LETTER IV.

Thus much is certain. It is only when a third character, as

previously suggested, has preponderance that a revolution in a state

according to moral principles can be free from injurious

consequences; nor can anything else secure its endurance. In

proposing or setting up a moral state, the moral law is relied upon

as a real power, and free will is drawn into the realm of causes,

where all hangs together, mutually with stringent necessity and

rigidity. But we know that the condition of the human will always

remains contingent, and that only in the Absolute Being physical

coexists with moral necessity. Accordingly if it is wished to depend

on the moral conduct of man as on natural results, this conduct must

become nature, and he must be led by natural impulse to such a

course of action as can only and invariably have moral results. But

the will of man is perfectly free between inclination and duty, and

no physical necessity ought to enter as a sharer in this magisterial

personality. If therefore he is to retain this power of solution,

and yet become a reliable link in the causal concatenation of

forces, this can only be effected when the operations of both these

impulses are presented quite equally in the world of appearances. It

is only possible when, with every difference of form, the matter of

man's volition remains the same, when all his impulses agreeing with

his reason are sufficient to have the value of a universal

legislation.

It may be urged that every individual man carries, within himself,

at least in his adaptation and destination, a purely ideal man. The

great problem of his existence is to bring all the incessant changes

of his outer life into conformity with the unchanging unity of this

ideal. This pure ideal man, which makes itself known more or less

clearly in every subject, is represented by the state, which is the

objective and, so to speak, canonical form in which the manifold

differences of the subjects strive to unite. Now two ways present

themselves to the thought, in which the man of time can agree with

the man of idea, and there are also two ways in which the state can

maintain itself in individuals. One of these ways is when the pure

ideal man subdues the empirical man, and the state suppresses the

individual, or again when the individual BECOMES the state, and the

man of time is ENNOBLED to the man of idea.

I admit that in a one-sided estimate from the point of view of

morality this difference vanishes, for the reason is satisfied if

her law prevails unconditionally. But when the survey taken is

complete and embraces the whole man (anthropology), where the form

is considered together with the substance, and a living feeling has

a voice, the difference will become far more evident. No doubt the

reason demands unity, and nature variety, and both legislations take

man in hand. The law of the former is stamped upon him by an

incorruptible consciousness, that of the latter by an ineradicable

feeling. Consequently education will always appear deficient when

the moral feeling can only be maintained with the sacrifice of what

is natural; and a political administration will always be very

imperfect when it is only able to bring about unity by suppressing

variety. The state ought not only to respect the objective and

generic but also the subjective and specific in individuals; and

while diffusing the unseen world of morals, it must not depopulate

the kingdom of appearance, the external world of matter.

When the mechanical artist places his hand on the formless block, to

give it a form according to his intention, he has not any scruples

in doing violence to it. For the nature on which he works does not

deserve any respect in itself, and he does not value the whole for

its parts, but the parts on account of the whole. When the child of

the fine arts sets his hand to the same block, he has no scruples

either in doing violence to it, he only avoids showing this

violence. He does not respect the matter in which he works, any more

than the mechanical artist; but he seeks by an apparent

consideration for it to deceive the eye which takes this matter

under its protection. The political and educating artist follows a

very different course, while making man at once his material and his

end. In this case the aim or end meets in the material, and it is

only because the whole serves the parts that the parts adapt

themselves to the end. The political artist has to treat his

material--man--with a very different kind of respect from that shown

by the artist of fine art to his work. He must spare man's

peculiarity and personality, not to produce a deceptive effect on

the senses, but objectively and out of consideration for his inner

being.

But the state is an organisation which fashions itself through

itself and for itself, and for this reason it can only be realised

when the parts have been accorded to the idea of the whole. The

state serves the purpose of a representative, both to pure ideal and

to objective humanity, in the breast of its citizens, accordingly it

will have to observe the same relation to its citizens in which they

are placed to it, and it will only respect their subjective humanity

in the same degree that it is ennobled to an objective existence. If

the internal man is one with himself, he will be able to rescue his

peculiarity, even in the greatest generalisation of his conduct, and

the state will only become the exponent of his fine instinct, the

clearer formula of his internal legislation. But if the subjective

man is in conflict with the objective and contradicts him in the

character of the people, so that only the oppression of the former

can give the victory to the latter, then the state will take up the

severe aspect of the law against the citizen, and in order not to

fall a sacrifice, it will have to crush under foot such a hostile

individuality, without any compromise.

Now man can be opposed to himself in a twofold manner: either as a

savage, when his feelings rule over his principles; or as a

barbarian, when his principles destroy his feelings. The savage

despises art, and acknowledges nature as his despotic ruler; the

barbarian laughs at nature, and dishonours it, but he often proceeds

in a more contemptible way than the savage, to be the slave of his

senses. The cultivated man makes of nature his friend, and honours

its friendship, while only bridling its caprice.

Consequently, when reason brings her moral unity into physical

society, she must not injure the manifold in nature. When nature

strives to maintain her manifold character in the moral structure of

society, this must not create any breach in moral unity; the

victorious form is equally remote from uniformity and confusion.

Therefore, TOTALITY of character must be found in the people which

is capable and worthy to exchange the state of necessity for that of

freedom.

Literary and Philosophical Essays: French, German and Italian · 第 54 / 96 题