rare
moments of affectionate expansiveness, "the girls will fight for him
because he is so handsome! And he'll marry a millionairess!"
Meanwhile, in long years of impatient anticipation, his life went on,
with no special circumstance to break its dull monotony--the life of an
aspirant certain of his lot, "killing time" till the call should come
to enter on his heritage. He was like those noble youngsters of bygone
centuries who, graced in their cradles by the rank of colonel from the
monarch, played around with hoop and top till they were old enough to
join their regiments. He had been born a deputy, and a deputy he was
sure to be: for the moment, he was waiting for his cue in the wings of
the theatre of life.
His trip to Italy on a pilgrimage to see the Pope was the one event that
had disturbed the dreary course of his existence. But in that country of
marvels, with a pious canon for a guide, he visited churches rather than
museums. Of theatres he saw only two--larks permitted by his tutor,
whose austerity was somewhat mollified in those changing scenes.
Indifferently they passed the famous artistic works of the Italian
churches, but paused always to venerate some relic with miracles as
famous as absurd. Even so, Rafael managed to catch a confused and
passing glimpse of a world different from the one in which he was
predestined to pass his life. From a distance he sensed something of the
love of pleasure and romance he had drunk in like an intoxicating wine
from his reading. In Milan he admired a gilded, adventurous bohemia of
opera; in Rome, the splendor of a refined, artistic aristocracy in
perpetual rivalry with that of Paris and London; and in Florence, an
English nobility that had come in quest of sunlight and a chance to air
its straw hats, show off the fair hair of its ladies, and chatter its
own language in gardens where once upon a time the somber Dante dreamed
and Boccaccio told his merry tales to drive fear of plague away.
That journey, of impressions as rapid and as fleeting as a reel of
moving-pictures, leaving in Rafael's mind a maze of names, buildings,
paintings and cities, served to give greater breadth to his thinking, as
well as added stimulus to his imagination. Wider still became the gulf
that separated him from the people and ideas he met in his common
everyday life. He felt a longing for the extraordinary, for the
original, for the adventuresomeness of artistic youth; and political
master of a county, heir of a feudal dominion virtually, he nevertheless
would read the name of any writer or painter whatsoever with the
superstitious respect of a rustic churl. "A wretched, ruined lot who
haven't even a bed to die on," his mother viewed such people; but Rafael
nourished a secret envy for all who lived in that ideal world, which he
was certain must be filled with pleasures and exciting things he had
scarcely dared to dream of. What would he not give to be a bohemian like
the personages he met in the books of Murger, member of a merry band of
"intellectuals," leading a life of joy and proud devotion to higher
things in a bourgeois age that knew only thirst for money and prejudice
of class! Talent for saying pretty things, for writing winged verses
that soared like larks to heaven! A garret underneath the roof, off
there in Paris, in the Latin Quarter! A Mimí poor but spiritual, who
would love him, and--between one kiss and another--be able to
discuss--not the price of oranges, like the girls who followed him with
tender eyes at home--but serious "elevated" things! In exchange for all
that he would gladly have given his future deputyship and all the
orchards he had inherited, which, though encumbered by mortgages not to
mention moral debts left by the rascality of his father and
grandfather--still would bring him a tidy annuity for realizing his
bohemian dreams.
Such preoccupations made life as a party leader, tied down to the petty
interests of a constituency, quite unthinkable! At the risk of angering
his mother, he fled the Club, to court the solitude of the hills and
fields. There his imagination could range in greater freedom, peopling
the roads, the meadows, the orange groves with creatures of his fancy,
often conversing aloud with the heroines of some "grand passion,"
carried on along the lines laid down by the latest novel he had read.
One afternoon toward the close of summer Rafael climbed the little
mountain of San Salvador, which lies close to the city. From the
eminence he was fond of looking out over the vast domains of his family.
For all the inhabitants of that fertile plain were--as don Andrés said
whenever he wished to emphasize the party's greatness--like so many
cattle branded with the name of Brull.
As he went up the winding, stony trail, Rafael thought of the mountains
of Assisi, which he had visited with his friend the canon, a great
admirer of the Saint of Umbria. It was a landscape that suggested
asceticism. Crags of bluish or reddish rock lined the roadway on either
side, with pines and cypresses rising from the hollows, and extending
black, winding, snaky roots out over the fallow soil. At intervals,
white shrines with tiny roofs harbored mosaics of glazed tiles depicting
the Stations on the _Via Dolorosa_. The pointed green caps of the
cypresses, as they waved, seemed bent on frightening away the white
butterflies that were fluttering about over the rosemary and the
nettles. The parasol-pines projected patches of shade across the burning
road, where the sun-baked earth crackled and crumbled to dead dust under
every footstep.
Reaching the little square in front of the Hermitage, he rested from the
ascent, stretching out full length on the crescent of rubblework that
formed a bench near the sanctuary. There silence reigned, the silence of
high hill-tops. From below, the noises of the restless life and labor of
the plain came weakened, softened, by the wind, like the murmuring of
waves breaking on a distant shore. Among the prickly-pears that grew in
close thicket behind the bench, insects were buzzing about, shining in
the sun like buds of gold. Some hens, belonging to the Hermitage, were
pecking away in one corner of the square, clucking, and dusting their
feathers in the gravel.
Rafael surrendered to the charm of the exquisite scene. With reason had
it been called "Paradise" by its ancient owners, Moors from the magic
gardens of Bagdad, accustomed to the splendors of _The Thousand and One
Nights_, but who went into ecstacies nevertheless on beholding for the
first time the wondrous _ribera_ of Valencia!
Throughout the great valley, orange groves, extending like shimmering
waves of velvet; hedges and enclosures of lighter green, cutting the
crimson earth into geometric figures; clumps of palms spurting like jets
of verdure upward toward the sky, and falling off again in languorous
swoons; villas blue and rose-colored, nestling in flowering gardens;
white farmhouses half concealed behind green swirls of forest; spindling
smokestacks of irrigation engines, with yellow sooty tops; Alcira, its
houses clustered on the island and overflowing to the opposite bank, all
of whitish, bony hue, pock-marked with tiny windows; beyond, Carcagente,
the rival city, girdled in its belt of leafy orchards; off toward the
sea, sharp, angular mountains, with outlines that from afar suggested
the fantastic castles imagined by Doré; and inland, the towns of the
upper _ribera_ floating in an emerald lake of orchard, the distant
mountains taking on a violet hue from the setting sun that was creeping
like a bristly porcupine of gold into the hot vapors of the horizon.
Behind the Hermitage all the lower _ribera_ stretched, one expanse of
rice-fields drowned under an artificial flood; then, Sueca and Cullera,
their white houses perched on those fecund lagoons like towns in
landscapes of India; then, Albufera, with its lake, a sheet of silver
glistening in the sunlight; then, Valencia, like a cloud of smoke
drifting along the base of a mountain range of hazy blue; and, at last,
in the background, the halo, as it were, of this apotheosis of light and
color, the Mediterranean--the palpitant azure Gulf bounded by the cape
of San Antonio and the peaks of Sagunto and Almenara, that jutted up
against the sky-line like the black fins of giant whales.
As Rafael looked down upon the towers of the crumbling convent of La
Murta, almost hidden in its pine-groves, he thought of all the tragedy
of the Reconquest; and almost mourned the fate of those farmer-warriors
whose white cloaks he could imagine as still floating among the groves
of those magic trees of Asia's paradise. It was the influence of the
Moor in his Spanish ancestry. Christian, clerical even, though he was,
he had inherited a melancholy, dreamy turn of mind from the very Arabs
who had created all that Eden.
He pictured to himself the tiny kingdoms of those old _walis_; vassal
districts very like the one his family ruled. But instead of resting on
influence, bribery, intimidation, and the abuse of law, they lived by
the lances of horsemen as apt at tilling the soil as at capering in
tournaments with an elegance never equalled by any chevaliers of the
North. He could see the court of Valencia, with the romantic gardens of
Ruzafa, where poets sang mournful strophes over the wane of the
Valencian Moor, while beautiful maidens listened from behind the
blossoming rose-bushes. And then the catastrophe came. In a torrent of
steel, barbarians swept down from the arid hills of Aragon to appease
their hunger in the bounty of the plain--the _almogávares_--naked, wild,
bloodthirsty savages, who never washed. And as allies of this horde,
bankrupt Christian noblemen, their worn-out lands mortgaged to the
Israelite, but good cavalrymen, withal, armored, and with dragonwings on
their helmets; and among the Christians, adventurers of various tongues,
soldiers of fortune out for plunder and booty in the name of the Cross
--the "black sheep" of every Christian family. And they seized the great
garden of Valencia, installed themselves in the Moorish palaces, called
themselves counts and marquises, and with their swords held that
privileged country for the King of Aragon, while the conquered Saracens
continued to fertilize it with their toil.
"Valencia, Valencia, Valencia! Thy walls are ruins, thy gardens
grave-yards, thy sons slaves unto the Christian ..." groaned the poet,
covering his eyes with his cloak. And Rafael could see, passing like
phantoms before his eyes, leaning forward on the necks of small, sleek,
sinewy horses, that seemed to fly over the ground, their legs
horizontal, their nostrils belching smoke, the Moors, the real people of
Valencia, conquered, degenerated by the very abundance of their soil,
abandoning their gardens before the onrush of brutal, primitive
invaders, speeding on their way toward the unending night of African
barbarism. At this eternal exile of the first Valencians who left to
oblivion and decay a civilization, the last vestiges of which today
survive in the universities of Fez, Rafael felt the sorrow he would have
experienced had it all been a disaster to his family or his party.
While he was thinking of all these dead things, life in its feverish
agitation surrounded him. A cloud of sparrows was darting about the roof
of the Hermitage. On the mountain side a flock of dark-fleeced sheep was
grazing; and when any of them discovered a blade of grass among the
rocks, they would begin calling to one another with a melancholy
bleating.
Rafael could hear the voices of some women who seemed to be climbing the
road, and from his reclining position he finally made out two parasols
that were gradually rising to view over the edge of his bench. One was
of flaming red silk, skilfully embroidered and suggesting the filigreed
dome of a mosque; the second, of flowered calico, was apparently keeping
at a respectful distance behind the first.
Two women entered the little square, and as Rafael sat up and removed
his hat, the taller, who seemed to be the mistress, acknowledged his
courtesy with a slight bow, went on to the other end of the esplanade,
and stood, with her back turned toward him, looking at the view. The
other sat down some distance off, breathing laboriously from the
exertion of the climb.
Who were those women?... Rafael knew the whole city, and had never seen
them.
The one seated near him was doubtless the servant of the other--her maid
or her companion. She was dressed in black, simply but with a certain
charm, like the French soubrettes he had seen in illustrated novels. But
rustic origin and lack of cultivation were evident from the stains on
the backs of her unshapely hands; from her broad, flat, finger-nails;
and from her large ungainly feet, quite out of harmony with the pair of
stylish boots she was wearing--cast-off articles, doubtless, of the
lady. She was pretty, nevertheless, with a fresh exuberance of youth.
Her large, gray, credulous eyes were those of a stupid but playful lamb;
her hair, straight, and a very light blond, hung loosely here and there
over a freckled face, dark with sunburn. She handled her closed parasol
somewhat awkwardly and kept looking anxiously at the doubled gold chain
that drooped from her neck to her waist, as if to reassure herself that
a gift long-coveted had not been lost.
Rafael's interest drifted to the lady. His eyes rested on the back of a
head of tightly-gathered golden hair, as luminous as a burnished helmet;
on a white neck, plump, rounded; on a pair of broad, lithe shoulders,
hidden under a blue silk blouse, the lines tapering rapidly, gracefully
toward the waist; on a gray skirt, finally, falling in harmonious folds
like the draping of a statue, and under the hem the solid heels of two
shoes of English style encasing feet that must have been as agile and as
strong as they were tiny.
The lady called to her maid in a voice that was sonorous, vibrant,
velvety, though Rafael could catch only the accented syllables of her
words, that seemed to melt together in the melodious silence of the
mountain top. The young man was sure she had not spoken Spanish. A
foreigner, almost certainly!...
She was expressing admiration and enthusiasm for the view, talking
rapidly, pointing out the principal towns that could be seen, calling
them by their names,--the only words that Rafael could make out clearly.
Who was this woman whom he had never seen, who spoke a foreign language
and yet knew the _ribera_ well? Perhaps the wife of one of the French or
English orange-dealers established in the city! Meanwhile his eyes were
devouring that superb, that opulent, that elegant beauty which seemed to
be challenging him with its indifference to his presence.
The keeper of the Hermitage issued cautiously from the house--a peasant
who made his living from visitors to the heights. Attracted by the
promising appearance of the strange lady, the hermit came forward to
greet her, offering to fetch water from the cistern, and to unveil the
image of the miraculous virgin, in her honor.
The woman turned around to answer the man, and that gave Rafael an
opportunity to study her at his leisure. She was tall, ever so tall, as
tall as he perhaps. But the impression her height of stature made was
softened by a grace of figure that revealed strength allied to elegance.
A strong bust, sculpturesque, supporting a head that engaged the young
man's wrapt attention. A hot mist of emotion seemed to cloud his vision
as he looked into her large eyes, so green, so luminous! The golden hair
fell forward upon a forehead of pearly whiteness, veined at the temples
with delicate lines of blue. Viewed in profile her gracefully moulded
nose, quivering with vitality at the nostrils, filled out a beauty that
was distinctly modern, piquantly charming. In those lineaments, Rafael
thought he could recognize any number of famous actresses. He had seen
her before. Where?... He did not know. Perhaps in some illustrated
weekly! Perhaps in some album of stage celebrities! Or maybe on the
cover of some match-box--a common medium of publicity for famous
European belles. Of one thing he was certain: at sight of that wonderful
face he felt as though he were meeting an old friend after a long
absence.
The recluse, in hopes of a perquisite, led the two women toward the door
of the hermitage, where his wife and daughter had appeared, to feast
their eyes on the huge diamonds sparkling at the ears of the strange
lady.
"Enter, _siñorita_" the rustic invited. "I'll show you the Virgin, the
Virgin _del Lluch_, you understand, the only genuine one. She came here
alone all the way from Majorca. People down in Palma claim they have the
real Virgin. But what can they say for themselves? They are jealous
because our Lady chose Alcira; and here we have her, proving that she's
the real one by the miracles she works."
He opened the door of the tiny church, which was as cool and gloomy as a
cellar. At the rear, on a baroque altar of tarnished gold, stood the
little statue with its hollow cloak and its black face.
Rapidly, by rote almost, the good man recited the history of the image.
The Virgin _del Lluch_ was the patroness of Majorca. A hermit had been
compelled to flee from there, for a reason no one had been able to
discover--perhaps to get away from some Saracen girl of those exciting,
war-like days! And to rescue the Virgin from profanation he brought her
to Alcira, and built this sanctuary for her. Later people from Majorca
came to return her to their island. But the celestial lady had taken a
liking to Alcira and its inhabitants. Over the water, and without even
wetting her feet, she came gliding back. Then the Majorcans, to keep
what had happened quiet, counterfeited a new statue that looked just
like the first. All this was gospel truth, and as proof, there lay the
original hermit buried at the foot of the altar; and there was the
Virgin, too, her face blackened by the sun and the salt wind on her
miraculous voyage over the sea.
The beautiful lady smiled slightly, as she listened. The maid was all
ears, not to lose a word of a language she but half understood, her
credulous peasant eyes traveling from the Virgin to the hermit and from
the hermit to the Virgin, plainly expressing the wonder she was feeling
at such a portentous miracle. Rafael had followed the party into the
shrine and taken a position near the fascinating stranger. She, however,
pretended not to see him.
"That is only a legend," he ventured to remark, when the rustic had
finished his story. "You understand, of course, that nobody hereabouts
accepts such tales as true."
"I suppose so," the lady answered coldly.
"Legend or no legend, don Rafael," the recluse grumbled, somewhat
peeved, "that's what my grandfather and all the folk of his day used to
say; and that's what people still believe. If the story has been handed
down so long, there must be something to it."
The patch of sunlight that shone through the doorway upon the flagstones
was darkened by the shadow of a woman. It was a poorly clad orchard
worker, young, it seemed, but with a face pale, and as rough as wrinkled
paper, all the crevices and hollows of her cranium showing, her eyes
sunken and dull, her unkempt hair escaping from beneath her knotted
kerchief. She was barefoot, carrying her shoes in her hand. She stood
with her legs wide apart, as if in an effort to keep her balance. She
seemed to feel intense pain whenever she stepped upon the ground.
Illness and poverty were written on every feature of her person.
The recluse knew her well; and as the unfortunate creature, panting with
the effort of the climb, sank upon a little bench to rest her feet, he
told her story briefly to the visitors.
She was ill, very, very ill. With no faith in doctors, who, according to
her, "treated her with nothing but words"; she believed that the Virgin
_del Lluch_ would ultimately cure her. And, though at home she could
scarcely move from her chair and was always being scolded by her husband
for neglecting the housework, every week she would climb the steep
mountain-side, barefoot, her shoes in her hand.
The hermit approached the sick woman, accepting a copper coin she
offered. A few couplets to the Virgin, as usual, he supposed!
"Visanteta, a few _gochos_!" shouted the rustic, going to the door. And
his daughter came into the chapel--a dirty, dark-skinned creature with
African eyes, who might just have escaped from a gipsy band.
She took a seat upon a bench, turning her back upon the Virgin with the
bored ill-humored expression of a person compelled to do a dull task day
after day; and in a hoarse, harsh, almost frantic voice, which echoed
deafeningly in that small enclosure, she began a drawling chant that
rehearsed the story of the statue and the portentous miracles it had
wrought.
The sick woman, kneeling before the altar without releasing her hold
upon her shoes, the heels of her feet, which were bruised and bleeding
from the stones, showing from under her skirts, repeated a refrain at
the end of each stanza, imploring the protection of the Virgin. Her
voice had a weak and hollow sound, like the wail of a child. Her sunken
eyes, misty with tears, were fixed upon the Virgin with a dolorous
expression of supplication. Her words came more tremulous and more
distant at each couplet.
The beautiful stranger was plainly affected at the pitiful sight. Her
maid had knelt and was following the sing-song rhythm of the chant, with
prayers in a language that Rafael recognized at last. It was Italian.
"What a great thing faith is!" the lady murmured with a sigh.
"Yes, _señora_; a beautiful thing!"
Rafael tried to think of something "brilliant" on the grandeur of faith,
from Saint Thomas, or one of the other "sound" authors he had studied.
But he ransacked his memory in vain. Nothing! That charming woman had
filled his mind with thoughts far other than quotations from the
Fathers!
The couplets to the Virgin came to an end. With the last stanza the wild
singer disappeared; and the sick woman, after several abortive efforts,
rose painfully to her feet. The recluse approached her with the
solicitude of a shopkeeper concerned for the quality of his wares. Were
things going any better? Were the visits to the Virgin doing good?...
The unfortunate woman did not dare to answer, for fear of offending the
miraculous Lady. She did not know!... Yes ... she really must be a
little better ... But that climb!... This offering had not had such good
results as the previous ones, she thought; but she had faith: the Virgin
would be good to her and cure her in the end. At the church door she
collapsed from pain. The recluse placed her on his chair and ran to the
cistern to get a glass of water. The Italian maid, her eyes bulging with
fright, leaned over the poor woman, petting her:
"_Poverina! Poverina!... Coraggio_!" The invalid, rallying from her
swoon, opened her eyes and gazed vacantly at the stranger, not
understanding her words but guessing their kindly intention.
The lady stepped out to the _plazoleta_, deeply moved, it seemed, by
what she had been witnessing. Rafael followed, with affected
absent-mindedness, somewhat ashamed of his insistence, yet at the same
time looking for an opportunity to renew their conversation.
On finding herself once more in the presence of that wonderful panorama,
where the eye ran unobstructed to the very limit of the horizon, the
charming creature seemed to breathe more freely.
"Good God!" she exclaimed, as if speaking to herself. "How sad and yet
how wonderful! This view is ever so beautiful. But that woman!... That
poor woman!"
"She's been that way for years, to my personal knowledge," Rafael
remarked, pretending to have known the invalid for a long time, though
he had scarcely ever deigned to notice her before. "Our peasants are
queer people. They despise doctors, and refuse their help, preferring to
kill themselves with these barbarous prayers and devotions, which they
expect will do them good."
"But they may be right, after all!" the lady replied. "Disease is often
incurable, and science can do for it about as much as faith--sometimes,
even less.... But here we are laughing and enjoying ourselves while
suffering passes us by, rubs elbows with us even, without our
noticing!"...
Rafael was at a loss for reply. What sort of woman was this? What a way
she had of talking! Accustomed as he was to the commonplace chatter of
his mother's friends, and still under the influence of this meeting,
which had so deeply disturbed him, the poor boy imagined himself in the
presence of a sage in skirts--a philosopher under the disguise of
female beauty come from beyond the Pyrenees, from some gloomy German
alehouse perhaps, to upset his peace of mind.
The stranger was silent for a time, her gaze fixed upon the horizon.
Then around her attractive sensuous lips, through which two rows of
shining, dazzling teeth were gleaming, the suggestion of a smile began
to play, a smile of joy at the landscape.
"How beautiful this all is!" she exclaimed, without turning toward her
companion. "How I have longed to see it again!"
At last the opportunity had come to ask the question he had been so
eager to put: and she herself had offered the opportunity!
"Do you come from here?" he asked, in a tremulous voice, fearing lest
his inquisitiveness be scornfully repelled.
"Yes," the lady replied, curtly.
"Well, that's strange. I have never seen you...."
"There's nothing strange about that. I arrived only yesterday."
"Just as I said!... I know everyone in the city. My name is Rafael
Brull. I'm the son of don Ramón, who was mayor of Alcira many times."
At last he had let it out! The poor fellow had been dying to reveal his
name, tell who he was, pronounce that magic word so influential in the
District, certain it would be the "Open Sesame" to that wonderful
stranger's grace! After that, perhaps, she would tell him who she was!
But the lady commented on his declaration with an "Ah!" of cold
indifference. She did not show that his name was even known to her,
though she did sweep him with a rapid, scrutinizing, half-mocking glance
that seemed to betray a hidden thought:
"Not bad-looking, but what a dunce!"
Rafael blushed, feeling he had made a false step in volunteering his
name with the pompousness he would have used toward some bumpkin of the
region.
A painful silence followed. Rafael was anxious to get out of his plight.
That glacial indifference, that disdainful courtesy, which, without a
trace of rudeness, still kept him at a distance, hurt his vanity to the
quick. But since there was no stopping now, he ventured a second
question:
"And are you thinking of remaining in Alcira very long?..."
Rafael thought the ground was giving way beneath his feet. Another
glance from those green eyes! But, alas, this time it was cold and
menacing, a livid flash of lightning refracted from a mirror of ice.
"I don't know ..." she answered, with a deliberateness intended to
accentuate unmistakable scorn. "I usually leave places the moment they
begin to bore me." And looking Rafael squarely in the face she added,
with freezing formality, after a pause:
"Good afternoon, sir."
Rafael was crushed. He saw her turn toward the doorway of the sanctuary
and call her maid. Every step of hers, every movement of her proud
figure, seemed to raise a barrier in front of him. He saw her bend
affectionately over the sick orchard-woman, open a little pink bag that
her maid handed her, and, rummaging about among some sparkling trinkets
and embroidered handkerchiefs, draw out a hand filled with shining
silver coins. She emptied the money into the apron of the astonished
peasant girl, gave something as well to the recluse, who was no less
astounded, and then, opening her red parasol, walked off, followed by
her maid.
As she passed Rafael, she answered the doffing of his hat with a barely
perceptible inclination of her head; and, without looking at him,
started on her way down the stony mountain path.
The young man stood gazing after her through the pines and the cypresses
as her proud athletic figure grew smaller in the distance.
The perfume of her presence seemed to linger about him when she had
gone, obsessing him with the atmosphere of superiority and exotic
elegance that emanated from her whole being.
Rafael noticed finally that the recluse was approaching, unable to
restrain a desire to communicate his admiration to someone.
"What a woman!" the man cried, rolling his eyes to express his full
enthusiasm.
She had given him a _duro_, one of those white discs which, in that
atheistic age, so rarely ascended that mountain trail! And there the
poor invalid sat at the door of the Hermitage, staring into her apron
blankly, hypnotized by the glitter of all that wealth! _Duros, pesetas_,
two-_pesetas_, dimes! All the money the lady had brought! Even a gold
button, which must have come from her glove!
Rafael shared in the general astonishment. But who the devil was that
woman?
"How do I know!" the rustic answered. "But judging from the language of
the maid," he went on with great conviction: "I should say she was some
Frenchwoman ... some Frenchwoman ... with a pile of money!"
Rafael turned once more in the direction of the two parasols that were
slowly winding down the slope. They were barely visible now. The larger
of the two, a mere speck of red, was already blending into the green of
the first orchards on the plain ... At last it had disappeared
completely.
Left alone, Rafael burst into rage! The place where he had made such a
sorry exhibition of himself seemed odious to him now. He fumed with
vexation at the memory of that cold glance, which had checked any
advance toward familiarity, repelled him, crushed him! The thought of
his stupid questions filled him with hot shame.
Without replying to the "good-evening" from the recluse and his family,
he started down the mountain, in hopes of meeting the woman again,
somewhere, some time, he knew not when nor how. The heir of don Ramón,
the hope of the District, strode furiously on, his arms aquiver with a
nervous tremor. And aggressively, menacingly, addressing his own ego as
though it were a henchman cringing terror-stricken in front of him, he
muttered:
"You imbecile!... You lout!... You peasant! You provincial ass! You ...
rube!"