4. AGES OF FIRE AND ICE

The Yellowstone plateau is a vast lava-deposit. Its material is mostly

volcanic, but its landscape--its architecture--is largely glacial. In

ages remote, this realm became the scene of volcanic activity.

Intermittent outpourings went on through long periods of time.

Volcanoes in and near the Park threw forth quantities of ashes, lava,

and cinders, which built up a plateau region three or four thousand

feet thick. Rhyolite and other forms of lava were last spread over

the region. This volcanic activity appears to have ended before the

last ice age. No eruption has occurred for centuries. The ice age

wrought vast changes in the volcanic landscape. The ice smoothed wide

areas, shaped cañons, and rounded mountain-sides, produced and spread

soil, and gave the entire region the flowing, attractive lines of

glacial landscape.

On the rim of the Yellowstone Cañon, about three miles below the

falls, an enormous glaciated granite boulder reposes upon

lava--rhyolite. It measures about twenty-four by twenty by eighteen

feet. It was transported to this resting-place from mountains more

than thirty miles away. Here we have a stone foundation laid by

volcanic fire, and upon it a stone, shaped, transported, and placed by

glacial ice.

There are about three thousand geysers, hot springs, and mud-and-water

springs in the Park; and as many other vents of steam, acid, and gas.

That the geysers have been active in this region for thousands of

years is shown in the deep deposits of silica and travertine that

overspread extensive area. During the ice age many of these deposits

were eroded and others were piled with boulders. It is plain that

steam and hot water had been at work long before the last ice age

came. During the ice period, a wild conflict probably took place

between the deep outspread ice and the insistent eruptions of steam

and hot water.

The surface of Yellowstone Lake once stood about one hundred and

eighty feet higher than it is at present. Its outlet was then through

the Snake River to the Pacific Ocean. The Continental Divide then

passed over the summit of Mount Washburn. Unwritten as yet is the

splendid geological story of this change, which may have been caused

by earthquake upheaval or by subsidence. It appears to have occurred

about the close of the last glacial epoch. Possibly ice dammed the

narrow gorge of Outlet Creek, through which the waters of the lake

formerly flowed to the Snake River. Whatever the cause, its outlet

waters changed and eroded the now famous and splendidly colored cañon

of the Yellowstone.

This is the most celebrated cañon in the Park, and its colors make it

one of the most gorgeously startling in the world. At bright noonday,

it is adorned with all the hues of the sunset sky. Its precipitous

walls are comparatively free from vegetation and are broken with

pinnacles and jagged ridges. About fifteen hundred feet below the

edge, the rushing waters of the Yellowstone River take on various

shades of blue and green between accumulations of gray foam.

Into the upper end of this cañon the river, about seventy feet wide,

makes a sheer leap of three hundred and ten feet. From the near-by

rim, this wonderful waterfall appears like an enormous, fluffy,

endless pouring of whitest snowflakes. The magnificence and wildness

of its setting combine to make it one of the most imposing waterfalls

in the world.

The paint-pots are the curiosities of the Park. They are craters, or

irregular-shaped ponds, in the earth, filled with brightly colored

mud, thick and hot, of fine texture, and in appearance resembling

kalsomine or paint freshly mixed and colored. The mud in many pots is

red or pink; that in others is lavender, blue, orange, or yellow.

Occasionally a rugged vat of this mud is found boiling away--very

suggestive of slaking lime. In other cases, plastic mud throbs and

undulates as steam-jets now and then escape through it. Here and there

this bright steamy mud opens like a full-blown lily. The paint-pots

near the Fountain Geyser, those east of the road in Gibbon Meadows,

and those close to the lake at the Thumb are the more attractive.

[Illustration: GRAND CAÑON FROM ARTIST POINT

YELLOWSTONE NATIONAL PARK _Copyright by Haynes, St. Paul_]

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