[Illustration: "THE MOTHER ... WAS KNEELING BESIDE A LITTLE CHILD" (_p.

361_).]

The old gentleman, who often came to chat with Ulick, and to try to

teach him various things, felt quite vexed, and he folded up his paper,

and shut up his camp-stool and went away.

When he had gone an old hen turned round and spoke to Ulick.

"You can hear us, for you have the right sort of ears, but the old man

cannot. It is quite true: the house has gone."

"Where?"

The rabbits were listening, with their long ears erect.

"That I cannot tell, but Nan is going after it."

"Nan! but she is so small."

"Is she?" exclaimed the hen. "You should see her now that she has eaten

the porridge: she is much taller than her mother, and her legs are so

long that she can skim over the ground like an ostrich."

"Then she will get the cat."

"Perhaps. One does not know," answered the hen.

"I hope she will," said a young rabbit.

"I hope she won't," said an old rabbit, "for then she will bring her

back here."

There was a groan amongst the rabbits and the poultry. And then the

Virginian creeper, that was twisting and turning and throwing its leaves

about all over the trellis, began to quiver and shake as if it were

trying to say something, and at last a very tiny voice came from one of

the shoots, and said--

"Should Nan the flying house o'ertake,

She will with it long journeys make,

And come back here no more."

The fowls and rabbits were glad to hear this, but Ulick said--

"Nan shall not overtake the house; Nan shall not have the dear little

cat."

IV.

"Nan will soon be tired," said Ulick; "besides, she does not know where

to go."

"Do you?"

Ulick started, for he could see no one. Still he was not surprised, for

since the rabbits and fowls and Virginian creeper had begun to talk

there was no reason why other things should not also. It must have been

some sensible creature; and he began to consider the point.

No, he did not know where the house had gone; he did not suppose that

even the top of the tallest chimney would be visible, or even the smoke

from it. The house might have gone along the straight road, or have

turned to the right or left, he could not tell. And Ulick sat down upon

a large moss-covered stone, and felt very despondent.

"What's the matter, little man?" asked his big brother Ben, who happened

to come up at the moment. And Ulick told him of his difficulty.

[Illustration: "SHE WAS SO HIGH UP" (_p. 361_).]

"Oh! if that is all," said big Ben, "I will start you on your journey,

for I know which way the house went. I saw it rumbling along the road,

and then it turned off to the right and kept a straight line over the

country; nothing stopped it, hedges, ditches, or anything else."

And he took Ulick's hand, and went out upon the road with him. Ulick

half turned and kissed his hand to his own home.

"What is that for?" asked Ben.

"For 'good-bye,' if I don't come back again. The house might take me

away altogether, you know."

Ben laughed.

"Well, then, boy, start off, for there in the distance over the

corn-fields you can just see the house. There, there--do you see

it--moving along?"

"No--yes--no--yes, yes I do. But what is that?"

V.

"What is that? why, a pole with a flag on the top," said Ben.

"No, no," said Ulick, "that----"

"Why, it's Nan flying along. What long legs she has! She goes so fast

that she seems as if she were in two places at once."

"There are two girls running," said Ulick, "and one seems to be

overtaking the other all the time."

"No, there is but one," answered Ben, "but she is here and there so

quickly that you seem to see her in two places at once--you understand

what I mean. And it looks exactly like two people."

"I don't know," said Ulick; "I am sure there are two Nans. What long

legs!"

"Yes, porridge has done that. You should have had some porridge. You'll

never overtake her."

But Ulick started off. Ben watched him out of sight, and then went home.

[Illustration: "HE HAD A PAPER IN HIS HAND" (_p. 361_).]

VI.

Now, all this time a cat was lying comfortably upon a chair in the house

that was running away.

The chair was covered with red velvet, and there was a bright fire in

the room, that sparkled and glowed and made all the furniture in it

shine.

The cat looked up and then she purred, saying--

"Till there is a place

Where gamekeepers are not,

My house shall not stay

In any spot."

And the house with the cat in it went on and on, until it came to a

far-off place where there were no houses and no gamekeepers, and no fear

of traps. Then it stopped with such a jerk that the front door flew

open, and a woolly dog, with a red morocco collar and very stiff legs,

came in, crying out--

"She is coming, she is coming,

She will like a cup of tea.

She must be quite hot with running,

She is coming after me."

"Who is _she_?" asked the cat.

Then said the dog--

"Little Nan, she ate the porridge,

And she grew quite tall,

But when she has reached your cottage

She will be quite small."

"Why?" asked the cat.

"Because the effect of the porridge only lasts whilst she is running."

"Oh!" responded the cat.

Upon which Nan herself came running in, and she was no larger than when

her mother was kneeling beside her in the garden.

"O my dear, dearest, darling, little pussy-cat! I have found you again,

and we will live together always, and you will let me play with you. I

am so glad to see you again."

The cat purred and rubbed her head against Nan, as much as to say "Yes."

And the woolly dog barked for joy.

[Illustration: "'THERE ARE TWO GIRLS RUNNING,' SAID ULICK" (_p. 363_).]

So Nan had won the race.

Nan looked out of the window and nodded to Ulick, who was panting in the

distance. She also held up the cat for him to see.

There was no longer any need for Ulick to run, for everything round him

was shouting--

"Nan has won the race!"

Yes, he knew that she had, and he wept bitterly and went home again.

Perhaps if he had also eaten the porridge he might have outstripped

Nan.

No one ever saw the house again, though once it returned to the spot

upon which it had stood near Ulick's home. It did not stay long there,

only just long enough for Nan's mother to pack up her clothes and join

her little girl, who was too small to live by herself.

Then the front door shut quite tightly, and the house fled away faster

than ever, and never stopped until it had reached a beautiful island

far, far away in the middle of the sea. There it paused, for no

gamekeepers, or traps, or cruel boys were to be found there. And in the

house on the beautiful island Nan and her mother, and the cat, and the

toy dog lived peacefully and happily for ever and ever.

JULIA GODDARD.

ETHEL'S PINK PLANT;

AND WHAT HAPPENED TO IT.

Ethel was always trying to write poetry, but it was so hard to find

rhymes. When the cat killed the big pink begonia, she did manage to find

a rhyme; and she thought the epitaph looked beautiful printed in violet

ink on a piece of paper--

"Here my poor begonia lies.

Drop a tear and wipe your eyes."

These were the only verses Ethel ever made. Perhaps we are beginning

near the end of the story. You may want to know what the big pink

begonia was, and how the cat killed it.

The beginning of this sad story was a red ribbon bow with a kitten

behind it: the bow was so big and the cat was so little, that the

ribbon looked much more important than the kitten that wore it. Ethel

called the kitten Kafoozalum: Tom talked of the bow with the cat behind

it; to which Ethel retorted: "The ribbon becomes her very much, Tom.

Boys have no taste."

Early in the summer--about the time that the kitten was a weak little

squeaker in a basket of straw with the cat of the house next door--Ethel

was given a plant as a present. There had never before been a begonia in

her mother's greenhouse; and Ethel knew very little about it, except

that any rough treatment would kill it. The begonia grew very fast. It

became a tall plant, with beautiful large reddish-veined leaves, and it

was covered with a cloud of pink blossoms.

One day Ethel ran out of the conservatory in a hurry and left the door

open; and Kafoozalum--the red bow with the kitten behind it--ran into

the conservatory in a hurry, as she had never had the chance before.

Tom, coming home from school, went, watering-pot in hand, to attend to

his geranium-slips; he found the door open, and the kitten nearly on its

head in frantic attempts to roll in the begonia pot.

A few weeks after, all the pink bloom was gone. The begonia, branch and

leaf, died away. There was nothing left but a dry brown stump.

"It is dead!" cried Ethel. "A knock or a rub kills the young shoots.

Mrs. Smith told me so. Kafoozalum rubbed and knocked it enough to kill

it all."

"Tears! tears for the begonia!" laughed Tom. "Why, Ethel, I thought

nothing but the death of Kafoozalum would reduce you to tears."

"Ah! Tom, but you don't know how fond I was of that plant. It was the

only one I ever had. I feel almost as if it was _really alive_ once, and

dead now! I shall make it a grave and bury it."

Tom seemed very much amused at this idea--because the begonia was buried

already in its own pot--and Ethel could not bear his making fun about

it. So she ran away to her mother's room, with tears in her eyes.

"Mother, how do you spell 'begonia'?"

"Why, dear? who are you writing to?"

"My poor begonia is quite dead," sobbed Ethel, with a gulp of grief. "I

want to write its epitaph."

"You mustn't cry about it now, Ethel dear. It could not feel. I shall

get you another next summer."

But the only consolation Ethel could get was the writing of the epitaph.

She worked at this for half an hour, and smeared herself very much with

violet ink.

"Here is laid my pink begonia," was her first attempt.

Tom came into the room to learn his lessons at the other side of the

table.

"Tom," she said, "please don't say your verbs out loud. I can't write

poetry when you do. Tell me a rhyme for begonia. 'Here is laid my pink

begonia.'"

"'Toss it over the wall, or let it alone-will-you?' That is the only

rhyme in the English language," said Tom.

"You are very unkind," said Ethel, leaning her cheek on an inky hand,

and rubbing her hair till it was a wild black mane. Then she tried what

would happen if she began in quite a different way. At last she read out

in sad tones:--

"Here my poor begonia lies,

Drop a tear and wipe your eyes."

To which Tom only answered in a jaunty tone, throwing his penknife out

of his pocket.

"Here's my knife to bury your roots,

Lock the greenhouse, and wipe your boots."

Ethel's mouth gave a little twitch; but she would not laugh when Tom

made fun of her poetry.

She went into the greenhouse, carrying a piece of black stuff and a pair

of scissors, the penknife, and her verses printed in violet.

Then she dug a hole in the earthen floor, under the greenhouse shelf, in

a warm corner near the pipes. Next she dug her begonia root out of the

pot, popped it into the hole, and covered it up, and left a bit of stick

standing upright, holding in a notch the wonderful epitaph.

Tom found her there, drying and smearing her face with an earthy corner

of her pinafore. Tom had Kafoozalum peeping out from under his

jacket-front; but Ethel sobbed afresh at the sight of the red bow with

the kitten behind it.

"Come and take care of my geraniums with me, Ethel," said Tom.

"Oh! boo-hoo-no-no! You are very unkind."

"Why, what have I done? _I_ didn't roll on my head in the begonia pot,

did I, pussy?"

"Oh! boo-hoo--go 'way!"

So Tom went away. But the next time Ethel went into the greenhouse with

a bright face, she could not help laughing at Tom's addition to her

verses. She read:--

"Here my poor begonia lies,

Drop a tear and wipe your eyes--

The door was open--if you had locked it,

The bow with the kitten couldn't have knocked it."

The winter passed; and Ethel's birthday came in the spring.

"Here is a silver pencil for you to write poetry with," said Tom,

mischievously. Poetry or not the silver pencil was worth having, and

Ethel felt that teasing Tom was fond of her. Ah! what could she do

without Tom, or without the teasing either? "Come into the greenhouse,"

he said; "there's a begonia for you."

"Is there? I thought I had all my presents."

She went racing to the greenhouse, and came back with a disappointed

face. "Why do you cheat me, Tom? This is not the first of April."

"Come and see." He led her into the greenhouse to the pink begonia's

grave.

They both stooped down to the corner of the earthen floor near the hot

pipes.

There was a dark red folded leaf growing above the earth.

"Oh, Tom! it is my own dear old plant."

"Yes--it is growing up again for another summer," he said. "I found it

a week ago; but I kept it for a birthday surprise."

"Tom," said Ethel, seizing his arm in her delight, "put my poetry in

your pocket, and let us go and ask mother if we should put it in a pot."

"What? put the poetry in a pot? Whatever for?"

"Oh! no, I didn't mean that at all--I mean----"

"Never mind--here go the verses, though they've served their turn."

So the pink plant went into a pot again, and grew more beautiful than

ever; and the only poetry Ethel ever made went into Tom's pocket.

STORIES TOLD IN WESTMINSTER ABBEY.

_By_ EDWIN HODDER ("OLD MERRY").

VI.--THE MONUMENTS.

As we walk round the building once more, I shall not attempt even to

name the greater number of the Monuments, but confine myself to telling

you something about the more remarkable ones. The earliest monuments

were really the tombs of persons buried here; many of the modern ones

simply commemorate illustrious men and women buried elsewhere.

We will first make the round of the chapels, and begin with that of St.

Benedict, where once an indulgence of two years and forty days could be

obtained by hearing mass at the altar. But the altar has gone, and in

its place rises the stately tomb of Frances Howard, Countess of

Hertford, whose effigy lies where once stood the candlesticks and sacred

host. Close by is the tomb of Archbishop Langham, who was buried here in

1376, with his head towards the altar, little dreaming that that altar

would ever be displaced to make room for the tomb of a heretic lady.

Through an ancient oaken screen we enter the adjacent Chapel of St.

Edmund. Here is the once beautiful tomb of William de Valence, Earl of

Pembroke, and half-brother to Henry III. Some of the monuments in this

chapel are of great interest as examples of ancient art, but there is

not much to say about their occupants. Frances Hokes, who died in 1622,

is represented in Greek costume, and Horace Walpole and others have

highly praised this statue. Close by lies Lady Knollys, who attended

Anna Boleyn on the scaffold. In the monument of Elizabeth Russell we

have the earliest of the sitting figures, which have been so strongly

condemned by many who maintain that a recumbent or bowed figure is the

only proper one for a tomb. Her marble finger points to a death's-head

at her feet, and hence arose the story that she died from a prick of a

needle, and some chose to add that it was a judgment upon her for

working on Sunday. But we must leave the men and women "of high degree"

who throng this chapel, and the tiny alabaster babies of Edward III. in

their little cradle, and pass on to the Chapel of St. Nicholas. This

chapel is rich in monuments of the Elizabethan era, and was once bright

with gold and colouring.

Of the royal tombs in the Chapel of Henry VII. I have already spoken,

but there are some others of great interest. One bay, or chapel, is

nearly filled by the monument of James I.'s favourite "Steenie"--George

Villiers, Duke of Buckingham, who was assassinated by Felton at

Portsmouth, in 1628. In another bay are two beautiful modern monuments,

harmonising well with their surroundings: the one of the Duke of

Montpensier, brother of Louis Philippe, the other of the late Dean

Stanley. The Duke of Richmond and his beautiful Duchess, "La Belle

Stuart," occupy a bay with their colossal canopied tomb. Of the other

tombs in the Chapel of Henry VII., we should specially mention that of

General Monk in the south aisle. He had a splendid funeral. For the

three weeks that he lay in state forty gentlemen of good family stood as

mutes with their backs against the wall, twenty each day alternately.

In the Chapel of St. Paul is the once gilded tomb of Lord Bourchier, the

standard-bearer of Henry V. at the battle of Agincourt. The altar has

given place to the tomb of Frances Sydney, the wife of Ratcliff, Earl of

Sussex, who figures in Scott's story of "Kenilworth." Near at hand is

the tomb of Sir Thomas Bromley, the Lord Chancellor, who presided at the

trial of Mary, Queen of Scots. But the chief feature of this chapel is

the colossal marble effigy of James Watt, the celebrated improver of the

steam-engine--a splendid monument, from the chisel of Sir F. Chantrey.

The adjoining chapel, dedicated to St. John the Baptist, contains the

tomb of one of Cromwell's officers, Colonel Edward Popham. Where the

altar once stood stands the loftiest monument in the Abbey--the tomb of

Queen Elizabeth's Chamberlain, Lord Hundsdon. The old statesman had

waited long for an earldom, which the queen had granted and revoked

three times over. She came at last to see him, and lay the patent and

the robes of a peer on his bed. "Madam," said the old man, "seeing you

counted me not worthy of this honour whilst I was living, I count myself

unworthy of it now that I am dying."

Visitors are not admitted into the beautifully sculptured, but dark,

little chapel of Abbot Islip. Just beyond it we enter what is now called

the eastern aisle of the south transept, formerly the separate chapels.

Here we find the celebrated tomb of Sir Francis Vere. Above the

warrior's effigy, supported by four kneeling knights, is a plain canopy,

upon which lies his helm and breastplate. Looking round, we see many

interesting memorials: Admiral Kempenfelt, who went down in the _Royal

George_; Sir John Franklin, who perished among Polar icebergs: Telford,

the engineer; Sir Humphry Davy, the philosopher: all these and many

others are commemorated in this aisle.

Emerging now into the north transept, we find ourselves amongst what has

been termed "the dead Parliament of Britain." Famous statesmen look down

upon us from their marble pedestals, and beneath the central pavement

are the graves of Chatham, Pitt, Fox, Castlereagh, Canning, Wilberforce,

Grattan, and Palmerston. The magnificent monument to the great Earl of

Chatham cost 6,000 pounds. Close beside it stands the huge pile of

sculpture by Nollekens, in memory of the three captains who fell in

Rodney's famous victory over the French in April, 1782. Nearly opposite

to Chatham's monument is Chantrey's fine statue of Canning. On each side

the transept, and in the contiguous western aisle, the eye rests upon

sculptured marble bearing honoured names--Warren Hastings, Richard

Cobden, Palmerston, Beaconsfield, and others whose lives are part of our

country's history. As we stand here we may well remember the words of

Macaulay: "In no other cemetery do so many great citizens lie within so

narrow a space. High over these venerable graves towers the stately

monument of Chatham, and from above, his effigy, graven by a cunning

hand, seems still, with eagle face and outstretched arm, to bid England

to be of good cheer, and to hurl defiance at her foes."

From the north transept we pass to the nave along the north aisle of the

choir. Here we enter what has been termed a "Musicians' Corner;" amongst

a few other organists and composers lies Henry Purcell, whose epitaph

(written by Dryden) declares that he has gone to "that blessed place

where only his harmonies can be excelled." The sitting figure of the

great philanthropist, William Wilberforce, a little farther on, is not

generally admired.

Passing through the gate into the nave, we see against the choir screen

on our left the monument of Sir Isaac Newton, with a tedious list of his

discoveries. Proceeding along the north aisle we see to the left the new

pulpit for the Sunday evening services, and near it is a brass of

life-size on a slab covering the grave of the eminent engineer, Robert

Stephenson. Another slab close by shows the Victoria Tower and a

ground-plan of the Houses of Parliament. This is the grave of the great

architect, Sir Charles Barry. The famous African explorer, David

Livingstone, lies in the centre of the nave. Turning again to the north

wall we see about the centre of the numerous monuments one to the Right

Hon. Spencer Perceval, First Lord of the Treasury, who was shot in the

House of Commons by Bellingham, in the afternoon of May 11th, 1812. In

this aisle I was going to say lies, but more correctly stands the body

of Ben Jonson, who is buried in an upright position.

At the end of the aisle are the monuments of a few famous statesmen.

Among them are Mackintosh the historian, Tierney the orator, Lord

Holland, Zachary Macaulay, friend of Wilberforce, and father of the

great historian; and Charles James Fox. The great rivals, Fox and Pitt,

as we have seen, are buried near each other in the transept. Their

monuments are also near together--that of Pitt, by Westmacott,

represents the great orator trampling on the French Revolution, in the

attitude well known to the House of Commons at that day.

Passing some immense military memorials of little interest nowadays, and

the busts of Canon Kingsley and the poet Wordsworth, we now turn along

the southern wall of the nave. Here is the monument of the dramatic poet

Congreve, and that of Admiral Tyrrell, who was buried at sea in 1766,

always attracts the notice of visitors. Many allegorical emblems

surround the representation of the Admiral's resurrection from the

depths of the sea. The clouds above are so like pancakes as to have

given the tomb its familiar name of "The Pancake Monument." Farther east

we reach the monument of the unfortunate Major Andre, executed as a spy

by General Washington in the War of Independence. The monument has been

frequently injured and repaired, as the heads of Washington or Andre

have been again and again broken off by persons having strong sympathies

for one side or the other.

In the south aisle of the choir we pass on the left the curious monument

of Thomas Thynne, representing in relief the murder of that gentleman in

Pall Mall. In this aisle also is the monument of the well-known Dr.

Watts. It was erected here a century after his death; and still more

recently two other great Dissenters were commemorated close by--John and

Charles Wesley--the former the founder of the religious society that

bears his name, and the latter justly called "the sweet singer of

Methodism."

Passing the remarkable monument which shows us Admiral Shovel dressed as

a dandy of the period, and reclining on cushions under a canopy, we

enter the south transept, or Poets' Corner. Geoffrey Chaucer was the

pioneer of the children of genius in this hallowed spot. He was buried

here in 1400. Nearly two hundred years passed on, then Spenser was laid

near by. As we gaze round us we behold such a crowd of honoured names

that it is difficult to select any for special mention. Just at our feet

is the black marble slab that covers the grave of Charles Dickens. Close

by lie the historians Grote and Lord Macaulay. Other gravestones cover

the mortal remains of the wit Sheridan, the learned Dr. Johnson, Old

Parr (who lived under ten kings and queens, from Edward IV. to Charles

I.), &c. The monument of Cowley recalls his grand funeral, which was

attended by about a hundred coaches full of nobility and eminent

personages. Close by is a noble bust with the simple inscription--"J.

Dryden." The monuments to Milton and Shakespeare were erected here by

admirers long after their death, and are quite unworthy of their fame.

Gray, Thomson, Goldsmith, and many other poets who were not buried here,

are commemorated on the walls and columns. The beautiful bust of the

poet Longfellow is one of the most recent additions to the interesting

features of Poets' Corner. A tablet to Granville Sharp reminds us how

that good man exerted himself on behalf of the slave Somerset, and

procured from twelve English judges the famous decision "that as soon as

any slave sets his foot on English ground he is free." The allegorical

pile in memory of the "Great Duke of Argyll" strikes the eye of every

visitor. The monument to Dr. Busby, the famous Westminster schoolmaster,

is a fine piece of sculpture. Addison represents Sir Roger de Coverley

as standing before it and saying, "Dr. Busby! a great man; he whipped my

grandfather; a very great man! I should have gone to him myself, if I

had not been a blockhead--a very great man." If we turn round we see the

statue of Addison himself, by Westmacott, in the farther corner of the

transept. He was very fond of meditating in the old Abbey, and in the

_Spectator_ are many beautiful thoughts suggested by his visits to the

place. I will conclude our survey of the tombs with a few of his

words:--"When I look upon the tombs of the great, every emotion of envy

dies within me; when I read the epitaph of the beautiful every

inordinate desire goes out; when I meet with the grief of parents upon a

tombstone, my heart melts with compassion; when I see the tomb of the

parents themselves I consider the vanity of grieving for those whom we

must quickly follow. When I see kings lying by those who have deposed

them, when I consider rival wits placed side by side, or the holy men

who divided the world by their contests and disputes, I reflect with

sorrow and astonishment on the little competitions, factions, and

debates of mankind. When I read the several dates of the tombs, of some

that died yesterday and some that died six hundred years ago, I consider

that day when we shall all make our appearance together."

THE BIRDS' PETITION.

We four little birdies, scarce able to fly,

Are starv'd with the cold of the frosty sky;

Through the trees and the hedgerows the white snow is driven,

And lies around everywhere under the heaven;

It hangs on the woods, it covers the wold,

It spreads over city, and hamlet, and hold.

Happy ye little folk! sheltered at home

From the blasts that over the white world roam;

You are merry and gay 'mid your plentiful stores,

Oh, think of us ready to die out of doors!

The ground yields no worm, few berries the trees,

Oh, throw us some crumbs, little folk, if you please!

So, when the summer-time comes with the flowers

Decking the meadows, the wild wood, and bowers,

Every garden and grove shall resound with our song:

Oh, hear now our cry, for the winter is long!

The berries are scarce, so deep lies the snow,

But there's comfort in crumbs for birdies, you know!

[Illustration: BEGGING FOR CRUMBS. _See p. 368._]

[Illustration: THE EDITOR'S POCKET-BOOK.

JOTTINGS AND PENCILLINGS, HERE, THERE, AND EVERYWHERE]

About the Mistletoe.

The mistletoe is a shrub which grows or lives upon certain trees, such

as the apple, pear, and hawthorn. It is found also on limes, poplars,

firs, and sycamores, and, more rarely, on oaks--contrary to the popular

belief. The white berries are full of a thick clammy juice by which the

seeds are fastened to the branches where they take root. The mistletoe

has been the object of a very special regard for centuries, and traces

of this high esteem still survive in the well-known Christmas custom.

One variety of this practice has it that each time a kiss is snatched

under the mistletoe, a berry is plucked from the bush, and that when the

berries have all been removed the privilege ceases. The Druids thought

that the mistletoe which grew upon the oak possessed magical virtues,

and they valued it accordingly. One of their priests in a white robe cut

off the precious bush with a golden knife.

Badges of the Apostles.

The painters of the Middle Ages used to represent the Apostles with

special badges which were generally symbolical of some incident in their

lives. Andrew was depicted with a _cross_, because he was crucified;

Bartholomew with a _knife_, because he was flayed; James the Greater

with a _pilgrim's staff_ and _gourd bottle_, because he was the patron

saint of pilgrims; James the Less with a _fuller's pole_, because he was

slain by Simeon the fuller with a blow on the head with his pole; John

with _a cup and a winged serpent flying out of it_, in allusion to the

tradition that the apostle was challenged by a priest of Diana to drink

a cup of poison. John made the sign of the cross on the cup, whereupon

Satan, like a dragon, flew from it, and the apostle drank the cup with

safety. Judas was represented with a _bag_, because he bare the bag and

"what was put therein;" Jude with a _club_, because he was killed by

that weapon; Matthew with a _hatchet_, because he was slain by one;

Matthias with a _battle-axe_, because after having been stoned he was

beheaded; Paul with a _sword_, because his head was cut off with one;

Peter with a _bunch of keys_ and also with a _cock_, in reference to the

familiar episodes; Philip with a _long staff surmounted by a cross_,

because he died by being hung by the neck to a tall pillar; Simon with a

_saw_, because he was sawn to death; Thomas with a _lance_, because his

body was pierced with a lance.

The Yule Log.

Who has not heard of the huge log (or clog) of wood that is laid in the

fireplace on Christmas Eve amid great pomp and ceremony? It is lighted

with the brand of last year's log which is always carefully preserved

for the purpose. During the burning of the log there is much

merry-making and songs and dances and telling of stories. It was the

subject of several superstitions. If it did not burn all night that was

looked upon as a misfortune, and if a barefooted or squinting person

came to the house while it was burning that also was a bad omen. The

name Yule carries us back to the far-off ages when the heathen nations

of the North held their annual winter festival in honour of the sun.

The Senses of Bees.

Experiments conducted by Sir John Lubbock seem to show that bees have a

preference for blue flowers. Besides this curious display of a colour

sense, there is some reason to believe that these "busy" insects may

possibly possess in a very rude state the power of hearing. Some bees

were trained to come for honey placed on a musical box, on the lawn

close to a window of the house. The box was made to play several hours

daily for a fortnight; it was then brought indoors out of sight, but

close to the open window, about seven yards from its former position.

The bees did not, however, find the honey, though when it was once shown

to them they came promptly enough.

Abolition of Christmas Day.

On December the 24th, 1652, there appeared in a small gazette called the

_Flying Eagle_ one of the most curious statements ever published in

connection with Christmas Day. It told how the House of Commons had that

day been considering the business of the Navy, and how, before it

separated, it had been presented with a "terrible remonstrance" against

Christmas Day. "In consequence of this," the _Flying Eagle_ went on to

say, "Parliament spent some time in consultation about the abolition of

Christmas Day, passed orders to that effect, and resolved to sit on the

following day, which was commonly called Christmas Day."

The Dancing Bird.

The forests of Nicaragua are the home of a dancing bird, variously

called "Toledo" from its whistling note, and "Bailador," or "Dancer,"

from its curious jumping action. A naturalist has described their

remarkable performances. Upon a bare twig about four feet from the

ground, two male Bailadors were seen engaged in a song and dance. They

were about eighteen inches apart, and alternately jumped two feet into

the air, alighting always in the same spot. As soon as one bird alighted

the other bird jumped up, their time being like clockwork in its

regularity, and each "accompanying himself to the tune of

'_to-le-do_'--'_to-le-do_'--'_to-le-do_,' sounding the syllable '_to_'

as he crouched to spring, '_le_' while in the air, and '_do_' as he

alighted." The performance was kept up for more than a minute, when the

birds found they were being watched, and made off.

Americanisms.

A few words current in the United States are being gradually adopted in

England. The number of new words coined in America is said to be very

small indeed, as compared with the number of fresh meanings which

certain words have been made to bear. Of the former "caucus"--a

political committee--and "Yankee" are examples. Of the latter "smart"

used for "clever," and "clever" for "amiable," are specimens. But even

among the different States of the Union, verbal peculiarities are found.

When the new Englander "guesses," the Western "calculates," and the

Southern "reckons," but these various terms are all meant in the one

sense--namely of thinking or supposing. In the New England States,

"ugly" is employed for "ill-natured," and "friends" for "relations."

Some of the words in vogue in the Middle States are survivals of the

original Dutch colonists--as "boss," an employer or manager, and

"loafer," a vagabond. As to the Western States, it has been amusingly

observed that "every prominent person has his own private vocabulary."

Like the Emperor Sigismund the Great, who was "above grammar," the

Western States folk are superior to dictionaries.

Peacock Pie.

On the tables of the squires and nobles was sometimes seen at Christmas

and other festive seasons a peacock pie, but so costly was the dish that

it was only the very wealthy who could face such extravagance. At one

end of the pie the peacock's head, in all its plumage and with beak

richly gilt, appeared above the crust, while at the other end the tail

with feathers outspread made a brave show. The dish, however, was

regarded more in the light of a superb ornament to the table, for it was

not very good eating.

The "Ironsides."

This epithet applied to the famous soldiers of Cromwell was at first

used as a nickname of Cromwell himself. Mr. Picton, in his well-known

life of the Lord Protector, quotes a letter from a Northampton

gentleman, written just before the battle of Naseby. The writer speaks

of King Charles's army as being much impressed with the news "that

_Ironsides was coming_ to join with the Parliament's army." And when

"Ironsides" reached them the cavalry "gave a great shout for joy of his

coming to them."

Migration of Storks.

The storks pass the winter in the warmer climes of Africa. When the time

for migration has arrived, they leave in great flocks, flying at a

considerable height. Their wings are large, and have a great sweep, and

consequently, their flight is powerful. The company of pilgrims, when at

rest, afford much amusement to onlookers, and as they have the habit of

constantly clacking their bills together, it will be easily believed

that the uproar thus caused is a terrible nuisance. Colonel Irby likens

the noise to a rattle, and if you will try to imagine the effect of

hundreds of rattles, you may, perhaps, be able to form some notion of

the disturbance that these storks create at the time when they are

enjoying periods of well-earned repose.

The "Little Folks" Humane Society.

_THIRTY-FOURTH LIST OF OFFICERS AND MEMBERS_

_Officers' Names are printed in Small Capital Letters, and the Names of

their Members are printed beneath. Where a short line, thus "----," is

printed, the end of an Officer's List is indicated._

AGE

48966 Emily L. Neul 16

48967 Martha Hatch 15

48968 Emily Jenn 17

48969 Elzbth. Sardeson 18

48970 Mary Sardeson 16

48971 Edith A. Capes 12

48972 Agnes Pike 19

48973 Emma Warman 13

48974 C. H. Sardeson 11

48975 J. E. Sardeson 13

48976 Kate Probyn 11

48977 Emily Probyn 15

48978 Blanche Probyn 13

48979 F. M. Garrett 12

48980 A. G. Probyn 17

48981 Frank Sorrell 20

48982 Beatrice Sorrell 17

48983 Emmie Mansell 7

48984 Albert Mansell 9

48985 WINNIFRED M.

HODGSON, Sandgate 9

48986 Kate Batchelor 13

48987 Fredk. Wraight 20

48988 Charles Wraight 18

48989 Percy Gordon 9

48990 Kate Gordon 15

48991 Maud Gordon 12

48992 Ella Gordon 10

48993 Violet Gordon 5

48994 Elizbth. Walkely 6

48995 Fredk. Walkely 9

48996 E. E. Walkely 11

48997 M. A. Walkely 7

48998 Nellie Pascoe 5

48999 T. E. Ellen 19

49000 Clara Turner 15

49001 Gussie Hills 8

49002 Charley Hills 8

49003 Albert Hills 10

49004 B. Langford 17

49005 Thos. Langford 14

49006 A. Langford 12

49007 James Hannon 10

49008 Mary Hannon 7

49009 Michael Hannon 5

49010 Esther Hannon 9

49011 Charles Sutton 10

49012 Fanny Sutton 14

49013 Mary Sutton 15

49014 Charles Pope 9

49015 George Pope 11

49016 Emma Richmond 10

49017 Jane Webb 17

49018 Eva Burville 11

49019 M. J. Doughty 15

49020 Richard White 11

49021 Sarah Garby 6

49022 Edith Allebone 8

49023 Annie Allebone 10

49024 Anne Haynes 17

49025 Anne Harnden 19

49026 Nellie Sage 13

49027 B. Fitheridge 7

49028 Annie Phillips 18

49029 Rose Hull 10

49030 Emily Rogers 9

49031 George Keeler 12

49032 M. Cunningham 19

49033 Rosetta Standing 10

49034 Lorie Terry 10

49035 E. Anderson 20

----

49036 Ailie M. Tobin 6

49037 LILY M. LITTLEWOOD,

Stoke Newington 15

49038 M. E. Townsend 12

49039 W. S. Townsend 7

49040 A. J. Townsend 14

49041 Jennie Wright 17

49042 A. L. Westbeech 18

49043 B. K. Wright 16

49044 M. G. Wright 15

49045 Ethel M. Wright 13

49046 A. E. Wright 11

49047 Henry J. Stanley 15

49048 Annie S. Biss 16

49049 Robert Blakeney 10

49050 E. Blakeney 13

49051 Flory W. Bailey 8

49052 Norah M. Boyce 10

49053 Annie Boyce 8

49054 Mary Davies 10

49055 Harriet Herbert 18

49056 J. W. Hayden 15

49057 Rupert Hailey 11

49058 George D. Hare 17

49059 Wm. A. Hare 19

49060 B. C. Hare 15

49061 Ada C. Hall 9

49062 Emily G. Kent 14

49063 Fredk. Kent 7

49064 Arthur G. Kent 8

49065 P. W. Kent 12

49066 Edwd. S. Kent 10

49067 Susan King 18

49068 Jas. I. Langley 8

49069 A. B. Littlewood 18

49070 Rosa Maxwell 17

49071 Annie E. Miles 7

49072 P. G. Murray 13

49073 H. V. Oldham 12

49074 Fredk Palmer 8

49075 Willie Palmer 7

49076 A. G. Palmer 12

49077 Wm. Reason 17

49078 Emily Reason 19

49079 Charles Riett 19

49080 B. Scatchord 17

49081 Harold Swinhoe 11

49082 Charles Swinhoe 14

49083 Ethel Swinhoe 8

49084 D. M. Stanley 12

49085 Mabel C. Smith 19

49086 Alice C. Smith 13

49087 Blanche C. Smith 9

----

49088 L. E. Lithgow 14

49089 A. M. Gibbons 16

49090 M. L. Gwyer 6

49091 F. M. Hooper 13

49092 E. G. Bamber 10

49093 F. B. Walton 14

49094 Adelaide Walton 11

49095 Henry Blake 12

49096 EMILY M. NEWCOMEN,

Warwick 15

49097 Percy Goodacre 12

49098 Arthur Goodacre 9

49099 H. Goodacre 11

49100 Frank Hirons 14

49101 Rowland Boyes 8

49102 T. Barnett 13

49103 Alice Timns 20

49104 Herbert Rolls 20

49105 Ethel Evans 6

49106 Wm. Boyes 13

49107 E. Richardson 17

49108 Nellie M. Fardon 16

49109 Amy Wackrill 14

49110 Ethel Lightoller 11

49111 Annie Widdows 12

49112 G. J. Wackrill 17

49113 S. E. Trehearn 20

49114 Jane Boyes 11

49115 E. E. Humphries 8

49116 William Kennett 5

49117 Thos. Clements. 6

49118 Elzbth. C. Heath 15

49119 A. J. N. Kennett 7

49120 Lilly Long 13

49121 Alice Griffin 14

49122 Florce. Fardon 13

49123 G. Allibone 15

49124 Emma Hanes 12

49125 Annie Lees 18

49126 A. E. Wilkins 18

49127 Lizzie Randall 15

49128 A. M. Pankhurst 14

49129 E. Bradshaw 18

49130 Annie Bailey 21

49131 Sarah Noon 20

49132 Margaret Jacobs 11

49133 R. Garnham 9

49134 Annie Evans 9

49135 F. Bradshaw 9

49136 M. A. Bradon 11

49137 Elsie Dutton 14

49138 Harriette Dutton 11

49139 Florence Beech 12

49140 Lizzie Beech 8

49141 Maud Beech 10

49142 Frank Beech 11

49143 Esther Lidgett 18

49144 Emily Greenfield 9

49145 Janet Granfield 10

49146 Geo. Bastock 14

49147 W. Marshall 21

49148 W. Jones 20

49149 ALICE B. R. PAVEY,

Charmouth 11

49150 Jane Berry 8

49151 E. H. Berry 11

49152 Harold Hunter 12

49153 Ada Hunter 8

49154 Willie Hazard 8

49155 Harry Hazard 9

49156 Alice Hodder 10

49157 D. Nicholls 19

49158 S. T. B. Rudd 8

49159 Lucy G. Dunn 8

49160 Mary Cozens 10

49161 Annie Lockyer 11

49162 Martha A. Jay 11

49163 Alice L. Jay 9

49164 John W. Jay 7

49165 Fredk. B. Jay 5

49166 Harry Pryer 13

49167 Annie Pryer 12

49168 Emma Pryer 10

49169 Ellen Pryer 9

49170 K. Norris 10

49171 Frances M. Norris 8

49172 A. B. Kerbey 9

49173 F. E. Kerbey 12

49174 G. M. Pavey 9

49175 Mabel S. Jacob 16

49176 A. M. Wynne 13

49177 Mary F. H. Rye 13

49178 L. A. A. Hatchard 14

49179 A. M. Simpson 15

49180 Jennie C. White 13

49181 F. G. Parker 13

49182 F. M. Loughain 10

49183 A. M. Lambert 14

49184 A. M. Furlonge 12

49185 Lizzie Cornick 15

49186 Ida Beatty 17

49187 Constance S. Bell 14

49188 Mary A. Reed 16

49189 Ferry L. Davis 13

49190 F. T. Davis 16

49191 Edith M. Millard 10

49192 C. B. Millard 11

49193 F. Mainwaring 11

49194 E. M. Mainwaring 7

49195 J. M. Venour 8

49196 Ethel A. Lang 11

49197 Evelyn Venour 10

49198 A. M. B. Smith 14

49199 F. C. B. Smith 17

49200 N. B. Smith 15

49201 I. M. Andrews 8

49202 Florce. Berry 6

49203 E. J. C. Andrews 11

----

49204 Eva M. Clarke 14

49205 L. M. Breton 13

49206 Ada M. Breton 16

49207 K. A. Patchell 11

49208 Grace Pittock 10

49209 Rose Pittock 9

49210 F. G. Pittock 11

49211 John Gidley 17

49212 Elizbth. C. Gidley 13

49213 M. F. Gidley 12

49214 CHARLES FELTON,

Hunmanby 11

49215 George Coultas 8

49216 Arthur Coultas 10

49217 Fredk. Dosdill 9

49218 George Duke 9

49219 Margt. Thorpe 7

49220 A. E. Thorpe 10

49221 Jane Ratcliffe 18

49222 Gertrude Riddell 14

49223 Florence Boultby 10

49224 Wm. Wightman 17

49225 Nelly Parsons 7

49226 Samuel Swann 17

49227 Ada Ratcliffe 8

49228 Mary Swann 20

49229 John Swann 15

49230 Florce. Bullock 6

49231 Julia Boultby 6

49232 Joshua Swann 9

49233 Teresa Thorpe 12

49234 Anne Cooper 8

49235 Florence Murdy 13

49236 Pollie Murdy 20

49237 George Corner 13

49238 Sarah Corner 16

49239 Harry Wesson 8

49240 Francis Fisk 20

49241 Emma Brown 7

49242 Louisa Swann 6

49243 Clara Richardson 7

49244 Annie Grundy 8

49245 Kate Jenkinson 20

49246 Freddy Crisp 7

49247 May Flower 6

49248 Lina Leibrandt 8

49249 Lena Leibrandt 10

49250 Lizzie Denman 9

49251 John Herbert 10

49252 Walter J. Smith 16

49253 Henry Felton 8

49254 Florence Mather 7

49255 William Thorpe 11

49256 Gerty Adamson 6

49257 William Felton 17

49758 John Joynes 8

49259 L. Newton 11

49260 Herbt. Marchant 19

49261 F. Abbott 16

49262 Ernest Christian 17

49263 Samuel Smith 12

----

49264 Fredk. Martin 11

49265 Willie Dickins 10

49266 Mollie Dickins 8

49267 EMILY J. RUTTER,

Chiswick 14

49268 Lizzie Ravenhill 15

49269 Freda Sumpter 12

49270 Therza Sumpter 17

49271 Janet Armstrong 16

49272 Ada Cleave 15

49273 Annie Cleave 14

49274 Emma Armstrong 18

49275 A. Churchman 14

49276 F. Pilkington 16

49277 Eva Line 17

49278 Thomas Downs 10

49279 Ella Harrolt 14

49280 Louise Line 13

49281 Ada L. Davey 13

49282 Kate Green 11

49283 Lizzie Green 19

49284 Sarah Smith 17

49285 Ada Downs 15

49286 Lily Warner 11

49287 Mabel Mills 6

49288 Mabel Seaton 11

49289 Mary A. Greatree 20

49290 Augusta Meyer 11

49291 Albert E. Meyer 17

49292 Josephine Meyer 20

49293 Mary Randall 16

49294 Minnie Purser 15

49295 E. C. Richardson 13

49296 Clara E. White 13

49297 Olive E. Baxter 13

49298 Harry E. Rutter 8

49299 B. C. M. Praeger 11

49300 Maria Elliott 13

49301 Edith Elliott 2

49302 Ada Miles 14

49303 J. Gillingham 14

49304 Kate Foster 13

49305 Annie Knight 10

49306 Alice Lord 15

49307 Isabella Gabrielle 15

49308 Jessie Foster 10

49309 E. P. Richards 15

49310 F. E. Baker 14

49311 Annie E. Jolly 15

49312 Fredk. Meyer 17

49313 Percy Tilly 16

49314 Alice Mills 11

49315 Bertrum Mills 9

49316 C. Lambert 13

49317 A. Mudd 10

49318 E. Mills 8

----

49319 Ida Bowker 10

49320 Edward Eldrid 13

49321 H. Bobbins 14

49322 Gabriel Banderet 13

49323 Anna Vivenot 11

49324 Betsy Borton 16

49325 Mary B. Harpin 11

49326 John H. Harpin 9

49327 Emma Wilkinson 15

49328 BERTHA CUNLIFFE,

Manchester 13

49329 Bernard Evans 8

49330 Sarah Stott 12

49331 Mary Brisbane 19

49332 Samuel Brisbane 13

49333 J. Wm. Brisbane 15

49334 Maggie Stott 14

49335 Alice Howell 14

49336 Minnie Atkinson 11

49337 Lizzie Abbott 12

49338 Maggie Brisbane 10

49339 F. M. Webster 13

49340 Minnie Harrison 13

49341 J. Brooksbank 8

49342 Mary Rangeley 15

49343 H. Howell 16

49344 Maud Rangeley 14

49345 Maud M. Steele 9

49346 G. Howell 13

49347 Lilian Steele 13

49348 Kate Howell 6

49349 Christine Lowe 13

49350 Francess Parry 10

49351 Kate Mence 13

49352 Isabella Backwell 9

49353 A. Williamson 12

49354 Daisy Steele 11

49355 Wm. Mather 18

49356 Hetty Bramall 9

49357 J. Brisbane 7

49358 Mary E. Lloyd 12

49359 Jn. L. Mather 4

49360 Anne Powell 13

49361 Annie Mather 8

49362 Ella Chorlton 10

49363 Edith Farnell 13

49364 Edna Rogerson 11

49365 Mary Ogden 12

49366 Lillie Kennington 11

49367 Jessie Mather 10

49368 Agnes Currie 13

49369 Edith Rhodes 16

49370 Clara Emery 12

49371 Arthur Mather 16

49372 Jessie Leech 11

49373 N. Darnborough 12

49374 Annie Stretch 14

49375 Lucy Birchal 10

49376 Emily Mather 12

49377 Sarah Gilbody 12

49378 Gertrude Powell 8

49379 HELEN E. RAY,

Norwich 11

49380 Edward Girling 18

49381 Edith M. Bunnett 14

49382 Gerty Langham 10

49383 G. M. Willett 9

49384 Kate Dinnington 12

49385 M. A. Donaldson 9

49386 M. S. Donaldson 10

49387 Grace E. Bush 11

49388 Lucy Morter 12

49389 Mary Green 11

49390 Dora Goodwyn 10

49391 K. M. Ireland 10

49392 C. A. H. Brown 7

49393 Alice Holmes 14

49394 Bessie Hubbard 11

49395 Philip H. Girling 13

49396 Sidney R. Ireland 12

49397 Ethel Griffin 13

49398 Ida J. Smith 9

49399 M. M. Farmar 12

49400 Margaret Cook 11

49401 Helen Cook 12

49402 Amy Salmon 11

49403 J. M. Troughton 10

49404 Lizzie Shepheard 10

49405 Edith A. Mack 14

49406 E. J. Williams 13

49407 Deborah Cook 13

49408 Emma Bond 12

49409 Isabel Johnson 15

49410 M. E. C. Wells 12

49411 Ellen A. Butler 10

49412 A. M. Everett 9

49413 E. K. Chapman 13

49414 Mabel A. Bush 12

49415 M. E. E. Gooding 14

49416 May Saul 10

49417 Louisa Oldfield 13

49418 Edith F. Salmon 15

49419 E. S. Hardingham 12

49420 A. E. Taylor 16

49421 Martha Mase 11

49422 M. H. Smyth 11

49423 Helen L. Turner 9

49424 Lily Girling 14

49425 M. H. Everett 9

49426 Caroline Garrett 9

49427 M. B. Burrows 10

49428 Margaret Girling 11

49429 M. A. O. Self 9

49430 Francis H. Duck 4

49431 BEATRICE E.

BLADES, Sutton 15

49432 Emmie Abbott 13

49433 Amy Balcombe 15

49434 I. M. Balcombe 12

49435 Marian Berry 8

49436 Bessie Berry 7

49437 Alice Binks 16

49438 Agnes Binks 9

49439 Amy Binks 11

49440 Emily Bower 19

49441 Cordelia Bower 17

49442 Nellie Bower 10

49443 Ethel Bosworth 11

49444 Louisa Bracey 12

49445 Mabel Bracey 7

49446 Alice C. Colby 17

49447 Lilian Colyer 16

49448 Alice Colyer 14

49449 Percy Colyer 13

49450 F. E. Colyer 10

49451 Alice Cork 13

49452 A. C. Smith 16

49453 Effie Dresser 15

49454 Nellie Dresser 13

49455 E. R. Dresser 11

49456 Alice Drew 15

49457 Daisy Fisher 11

49458 Winnie Fisher 9

49459 Ethel Gabb 13

49460 Violet Griffith 15

49461 Beatrice Hobbs 15

49462 Constance Home 13

49463 J. E. Houlston 15

49464 Pattie Huskisson 13

49465 Percy Huskisson 15

49466 Maggie Knight 16

49467 Jennie Knight 16

49468 Alice Lancaster 15

49469 Winnie Lancaster 11

49470 M. E. Langridge 16

49471 Edith Larner 12

49472 Ethel Mileham 11

49473 Mary Perry 17

49474 Jessie Miller 14

49475 Maude Rayner 13

49476 Maria Rayner 10

49477 Lizzie Rayner 8

49478 Richard G. Rolls 8

49479 Ethel Turner 11

49480 Mary White 14

49481 Mary Williamson 16

----

49482 Amy S. Coulton 13

49483 Maude H. Platts 15

49484 Louisa M. Price 14

49485 A. B. Vine 8

49486 GRACE PETTMAN,

Ramsgate 14

49487 Grace Holladay 12

49488 Lillian Nash 11

49489 Frances Bone 9

49490 Florrie Bone 13

49491 Margaret Palmer 16

49492 Aggie Sutton 12

49493 Florce. Garwood 11

49494 Sally Sutton 10

49495 Anna Wood 18

49496 Nellie Bowers 11

49497 Annie Spain 13

49498 Minnie Spain 6

49499 Harriett Goodson 14

49500 Freddy Goodson 10

49501 Kitty Church 12

49502 Walter Spain 7

49503 Florence Jones 9

49504 Sarah Covern 12

49505 Minnie Nouel 13

49506 Mary L. Nouel 11

49507 Ethelbirt Nouel 9

49508 Ann M. Nouel 6

49509 Florence Newby 12

49510 Mabel Newby 11

49511 F. I. M. Larkin 12

49512 Winifred Barnes 9

49513 James F. Barnes 15

49514 E. M. D. Barnes 13

49515 S. P. Martin 11

49516 Howrd. Musgrove 12

49517 Edwd. Musgrove 13

49518 A. M. Musgrove 9

49519 M. E. Musgrove 8

49520 R. W. Musgrove 5

49521 E. H. Musgrove 11

49522 Percy Makins 9

49523 Leslie Farrier 8

49524 F. C. Archer 17

49525 K. Schwengers 8

49526 Jane Makins 14

49527 Harry Makins 5

49528 Susan Cadman 11

49529 Walter Cadman 6

49530 Joseph Cadman 10

49531 Hilda Cadman 8

49532 Minnie Sherred 5

49533 Samuel Sherred 8

49534 Robert Sherred 11

49535 Annie Sherred 15

49536 Jessie S. Sherred 19

49537 ALBERT ABRAHAM,

Liskeard 13

49538 Thos. H. Pascoe 20

49539 A. E. Morcom 19

49540 Lucy Rich 19

49541 Arthur Pooley 18

49542 S. A. Playne 18

49543 Ernest Cullen 18

49544 Chas. Ainge 17

49545 Ernest J. Snell 16

49546 Ellen Davey 16

49547 Alice Stowe 17

49548 Edward Ainge 15

49549 Alvena Bradford 15

49550 Fredk. E. Moon 15

49551 Wm. Middleton 14

49552 John Broad 14

49553 William Daniel 14

49554 J. Cheynoweth 14

49555 R. S. Truscott 14

49556 Thos. Wonnacott 14

49557 J. E. S. Old 14

49558 Samuel Raby 14

49559 Herbert Dyer 13

49560 John West 13

49561 Percy Snell 13

49562 Arthur Sampson 13

49563 Fredk. Edgcumbe 13

49564 Thomas Roberts 13

49565 Joseph Hill 13

49566 Mark Sampson 12

49567 Charles Rule 12

49568 Arthur Hodges 11

49569 Wm. Stoneman 11

49570 Edmund Skinner 11

49571 John A. Little 11

49572 Joseph H. Pearce 11

49573 Wm. Dunbar 10

49574 Arthur Rule 10

49575 Samuel Sampson 10

49576 Edward Wright 10

49577 Rose Lyne 9

49578 Willmot Wright 8

49579 Percy Lyne 7

49580 William Rowe 19

49581 William Brenton 15

49582 Edith M. Tinney 15

49583 Charles Hambly 14

49584 J. S. Blandford 14

49585 Thos S. Peters 14

49586 D. R. F. Wilson 16

49587 R. G. F. W. Green 15

49588 Geo. A. Northey 14

49589 William Pollard 14

49590 John Martin 13

49591 H. J. Trethewy 12

49592 John B. Old 13

49593 William Grose 12

49594 John Scantlebury 12

49595 Arthur E. Pearse 11

----

49596 Eardley Vine 6

49597 Nellie Sykes 8

49598 A. M. Potter 9

49599 Edith Jenkins 14

49600 Nellie Corke 13

49601 Kate Jenkins 12

49602 Herbt. Barham 8

49603 Wm. Worssell 7

49604 Richd. Worssell 10

49605 F. J. Williams 10

49606 A. E. Chapman 12

49607 Robert J. King 11

49608 E. W. Mann 12

49609 C. E. J. Phillips 10

49610 LILIAN STONEHAM,

Ampthill Square,

London 12

49611 May Broom 10

49612 Ernest Stoneham 9

49613 S. W. Stoneham 12

49614 Alice Dorington 9

49615 H. G. Humphries 7

49616 M. E. Humphries 9

49617 L. M. Gossling 7

49618 A. M. Edwards 7

49619 Richd. H. Bendy 8

49620 Katie Hill 6

49621 G. F. Collins 7

49622 E. H. Bendy 6

49623 N. A. J. Saunders 9

49624 M. A. Sanders 8

49625 John S. Gretton 7

49626 F. E. Summerfield 10

49627 E. E. Copping 11

49628 M. L. Summerfield 8

49929 A. C. Stoneham 13

49630 Sarah Neuff 10

49631 G. A. M. Gillott 14

49632 Mildred Jones 13

49633 Louisa Harragan 13

49634 Rosina Wight 11

49635 Kate Carter 10

49636 L. Melvill 10

49637 Ella Wyand 17

49638 Edith Pasmore 13

49639 Amy Carter 12

49640 Lydia Dansie 7

49641 May Soper 11

49642 Alfred Kingsbury 8

49643 Alice Pigot 10

49644 Lilian C. Soper 15

49645 Rosa Soper 13

49646 Blanche Wyatt 14

49647 Helen Melvill 10

49648 Maud Middleton 10

49649 Christabel Jones 8

49650 A. A. Langsford 15

49651 I. Macculloch 14

49652 Ethel Wyand 15

49653 Clara Rowley 10

49654 Gertrude Ellwood 11

49655 Beatrice Jones 14

49656 Louie Appleton 12

49657 H. G. Rowley 15

49658 Annie Davis 11

49659 Alice Loomes 12

49660 Annie Cox 14

----

49661 E. Ballefant 8

49662 FLORENCE C. BARRETT,

Poplar, Lond. 12

49663 George Gilley 17

49664 T. H. Shepherd 18

49665 C. E. Peckham 11

49666 Katie Fischer 12

49667 Grace Allen 8

49668 H. E. Worland 11

49669 Sophia A. Gilley 11

49670 Beatrice Merralls 14

49671 Geo. R. Miller 7

49672 H. J. Birleson 16

49673 C. S. Richardson 14

49674 E. H. Merralls 13

49675 Clara Bull 11

49676 John Gilley 9

49677 M. C. Phillips 11

49678 A. H. Oughton 6

49679 Ellen Quantock 13

49680 Wm. Birleson 9

49681 M. A. Woodrow 16

49682 Annie Atkinson 6

49683 Percy A. Bull 9

49684 A. Hatterleys 10

49685 L. E. Abraham 8

49686 A. M. Peckham 10

49687 A. E. Birleson 9

49688 W. T. Merralls 10

49689 E. M. M. George 15

49690 Jane Quantock 12

49691 Sarah E. Evans 9

49692 Samuel Gilley 15

49693 Maude Allen 9

49694 G. C. Peckham 8

49695 A. M. Scotten 12

49696 C. Woodrow 12

49697 Thomas Gilley 13

49698 Harriet Holgate 18

49699 Wm. H. Miller 10

49700 Charlotte Scotten 14

49701 B. W. Allan 20

49702 W. C. M. Barrett 15

49703 Reuben Merralls 8

49704 M. S. Worland 15

49705 G. M. Gilley 18

49706 S. F. Birleson 11

49707 Sarah A. Stains 7

49708 Annie C. George 12

49709 Edith. M. Miller 15

49710 Geo. E. Girard 9

49711 H. J. Abraham 10

49712 A. M. Merralls 7

----

49713 Clara Kemmins 14

49714 Walter Kemmins 10

49715 Cyril Walton 13

49716 O. Schofield 8

49717 Esther Schofield 7

49718 Rosa M. Davies 12

49719 M. L. Struthers 20

49720 A. L. Lowndes 14

49721 F. Masterson 12

49722 Amy Atkins 13

49723 Violet Jackson 15

49724 KATE M. BOYD,

Belfast 10

49725 Frank Ward 7

49726 Robert J. Stewart 6

49727 Bessie Lamble 15

49728 Elias Lamble 12

49729 George Moore 7

49730 Ellen P. Weir 5

49731 Charles Weir 3

49732 Aggie Nesbit 7

49733 David T. Ward 10

49734 John Whiteside 12

49735 Lizzie Whiteside 19

49736 Chas. W. McMidd 16

49737 Alexandra Cosby 11

49738 Jane Mitchell 6

49739 May McKinstry 15

49740 Annie Hamilton 13

49741 Mary Mitchell 9

49742 L. Shaw 6

49743 L. MacDonald 13

49744 Minnie Rainey 9

49745 Sam Fitchie 7

49746 James H. Shaw 11

49747 John Macnamara 15

49748 May Purdon 7

49749 Wm. McDonald 8

49750 Ida Mitchell 14

49751 Edward Purdon 4

49752 James Steward 7

49753 Ellen T. Shaw 8

49754 S. C. Ward 17

49755 Thos. Whiteside 6

49756 L. Chamberlain 8

49757 John Shaw 16

49758 Isabella Frazer 15

49759 D. Richardson 7

49760 S. McKinstry 13

49761 E. J. McMinn 17

49762 M. Chancellor 17

49763 Mary E. Frazer 11

49764 Selina McMinn 10

49765 Wm. McCann 18

49766 David Mitchell 12

49767 Ethel Browne 6

49768 Agnes Gilbert 15

49769 H. MacGregor 7

49770 Hugh Cooper 11

49771 Frances Moore 6

49772 F. MacGregor 5

49773 S. Crawford 14

49774 Isabella Gilbert 10

49775 Annie MacGregor 8

49776 Robert Browne 11

49777 VIOLET ANDERSON,

Kensington 12

49778 Lottie Wilson 5

49779 Geo. Middleton 12

49780 Emma Mugford 9

49781 Rhoda Taylor 10

49782 Frank Coombs 7

49783 Poly Humble 4

49784 John Martin 3

49785 Annie Patinson 4

49786 George Humble 6

49787 Mary Nash 7

49788 Florence Wiles 10

49789 Rosy Hudson 3

49790 Robert Copeland 10

49791 Martha Isaac 10

49792 Annie Turner 10

49793 Nathaniel James 6

49794 M. Raulerson 11

49795 Percy Pollard 4

49796 Arthur Bennett 3

49797 Katie Kinton 4

49798 Lizzie Cannon 6

49799 L. G. Hudson 6

49800 Isabella Bennett 9

49801 Emily Easton 10

49802 Ada Vogan 6

49803 Robert Pollard 11

49804 Frank Galliford 8

49805 Louisa Floyd 2

49806 Jane Vogan 8

49807 Beatrice Mayfield 9

49808 Albert Coomber 10

49809 Rose James 3

49810 Maud Martin 7

49811 Ada Barnes 5

49812 Richard Porch 7

49813 Kate Coomber 12

49814 Clara Cannon 9

49815 Sarah Ball 10

49816 Nellie Dixon 11

49817 Fanny Barnes 7

49818 Charles Ball 5

49819 Ada Ball 13

49820 Eliza James 12

49821 Annie Mayfield 7

49822 Edwd. Pullinger 15

49823 Julia Hudson 9

49824 Lizzie Pattinson 10

49825 Ada Cullingford 11

49826 Albert James 10

49827 Arthur James 8

49828 Amy Baker 11

49829 Arthur Stone 10

49830 Arthur Bennett 5

49831 Louisa Rogers 11

49832 George Barnard 6

49833 William Pullinger 9

49834 Fanny Porch 4

49835 Ada Pollard 13

49836 Annie Utling 7

49837 Rose A. Hudson 3

49838 Thomas Mitchell 14

49839 Rose Pullinger 11

49840 Norah Willison 10

49841 Robert Pullinger 12

49842 Adolphus Ball 6

49843 Alice Allen 13

49844 Alice Vogan 11

49845 Harriett Humble 12

49846 Alice Hall 9

49847 Thomas Pollard 14

49848 Henry Hazell 11

49849 Alice Barnard 4

49850 Edith Taylor 5

49851 Maud Mason 7

49852 Ernest Butter 10

49853 E. E. Rawlerson 13

49854 Florence Hatcher 8

49855 C. Wharton 9

49856 Alice Humphries 9

49857 Harry Mugford 5

49858 George Martin 10

49859 Mirabel Turner 8

----

49860 E. C. M. Wright 11

49861 Eleanor Wright 13

49862 Ethel McMaster 12

49863 Philis England 13

49864 ETHELIND KENNEDY,

Stewartstown 14

49865 Annie Brown 10

49866 R. J. Stevenson 15

49867 C. S. Dudgeon 11

49868 Maggie Simpson 5

49869 Charles Graham 6

49870 K. McGahey 10

49871 John S. McGahey 8

49872 Ethel McGahey 5

49873 Alexander Martin 8

49874 John Megaw 13

49875 M. E. Shepherd 10

49876 Alexndr. Shields 11

49877 H. J. Russell 12

49878 Thomas Nichol 10

49879 M. D. McGhee 11

49880 Emma McGhee 8

49881 Charlotte Reid 10

49882 Wm. Hamilton 5

49883 Robert Hamilton 8

49884 Mary S. Brown 5

49885 J. T. Kempton 9

49886 Hugh Elder 9

49887 Mary J. Turtle 9

49888 Robert J. Turtle 12

49889 Maggie J. Gibson 12

49890 Mary H. Gibson 10

49891 Emma B. Gibson 8

49892 Edith Gibson 5

49893 Sarah Thompson 5

49894 H. Thompson 9

49895 M. J. Thompson 11

49896 W. J. Thompson 13

49897 Chas. Abernethy 13

49898 H. T. Abernethy 10

49899 L. Abernethy 9

49900 M. Abernethy 7

49901 A. Steenson 6

49902 Thos. Bingham 12

49903 Samuel Bingham 11

49904 Sarah J. Bingham 6

49905 Sarah A. Devlin 5

49906 Mary M. Devlin 9

49907 R. J. Devlin 9

49908 Maude C. Woods 14

49909 James Clements 8

49910 John Clements 12

49911 C. Clements 10

49912 R. D. Steenson 12

49913 Minnie Steenson 6

49914 Meta K. Woods 9

49915 Robert S. Woods 7

49916 Sara T. Woods 12

49917 Hugh Peers 8

49918 Hugh Brown 10

49919 Marcus Reid 12

49920 Hannah Martin 6

----

49921 Maud S. Frisby 13

49922 Ethel L. Smith 7

49923 Alice Newton 11

49924 Maud Bullock 9

49925 William Godfry 10

49926 Emily Martin 8

49927 Walter Raine 10

49928 Annie S. Bond 16

49929 Edith H. Bond 8

49930 A. M. Annandale 13

49931 Agnes A. Rose 17

49932 ELIZABETH DOLE,

Bristol 14

49933 Agnes Porter 19

49934 Agnes Place 19

49935 Augusta Harris 18

49936 Lizzie Harries 17

49937 Florence Morgan 17

49938 Alice Sewell 17

49939 Katy Rickens 16

49940 Frances Rebbeck 16

49941 Mary Dole 16

49942 Rachel Dole 16

49943 Constance Wadge 15

49944 Edith J. Sewell 15

49945 Mary Verier 15

49946 Ermy Loxton 15

49947 Susan J. Rickens 15

49948 Rosa Major 15

49949 Anna M. Gibbs 15

49950 Florence Hicks 15

49951 Mabel B. Peirce 15

49952 Marion L. Cundell 15

49953 Marie Heine 14

49954 E. M. Gatcombe 14

49955 Agnes Winstone 14

49956 Eleanor Durston 14

49957 Elizabeth Arney 14

49958 Mabel Major 14

49959 Gertrude I. Sewel 14

49960 Nellie Coe 14

49961 Fanny Gregory 14

49962 Kathleen Place 14

49963 Florence Pope 14

49964 Edith Tyler 14

49965 Maggie Morgans 14

49966 Isabel Nicholson 13

49967 Edith C. Morgan 13

49968 Jessie Slade 13

49969 Mary I. Butler 13

49970 Emily Edis 13

49971 F. Cullingford 13

49972 Lillie Basset 13

49973 Marion K. Bell 13

49974 Mary A. Hicks 13

49975 Janie Jones 12

49976 Florence Hartnell 12

49977 Emma Bennett 12

49978 Beatrice Quick 12

49979 Bessie Hayward 12

49980 George Peirce 11

49981 Katie Bowyer 11

49982 Julia Stuart 11

----

49983 Harry J. Eder 13

49984 Solomon Ososki 13

49985 C. W. Sax 15

49986 William Hunter 13

49987 John Russell 14

49988 John Parker 14

49989 William McMunn 9

49990 William Whisker 13

49991 Arthur S. Everest 8

49992 Henry D. Everest 12

49993 Ellen S. Bull 13

49994 E. Hetherington 8

49995 Jane Robinson 12

49996 D. Monnington 8

49997 Richard Caldecott 7

49998 Ann Hetherington 13

49999 Florence Bodley 10

50000 G. C. Stephens 15

A FEW WORDS ABOUT THE "LITTLE FOLKS" HUMANE SOCIETY.

Fifty thousand Officers and Members--such is the printed muster-roll of

The LITTLE FOLKS Humane Society. As most of the Readers of LITTLE FOLKS

are aware, however, this does not comprise all the names on the Register

of the Society--for since this grand total was reached many hundreds of

Children have enrolled themselves; nor does the fact that in future the

publication of the Lists will be discontinued (as announced on page 55

of this Volume) signify that the work of the Society--which has been so

enthusiastically carried on since it commenced in January, 1882--is

accomplished. On the contrary, the Editor earnestly trusts that his

Readers will not only still come forward in large numbers and become

Members, by sending in their "promises" to him, but will also, in the

future as they have in the past, continue to induce their relatives and

friends to enroll themselves under the Society's banner. For it should

be remembered that the Dumb Creation _always_ stands in need of help and

protection; and it is to a great extent by the aid of such associations

as The LITTLE FOLKS Humane Society--founded for the purpose of

inculcating in the minds of children Kindness towards Animals--that the

claims of the weak and defenceless creatures around us are recognised as

they should be.

The names of all who fill up and sign the "form of promise" (which is

again printed on the next page), and send it to the Editor, will, as

heretofore, be duly inscribed on the Register of the Society; and

Certificates of Membership will be forwarded to any who desire to have

them, if _stamped addressed_ envelopes be enclosed for the purpose.

(The limit of age for enrolment is 21).

Members will also be eligible to become Officers of the Society and

receive Officers' Certificates if they induce Fifty other Children to

join, and send in that number of "promises" to the Editor, _all

together_; but the small book and medal hitherto awarded to Officers

will, in future (as stated on page 55), be given only to those who, in

sending up their Fifty "promises," enclose a certificate from a Parent,

Teacher, or other responsible person, stating that the collection of

such "promises" had been commenced _prior_ to July 1, 1884.

The wonderful progress made by The LITTLE FOLKS Humane Society since its

institution in January, 1882, has, the Editor feels sure, been a source

of much gratification to all who have taken part in its work; and while

tendering thanks to the Officers and Members--comprising representatives

of every rank and station, and living in all parts of the globe--who

have so zealously and heartily co-operated with him, he can only express

the hope that in the accounts of the Society which he proposes to give

in LITTLE FOLKS from time to time, he may be able to record the same

satisfactory progress in its growth during future years as he has in

past ones.

The "form of promise" to be signed (which should be copied on half a

sheet of note-paper and forwarded to the Editor, after being filled up,

and attested by a Parent, Teacher, or other responsible person) is as

follows:--

To the Editor of LITTLE FOLKS.

[Here insert full name]

I ..................... hereby undertake, as far as it lies in my power,

to be kind to every living creature that is useful and not harmful to

man.

[Full name]

.........................

[Address]

........................

........................

(Age...........)

Witness [of signature]

.........................

[Date]

.........................

All communications to the Editor in reference to the Society should have

the words, "LITTLE FOLKS Humane Society," on the left-hand top corners

of the envelopes.

TRUE STORIES ABOUT PETS, ANECDOTES, &c.

HOW A WILD DUCK SAVED HER CHILDREN.

Dear MR. EDITOR,--Our river is so shallow that in some parts reeds grow

in it, where wild ducks are very fond of building their nests. Once,

shepherds who were with the cattle, near that river, saw a wild duck,

with eighteen little ones swimming about, and as the little ducks were

so small they thought it would be very easy to catch them. So

accordingly they got into the water, and were trying to catch the young

ones, when they perceived that the old duck, instead of flying away, as

they expected she would do, was turning over in the water as if she were

hurt. The shepherds seeing this, thought it would be very well to catch

her first, as it seemed a very easy thing to do, so they went over to

where she was. Meanwhile the little ducks got safely hidden in the

rushes, and the old one seeing that her children were out of their

enemies' reach, flew into the air and left the shepherds standing with

nothing.

THE PRINCESS SOPHIE GAGARINE

(Aged 12-1/2.)

_8, Place Catharine, Odessa._

THE SAGACITY OF ANTS.

Dear MR. EDITOR,--A friend recently told me that when walking in his

garden one day he noticed an ant seemingly examining a dead caterpillar

which lay on the path. Then it returned to its nest, but soon came back

with several others. These, walking round the caterpillar, examined it

carefully, as did the first. Home they all went; soon they returned with

still more of their companions, then they formed a long column, very

like a rope, and dragged him to the edge of the path. The nest being in

the flower-beds they had to pull him over the tiles surrounding the

garden, but once over this difficulty on they toiled until after a

quarter of an hour's hard work they reached their nest.

ARCHIBALD HURD.

(Aged 15.)

_Elmcroft, Tottenham Lane,

Hornsey, N._

A KIND HORSE.

Dear MR. EDITOR,--The other day, as I was walking along the road, I saw

a horse do another a deed of kindness. One poor horse was out in the

road without anything to eat, and the other in a field with plenty of

grass. The horse that was in the field picked a mouthful of grass and

put his head over the gate; the poor one then took it out of his mouth

and ate it up. This was done five or six times. The horse then neighed,

as much as to say, "thank you," and walked on.

ARTHUR W. WHITE.

(Aged 11.)

_Stickland School, Blandford._

PRIZE STORY COMPETITION FOR DECEMBER.

In the place of a "Picture Page Wanting Words," the usual Monthly Prizes

are offered for the best Original Stories on the subject of "A Skating

Adventure," namely---a Guinea Book and an Officer's Medal of the LITTLE

FOLKS Legion of Honour for the best Story; and a smaller book and

Officer's Medal for the best Story (on the same subject) relatively to

the age of the Competitor, so that no reader is too young to try for

this second prize. All Competitors must be under the age of 16. The

Stories, which are not to exceed 500 words in length, must be certified

as _strictly original_ by a Parent, Minister, Teacher, or other person

of responsible position, and must reach the Editor on or before the 10th

of December (the 15th of December for Competitors residing abroad). In

addition to the two Prizes and Officers' Medals some of the most

deserving Competitors will be included in a Special List of Honour, and

will be awarded Members' Medals of the LITTLE FOLKS Legion of Honour. It

is particularly requested that each envelope containing a Story should

have the words "December Prize Story Competition" written on the

left-hand top corner of it. (Competitors are referred to a notice

respecting the Silver Medal, which was printed on page 115 of the last

Volume.)

LITTLE DOCTOR MAY.

[Illustration]

Little Daisy playing

'Mid the ripening corn,

Pierced her plump white finger

With a cruel thorn.

Home she flies, eyes clouded

With a mist of tears;

Little bosom trembling

With vague childlike fears.

Brother Leonard lifts her

Lightly from the ground;

May, beside her kneeling,

Tends the swelling wound.

Softly takes a needle--

Knows what she's about--

Pricks, and lo! the hidden

Thorn slips safely out.

Daisy's fears have vanished,

Tears are passed away--

Leonard dubs his sister

Little Doctor May.

[Illustration: Music - A Day in the Snow.]

_Words from_ "LITTLE FOLKS."

_Music by the_ REV. F. PEEL, B.Mus., Oxon

1. Come along, bairnies, laughing and singing,

The echoes all ringing around as you go;

Come, for the fairies with chill little fingers

Have seiz'd on the raindrops and turn'd them to snow.

Come along, bairnies, laughing and singing,

The echoes all ringing around as you go.

2. Come, watch the white flakes softly descending,

Still, never-ending, silent, and slow,

Folding a mantle of beauty around us,

A mantle of flickering, fluttering snow.

3. Come, rosy fingers, gather the treasure!

Bright looks of pleasure I see as you go;

Laughing and singing, The echoes all ringing--

Oh, the delight of a day in the snow!

OUR LITTLE FOLKS' OWN PUZZLES.

[Illustration]

DOUBLE DIAGONAL PUZZLE.

If definitions of the objects and scene shown above be placed one under

the other in the order indicated, the diagonals, left to right, will

form the names of two well-known cities.

MENTAL HISTORICAL SCENE.

An old man is seen in a dungeon, dressed in rags and covered with mud. A

slave enters with a sword, evidently for the purpose of murdering him,

when he stops suddenly, awed and frightened by the prisoner's face and

stern voice, as he demands if he has the presumption to kill him. Then

the slave rushes from the cell, declaring it impossible to despatch such

a man. Who is the prisoner?

NELLIE ELLIS.

(Aged 15-1/4).

_Frost Hill House,

Liversedge, Yorkshire._

SINGLE ACROSTIC.

The initials read downwards will give the name of a great musician.

My first is one of England's public schools.

My second is one of the continents.

My third is a planet.

My fourth is one of the largest rivers in Europe.

My fifth is one of the Christian festivities.

My sixth is the opposite to rejoice.

MILDRED C. WATSON.

(Aged 12.)

_Harrow-on-the-Hill,

Middlesex._

MISSING-LETTER PUZZLE.

When the missing letters have been supplied, the whole will form a verse

from one of Cowper's poems.

W x e x t x e x r x t x s x w x r x i x r x u x e x ,

B x e x d x n x f x o x t x e x o x a x r x d x ,

S x u x h x w x t x a x i x d x g x a x t x i x n

x o x n x e x o x h x r x o x n x r x s x o x s.

HENRIETTA PUTTOCK.

(Aged 13-1/4)

_Clevelands, Billingshurst, Sussex._

SQUARE WORDS.

1. A volcanic mountain.

2. A sign of sorrow.

3. A designation.

4. An extent of surface.

1. A sweet-scented herb.

2. A thought.

3. Not distant.

4. An article of pastry.

1. A range of mountains.

2. A trial of speed.

3. A portion of land.

4. A mocking look.

LOUIE W. SMITH.

(Aged 15-1/4.)

_11, Woodside Terrace, Glasgow._

BURIED NAMES OF FLOWERS AND TREES.

The initial letters of the following flowers and trees, if put together,

will form the name of a town in England.

1. That pot is made of iron.

2. To and fro several times he went.

3. You can sit in the porch, Ida.

4. Mamma, please may I have that book?

5. That reel may do for the kitten.

A. K. M. WHITE.

(Aged 15.)

_7, Carlton Crescent, Southampton._

CRYPTOGRAPH.

The following will form a well-known verse by Wordsworth.

Nzib szw z orggov ozny,

Rg'h uovvxv dzh dsrgv zh hmld,

Zmw vevibdsviv gszg Nzib dvmg,

Gsv ozny dzh hfiv gl tl.

AMY G. MERSON.

(Aged 14)

_De-la-pole,

Cottingham, near Hull._

RIDDLE-ME-REE.

My first is in ache, but not in sore;

My second is in pippin, but not in core;

My third is in pie, but not in tart;

My fourth is in wheel, but not in cart;

My fifth is in sole, and also in pike;

My whole is a fruit which all of us like.

JANIE WILSON.

(Aged 11-1/2.)

_Jessiefield Offerton, near Stockport._

ARITHMOREM.

1. 5 + reri = a piece of water.

2. 51 + egarf = weak.

3. 54 + lye = bright.

4. 56 + e = bad.

5. 11 + as = an imaginary line.

6. 506 + azr = a mask.

7. 104 + li = polite.

EFFIE E. BELL.

(Aged 14.)

_Market Place, Swaffham._

DIAMOND PUZZLE.

1. A consonant.

2. A fish.

3. A fragment.

4. To comprise.

5. A celebrated musician.

6. To roll down.

7. Not ever.

8. A large expanse of water.

9. A consonant.

H. BELL.

(Aged 13-3/4.)

_St. George's Mount, New Brighton, Cheshire._

PRIZE PUZZLE COMPETITION.

WINTER COMPETITION.

The Puzzles given in the November and the present number of LITTLE FOLKS

form, as announced, the WINTER COMPETITION.

PRIZES.

In the WINTER COMPETITION there will be a First Prize of a Guinea

Volume; a Second Prize of a Half-Guinea Volume; a Third Prize of a

Five-Shilling Volume, awarded in EACH DIVISION, viz., the SENIOR

DIVISION for girls and boys between the ages of 14 and 16 (_inclusive_),

and the JUNIOR DIVISION for those _under_ 14 years of age. There will

also be awards of Bronze Medals of the LITTLE FOLKS Legion of Honour to

the three next highest of the Competitors following the Prize-winners in

_each_ Division.

REGULATIONS.

Solutions of the Puzzles published in this number must reach the Editor

not later than December 8th (December 12th for Competitors residing

abroad), addressed as under:--

_The Editor of "Little Folks,"

La Belle Sauvage Yard,

Ludgate Hill,

London, E.C._

_Answers to Puzzles._

_Junior_ [or _Senior_] _Division_.

Solutions to Puzzles must be accompanied by certificates from a Parent,

Teacher, or other responsible person, stating that they are _the sole

and unaided work_ of the competitor. No assistance must be given by any

other person.

Competitors can be credited only under their own name.

The decision of the Editor of LITTLE FOLKS on all matters must be

considered final.

The names and addresses of Prize and Medal winners will be duly

published in LITTLE FOLKS.

GAME PUZZLE FOR DECEMBER.

SCYLLA AND CHARYBDIS: A GAME FOR FOUR PLAYERS.

Our readers will all recollect the classical story of Scylla and

Charybdis, the former a maiden changed by Circe into a hideous

sea-monster, who threw herself into the sea and became a rock, the

latter changed by Jupiter into a foaming whirlpool. Vessels which

avoided the rock of Scylla were oft-times prone to fall into the

dangerous whirlpool of Charybdis.

On this legend our Puzzle this month is based, though the two classical

dangers will be now only two little children who will try to seize on

the argosies which their brothers and sisters send through the straits.

To begin which, settle a subject on which you will have your

Competition--Botany, History, Geography, Astronomy, Natural History, or

any other you may select--then cut out a number of pieces of cardboard

about this size--

[Illustration]

For ordinary subjects you may be able to cut out from the largest type

used in the daily or weekly papers, syllables that will meet your

requirements, but for special subjects, such as Botany, Astronomy, &c.,

you will find it better to write your own pieces of cardboard in a good

bold, clear style.

You will want a considerable quantity of syllables, and the words in all

cases should range from simple ones, easy to be discovered, to more

difficult and puzzling words.

Having got a quantity of syllables, arrange them in three groups: (1)

the simple words, (2) the more difficult, (3) the most difficult. Keep

these groups in separate boxes, and these separate boxes again in one

large box marked with the subject of the play.

Four players now arrange themselves thus: two as mariners, one at either

end of the table, and two as Scylla and Charybdis, one on each side of

it.

The ship will consist of a little Japanese tray, or lid of a cardboard

box, with a piece of string fixed at either end to draw it by. In this

are placed the syllables forming two words, and one of the mariners

draws it slowly across the table. As it passes along, Scylla and

Charybdis try to discover the words it contains, and if they can do so

ere it passes they appropriate the cargo, and the ship reaches the

opposite end of the table from which it started empty! It is again

freighted and sent back, this time perhaps its contents are not

discovered. And thus the game goes on till all the words are exhausted,

when a count is made. Suppose 50 words were sent across the straits, the

record might read:

The Mariners gained 27 words

Scylla and Charybdis gained 23 words

-----

The game won by the Mariners by 4 words.

Now we will proceed to give our Puzzle. The syllables given below will

be found, when correctly sorted out and arranged, to form the names of

the characters indicated in the explanatory notes at the foot.

SENIOR DIVISION.

+-----+------+------+------+-----+------+------+-----+

| ih | igna | van | so | pe | mor | tius | ba |

|-----+------+------+------+-----+------+------+-----+

| nuc | varn | no | hah | no | car | re | chi |

|-----+------+------+------+-----+------+------+-----+

| lac | hage | delo | to | nn | tt | aca | ll |

|-----+------+------+------+-----+------+------+-----+

| nem | nvon | yola | ense | chi | ann | lla | ca |

|-----+------+------+------+-----+------+------+-----+

1. The "Michael Angelo" of Spain.

2. A cruel Roman Emperor, assassinated by a soldier.

3. He is said to have written the lines--

"When Adam delved and Eve span,

Where was then the gentleman."

4. A German physician, whose motto was: "Similia similibus curantur."

5. A page, soldier, philosopher, and Jesuit.

6. A Swedish philosopher.

7. A Florentine painter; he has a celebrated picture in the Louvre,

called "Charity."

8. A Prussian statesman, author of various works.

9. A Spanish navigator who assisted Pizarro.

10. A Quaker, founder of a colony, author, &c.

11. A celebrated general in Afghanistan, &c.

12. An Italian musical composer who wrote several oratorios, operas, and

masses.

JUNIOR DIVISION.

|-----+------+------+------+-----+------+------+-----+

| ko | mar | new | yps | th | di | wa | cam |

|-----+------+------+------+-----+------+------+-----+

| po | add | cia | bla | peg | nus | chr | ina |

|-----+------+------+------+-----+------+------+-----+

| nch | gla | ila | pe | ing | rd | ist | gio |

|-----+------+------+------+-----+------+------+-----+

| dst | gate | one | om | nti | ard | ton | ch |

|-----+------+------+------+-----+------+------+-----+

1. An antiquary who left money to the Oxford University for "a copy of

English verses."

2. Emperor of the East, married the widow of Theodosius the Younger.

3. French historian and member of Legislative Assembly.

4. A self-taught Ayrshire sculptor.

5. A hospodar of Moldavia and Wallachia.

6. A Bishop of Salisbury, astronomer and mathematician.

7. Author of "Rape of the Lock."

8. A Speaker of the House of Commons, Premier, and Home Secretary.

9. A French aeronaut, killed by the explosion of a balloon.

10. The Papal legate who attended the trial of an English Queen.

11. A Swedish Queen who, having abdicated, abjured Lutheranism, and was

pensioned by the Pope.

12. A Lord of the Treasury, Secretary for Colonies, Master of the Mint,

President of Board of Trade, Chancellor of Exchequer, Premier, author,

&c.

* *

* In order to gain full number of marks Competitors must arrange

the names in the proper order, placing them as numbered in the lights.

QUESTIONS AND ANSWERS.

[_The Editor requests that all inquiries and replies intended for

insertion in_ LITTLE FOLKS _should have the words "Questions and

Answers" written on the left-hand top corners of the envelopes

containing them. Only those which the Editor considers suitable and of

general interest to his readers will be printed._]

PRIZE COMPETITIONS, &C.

X Y Z, SWALLOW.--[The names of the winners of the Silver Medals will be

printed in the February Number.--ED.]

LITERATURE.

A LOVER OF POETRY would like to know where the following line occurs,

and by whom it was written:--

"The league long roller thund'ring on the reef."

RAGS AND TATTERS wishes to know where the following lines are taken

from, and who is the author:--

"Till the day break and shadows flee away

In that far future dawn that knows not death."

ETHEL writes, in answer to LITTLE MAID OF ARCADIE, that the quotation--

"Evil is wrought by want of thought,

As well as want of heart"--

is from a poem by Thomas Hood, entitled "The Lady's Dream." Answers also

received from several other readers.

WORK.

NELLY asks if any one could tell her how to make a pretty and simple

lace collar.

COOKERY.

RUBY AND A STRAWBERRY are informed that full directions for making

toffee appear on page 335 of this number.

GENERAL.

PANSY and M. E. would be glad if any one would tell her how to press

flowers, as those she has done have gone brown.

GUMMY would be very pleased if any one could give him a few hints on

satin-painting; has the satin to be prepared before it can be painted

on? if so, how?

VERUS would like to know of a very simple way of making an Aeolian harp,

if any one could tell her.--[The method was described in the May, 1882,

number of LITTLE FOLKS, Vol. XV., p. 319.--ED.]

THE SHAMROCK OF FREILING would be glad to know if any of the readers of

LITTLE FOLKS could tell them how to bleach grass for making Markart

bouquets.

DAFFODIL asks if any one will tell her how to paint on tiles with

water-colours.

NATURAL HISTORY.

EDITH would like to know what is the best food for rabbits, and how

often they ought to be fed. [They should be fed twice a day, every time

clearing away everything and giving quite fresh food. The staple diet

must be what is called "dry food," varied, such as dry crust of bread,

bread soaked in milk and squeezed dry, barley meal mixed with a very

little hot water, oatmeal same way, dry barley or oats. You need not use

all, but vary now and then. Give beside every day a moderate quantity of

fresh green leaves, kept first long enough to dry off all dew or rain,

and begin slightly to wither.]

PARTHENOPE would be glad to know what would be the best food for a

starling in the winter?--[A sort of stock food is made of the

fine-ground oats called "fig-dust," made into a stiff dough with milk

and water, adding every day a pinch of soaked currants or a little

fine-shredded raw beef. Give a little fruit now and then, and a few odd

worms, insects, or snails. A little sopped bread will be taken as a

change, but there must be a little animal food.]

MARY BRAZIER asks what is the best food for a dormouse. She knows that a

little Indian corn is often given.--[You should vary the diet with

wheat, Indian corn, bits of bread-crust, bread-and-milk squeezed dry,

with any kind of nut occasionally, and a few blades of grass or field

weeds.]

ANSWERS TO OUR LITTLE FOLKS' OWN PUZZLES (_p. 317_).

POETICAL ACROSTIC.--CAMPBELL.

1. C hateaubriand. 2. A lfieri. 3. M ilton.

4. P etraria. 5. B yron. 6. E ulla.

7. L eopardi. 8. L amartine.

MISSING VOWEL PUZZLE.

"Break, break, break,

On thy cold grey stones, O sea!

And I would that my tongue could utter

The thoughts that arise in me."

DOUBLE GEOGRAPHICAL ACROSTIC.

ITALY--GARDA.

1. I ou G. 2. T arif A.

3. A nadi R. 4. L ichfiel D.

5. Y andill A.

MENTAL HISTORICAL SCENE.

Epaminondas, at the battle of Mantinea.

NUMERICAL ENIGMA.

"O what a tangled web we weave,

When first we practise to deceive!"

1. Lear. 2. Train. 3. Drain. 4. Weep. 5. Character.

6. Brew. 7. Goad. 8. What. 9. Wife. 10. Drove. 11. Wander.

12. Save. 13. Stew. 14. Sleep. 15. It.

FOUR PICTORIAL PROVERBS.

1. "All are not thieves that dogs bark at."

2. "A rolling stone gathers no moss."

3. "Count not your chickens before they are hatched."

4. "When the cat is away the mice do play."

To My Readers.

"What are you going to give us in the next Volume?" is, I dare say, the

question which is in some of your minds to ask me; so, as usual on

reaching the end of a half-year, I will tell you of a few of the

arrangements made for the New Volume, beginning with the JANUARY Number.

These include:--

A SERIAL STORY by the Author of "A Little Too Clever," "Margaret's

Enemy," "Maid Marjory," &c., to continue from month to month; and a

Second SERIAL STORY, by HENRY FRITH, called "King Charles's Page; or,

Two Children's Adventures in the Time of the Commonwealth," also to run

for six months. The latter is an unusually exciting tale--full of novel

incident and strange adventure. Then there will be

"LEGENDS AND STORIES OF FAMOUS RIVERS," by EDWIN HODDER ("Old Merry"),

in which you will be told many curious tales and wonderful legends

associated with a few of the most celebrated of the world's Rivers.

"SOME NOTABLE PICTURES AND THEIR STORY"--telling, in a bright and chatty

style, about a few of the masterpieces of Art, how they came to be

produced, and what fortunes, good and bad, some of them experienced;

including interesting anecdotes and facts concerning themselves and

their painters.

"ENGLAND'S FORESTS IN DAYS OF OLD"--a series of papers relating the

story of the stirring incidents of which some of the well-known forests

of this country have been the scene.

"BIRDS AND FLOWERS OF THE MONTH"--consisting of full-page Pictures which

M. GIACOMELLI, the well-known French Artist, has specially drawn for

LITTLE FOLKS. One of these will appear in each number of the New Volume,

accompanied by Verses appropriate to the subject.

"BIBLE STORMS BY LAND AND SEA"--a new series of Scripture Stories for

"Our Sunday Afternoons;" and the usual "Bible Exercises" will appear

every month.

"PAGES FOR VERY LITTLE FOLK." In response to repeated requests, I am

glad to announce that this department of LITTLE FOLKS--comprising two

pages of bold pictures and simple stories printed in large type--will be

re-commenced in JANUARY, and continued every month.

MR. PALMER COX, the American Artist, has drawn for LITTLE FOLKS some

more HUMOROUS PICTURES in his well-known style; the Notes and Jottings

by a Practical Writer on the subject of "THE CHILDREN'S OWN GARDEN" will

be given, as well as FAIRY STORIES, with droll and laughable pictures,

every month; and besides STORIES, POEMS, ANECDOTES, and PICTURES of

every kind, all the regular features, such as "THE EDITOR'S

POCKET-BOOK," "SONGS WITH MUSIC," "THE LITTLE FOLKS' OWN PAGES,"

"QUESTIONS AND ANSWERS," &c. &c., will be still maintained.

SEVERAL NEW SPECIAL COMPETITIONS FOR 1885 have been arranged in addition

to the ordinary Monthly Puzzle and "Picture Page" ones. The most

important of these is

A NEW "'LITTLE FOLKS' PAINTING BOOK COMPETITION," in which, as already

briefly announced, a number of PRIZES IN MONEY, BOOKS, and MEDALS will

be offered. It will be open to both Senior and Junior Competitors, and

so arranged that all may have equal opportunities of being successful.

This Competition will be in connection with "THE 'LITTLE FOLKS' PROVERB

PAINTING BOOK," which is now ready; and the full Regulations and the

list of Prizes to be awarded, as well as of those offered in all the

other Special Competitions for 1885, will be printed in the JANUARY

Number. In that number will appear, too, the names of the Prize and

Medal winners in the Competitions for 1884, also those in the Puzzle and

"Picture Page" Competitions announced in the September, October, and

November numbers (including the "Home and Foreign" Competitions).

I am glad to find that the Competitions for the year now closing have

been so popular with you, and I heartily thank you on behalf of the

little ones in the Hospitals--among whom the articles of Needlework,

Dolls, Illuminated Texts, Scrap Albums, Toys of various kinds, and the

hundreds of Illustrated Story-books written by yourselves, which you

have sent to me, will be distributed at Christmas--for all the trouble

and care you have so lovingly bestowed on your work. You are indeed

amply repaid by the rays of gladness which these your gifts will bring

to helpless sufferers!

A COLOURED PICTURE, called "THREE LITTLE KITTENS," will be given with

the JANUARY Number, and the Frontispieces to all the other numbers will

be printed in a bright colour as they have been in the present Volume.

You will also be pleased to hear that it is intended in future to make

all the pages of our Magazine more attractive in appearance, but I need

only just allude to this and leave you to see for yourselves in the

JANUARY Number in what manner it will be effected.

Having thus told you what is to be done for _you_ in the New Volume, I

will only add that I rely on you all to do everything you can for LITTLE

FOLKS by persuading as many of your relatives and friends as possible to

take it in. Wishing you all a Merry Christmas and a Happy New Year,

Your very sincere Friend,

THE EDITOR.

+--------------------------------------------------------------+

| |

| Transcriber's note: |

| |

| |

| page iii: "September. 179" has been changed to "September, |

| 179" |

| |

| page iii: "The Discontented Boat. 242" has been changed to |

| "The Discontented Boat, 242" |

| |

| page iii: Little Toilers of the Night section appears twice, |

| as in the original |

| |

| page iii: "Peacock Pie, 371:" has been changed to "Peacock |

| Pie, 371;" |

| |

| page iv: "King-fisher" has been changed to "Kingfisher" |

| |

| page iv: "Story of Two Brothers, By the" has been changed to |

| "Story of Two Brothers. By the" |

| |

| page 342: running along to hurt them? has been changed to |

| running along to hurt them?" with closing quotation marks |

| |

| page 343: "spash of ink" has been changed to "splash of ink" |

| |

| page 344: "his head among Bab's curls" has been changed to |

| "his hand among Bab's curls" |

| |

| page 347: "engaged upon, And in the preface" has been |

| changed to "engaged upon, and in the preface" |

| |

| page 349: FATHER'S COMING.' has been changed to 'FATHER'S |

| COMING.' with an opening quotation mark |

| |

| page 351: And if we're has been changed to "And if we're |

| |

| page 360: "procure early blooms" has been changed to |

| "procure early blooms." |

| |

| page 369: "See p. 68" has been changed to "See p. 368" |

| |

| page 371: "curious jumping action" has been changed to |

| "curious jumping action." |

| |

| page 372: "M. J Doughty" has been changed to "M. J. Doughty" |

| |

| page 372: "W Jones" has been changed to "W. Jones" |

| |

| page 372: "Elizbth. C Gidley" has been changed to "Elizbth. |

| C. Gidley" |

| |

| page 372: "Annie E Jolly" has been changed to "Annie E. |

| Jolly" |

| |

| page 372: the name "G. M. Willett" is unclear |

| |

| page 373: "H. G, Humphries" has been changed to "H. G. |

| Humphries" |

| |

| page 373: "G. A M. Gillott" has been changed to "G. A. M. |

| Gillott" |

| |

| page 373: "Geo E. Girard" has been changed to "Geo. E. |

| Girard" |

| |

| page 373: the name "John Macnamara" is unclear |

| |

| page 373: the age of "George Humble" is unclear |

| |

| page 373: the age of "Ann Hetherington is unclear |

| |

+--------------------------------------------------------------+

Little Folks (December 1884) A Magazine for the Young · 第 5 / 5 章